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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
The List
Not classified
7,336
Piano & keyboards
Piano solo
4,219
Easy Piano
1,183
Piano, Voice
1,079
Piano, Vocal and Guitar
557
C Instruments
430
Organ
317
1 Piano, 4 hands
193
Piano Accompaniment
101
Piano Trio: piano, violin, cello
80
2 Pianos, 4 hands
63
Accordion
52
Big Note Piano
36
Piano Quartet: piano, violin, viola, cello
19
Piano (band part)
18
Piano Quartet: piano, 2 violins, cello
10
Organ, Piano (duet)
9
Piano Quintet: piano, 2 violins, viola, cello
8
Organ, Trumpet (duet)
5
Melody line, Piano
4
Harpsichord
3
2 Pianos, 8 hands
2
1 Piano, 6 hands
1
Accordion, Voice
1
+ 18 instrumentations
-
Retract
Guitars
Guitar
346
Guitar notes and tablatures
339
Melody line, (Lyrics) and Chords
175
Ukulele
63
2 Guitars (duet)
46
Guitar (band part)
42
Mandolin
31
Bass guitar
31
4 Guitars (Quartet)
30
Lyrics and Chords
18
Piano, Guitar (duet)
17
Banjo
14
3 Guitars (trio)
13
Dulcimer
9
Guitar Ensemble
7
Mandolin, Guitar (duet)
3
2 Dulcimers (duet)
2
Electric Bass (band part)
2
Band Scores
1
Mandolin, Piano (duet)
1
Guitar, Violin, Cello (trio)
1
Baritone Ukulele
1
+ 17 instrumentations
-
Retract
Voice
Choral SATB
1,520
Choral 3-part
422
Choral 2-part
249
Choral TTBB
215
Choral SSAA
145
Choral Unison
128
Alto voice, Piano
77
Soprano voice, Piano
59
Baritone voice, Piano
51
Vocal duet, Piano
51
Tenor voice, Piano
49
Voice solo
42
Vocal duet
38
High voice
31
Tenor voice
26
Soprano voice
23
Medium voice, Piano
19
Choral
13
Low voice, Piano
10
Choral SSAATTBB
7
Choral Instrumental Pak
6
Low voice
6
Choral SSATTB
3
Choral SSATB
3
Voix Masculines
2
Choral SSAB, Piano
2
Choral SSATBB
1
Choral SATBB
1
Mezzo-Soprano voice, Piano
1
+ 24 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
730
Saxophone Quartet: 4 saxophones
646
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
584
Flute, Oboe, Clarinet, Bassoon
517
Flute and Piano
462
Saxophone Quintet: 5 Saxophones
452
Clarinet Quartet: 4 clarinets
411
Oboe, Piano (duet)
359
Clarinet and Piano
350
2 Clarinets (duet)
335
Alto Saxophone and Piano
334
2 Flutes (duet)
333
Flute
321
Clarinet
317
Saxophone, Clarinet (duet)
278
Saxophone (band part)
238
Tenor Saxophone and Piano
210
Alto Saxophone
205
Clarinet, Violin (duet)
200
Clarinet, Trumpet (duet)
172
Clarinet Ensemble
163
2 Oboes (duet)
163
Tenor Saxophone
159
Oboe, Bassoon (duet)
142
Flute, Clarinet (duet)
138
Clarinet Quintet: 5 clarinets
134
Saxophone ensemble
132
Flute Quartet: 4 flutes
126
Oboe, Clarinet (duet)
118
Baritone Saxophone, Piano
117
Soprano Saxophone and Piano
110
Oboe (band part)
109
Flute, Violin
106
Clarinet and Viola
101
3 Saxophones (trio)
98
Flute, Saxophone (duet)
97
Flute, Trumpet (duet)
89
Oboe, Flute
89
Flute, Viola (duet)
84
Flute Quintet : 5 flutes
71
Flute and Guitar
70
3 Clarinets (trio)
62
Oboe
57
Clarinet (band part)
51
Saxophone
49
Flute Trio: 3 flutes
47
Flute ensemble
44
Descant (Soprano) Recorder
43
Clarinet, Bassoon (duet)
37
English horn, Piano
37
Flute, Oboe, Clarinet (trio)
33
Bass Clarinet, Piano
32
2 Recorders (duet)
31
Oboe, Clarinet, Bassoon (trio)
30
Recorder
29
Soprano Saxophone
27
English Horn
25
Baritone Saxophone
21
Flute, Violoncello
21
Flute (band part)
20
Flute, Violin, Piano
20
Treble (Alto) Recorder
19
Recorder Quartet
19
Clarinet, Cello (duet)
19
Flute, Oboe, Bassoon
18
Oboe, Cello
18
Flute, Oboe (duet)
16
Clarinet, Guitar (duet)
15
Flute, Clarinet and Bassoon.
14
Flute, Oboe, Piano (trio)
10
Flute, Bassoon, and Piano
9
Oboe, Violin (duet)
8
Clarinet, Cello, Piano (trio)
8
Harmonica
8
Flute, Organ (duet)
7
Ocarina
7
2 Saxophones, Piano
7
Flute, Viola and Piano
7
Oboe and viola (duet)
6
3 Recorders (trio)
6
Recorder Ensemble
5
Flute, Trombone (duet)
5
Piccolo
5
Oboe, Guitar (duet)
5
5 Recorders
4
Flute, Clarinet, Piano (trio)
4
Flute, Clarinet, Horn and Bassoon (Quartet)
4
Saxophone and Organ
4
2 Flutes, Piano
4
Clarinet, Bassoon, Piano (trio)
4
2 Clarinets, Piano
3
Flute, Cello, Piano (trio)
3
Descent (Soprano) Recorder, Piano
3
Clarinet, Trombone (duet)
3
Saxophone and Harp
3
Tenor Recorder
3
Flute, harp and violin
3
Oboe, Harp
3
Pennywhistle
3
Eb Instruments
2
4 Oboes
2
Flute, Violin, Violoncello and Piano
2
English Horn, Guitar (duet)
2
3 Oboes
2
Clarinet, Harp (duet)
2
Wind ensemble
2
2 Oboes, Piano
2
Bass Clarinet
2
Treble (Alto) Recorder, Piano
2
Flute, Violin and Violoncello
2
Clarinet Quintet: Clarinet, String Quartet
2
Flute, Basso continuo
2
Saxophone and Guitar
2
Flute, Clarinet, Violin (trio)
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
2 Clarinets, Bassoon
1
Oboe, Cello and Piano
1
Clarinette, Viola and Piano (trio)
1
Clarinet, Double bass (duet)
1
Flute, Tuba (duet)
1
Flute, Oboe, Violin
1
Oboe, Trumpet (duet)
1
Oboe, Trombone (duet)
1
Flute and Strings Trio
1
2 Flutes, Basso continuo
1
Oboe ensemble
1
Clarinet, Tuba
1
Recorder, Guitar (duet)
1
+ 123 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
450
Brass quartet : 2 trumpets, trombone, tuba
318
Trombone and Piano
266
Trumpet, Piano
247
Trumpet
228
French Horn and Piano
218
Trumpet, Saxophone (duet)
197
2 Trombones (duet)
172
Trombone
159
2 Trumpets (duet)
155
French horn
133
Trumpet, Trombone (duet)
131
Trombone (band part)
130
Trumpet (band part)
128
Tuba and Piano
119
Brass Quartet
102
Tuba
94
2 French horns (duet)
83
Euphonium, Piano (duet)
77
Brass Quartet: 2 trumpets, horn, trombone
68
Trombone ensemble
56
Brass Quartet: 4 trombones
41
English horn, Piano
37
French horn (band part)
26
English Horn
25
Brass Quartet: 4 horns
22
Trumpet ensemble
22
2 Tubas (duet)
20
Tuba (band part)
17
Euphonium
16
Brass Trio
15
Trombone, Tuba (duet)
12
Brass Quartet: 4 trumpets
9
Bass Trombone and Piano
9
4 Tubas
8
Horn Ensemble
8
2 Euphoniums and 2 Tubas
8
Trumpet, Cello (duet)
7
3 Trombones (trio)
7
Trombone, Horn (duet)
6
3 Trumpets (trio)
6
Horn, Cello (duet)
6
Bass Trombone
5
2 Euphoniums (duet)
4
3 Tubas (trio)
4
Trumpet, Horn (duert)
4
Bass Clef Instruments
3
Tuba or Euphonium or Saxhorn
3
2 Trumpets, Keyboard (piano or organ)
3
Brass Quartet: 2 trumpets, 2 trombones
3
2 French horns, Piano
3
Trumpet, Bassoon (duet)
3
Euphonium, Tuba (duet)
3
Trumpet, Tuba (duet)
2
English Horn, Guitar (duet)
2
Trumpet, Harp
2
Bb Instruments
2
Trombone, Organ
2
Trumpet and Guitar
2
French horn and Basson (duet)
2
3 Euphoniums
2
Trumpet, violin (duet)
1
3 French horns (trio)
1
Tuba ensemble
1
Brass Quintet: 2 trumpets, horn, 2 trombones
1
French Horn and Harp
1
F Instruments
1
Tuba and Organ
1
Trumpet, Orchestra
1
Trombone and Orchestra
1
Trombone, Violin (duet)
1
Horn and Organ
1
+ 67 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
1,936
Harp
869
Violin, Cello (duet)
643
Cello, Piano
630
Violin and Piano
544
Violin
520
Cello
515
String Trio: violin, viola, cello
454
Viola, Piano
421
Viola
274
2 Cellos (duet)
262
2 Violins (duet)
231
Violin, Viola (duet)
210
String Quintet: 2 violins, viola, cello, bass
208
2 Violas (duet)
188
String Trio: 2 violins, cello
116
Double bass, Piano (duet)
90
Violin (band part)
87
Viola (band part)
82
Double Bass
78
Viola, Cello (duet)
70
Doublebass (band part)
57
4 Cellos
55
String Trio: 3 cellos
31
Violin, Guitar (duet)
26
String Trio: 3 violins
26
Violin, Bassoon (duet)
26
2 Harps (duet)
23
String quartet: 4 violins
22
String Trio: 2 violins, viola
18
String Trio: 3 violas
18
String Quartet : 4 violas
17
2 Double basses (duet)
14
Cello (band part)
12
String Quintet: 2 violins, 2 violas, cello
11
Cello, Guitar (duet)
10
Cello, String Bass (duet)
10
Violin ensemble
10
Piano Trio: Violin, Viola, Piano
9
Viola ensemble
8
Cello, Organ
7
Violin, Organ
7
Cello Ensemble
7
Viola, Guitar (duet)
7
Viola and Bassoon
7
Flute, Doublebass (duet)
6
Cello, Orchestra
6
Harp, Flute (duet)
5
Violoncello, Basso continuo
4
2 Cellos, Piano
4
2 Violins, Piano
3
String Quintet: 2 violins, viola, 2 cellos
3
Harp, Cello (duet)
3
Harp, Voice
3
Harp, Violin (duet)
3
5 Harps
2
Harp and Organ
2
3 Harps
2
Viola and Harp
2
Harp, Trombone (duet)
2
4 Double Basses
2
Viola, Organ
1
Violin, Trumpet and Piano
1
Violin, Tuba (duet)
1
Harp and mandolin
1
Autoharp
1
4 Harps
1
Violin, Basso continuo
1
Harp and Piano
1
+ 64 instrumentations
-
Retract
Orchestra & Percussion
Concert band
2,029
Jazz Ensemble
743
String Orchestra
687
Orchestra
687
Handbells
213
Brass ensemble
182
Chamber Orchestra
122
Jazz combo
94
Marching band
79
Percussion Ensemble
45
Drums
30
Percussion (band part)
26
Drum (band part)
22
Marimba
21
Percussion
11
Vibraphone
11
Xylophone
6
School Ensemble
6
Xylophone, Piano
5
Piano and Orchestra
2
Big band
2
Snare drums
1
Timpani
1
Woodwind Quintet
1
Flexible Instrumentation
1
Orchestra, Violin
1
Marimba, Piano (duet)
1
Conga
1
2 Marimbas
1
+ 24 instrumentations
-
Retract
Others
Music Theory
1
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--INSTRUMENTS--
ACCORDION
AUTOHARP
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CHORAL - VOCAL…
CLARINET
CORNET
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7,336 sheet music found
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7326
Theme from Schindler's List - Duet Violin
Duet Violin
#
Film/TV
#
John Williams
#
Robert Longfield and Amy Barlo
#
Theme from Schindler's List -
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Composed by John Williams. Arranged by Robert Longfield and Amy Barlowe. Film/TV. Individual instrument part. 1 pages. Duration 3:45. Published by Hal Leonard -...
(+)
Composed by John Williams. Arranged by Robert Longfield and Amy Barlowe. Film/TV. Individual instrument part. 1 pages. Duration 3:45. Published by Hal Leonard - Digital Sheet Music (HX.96697). - individual instrument part - Film/TV - Hal Leonard - Digital Sheet Music
$7.00
CHRISTMAS JOY MEDLEY (Trio ? Flute, Horn in F and Piano with Parts)
Flute, Horn and Piano
Intermediate level
#
Christmas
#
GEORGE F
#
Gary Lanier
#
CHRISTMAS JOY MEDLEY
#
The Lanier Company
#
SheetMusicPlus
Composed by GEORGE F. HANDEL, JOHN F. WADE, JAMES R. MURRAY. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise and Worship, Christmas. ...
(+)
Composed by GEORGE F. HANDEL, JOHN F. WADE, JAMES R. MURRAY. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise and Worship, Christmas. Score, Solo Part. 17 pages. Published by The Lanier Company (S0.158643). - Score,Solo Part - Christian,Contemporary Christian,Gospel,Praise and Worship,Christmas - The Lanier Company
2016 Holiday Contest entry. CHRISTMAS JOY MEDLEY is an instrumental arrangement for Flute, Horn in F and Piano, using 3 of our most popular Christmas Songs, (1) Joy to the World, (2) O Come, All Ye Faithful, and (3) Away In a Manger. The score, including cover and instrumental parts is 17 pages long. This work is perfect for any Church or gathering where celebrating the reason for the season is desired. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: CHRISTMAS JOY MEDLEY (Piano Accompaniment for Flute, Horn in F)
$9.99
The Girl From Ipanema (Garota De Ipanema)
Voice,standard jazz ensemble with vocalist: 8 brass,5 saxes,guitar,piano,bass and drums
#
Frank Sinatra
#
Mike McGowan
#
The Girl From Ipanema
#
SheetMusicPlus
By Frank Sinatra. Arranged by Mike McGowan. Score, Set of Parts. 58 pages. Published by Published by Mike McGowan (H0.231677-273790). - Score,Set of Parts - - ...
(+)
By Frank Sinatra. Arranged by Mike McGowan. Score, Set of Parts. 58 pages. Published by Published by Mike McGowan (H0.231677-273790). - Score,Set of Parts - - Published by Mike McGowan
$15.00
This is the Day Which the Lord Hath Made (medium low voice)
Voice,Soprano Voice,Alto Voice,Tenor Voice,Baritone Voice,Bass Voice
#
Sacred music
#
Robert Collister
#
This is the Day Which the Lord
#
Robert Collister
#
SheetMusicPlus
Composed by Robert Collister. Christian, Contemporary Christian, Sacred, Praise & Worship, General Worship. Sheet Music Single. 10 pages. Published by Robert Co...
(+)
Composed by Robert Collister. Christian, Contemporary Christian, Sacred, Praise & Worship, General Worship. Sheet Music Single. 10 pages. Published by Robert Collister (S0.66079). - Sheet Music Single - Christian,Contemporary Christian,Sacred,Praise & Worship,General Worship - Robert Collister
$5.00
We Are All Enlisted (TTB)
Piano,Choir,Choir - other voicings,
#
Sacred music
#
William Bradbury, Adam Geibel
#
Garrett Breeze
#
We Are All Enlisted
#
Breeze Tunes Productions LLC
#
SheetMusicPlus
Composed by William Bradbury, Adam Geibel. Arranged by Garrett Breeze. Christian, Sacred. Octavo. 9 pages. Published by Breeze Tunes Productions LLC (S0.20931)....
(+)
Composed by William Bradbury, Adam Geibel. Arranged by Garrett Breeze. Christian, Sacred. Octavo. 9 pages. Published by Breeze Tunes Productions LLC (S0.20931). - Octavo - Christian,Sacred - Breeze Tunes Productions LLC
$2.50
My Lord Willoughby's Welcome home (woodwind and brass nonet version)
Trumpet, Trombone, Tuba, Horn in F, piccolo, flute, oboe, clarinet, bassoon (BTW I don't understand why these are not listed already)
Intermediate level
#
Contemporary
#
Traditional
#
David Warin Solomons
#
My Lord Willoughby's Welcome h
#
SheetMusicPlus
Composed by Traditional. Arranged by David Warin Solomons. For Trumpet, Trombone, Tuba, Horn in F, piccolo, flute, oboe, clarinet, bassoon (BTW I don't und...
(+)
Composed by Traditional. Arranged by David Warin Solomons. For Trumpet, Trombone, Tuba, Horn in F, piccolo, flute, oboe, clarinet, bassoon (BTW I don't understand why these are not listed already). 21st Century, Renaissance. Intermediate. Score, Set of Pa
$14.00
Mocking Bird Echoes: Listen to the Mocking Bird
piano and voice (solo, unison and SATB chorus)
#
Alice Hawthorne
#
Mocking Bird Echoes: Listen to
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Composed by Alice Hawthorne. For piano and voice (solo, unison and SATB chorus). Courtship, Love, Death, Cotton plantations. Lester S. Levy Collection. 5 pages....
(+)
Composed by Alice Hawthorne. For piano and voice (solo, unison and SATB chorus). Courtship, Love, Death, Cotton plantations. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries
$5.99
Party Rock Anthem - Quad Toms
Quad Toms
#
Pop music
#
LMFAO
#
Paul Murtha and Will Rapp
#
Party Rock Anthem - Quad Toms
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By LMFAO. By Stefan Gordy, David Listenbee, Peter Schroeder, and Skyler Gordy. Arranged by Paul Murtha and Will Rapp. Pop. Marching Band. 1 pages. Published by ...
(+)
By LMFAO. By Stefan Gordy, David Listenbee, Peter Schroeder, and Skyler Gordy. Arranged by Paul Murtha and Will Rapp. Pop. Marching Band. 1 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
Party Rock Anthem - Quad Toms
Quad Toms
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Pop music
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LMFAO
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Michael Brown
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Party Rock Anthem - Quad Toms
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By LMFAO. By Stefan Gordy, David Listenbee, Peter Schroeder, and Skyler Gordy. Arranged by Michael Brown. Pop. Marching Band. 1 pages. Published by Hal Leonard ...
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By LMFAO. By Stefan Gordy, David Listenbee, Peter Schroeder, and Skyler Gordy. Arranged by Michael Brown. Pop. Marching Band. 1 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
Party Rock Anthem - Bb Horn/3rd Bb Tpt
Horn|B-Flat Trumpet
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Pop music
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LMFAO
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Paul Murtha and Will Rapp
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Party Rock Anthem - Bb Horn/3r
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By LMFAO. By Stefan Gordy, David Listenbee, Peter Schroeder, and Skyler Gordy. Arranged by Paul Murtha and Will Rapp. Pop. Marching Band. 1 pages. Published by ...
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By LMFAO. By Stefan Gordy, David Listenbee, Peter Schroeder, and Skyler Gordy. Arranged by Paul Murtha and Will Rapp. Pop. Marching Band. 1 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phale...
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, ...
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contempo...
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String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
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Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,F...
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Bass Clef)
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Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period...
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Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533911. Published by Regis Bookshar (A0.813827). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Bass Clef, he has made quite a few other arrangements of this selection which are readily available for a.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (French Horn Quintet)
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Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Stan...
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533921. Published by Regis Bookshar (A0.813830). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (French Horn Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a French Horn Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instr.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 2 Trb)
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,...
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Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533903. Published by Regis Bookshar (A0.813825). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets and 2 Trombones, he has made quite a few other arrangements of this selection wh.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Treble Clef)
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813828 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic P...
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Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813828 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533917. Published by Regis Bookshar (A0.813828). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Treble Clef, he has made quite a few other arrangements of this selection which are readily available for a wi.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violoncello Quintet)
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Cello - Level 3 - Digital Download SKU: A0.813841 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Fol...
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String Ensemble,String Quintet Cello - Level 3 - Digital Download SKU: A0.813841 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533955. Published by Regis Bookshar (A0.813841). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violoncello Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violoncello Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of.
$15.00
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