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The Rhythm Of Life - Guitar
Not classified
275
Piano & keyboards
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132
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37
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Retract
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17
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11
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String Quartet: 2 violins, viola, cello
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4 Cellos
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String Trio: 3 violins
5
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String Quintet: 2 violins, viola, cello, bass
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String quartet: 4 violins
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String Quintet: 2 violins, 2 violas, cello
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The Rhythm Of Life - Guitar
Sheetmusic to print
275 sheet music found
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The Rhythm of Life
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The Rhythm of Life
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Hope Publishing - Digital
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SheetMusicPlus
3-5 oct-Digital Version - Level 2 - Digital Download SKU: H1.3079DP Handbell score. 12 pages. Hope Publishing - Digital #3079DP. Published by Hope Publis...
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3-5 oct-Digital Version - Level 2 - Digital Download SKU: H1.3079DP Handbell score. 12 pages. Hope Publishing - Digital #3079DP. Published by Hope Publishing - Digital (H1.3079DP). Lloyd Larson.Original Composition This original composition is brought to life by the driving rhythms and ostinato patterns. A contrasting middle section will give ringers a momentary breath before they charge forward again with the infectious rhythm.
$6.50
Nothing Compares (Anthem) - Orchestration
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Sacred music
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Gospel/Spiritual
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Christopher R
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Nothing Compares
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Christopher Brown
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SheetMusicPlus
Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and pa...
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Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. Christopher Brown #4601913. Published by Christopher Brown (A0.747194). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Like a treasure in a field,Is the matchless worth of Christ.For the kingdom of heaven, I give my life.Like a pearl of great value,Perfect and pure.I leave it all behind ‘cause of this I’m sure.Chorus 1He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Verse 2More precious than gold,Is the Word of the Lord.Greater and higher than anything this world affords,It is sweeter than honey,Straight from the comb.My delight is in Jesus, I no longer walk alone.Chorus 2He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my crossAnd I count it all as lossNothing compares to what I have in the Lord.Bridge (x2)In the Lord I find strength for every day, In the Lord every fear is washed away.In the Lord hope and peace are here to stay,Whatever comes my way, I will lift my voice and say.Key ChangeChorus 3He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Nothing compares to what I have in the Lord.Nothing compares to what i have in the Lord.
$49.99
We Gather Together (for Voice and 8-note Boomwhackers®)
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Sharon Wilson
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Sharon Wilson and Sharon Wilso
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We Gather Together
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Sharon Wilson
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SheetMusicPlus
Boomwhackers,Piano Accompaniment,Voice - Level 2 - Digital Download SKU: A0.565102 By Sharon Wilson. By Folk Song and Netherlands Folk Song. Arranged by ...
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Boomwhackers,Piano Accompaniment,Voice - Level 2 - Digital Download SKU: A0.565102 By Sharon Wilson. By Folk Song and Netherlands Folk Song. Arranged by Sharon Wilson and Sharon Wilson Music. Children,Christian,Folk,Holiday,Sacred. 10 pages. Sharon Wilson #3416477. Published by Sharon Wilson (A0.565102). This arrangement is for voice (either solo or unison group singing) with chord accompaniment using 8-note (C major diatonic scale) Boomwhackers® and an optional easy Piano accompaniment. The following pages provide several options for learning, teaching, and enjoying this timeless hymn. This packet includes the following pages: *  chord chart using colored noteheads corresponding to the Boomwhackers® color system* 2-page combined score with the melody (for voice with the lyrics for one verse) on the top staff and Boomwhackers® 3-note chords on the bottom staff* 1-page melody staff with lyrics and chord names (referring to the chord chart, follow the chord names above the staff to whack out the 3 beats in each measure using the corresponding Boomwhackers®* 1-page with lyrics and chords for 3 verses divided into beats (referring to the chord chart, whack out the beat using the corresponding chord indicated above each syllable, word, or phrase); this page is most useful once the melody and rhythm have been learned* 1-page piano accompaniment score (the right hand plays the melody, especially helpful if the melody is unfamiliar)This arrangement is one of the hymns in a series of Timeless Hymns for Voice and Boomwhackers®. These hymn arrangements provide an excellent teaching tool for families, schools, churches, and other children's ministries. Children will enjoy learning the lyrics and tunes of these classic hymns while accompanying themselves by whacking out chords with the Boomwhackers®. Frequent use of these songs will store the hymns' messages in their memory which they will cherish throughout their lifetime. Other suggestions and uses: *  have the melody played by other instruments with a range of middle C to the second D above such as 20-note handbells, xylophones, or recorders; alternate singing one verse with playing an instrument on the melody for a second verse * use multiple sets of Boomwhackers® to amplify the sound and allow more people to enjoy whacking the tubes*  use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make as many copies as needed for one family, church, or other group. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
Hymns of Faith for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets)
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Hymns of Faith for 8-note C ma
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Sharon Wilson
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SheetMusicPlus
Small Ensemble Hand Drum,Handpan,Steel Pan,Ukulele - Level 1 - Digital Download SKU: A0.659353 By Sharon Wilson. By Anna B. Warner, Asa B. Everett, Danie...
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Small Ensemble Hand Drum,Handpan,Steel Pan,Ukulele - Level 1 - Digital Download SKU: A0.659353 By Sharon Wilson. By Anna B. Warner, Asa B. Everett, Daniel W. Whittle, Elisha Albright Hoffman, James McGranahan, James Montgomery, John H. Stockton, Mary A. Lathbury, Mary Slade, William B. Bradbury, William F. Sherwin, William H. Doane, William J. Kirkpatrick, and etc. Arranged by Sharon Wilson. Children,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 77 pages. Sharon Wilson #267654. Published by Sharon Wilson (A0.659353). This collection contains 10 hymns notated for C major diatonic scale Tongue Drums (suitable for 8, 11, or 13-note drums in the key of C). These hymns can be performed as solos, as rhythmic chord accompaniment for singing, or as duets. Four separate scores are provided for each song to allow maximum flexibility. These scores can be used in numerous ways from solo playing to playing with a partner or as a group. Each song also has an accompanying note and chord reference chart as well as a rhythm pattern chart. Descriptions of each score and chart are detailed on the introduction page and summarized below: Melody Score This score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics are provided below the staff for sing along enjoyment Harmony Score This score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment while someone plays or sings the melody. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments. Grand Staff The Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director using this set of scores in a group setting. If playing with a partner, this score may be easier to use since both players can see what the other person is playing. This score includes Tongue Drum note numbers above the melody staff and below the harmony staff; chord names above the harmony staff for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo Score This score includes both harmony and melody notes to create a fuller sounding solo. Numbers corresponding to the numbers on the Tongue Drum are included above the staff. Note and Chord Chart This chart consists of two separate staff rows. The first staff shows the notes used for the melody and harmony. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm Chart This chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns. Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection: Break Thou the Bread of LifeFootsteps of Jesus Glory to His Name (Down at the Cross)Go to Dark GethsemaneHow Firm a FoundationI Know Whom I Have Believed Jesus Loves MeLead Me to Calvary Only Trust HimTake the Name of Jesus withYouVisit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$15.00
Crossing Over There
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Sacred music
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Pepper Choplin
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Crossing Over There
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Hope Publishing - Digital
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SheetMusicPlus
Rhythm instruments - Digital Download SKU: H1.C5410RDP Composed by Pepper Choplin. General Worship, Assurance, Comfort, Eternal Life, Promise, Spiritual....
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Rhythm instruments - Digital Download SKU: H1.C5410RDP Composed by Pepper Choplin. General Worship, Assurance, Comfort, Eternal Life, Promise, Spiritual. Rhythm Parts. 5 pages. Hope Publishing - Digital #C5410RDP. Published by Hope Publishing - Digital (H1.C5410RDP). Joshua:1:2 - Psalms 116:15.Original anthem Set on the poetic banks of the Jordan River, this anthem expresses a yearning to cross over there. From the difficulties and pains of life, the song wistfully looks forward to the promise of heaven's bliss. The middle section speaks of the boat that crosses and the Captain who has already paid the fare. From there it develops into an expression of hope before suddenly returning to the quiet certainty that one day we will experience the peace of heaven.
$22.95
Plateau of Dances with a Scottish Flavour
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Alexandra Lehmann
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Plateau of Dances with a Scott
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Forton Music - Digital
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SheetMusicPlus
Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet...
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Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages. Forton Music - Digital #FM628. Published by Forton Music - Digital (F2.FM628). ISBN 9790570485277.'Plateau of Dances with a Scottish Flavour' Plateau of Dances with a Scottish Flavour was composed in autumn 2016, Eastbourne, and is inspired by my childhood in Doune, Perthshire; as well as the Ceilidhs and Feis (cultural festival in the Highlands) my daughter, Clara, and I were immersed in when we lived in the picturesque village of Kingussie, Badenoch and Strathspey. The four dances are a celebration of my love and nostalgia for Scotland, and an expression of my family's Scottish memories. Each dance comes with a quote from my favourite poet, Robert Burns, whose insightful and sensitive observations are a poignant appreciation of everyday life. Why the reference to Scottish food? Because this piece is dedicated to my father, Papou, who appreciates a merry supper. The 1st Movement, 'To the Mighty Haggis', is a Strathspey with its characteristic Scotch snap -a short-long rhythm, as if saying the word 'haggis'; which is fitting as the Scottish bard's quote comes from his poem Address to a Haggis, traditionally said on Burns' Night. The 2nd Movement, 'The Humble Shortbread', is a Reel; as is usually the case in Scottish dances. It should be played with a slightly 'snappy', swung rhythm. 'What though on homely fare we dine, [...] A man is a man for all that' comes from my favourite Burns' poem: A Man's a Man for A' That. And who doesn't enjoy the humble shortbread? There is a more reflective, nostalgic mood to the 3rd Movement, 'Ode to the Homely (salty) Porridge'. The Air is a reminiscence of the quiet evenings Clara and I would spend in Kingussie, with our view of the beautifully haunting mountains. 'What will I get to my supper, [...] Ye'se get a panfu' o' plumpin parridge' comes from Burns' The Shepherd's Wife who tries to entice her husband back home with the promise of porridge (the Scottish way: with salt). Finally, the 4th Movement, 'Too Many Drams of Whisky', is a cheerful and lively Jig. It's the convivial merriness of being with friends and family, maybe at a Ceilidh, with a wink to Scotland's 'water of life'. 'We'll tak a cup o' kindness yet, For auld lang syne' comes from Burns' famous Auld Lang Syne: a fitting end to our musical and culinary tour of Scotland.
$7.95
Hymn of Promise
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Thomas Fettke
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Hymn of Promise
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Hope Publishing - Digital
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SheetMusicPlus
Vocal, Solo Solo Voice (Orchestra) - Digital Download SKU: H1.8457DP Arranged by Thomas Fettke. Piano Accompaniment with Optional Orchestra. General Wors...
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Vocal, Solo Solo Voice (Orchestra) - Digital Download SKU: H1.8457DP Arranged by Thomas Fettke. Piano Accompaniment with Optional Orchestra. General Worship. Vocal score. 8 pages. Hope Publishing - Digital #8457DP. Published by Hope Publishing - Digital (H1.8457DP). Natalie Sleeth.Popular choral anthem Natalie Sleeth's popular choral anthem and hymn, also known as In the Bulb There Is a Flower, has been given a lovely new treatment by Tom Fettke for SATB choirs. The provocative text relates both to our present life and our hope of eternal life, as expressed in I Corinthians 15:35-58. This fresh setting emphasizes the resurrected life as it builds to the final victory stanza with driving rhythm and a change to common meter (4/4). This arrangement is also available in a medium-voice vocal solo in the key of F. The orchestration by Camp Kirkland contains a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Horn 1 & 2, Alto Sax 1 & 2 (substitute for Horn 1 & 2), Trombone 1 & 2, Tenor Sax/Baritone TC (substitute for Trombone 1 & 2), Trombone 3/Tuba, Percussion 1 & 2, Harp, Violin 1 & 2, Viola, Clarinet 3 (substitute for Viola), Cello/Bassoon and String Bass, Keyboard String Reduction.
$7.95
I Sing the Mighty Power of God (for Voice and 8-note Boomwhackers®)
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Sacred music
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Sharon Wilson
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Sharon Wilson
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I Sing the Mighty Power of God
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Sharon Wilson
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SheetMusicPlus
Boomwhackers,Piano Accompaniment,Voice - Level 2 - Digital Download SKU: A0.565097 By Sharon Wilson. By Isaac Watts. Arranged by Sharon Wilson. Children,...
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Boomwhackers,Piano Accompaniment,Voice - Level 2 - Digital Download SKU: A0.565097 By Sharon Wilson. By Isaac Watts. Arranged by Sharon Wilson. Children,Instructional,Praise & Worship,Sacred,Traditional. 10 pages. Sharon Wilson #3409393. Published by Sharon Wilson (A0.565097). This arrangement is for voice (either solo or unison group singing) with chord accompaniment using 8-note (C major diatonic scale) Boomwhackers® and an optional easy Piano accompaniment. The following pages provide several options for learning, teaching, and enjoying this timeless hymn. This packet includes the following pages: * chord chart using colored noteheads corresponding to the Boomwhackers® color system* 2-page combined score with the melody (for voice with the lyrics for one verse) on the top staff and Boomwhackers® 3-note chords on the bottom staff* 1-page melody staff with lyrics and chord names (referring to the chord chart, follow the chord names above the staff to whack out the 3 beats in each measure using the corresponding Boomwhackers®* 1-page with lyrics and chords for 3 verses divided into beats (referring to the chord chart, whack out the beat using the corresponding chord indicated above each syllable, word, or phrase); this page is most useful once the melody and rhythm have been learned* 1-page piano accompaniment score (the right hand plays the melody, especially helpful if the melody is unfamiliar)This arrangement is one of the hymns in a series of Timeless Hymns for Voice and Boomwhackers®. These hymn arrangements provide an excellent teaching tool for families, schools, churches, and other children's ministries. Children will enjoy learning the lyrics and tunes of these classic hymns while accompanying themselves by whacking out chords with the Boomwhackers®. Frequent use of these songs will store the hymns' messages in their memory which they will cherish throughout their lifetime. Other suggestions and uses: * have the melody played by other instruments with a chromatic scale range of middle C to the second D above such as 20-note handbells, xylophones, or recorders; alternate singing one verse with playing an instrument on the melody for a second verse* use multiple sets of Boomwhackers® to amplify the sound and allow more people to enjoy whacking the tubes* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make as many copies as needed for one family, church, or other group. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
Come Thou Fount of Every Blessing (for Voice and 8-note Boomwhackers®)
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Sharon Wilson
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Sharon Wilson
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Come Thou Fount of Every Bless
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Sharon Wilson
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SheetMusicPlus
Boomwhackers,Piano Accompaniment,Voice - Level 1 - Digital Download SKU: A0.565093 By Sharon Wilson. By Robert Robinson. Arranged by Sharon Wilson. Child...
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Boomwhackers,Piano Accompaniment,Voice - Level 1 - Digital Download SKU: A0.565093 By Sharon Wilson. By Robert Robinson. Arranged by Sharon Wilson. Children,Folk,Holiday,Instructional,Sacred. 10 pages. Sharon Wilson #3408941. Published by Sharon Wilson (A0.565093). This arrangement is for voice (either solo or unison group singing) with chord accompaniment using 8-note (C major diatonic scale) Boomwhackers® and an optional easy Piano accompaniment. The following pages provide several options for learning, teaching, and enjoying this timeless hymn. This packet includes the following pages: * chord chart using colored noteheads corresponding to the Boomwhackers® color system* 2-page combined score with the melody (for voice with the lyrics for one verse) on the top staff and Boomwhackers® 3-note chords on the bottom staff* 1-page melody staff with lyrics and chord names (referring to the chord chart, follow the chord names above the staff to whack out the 3 beats in each measure using the corresponding Boomwhackers®* 1-page with lyrics and chords for 3 verses divided into beats (referring to the chord chart, whack out the beat using the corresponding chord indicated above each syllable, word, or phrase); this page is most useful once the melody and rhythm have been learned* 1-page piano accompaniment score (the right hand plays the melody, especially helpful if the melody is unfamiliar)This arrangement is one of the hymns in a series of Timeless Hymns for Voice and Boomwhackers®. These hymn arrangements provide an excellent teaching tool for families, schools, churches, and other children's ministries. Children will enjoy learning the lyrics and tunes of these classic hymns while accompanying themselves by whacking out chords with the Boomwhackers®. Frequent use of these songs will store the hymns' messages in their memory which they will cherish throughout their lifetime. Other suggestions and uses: * have the melody played by other 8-note instruments such as handbells, xylophones, glockenspiels, or recorders; alternate singing one verse with playing an instrument on the melody for a second verse* use multiple sets of Boomwhackers® to amplify the sound and allow more people to enjoy whacking the tubes* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make as many copies as needed for one family, church, or other group. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
Hymn of Promise
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Natalie Sleeth
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Hymn of Promise
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Hope Publishing - Digital
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SheetMusicPlus
Trio Vocal Trio, key of F - Level 3 - Digital Download SKU: H1.9033DP Composed by Natalie Sleeth. Hymntune, Hymn Arrangements, Easter Sunday, General Wor...
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Trio Vocal Trio, key of F - Level 3 - Digital Download SKU: H1.9033DP Composed by Natalie Sleeth. Hymntune, Hymn Arrangements, Easter Sunday, General Worship, Eternal Life, Promise. Vocal Score. 8 pages. Hope Publishing - Digital #9033DP. Published by Hope Publishing - Digital (H1.9033DP). Original Anthem Natalie Sleeth's original SATB choral setting is also known as In the Bulb There Is a Flower. The provocative text relates both to our present life and our hope of eternal life, as expressed in I Corinthians 15:35-58. This fresh setting emphasizes the resurrected life as it builds to the final victory stanza with driving rhythm and a change to common meter (4/4). This arrangement is also available in a medium-voice vocal solo in the key of F.Please note that the Conductor's Score in the Orchestraion is hand written and marked. For this reason, the Orchestration is available at a reduced price of $30 dollars.
$7.95
Hymn of Promise
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Sacred music
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Natalie Sleeth
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Martha Lynn Thompson
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Hymn of Promise
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Hope Publishing - Digital
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SheetMusicPlus
Vocal, Solo vocal duet (2 medium voices key of F) - Level 3 - Digital Download SKU: H1.8700DP Composed by Natalie Sleeth. Arranged by Martha Lynn Thompso...
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Vocal, Solo vocal duet (2 medium voices key of F) - Level 3 - Digital Download SKU: H1.8700DP Composed by Natalie Sleeth. Arranged by Martha Lynn Thompson. Sing & Ring Series. Contemporary, Easter Sunday, Children, Sacred. Vocal score. 8 pages. Hope Publishing - Digital #8700DP. Published by Hope Publishing - Digital (H1.8700DP). 1 Corinthians 15:51 - Eccesliastes 3:1 - Eccesliastes 3:2 - Eccesliastes 3:3 - Eccesliastes 3:4 - Eccesliastes 3:5 - Eccesliastes 3:6 - Eccesliastes 3:7 - Eccesliastes 3:8 - Genesis 1:14 - John 12:24 - Psalms 1:3 - Psalms 30:5.Original Anthem Natalie Sleeth's original SATB choral setting is also known as In the Bulb There Is a Flower. The provocative text relates both to our present life and our hope of eternal life, as expressed in I Corinthians 15:35-58. This fresh setting emphasizes the resurrected life as it builds to the final victory stanza with driving rhythm and a change to common meter (4/4). This arrangement is also available in a medium-voice vocal solo in the key of F.Please note that the Conductor's Score in the Orchestraion is hand written and marked. For this reason, the Orchestration is available at a reduced price of $30 dollars.
$7.95
Hymn of Promise
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Sacred music
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Natalie Sleeth
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Hymn of Promise
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Hope Publishing - Digital
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SheetMusicPlus
(Choral, Orchestra) - Digital Download SKU: H1.A686ODP Composed by Natalie Sleeth. Piano Accompaniment with Optional Orchestra. Hope's All-Time Best Sell...
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(Choral, Orchestra) - Digital Download SKU: H1.A686ODP Composed by Natalie Sleeth. Piano Accompaniment with Optional Orchestra. Hope's All-Time Best Sellers Series. Easter Sunday, Hope. Set of Instrumental Parts. 41 pages. Hope Publishing - Digital #A686ODP. Published by Hope Publishing - Digital (H1.A686ODP). 1 Corinthians 15:51 - Eccesliastes 3:1 - Eccesliastes 3:2 - Eccesliastes 3:3 - Eccesliastes 3:4 - Eccesliastes 3:5 - Eccesliastes 3:6 - Eccesliastes 3:7 - Eccesliastes 3:8 - Genesis 1:14 - John 12:24 - Psalms 1:3 - Psalms 30:5.Original anthem Natalie Sleeth's original SATB choral setting is also known as In the Bulb There Is a Flower. The provocative text relates both to our present life and our hope of eternal life, as expressed in I Corinthians 15:35-58. This fresh setting emphasizes the resurrected life as it builds to the final victory stanza with driving rhythm and a change to common meter (4/4). This arrangement is also available in a medium-voice vocal solo in the key of F.Please note that the Conductor's Score in the Orchestraion is hand written and marked. For this reason, the Orchestration is available at a reduced price of $30 dollars.
$34.95
Hymn of Promise
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Sacred music
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Natalie Sleeth
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Hymn of Promise
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Hope Publishing - Digital
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SheetMusicPlus
Choral (Choral, Orchestra) - Level 3 - Digital Download SKU: H1.A686DP Composed by Natalie Sleeth. Piano Accompaniment with Optional Orchestra. Hope's Al...
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Choral (Choral, Orchestra) - Level 3 - Digital Download SKU: H1.A686DP Composed by Natalie Sleeth. Piano Accompaniment with Optional Orchestra. Hope's All-Time Best Sellers Series. Easter Sunday, Hope. Octavo. 8 pages. Hope Publishing - Digital #A686DP. Published by Hope Publishing - Digital (H1.A686DP). 1 Corinthians 15:51 - Eccesliastes 3:1 - Eccesliastes 3:2 - Eccesliastes 3:3 - Eccesliastes 3:4 - Eccesliastes 3:5 - Eccesliastes 3:6 - Eccesliastes 3:7 - Eccesliastes 3:8 - Genesis 1:14 - John 12:24 - Psalms 1:3 - Psalms 30:5.Original anthem Natalie Sleeth's original SATB choral setting is also known as In the Bulb There Is a Flower. The provocative text relates both to our present life and our hope of eternal life, as expressed in I Corinthians 15:35-58. This fresh setting emphasizes the resurrected life as it builds to the final victory stanza with driving rhythm and a change to common meter (4/4). This arrangement is also available in a medium-voice vocal solo in the key of F.Please note that the Conductor's Score in the Orchestraion is hand written and marked. For this reason, the Orchestration is available at a reduced price of $30 dollars.
$2.95
Hymn of Promise
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Sacred music
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Natalie Sleeth
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Martha Lynn Thompson
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Hymn of Promise
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Hope Publishing - Digital
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SheetMusicPlus
Choral (Choral, Handbells, Handchimes) - Level 3 - Digital Download SKU: H1.C5063DP Composed by Natalie Sleeth. Arranged by Martha Lynn Thompson. Piano A...
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Choral (Choral, Handbells, Handchimes) - Level 3 - Digital Download SKU: H1.C5063DP Composed by Natalie Sleeth. Arranged by Martha Lynn Thompson. Piano Accompaniment with Optional Orchestra. Sing & Ring Series. Contemporary, Ring & Sing, Easter Sunday, Children, Sacred. Octavo. 8 pages. Hope Publishing - Digital #C5063DP. Published by Hope Publishing - Digital (H1.C5063DP). 1 Corinthians 15:51 - Eccesliastes 3:1 - Eccesliastes 3:2 - Eccesliastes 3:3 - Eccesliastes 3:4 - Eccesliastes 3:5 - Eccesliastes 3:6 - Eccesliastes 3:7 - Eccesliastes 3:8 - Genesis 1:14 - John 12:24 - Psalms 1:3 - Psalms 30:5.Original Anthem Natalie Sleeth's original SATB choral setting is also known as In the Bulb There Is a Flower. The provocative text relates both to our present life and our hope of eternal life, as expressed in I Corinthians 15:35-58. This fresh setting emphasizes the resurrected life as it builds to the final victory stanza with driving rhythm and a change to common meter (4/4). This arrangement is also available in a medium-voice vocal solo in the key of F.Please note that the Conductor's Score in the Orchestraion is hand written and marked. For this reason, the Orchestration is available at a reduced price of $30 dollars.
$2.95
Hymn of Promise
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Sacred music
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Natalie Sleeth
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Martha Lynn Thompson
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Hymn of Promise
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Hope Publishing - Digital
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SheetMusicPlus
Choral, Handbell (Choral, Handbells, Handchimes) - Level 3 - Digital Download SKU: H1.A580DP Composed by Natalie Sleeth. Arranged by Martha Lynn Thompson...
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Choral, Handbell (Choral, Handbells, Handchimes) - Level 3 - Digital Download SKU: H1.A580DP Composed by Natalie Sleeth. Arranged by Martha Lynn Thompson. Sing & Ring Series. Contemporary, Ring & Sing, Easter Sunday, Children, Sacred. Octavo. 8 pages. Hope Publishing - Digital #A580DP. Published by Hope Publishing - Digital (H1.A580DP). 1 Corinthians 15:51 - Eccesliastes 3:1 - Eccesliastes 3:2 - Eccesliastes 3:3 - Eccesliastes 3:4 - Eccesliastes 3:5 - Eccesliastes 3:6 - Eccesliastes 3:7 - Eccesliastes 3:8 - Genesis 1:14 - John 12:24 - Psalms 1:3 - Psalms 30:5.Original Anthem Natalie Sleeth's original SATB choral setting is also known as In the Bulb There Is a Flower. The provocative text relates both to our present life and our hope of eternal life, as expressed in I Corinthians 15:35-58. This fresh setting emphasizes the resurrected life as it builds to the final victory stanza with driving rhythm and a change to common meter (4/4). This arrangement is also available in a medium-voice vocal solo in the key of F.Please note that the Conductor's Score in the Orchestraion is hand written and marked. For this reason, the Orchestration is available at a reduced price of $30 dollars.
$2.95
Stereograms - Rhythmic Etudes for Bass Clef Instruments, Volume 1
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Blues
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Jazz
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David Brubeck
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Stereograms - Rhythmic Etudes
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Gordon Cherry
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SheetMusicPlus
Bassoon,Cello,Double Bass,Trombone - Level 3 - Digital Download SKU: A0.792356 Composed by David Brubeck. Blues,Jazz. 16 pages. Gordon Cherry #4806783. P...
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Bassoon,Cello,Double Bass,Trombone - Level 3 - Digital Download SKU: A0.792356 Composed by David Brubeck. Blues,Jazz. 16 pages. Gordon Cherry #4806783. Published by Gordon Cherry (A0.792356). A visual stereogram represents a 3-D image while looking though a pair of 2-D images. There are special viewers that are used to give this effect where two images viewed through the special device can give a 3-D or stereographic effect. Brubeck's Stereograms for Bass Clef Instruments are musical versions of the graphic form. Brubeck uses familiar folk melodies to create his Stereograms and adds jazzy twists to many of them. The musical version may contain two or three individual parts within a single melodic line, thus the musical 3-D Stereogram is created. Bach’s unaccompanied works have underlying multiple parts in them and Brubeck has been inspired by the Master to create a similar texture in these works. They are suitable encore pieces or performance pieces, alone or grouped into ad hoc suites. Brubeck’s music requires rhythmic accuracy and multiple tonal colors, and are especially useful as sight reading tools to keep the performer sharp and on his/her toes. He has also added octave suggestions to allow them to be playable by the widest array of bass clef instruments Each Stereogram is dedicated to a special musical hero in Brubeck’s life. Excellent as study etudes or sight-reading pieces, Stereograms can be performed/practiced by Trombonists, Bass Trombonists, Tubists and Euphoniumists. The 13 melodies used in Volume I are: You Are My Sunshine, This Little Light of Mine, The Itsy Bitsy Spider, When the Saints Go Marching In, Just a Closer Walk With Thee, Frère Jacques, On Top of Old Smokey, If You're Happy and You Know It, London Bridge is Falling Down, Twinkle Twinkle Little Star, Jesus Loves Me, Have You Ever Seen a Lassie, Go Tell Aunt Rhody.
$25.00
You Are The Sunshine Of My Life
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Stevie Wonder
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Stewart J Wallace
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You Are The Sunshine Of My Lif
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Stewart J Wallace
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SheetMusicPlus
Choral Choir,Choral (3-Part Mixed) - Level 3 - Digital Download SKU: A0.1350156 By Stevie Wonder. By Stevie Wonder. Arranged by Stewart J Wallace. Jazz,L...
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Choral Choir,Choral (3-Part Mixed) - Level 3 - Digital Download SKU: A0.1350156 By Stevie Wonder. By Stevie Wonder. Arranged by Stewart J Wallace. Jazz,Latin,Pop,R & B,Soul. 14 pages. Stewart J Wallace #934934. Published by Stewart J Wallace (A0.1350156). You Are The Sunshine Of My Life was released as a single in March 1973 and was Stevie Wonder's third number-one on the Billboard 100 charts. It appears on the Talking Book album along with Superstition. It was nominated for both Grammy Record of the Year and Song of the Year, and ultimately won the Grammy award for best male vocal, although there are other vocalists on the start of the track. The harmonies are both lush and jazzy and the melody line jumps around in the second section. Throughout the performance the rhythms need to be tight and precise, yet also with a laid back quality to the syncopations - don't rush! This arrangement is mostly in 3 parts apart from the coda, where the men can split into tenor and bass parts, and the piano accompaniment can be altered to suit, though an electric piano tone like the recording would work well. The arrangement would suit an intermediate mixed adult or school choir, and there is a vocal score included to help reduce the number of pages for the choir.
$1.99
Rhythm of the Soul
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Niksipiksi
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Rhythm of the Soul
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Niksipiksi
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SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1385329 Composed by Niksipiksi. 20th Century,A Cappella,Classical. 2 pages. Niksipiksi #969340. ...
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1385329 Composed by Niksipiksi. 20th Century,A Cappella,Classical. 2 pages. Niksipiksi #969340. Published by Niksipiksi (A0.1385329). Rythm of the Soul is a captivating a capella anthem that waives harmonies and melodies into a tapestry of unity and resilience, guiding listeners through the highs and lows of life with its uplifting message.
$3.00
Married Life
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Film/TV
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Michael Giacchino
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Bruna T
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Married Life
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Bruna T.
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SheetMusicPlus
B-Flat Clarinet Solo,E-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.730118 Composed by Michael Giacchino. Arranged by Bruna T. Children,Film/T...
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B-Flat Clarinet Solo,E-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.730118 Composed by Michael Giacchino. Arranged by Bruna T. Children,Film/TV,Pop,Traditional. Individual part. 3 pages. Bruna T. #338373. Published by Bruna T. (A0.730118). This is the Bb clarinet individual part of a beautiful arrangement of Pixar's Up theme song Married Life written for clarinet, trumpet, piano and violin. This arrangement is inspired by the original score including the unique muted trumpet sound, beautiful string passages played by the violin and the traditional 3/4 waltz rhythm.
$4.99
Of Loss, Life, and Love
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Edward David Zeliff
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Of Loss, Life, and Love
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Edward David Zeliff
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SheetMusicPlus
Instrumental Duet High Voice,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.888263 Composed by Edward David Zeliff. Concert,Contemporary. S...
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Instrumental Duet High Voice,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.888263 Composed by Edward David Zeliff. Concert,Contemporary. Score and parts. 21 pages. Edward David Zeliff #4767315. Published by Edward David Zeliff (A0.888263). This song cycle on poetry of the American poet Walt Whitman deals with the pain and suffering of personal loss, the rejuvenation of the planet from the life-giving cycle of rain, and the exquisite experience of finding a long-sought love in a personal relationship. The music is richly melodic, colorfully harmonic with tonality that spreads chromatically through many tonal centers, and rhythmically alert and exciting to combine with the harmonic movement in a way that drives the music ever forward. It is probing, intense, celebratory, and profoundly moving. It is suitable for either soprano or tenor.
$10.00
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
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J
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James M
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Bach-Gonoud: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Chri...
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Concert,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888307. Published by jmsgu3 (A0.550921). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
Now the Green Blade Riseth
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Kevin McChesney
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Now the Green Blade Riseth
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Hope Publishing - Digital
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SheetMusicPlus
Choral, Handbell S(S)ATB choir with optional handbell accompaniment (3-5 octaves) - Level 3 - Digital Download SKU: H1.C5161DP Arranged by Kevin McChesne...
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Choral, Handbell S(S)ATB choir with optional handbell accompaniment (3-5 octaves) - Level 3 - Digital Download SKU: H1.C5161DP Arranged by Kevin McChesney. Sing & Ring Series. Ring & Sing, Christmas, Easter Sunday, New Life in Christ, Renewal. Octavo. 12 pages. Hope Publishing - Digital #C5161DP. Published by Hope Publishing - Digital (H1.C5161DP). Luke 2:1 - Luke 2:2 - Luke 2:3 - Luke 2:4 - Luke 2:5 - Luke 2:6 - Luke 2:7 - Luke 2:8 - Luke 2:9 - Luke 2:10 - Luke 2:11 - Luke 2:12 - Matthew 2:1 - Matthew 2:2 - Matthew 2:3 - Matthew 2:4 - Matthew 2:5 - Matthew 2:6 - Matthew 2:7 -.Beloved French carol This Kevin McChesney setting is an uplifting arrangement reflecting the Easter text Now the Green Blade Riseth. NOEL N OUVELET- The choral setting of the beloved French Carol, NOEL N OUVELET, includes both the words to the original Christmas carol, Sing We Now of Christmas and J. M. C. Crum's words for Easter. The handbell setting uses 3-5 octaves of bells and has driving rhythmic energy provided by the use of mallets. The Orchestral Parts consist of: Flutes, Oboes, Clarinets in B-flat, Bassoons, Horns in F, Trumpets in B-flat, Tombone, Tuba, Timpani, Percussion, Tubular Bells, Handbells, Violin I & II, Viola, Violoncello & Double Bass. The Band Orchestration consists of parts for: Flutes, Oboes, Clarinet in B-flat, Bass Clarinet in B-flat, Alto Saxophone, Tenor Saxophones, Baritone Saxophone, Bassoons, Horns in F, Trumpets in B-flat, Trombone, Euphonium, Tuba, Timpani, Percussion, Tubular Bells & Handbells.
$2.95
Oscillation
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Contemporary
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contrast, the string quartet h
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Jeremy Hart
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Oscillation
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Jeremy Graham Hart
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score ...
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Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
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