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Divertimento in G major (Badley II:G1)
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Classical
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Leopold Hofmann
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Allan Badley
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Divertimento in G major
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Artaria Editions
#
SheetMusicPlus
Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1487807 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 33 pages. Artaria...
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Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1487807 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 33 pages. Artaria Editions #1064745. Published by Artaria Editions (A0.1487807). In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the source. As is often the case in Hofmann's chamber music there are very few dynamic markings; these are left to the discretion and good taste of the performer. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at times in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.
$53.00
Concertino in A major (Badley A2)
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Classical
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Leopold Hofmann
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Allan Badley
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Concertino in A major
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Artaria Editions
#
SheetMusicPlus
Cello,Flute,Harpsichord,Violin - Level 3 - Digital Download SKU: A0.1487810 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 48 pages. A...
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Cello,Flute,Harpsichord,Violin - Level 3 - Digital Download SKU: A0.1487810 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 48 pages. Artaria Editions #1064748. Published by Artaria Editions (A0.1487810). Artaria Editions AE198For flute, violin, cello, harpsichord, and basso (usually a second cello)The present work was advertised by Breitkopf (Supplement IV) in 1769 along with two of the composer's keyboard concerti.Most of Hofmann's keyboard music appears to date from his years as Hofklaviermeister (1769-1774) and we can assume that a good deal of it was intended as teaching material. In the circumstances it is tempting to suggest that this attractive and unusually-scored work was composed for Hofmann's imperial pupils and that Joseph II perhaps played the cello part in a domestic concert at court. This edition is based on a set of MS parts now preserved in the Staatsbibliothek zu Berlin under the shelfmark Mus.ms. 10733/3. The wrapper reads: 'A/ Concertino / a / Cembalo / Flauto Traverso / Violino / Violoncello / e / Basso / del Sigr. Leop: Hoffmann / Grave' . The intended 'basso' instrument is uncertain but in all likelihood it was played by a second cello. In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Berlin copy. The simple continuo realisation, printed here in smaller type, has been added by a later hand and is certainly not the work of the composer. As is often the case in Hofmann's chamber music there are few dynamic markings in the parts although considerable care is taken with articulation. The style and notation of these have been standardised throughout, and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at times in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.
$62.00
Divertimento in D major (Badley III:D4)
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Classical
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Leopold Hofmann
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Allan Badley
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Divertimento in D major
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Artaria Editions
#
SheetMusicPlus
Cello,Flute,Viola,Violin - Digital Download SKU: A0.1487809 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 29 pages. Artaria Editions ...
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Cello,Flute,Viola,Violin - Digital Download SKU: A0.1487809 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 29 pages. Artaria Editions #1064747. Published by Artaria Editions (A0.1487809). The present work was advertised by Breitkopf in 1767 (Supplement II) but it was certainly composed in the previous year at the latest as the copy upon which this edition is based carries the performance date '15 Dezemb. 766' on the wrapper. A copy attributed to Joseph Haydn (and catalogued by Hoboken as II D6) is now preserved in the Gesellschaft der Musikfreunde in Wien: 'Divertimento in D / Flauto Traverso unison / Violino Concertato / Viola di Alto Oblig. / con / Basso / Del Sigre Giuseppe Haydn M. Doc LXVS / a / uso di Antonio Schaarschmidt 1767'. This edition is based on a set of MS parts now held in the Austrian National Library under the shelfmark S.m.11946. The wrapper reads: 'No.5 [No.1] / Divertimento / a / Flauto Traverso / Violino / Viola / e / Basso / Del / Sige: Leopoldo Hoffmann'. In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the source. As is often the case in Hofmann's chamber music there are very few dynamic markings; these are left to the discretion and good taste of the performer. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at times in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.
$53.00
Divertimento in D major (Badley II:D1)
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Classical
#
Leopold Hofmann
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Allan Badley
#
Divertimento in D major
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Artaria Editions
#
SheetMusicPlus
Cello,Double Bass,Flute,Violin - Level 3 - Digital Download SKU: A0.1487805 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 36 pages. A...
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Cello,Double Bass,Flute,Violin - Level 3 - Digital Download SKU: A0.1487805 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 36 pages. Artaria Editions #1064743. Published by Artaria Editions (A0.1487805). In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the source. As is often the case in Hofmann's chamber music there are very few dynamic markings; these are left to the discretion and good taste of the performer. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at times in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.
$53.00
Flute Quartet in E flat major, Op. 7 No.4 (Weinmann Vb: Eb1)
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Classical
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Johann Baptist Wanhal
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Uwe Grodd
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Flute Quartet in E flat major,
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Artaria Editions
#
SheetMusicPlus
Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488252 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 39 pages. Arta...
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Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488252 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 39 pages. Artaria Editions #1065139. Published by Artaria Editions (A0.1488252). Artaria Editions AE381In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets.Paul Bryan, Uwe Grodd.
$53.00
Flute Quartet in F major, Op.7 No.1 (Weinmann Vb: F1)
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Classical
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Johann Baptist Wanhal
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Uwe Grodd
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Flute Quartet in F major, Op.7
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Artaria Editions
#
SheetMusicPlus
Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488235 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Arta...
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Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488235 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Artaria Editions #1065122. Published by Artaria Editions (A0.1488235). Artaria Editions AE379 The flute writing in Wanhal's quartets is a good deal less virtuosic than the solo writing found in Hofmann's quartets. The principal reason for this lies in the greater equality of part-writing and in this respect Wanhal's quartets are more modern and technically advanced than those of Hofmann. One prime example of this can be seen in Wanhal's adoption of the modern alla breve notation in first movements in preference to the fussy eight-in-a-bar favoured by Hofmann and others. There is also a greater emphasis on the development of thematic material although not to the same extent or intensity that one encounters in the composer's symphonies. In keeping with the conventional practice of the period the flute quartets were conceived to be played with a variety of possible instruments on the top part. The London publisher Welcker, for example, issued the Op. 7 set with the title page Six Quartettes for a / Hautboy or German Flute whereas Sieber styled them Six Quartetto Concertante / Pour une Flute au Hautbois. Copies of several works from the set are preserved in manuscript as string quartets and at least one work as a clarinet quartet. There is good reason to believe that the six flute quartets under consideration were conceived as a set and probably intended for immediate publication. They first appeared under Huberty's imprint in 1771 (as Op.8) and may have been composed reasonably close to the publication date. Whether Wanhal sent the works direct to Huberty is uncertain. It is very interesting to note, however, that Sieber issued the same works in a new edition the following year - it was announced on 28 January 1772 - and this seems to have been the basis for the later (undated) Welcker edition published in London and many of the extant manuscript copies.In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets. Paul Bryan, Uwe Grodd
$53.00
Flute Quartet in G major, Op.7 No.3 (Weinmann Vb: G1)
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Classical
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Johann Baptist Wanhal
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Uwe Grodd
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Flute Quartet in G major, Op.7
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Artaria Editions
#
SheetMusicPlus
Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488239 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 53 pages. Arta...
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Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488239 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 53 pages. Artaria Editions #1065127. Published by Artaria Editions (A0.1488239). Artaria Editions AE380 In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets. Paul Bryan, Uwe Grodd
$53.00
Flute Quartet in A major, Op. 7 No.5(Weinmann Vb: A1)
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Classical
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Johann Baptist Wanhal
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Uwe Grodd
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Flute Quartet in A major, Op.
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Artaria Editions
#
SheetMusicPlus
Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488255 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 40 pages. Arta...
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Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488255 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 40 pages. Artaria Editions #1065142. Published by Artaria Editions (A0.1488255). Artaria Editions AE382In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets.Paul Bryan, Uwe Grodd.
$53.00
Flute Quartet in C major, Op.7 No.6 (Weinmann Vb: C1)
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Classical
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Johann Baptist Wanhal
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Uwe Grodd
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Flute Quartet in C major, Op.7
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Artaria Editions
#
SheetMusicPlus
Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488256 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 57 pages. Arta...
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Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488256 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 57 pages. Artaria Editions #1065143. Published by Artaria Editions (A0.1488256). Artaria Editions AE383In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets.Paul Bryan, Uwe Grodd.
$53.00
Flute Quartet in B flat major, Op.7 No.2 (Weinmann Vb: Bb1)
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Classical
#
Johann Baptist Wanhal
#
Uwe Grodd
#
Flute Quartet in B flat major,
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Artaria Editions
#
SheetMusicPlus
Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488834 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Arta...
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Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488834 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Artaria Editions #1065688. Published by Artaria Editions (A0.1488834). Artaria Editions AE379In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets.Paul Bryan, Uwe Grodd.
$53.00
A Pukwudgie Christmas: A Tale of Mischief, Mayhem and Redemption
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Joseph Davila
#
A Pukwudgie Christmas: A Tale
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JaGlo Music
#
SheetMusicPlus
Guitar Ensemble - Level 5 - Digital Download SKU: A0.1453659 By Joseph Davila. By Joseph Davila. Christmas,Classical,Contemporary,Holiday,Multicultural,W...
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Guitar Ensemble - Level 5 - Digital Download SKU: A0.1453659 By Joseph Davila. By Joseph Davila. Christmas,Classical,Contemporary,Holiday,Multicultural,World. Score and Parts. 17 pages. JaGlo Music #1032873. Published by JaGlo Music (A0.1453659). This is a guitar quartet Christmas piece that I wrote earlier this year. It is for advanced players and is perfect for Holiday Concerts, Christmas parties or recitals. The theme is based on the legend of the Pukwudgie and is the soundtrack to the story below. © Copyright 2024 JaGlo Music. In the quaint village of Hollybrook, Christmas was a time of joy and togetherness. But this year, a malicious pukwudgie named Bramble planned to spread fear and chaos. On Christmas Eve, as villagers gathered around the grand tree for the annual lighting ceremony, Bramble struck. He made the lights flicker and go out and twisted the ornaments into grotesque shapes. He snuck into homes, swapping sugar for ashes and hiding stockings in unreachable places, casting a dark spell over the village. By morning, Hollybrook was in disarray. Children found their stockings missing, cookies ruined, and the tree ominous in the square. Fear gripped the town. Amidst the chaos, a brave girl named Lucy refused to let fear win. She gathered her friends and ventured into the forest, following eerie footprints. They found Bramble muttering dark incantations under a gnarled tree. Caught in a trap made from holly and mistletoe, Bramble hissed his intentions to spread fear. Lucy, with steely resolve, offered him a chance at redemption. Reluctantly, Bramble agreed. They returned to the village, and with Bramble’s help, dispelled the dark enchantments. The ornaments returned to their beautiful forms, sugar replaced the ashes, and the stockings were found. That night, the tree lit up, and Bramble felt warmth in his heart for the first time. The villagers, initially wary, accepted him as he helped create beautiful ice sculptures, adding magic to the festivities. From that year on, Bramble became part of Hollybrook. His dark nature slowly transformed under the light of friendship and acceptance. Every Christmas, his magic brought extra sparkle to the celebrations, reminding everyone that even the darkest hearts could find redemption through kindness and love.
$12.00
Schubert: MASS In G Major D-167 (Version for SSAA choir, SSA soli, strings and organ) - Score Only
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Classical
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Franz Schubert
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Roar Kvam
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Schubert: MASS In G Major D-16
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KVAMusic Edition
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1401951 Composed by Franz Schubert. Arranged by Roar Kvam. 19th Century,Classical,Latin,Praise and Worship,Romantic Pe...
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Level 3 - Digital Download SKU: A0.1401951 Composed by Franz Schubert. Arranged by Roar Kvam. 19th Century,Classical,Latin,Praise and Worship,Romantic Period. 123 pages. KVAMusic Edition #985149. Published by KVAMusic Edition (A0.1401951). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$20.00
Sunny
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Bobby Hebb
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Stewart J Wallace
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Sunny
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Stewart J Wallace
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SheetMusicPlus
Choral Choir,Choral (3-Part) - Level 2 - Digital Download SKU: A0.1394109 By Bobby Hebb. By Bobby Hebb. Arranged by Stewart J Wallace. Disco,Jazz,Latin,P...
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Choral Choir,Choral (3-Part) - Level 2 - Digital Download SKU: A0.1394109 By Bobby Hebb. By Bobby Hebb. Arranged by Stewart J Wallace. Disco,Jazz,Latin,Pop,Soul. 17 pages. Stewart J Wallace #977567. Published by Stewart J Wallace (A0.1394109). Sunny was written in 1963 and released as a single by the composer Bobby Hebb in 1966 rising to number 2 on the US Pop chart. Thanks to its success Bobby Hebb toured with The Beatles in the same year, and other performers who have recorded the song include Andy Williams, Frank Sinatra, Stevie Wonder, Cher and Boney M. It is an optimistic and upbeat song, but when Hebb's older brother was stabbed outside a Nashville nightclub this event inspired him to write the song. He once said about the song, All my intentions were to think of happier times and pay tribute to my brother – basically looking for a brighter day – because times were at a low. This arrangement has a slight latin groove to the piano accompaniment, and the vocals should be sung with a direct, clipped and rhythmic delivery. Clarity of the words is very important, and even though the song is in a minor key, the performance needs to be uplifting, hopeful and encouraging. Watch out for the key shifts!
$1.99
Götterdämmerung
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Classical
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Richard Wagner
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Götterdämmerung
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Soloists, choir and orchestra - Digital Download SKU: S9.Q17847 Der Ring des Nibelungen. Composed by Richard Wagner. This edition: study score. Ch...
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Soloists, choir and orchestra - Digital Download SKU: S9.Q17847 Der Ring des Nibelungen. Composed by Richard Wagner. This edition: study score. Choral music - ernst eulenburg - score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q17847. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q17847). German.This edition is based upon Wagner's autograph manuscript, which is the only reliable source to reproduce the composer's intentions. Besides this, the edition records changes made by Wagner during rehearsals in 1876 for the first complete performance at Bayreuth, written in on his instructions by Heinrich Porges, Hermann Levi, Felix Mottl and others. Anyone using this edition thus not only benefits from the best possible musical score, but also gains insight into the performance practice of that time.
$71.99
Schubert: MASS In G Major D-167 (Version for SSAA choir, SSA soli, strings and organ)
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Classical
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Franz Schubert
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Roar Kvam
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Schubert: MASS In G Major D-16
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KVAMusic Edition
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SheetMusicPlus
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.768510 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Octavo. 123 ...
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.768510 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Octavo. 123 pages. KVAMusic Edition #5321075. Published by KVAMusic Edition (A0.768510). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$55.00
Hand In Hand
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William Glewicz
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William Glewicz
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Hand In Hand
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William Glewicz
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 1 - Digital Download SKU: A0.985382 Composed by William Glewicz. Arranged by William Glewicz. Co...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 1 - Digital Download SKU: A0.985382 Composed by William Glewicz. Arranged by William Glewicz. Country,Pop,Praise & Worship,R & B. Score and parts. 6 pages. William Glewicz #5802377. Published by William Glewicz (A0.985382). A new composition for guitar and voice. A reflection on recent events, the times we are living in and where we can go, if those with an open heart and good intentions stand together. The impossible may take a little bit longer. When we walk as one, we are stronger. I hope you enjoy it.
$2.99
Love For Sale
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Cole Porter
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Love For Sale
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Lead Sheet - Digital Download SKU: AX.00-PSL-000247 Composed by Cole Porter. Standard. 2 pages. Alfred Music - Digital Sheet Music #00-PSL-000247. Publis...
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Lead Sheet - Digital Download SKU: AX.00-PSL-000247 Composed by Cole Porter. Standard. 2 pages. Alfred Music - Digital Sheet Music #00-PSL-000247. Published by Alfred Music - Digital Sheet Music (AX.00-PSL-000247). ISBN 9780739039441. UPC: 038081270654.Production teams in both the U.S. and the U.K. took great care to ensure the accuracy and usability of this arrangement and original composer sources were consulted to ensure that the arrangement remains true to the composers' intentions. Plus, useful and important chord substitutions are indicated, allowing the user to pick from the original chords or the more popular jazz versions.
$1.99
Mozart: Ein Musikalischer Spass (A Musical Joke) K522 Mvt.I Allegro - symphonic wind ensemble
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Classical
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Ein Musikalischer Spas
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 4 - Digital Download SKU: A0.553596 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. Score and parts. 18 ...
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Large Ensemble - Level 4 - Digital Download SKU: A0.553596 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. Score and parts. 18 pages. RayThompsonMusic #3135633. Published by RayThompsonMusic (A0.553596). A Musical Joke (in German: Ein musikalischer Spaß) K. 522, (Divertimento for two horns and string quartet) is a composition by Wolfgang Amadeus Mozart; the composer entered it in his Verzeichnis aller meiner Werke (Catalogue of All My Works) on June 14, 1787. Commentators have opined that the piece's purpose is satirical – that [its] harmonic and rhythmic gaffes serve to parody the work of incompetent composers[1] – though Mozart himself is not known to have revealed his actual intentions.This is the first movement arranged for double wind quintet and double bass.
$9.95
Dvorak - Song to the Moon from Rusalka, Op. 114 - Reduction for Soprano and String Quartet (SCORE)
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Classical
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Classical
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Antonin Dvorak
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C
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Dvorak - Song to the Moon from
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Amnael Orozco-Diaz
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SheetMusicPlus
Small Ensemble Cello,High Voice,Piano Accompaniment,Viola,Violin - Digital Download SKU: A0.826938 Composed by Antonin Dvorak. Arranged by C. A. Orozco-D...
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Small Ensemble Cello,High Voice,Piano Accompaniment,Viola,Violin - Digital Download SKU: A0.826938 Composed by Antonin Dvorak. Arranged by C. A. Orozco-Diaz. Opera,Romantic Period. Score and parts. 15 pages. Amnael Orozco-Diaz #4407074. Published by Amnael Orozco-Diaz (A0.826938). Probably the sexiest song from any Bohemian opera ever, this staple of the singers' repertoire is now available for string quartet. Every effort has been put to best capture the intentions, harmonies and colours of the original orchestral accompaniment into this all-strings version. This item includes a score for the accompaniment.Contact us at facebook.com/HouseOfLilithMusic for comments and requests!
$5.22
Dvorak - Song to the Moon from Rusalka, Op. 114 - Reduction for Soprano and String Quartet (PARTS)
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Classical
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Classical
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Antonin Dvorak
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C
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Dvorak - Song to the Moon from
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Amnael Orozco-Diaz
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SheetMusicPlus
Small Ensemble Cello,High Voice,Piano Accompaniment,Viola,Violin - Level 4 - Digital Download SKU: A0.826941 Composed by Antonin Dvorak. Arranged by C. A...
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Small Ensemble Cello,High Voice,Piano Accompaniment,Viola,Violin - Level 4 - Digital Download SKU: A0.826941 Composed by Antonin Dvorak. Arranged by C. A. Orozco-Diaz. Opera,Romantic Period. Score and parts. 10 pages. Amnael Orozco-Diaz #4407076. Published by Amnael Orozco-Diaz (A0.826941). Probably the sexiest song from any Bohemian opera ever, this staple of the singers' repertoire is now available for string quartet. Every effort has been put to best capture the intentions, harmonies and colours of the original orchestral accompaniment into this all-strings version. This item includes a set of parts for the accompaniment. Contact us at facebook.com/HouseOfLilithMusic for comments and requests!
$13.24
Hallelujah Chorus from Handel's Messiah
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Classical
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George Frideric Handel
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C Blankenship
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Hallelujah Chorus from Handel'
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C Blankenship
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SheetMusicPlus
Large Ensemble Choir - Level 5 - Digital Download SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts....
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Large Ensemble Choir - Level 5 - Digital Download SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts. 81 pages. C Blankenship #4984983. Published by C Blankenship (A0.899601). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only scene taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the Hallelujah chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart. In the late 20th and early 21st centuries the trend has been towards reproducing a greater fidelity to Handel's original intentions, although big Messiah productions continue to be mounted. (Notes provided are from the WindRep Project & Wikipedia)
$50.00
Evocation
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Contemporary
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Daniel Burwasser
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Evocation
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Head and Stem
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SheetMusicPlus
B-Flat Clarinet,Bassoon,C Trumpet,Cymbals,Gong,Horn,Snare Drum,Tom Tom,Triangle - Level 4 - Digital Download SKU: A0.1021135 Composed by Daniel Burwasser...
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B-Flat Clarinet,Bassoon,C Trumpet,Cymbals,Gong,Horn,Snare Drum,Tom Tom,Triangle - Level 4 - Digital Download SKU: A0.1021135 Composed by Daniel Burwasser. Contemporary. 40 pages. Head and Stem #6013231. Published by Head and Stem (A0.1021135). An Evocation is essentially the act of calling upon or summoning a spirit or other supernatural being, however, the composer had no specific special forces in mind when writing the piece and would prefer listeners to interpret the work on their own. This simply means that the piece could evoke anything in the mind such as past experiences. Evocation was composed in 1985. It was later revised in 2020 for this publication. Much effort has been made to retain the original intentions of the work.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60
$14.99
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Pr
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pag...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Pr
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pag...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
Grock
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Andreas Hermeyer and Thomas Sv
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Grock
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Matthias Hohner Verlag GmbH - Digital
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SheetMusicPlus
Accordion (2. accordion ad libitum) - easy to intermediate - Digital Download SKU: S9.Q19580 Accordion works of the famous clown. Arranged by Andr...
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Accordion (2. accordion ad libitum) - easy to intermediate - Digital Download SKU: S9.Q19580 Accordion works of the famous clown. Arranged by Andreas Hermeyer and Thomas Svechla. This edition: Sheet music. Accordion - Musical legacy - music clown. Manege frei für die schönsten Kompositionen von Grock, dem berühmten Musikclown. Mit Arrangements, die gute Spielbarkeit und Nähe zu den Originalkompositionen beweisen. Downloadable. Matthias Hohner Verlag GmbH - Digital #Q19580. Published by Matthias Hohner Verlag GmbH - Digital (S9.Q19580). German.Grock's great-nephew Raymond Naef, who also administers the musical estate of his great-uncle, has often received inquiries from interested people as to whether new scores of the most beautiful compositions by the famous music clown has been published for accordion. This wish has now been granted by the Hohner publishing house with the present album containing 14 melodies. The two arrangers of the selected titles endeavoured to ensure the works' easy playability while at the same time trying to meet the intentions of the composer.
$17.99
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