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63 sheet music found
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51
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phale...
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, ...
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Can't Take My Eyes Off Of You
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Rock
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Frankie Valli
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Kevin P Holdgate
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Can't Take My Eyes Off Of You
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Kevin P Holdgate
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SheetMusicPlus
Small Ensemble Alto Saxophone,Drums,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.791000 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged ...
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Small Ensemble Alto Saxophone,Drums,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.791000 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Kevin P Holdgate. Rock. Score and parts. 23 pages. Kevin P Holdgate #4353797. Published by Kevin P Holdgate (A0.791000). The Simply Swing CollectionOver the last 40 years I have played with and run a number of bands of all styles and genres, common to all of these has been me arranging charts...This is a vocal ChartMy current Jazz combo is called 'Simply Swing'. We play music principally for dancing or as background music for dinners, the life-blood type music that has been the staple diet for 'gigging musicians' for centuries... right back to the minstrel galleries of the 14th Century.
$12.99
Can't Take My Eyes Off Of You
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Frankie Valli
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Cheryl Woldseth – Bronz
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Can't Take My Eyes Off Of You
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Bronze:FX
#
SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1089375 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by C...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1089375 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Cheryl Woldseth – Bronze:FX. Pop,Wedding. 16 pages. Bronze:FX #693575. Published by Bronze:FX (A0.1089375). Can't Take My Eyes Off of You was made famous by the performing group Frankie Valli and the Four Seasons, and is also known as Can't Take My Eyes Off You.Special to this arrangement is that Clarinet 2, Clarinet 3, and Clarinet 4 each get a feature verse, while Clarinet 1 plays the refrain. The Bass Clarinet holds the rhythm and chord structure together. On the bridge and the final chorus, Clarinet 1 and Clarinet 3 team up to boost the melody.This clarinet arrangement is for SSSSB or SSSAB quintet:• Bb Clarinet 1• Bb Clarinet 2• Bb Clarinet 3• Bb Clarinet 4 (or use Eb Alto Clarinet alternate which is included)• Bb Bass ClarinetThere is also a saxophone quintet version of this arrangement available.Performance time:  3 minutes, 45 seconds.
$20.00
Chording to Consort Full Score Version with chords Book 2 - Score Only
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Various
#
Alastair Lodge
#
Chording to Consort Full Score
#
Wold Meridian
#
SheetMusicPlus
Level 2 - Digital Download SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John ...
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Level 2 - Digital Download SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig Senfl, Michael Praetorius, Pierre Attaignanant, Pierre Bonnet, and Tielman Susato. Arranged by Alastair Lodge. Classical,Early Music,Historic,Medieval,Renaissance. 43 pages. Wold Meridian #840108. Published by Wold Meridian (A0.1245199). This is a companion to my earlier volume Chording to Consort which presented 35 Renaissance Dance band tunes and Chansons and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited the remaining 17 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. Â You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkPO9vTOgEoG_kRJlJ5nUHnxComposers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on.Working with this publicationFor those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Won't You Take Care of Me
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Holiyo
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Won't You Take Care of Me
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Holyone Tombari Dodoh
#
SheetMusicPlus
Rhythm Section 2-Part Chorus,Voice - Level 5 - Digital Download SKU: A0.1426660 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Film/TV,Jazz,Soul...
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Rhythm Section 2-Part Chorus,Voice - Level 5 - Digital Download SKU: A0.1426660 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Film/TV,Jazz,Soul. Vocal Jazz Ensemble. 35 pages. Holyone Tombari Dodoh #1007362. Published by Holyone Tombari Dodoh (A0.1426660). Lyrics:I see you don't care, You don't care. I see you don't care. Won't you take care of me? Won't you take care of me? Won't you take care of me? I used to be your keeper,Was always there for you all time,And if you cried,I'd hold you,Close to my heart and whisper,You are the best thing in this world,My little sweet,Cry no more.Now, won't you take care of me? Won't you take care of me? Won't you take care of me? You needed me,I was there,I could not leave you there alone.My little love,You got me.You called to me;Teach me all,I was so glad to show you all,My little dear,Know it all.And when you're scared,I held you,I said, My baby, I'm right here.I prayed to God,Keep my love!But now, won't you take care of me?Won't you take care of me?Won't you take care of me?My little sweet,My happiness,I will never forget.Now a grown-up,Now you don't care,Never remember me? I just need you here with me.I cannot do it on my own,My little best,You've so grown.I need you to understand;I will not be here for so long,My little sweet,I need you now!So now, won't you take care of me? Won't you take care of me? Won't you take care of me?
$6.90
Please Please Please
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Pop music
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Sabrina Carpenter
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Max Stannard
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Please Please Please
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Max Stannard Music
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1499182 By Sabrina Carpenter. By Amy Allen, Jack Antonoff, and Sabrina Carpenter. Arranged by Max Stannard. Pop. Brass Band. 35 pages. Max Stannard Music #1075231. Published by Max Stannard Music (A0.1499182). This is an arrangement of the pop song Please, Please, Please for brass band. It has a challenging euphonium and xylophone part, which takes on the role of synth, with some help from sop and horn. The song was Sabrina Carpenter's first number on on the Billboard Hot 100 chart. The music video for Please Please Please serves as a sequel to the Espresso music video released earlier in 2024. In the music video for Espresso, Carpenter gets arrested at the end. I ended the last video getting arrested, so naturally I thought it would be satisfying to start the 'Please Please Please' video in jail, said the singer. I liked the idea of falling in love with a convict and being shocked and embarrassed every time he commits crimes. In the United Kingdom, with Please Please Please at number one and her previous song Espresso at number two on the UK Singles Chart, Carpenter became the first female artist to hold the top two positions of the chart for five weeks in a row and matched Ed Sheeran as the only artist to hold this feat in general.
$29.99
Scenic Route
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JP Wogaman II
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Scenic Route
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JP Wogaman II
#
SheetMusicPlus
Piano Quintet Cello,Double Bass,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1475101 Composed by JP Wogaman II. 21st Century,Chamber,Contempor...
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Piano Quintet Cello,Double Bass,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1475101 Composed by JP Wogaman II. 21st Century,Chamber,Contemporary. 42 pages. JP Wogaman II #1052685. Published by JP Wogaman II (A0.1475101). When was the last time you got in your car and went for a drive? I mean, a really long drive? Just for the fun of it; counting power lines as they pass by, or mile markers, and allowing your mind to roam free. Actually, the long road doesn’t even have to apply to a literal road. How about going up and down every aisle at the grocery store, just to see what’s new? This piece is my take on the feeling of freedom from yourself. Freedom to take all the time you want, to do whatever you want and just let go of all the pain, tension, and trepidation you may be holding inside. Enjoy the Scenic Route! More arrangements and originals by JP Wogaman II can be found at www.wogamusic.com
$50.00
When The Saints
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Traditional
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Robert Rainford
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When The Saints
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Forton Music - Digital
#
SheetMusicPlus
Picc. (G tr). 3 Fl. Afl. Bfl. (Cafl). (Cbfl). Cbfl in G). (Dbl Cbfl). - Easy - Intermediate - Digital Download SKU: F2.FM600 Composed by Traditional. Arr...
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Picc. (G tr). 3 Fl. Afl. Bfl. (Cafl). (Cbfl). Cbfl in G). (Dbl Cbfl). - Easy - Intermediate - Digital Download SKU: F2.FM600 Composed by Traditional. Arranged by Robert Rainford. A great piece for introducing the full flute choir to audiences. Score and parts. 53 pages. Forton Music - Digital #FM600. Published by Forton Music - Digital (F2.FM600). ISBN 9790570484997.This piece has been created to give the flute choir a chance to introduce the entire flute family to the audience in a lighthearted, fun way. At each 'vamp' section, while the flutes continue to play the ostinato pattern the narrator (this can be the conductor or a dedicated narrator) can talk to the audience about the flute that is about to play the next 'verse' of the tune. The style of the narration can be varied depending on the nature of the situation. It may be possible to hold up the various flutes next to each other to give the audience an idea of the comparative sizes of the various instruments. You could also talk about relative pitches of each member of the flute family, their development, some repertoire (both solo and orchestral), and about the development of the flute choir as an ensemble. This piece is performable with the minimum forces of piccolo, 3 flutes, alto flute and bass flute. The sections featuring the other, rarer member of the flute family can be omitted by cutting from the end of any vamp bar to the letter where the next available solo instrument takes the tune. Following the entry of the last solo instrument (the piccolo) there are two sections for the full flute choir. One also features some hidden flute 'lollipops' that you may or may not want to draw the audiences attention to, and the final section is a jazzy finale with the option of swinging the quavers. Above all, this arrangement was produced to be usable. Please feel free to adapt it in any way you like to help us introduce audiences to the great sound of the flute choir!
$22.95
18/04/'21 A Reflection
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Contemporary
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Jeremy Hart
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18/04/'21 A Reflection
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Jeremy Graham Hart
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SheetMusicPlus
Small Ensemble B-Flat Bass Clarinet,Percussion,Soprano voice - Level 4 - Digital Download SKU: A0.1102258 Composed by Jeremy Hart. 20th Century. Score an...
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Small Ensemble B-Flat Bass Clarinet,Percussion,Soprano voice - Level 4 - Digital Download SKU: A0.1102258 Composed by Jeremy Hart. 20th Century. Score and parts. 13 pages. Jeremy Graham Hart #705661. Published by Jeremy Graham Hart (A0.1102258). 18/04/’21: A Reflection is written as a tentative expression of the tumultuous emotions experienced by the composer, upon watching so many landmarks of their home be threatened or destroyed by the fire which ravaged Table Mountain on the 18th and 19th of April 2021. The most impactful symbol of this tragedy is, for the composer, the heart-rending body of images showing the Jagger Reading Room ablaze. The score expresses the composer’s experiences in a collage, drawing from C. Debussy’s La Cathedral Engloutie and W. A. Mozart’s Requiem in evocation of the emotions surrounding the burning library, and enacts them in a three-part narrative. The opening is articulated as a collection of sporadic outbursts heard against a slower melody and a rising bell motif. This is an evocation of the shifting uncertainty of the early hours of the fire shortly after it had consumed the Rhodes Memorial Restaurant. This slowly becomes the evocation of horror and dismay that characterises the second section, as the fire takes hold of Mostert’s Mill, various parts of the University of Cape Town forcing students into a full evacuation of their residences, and eventually the Jagger Reading Room. The finality of the second section’s ending is followed by the muted resignation and mourning of the third and final section. The slowed melody from the first section returns, without the frenetic outbursts. All the listener is left with is the certainty of what has happened. The melody tries to rise to triumph, as the fire is held back from any further destruction, but ultimately falls back down and limps its way to an unsatisfactory and inconclusive closing statement.
$14.95
Jingle Bells, Jazz Style, for Trumpet and Tenor Horn Duet
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Sacred music
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James Lord Pierpont
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David McKeown
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Jingle Bells, Jazz Style, for
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.594282 Composed by James Lord Pierpont. Arranged by David McKeown. Chris...
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Instrumental Duet Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.594282 Composed by James Lord Pierpont. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6570767. Published by David McKeown (A0.594282). Jingle Bells is perhaps the best known of all Christmas songs. This version is arranged as a duet in a Jazz style for one Trumpet and one Tenor Horn in E Flat. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.When James Lord Pierpont wrote Jingle Bells in 1857, he had no intention of writing a Christmas song. The Christmas association had been made though by the dawn of the recording age, and the song has been popular across the world ever since. Jingle Bells holds the distinction of being the first song performed in space, sung by American astronauts in 1965.With a performance time of around three and a half minutes, this version of Jingle Bells is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz style is a fun and fresh take on this familiar tune.Jingle Bells is arranged in a key and range best suited to the instruments. The melody first appears in standard jazz swing, but most of the arrangement is in 5/4. This arrangement is suitable for players at an intermediate level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Jingle Bells, Jazz Style, for Oboe and Violin Duet
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Sacred music
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James Lord Pierpont
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David McKeown
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Jingle Bells, Jazz Style, for
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.594272 Composed by James Lord Pierpont. Arranged by David McKeown. C...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.594272 Composed by James Lord Pierpont. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6570745. Published by David McKeown (A0.594272). Jingle Bells is perhaps the best known of all Christmas songs. This version is arranged as a duet in a Jazz style for one Oboe and one Violin. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.When James Lord Pierpont wrote Jingle Bells in 1857, he had no intention of writing a Christmas song. The Christmas association had been made though by the dawn of the recording age, and the song has been popular across the world ever since. Jingle Bells holds the distinction of being the first song performed in space, sung by American astronauts in 1965.With a performance time of around three and a half minutes, this version of Jingle Bells is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz style is a fun and fresh take on this familiar tune.Jingle Bells is arranged in a key and range best suited to the instruments. The melody first appears in standard jazz swing, but most of the arrangement is in 5/4. This arrangement is suitable for players at an intermediate level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Jingle Bells, Jazz Style, for Oboe and Cor Anglais (or English Horn) Duet
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Sacred music
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James Lord Pierpont
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David McKeown
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Jingle Bells, Jazz Style, for
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.594271 Composed by James Lord Pierpont. Arranged by David McKe...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.594271 Composed by James Lord Pierpont. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6570743. Published by David McKeown (A0.594271). Jingle Bells is perhaps the best known of all Christmas songs. This version is arranged as a duet in a Jazz style for one Oboe and one Cor Anglais (or English Horn). Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.When James Lord Pierpont wrote Jingle Bells in 1857, he had no intention of writing a Christmas song. The Christmas association had been made though by the dawn of the recording age, and the song has been popular across the world ever since. Jingle Bells holds the distinction of being the first song performed in space, sung by American astronauts in 1965.With a performance time of around three and a half minutes, this version of Jingle Bells is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz style is a fun and fresh take on this familiar tune.Jingle Bells is arranged in a key and range best suited to the instruments. The melody first appears in standard jazz swing, but most of the arrangement is in 5/4. This arrangement is suitable for players at an intermediate level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Der fliegende Holländer
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Classical
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Di...
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
Brass Quintet: Wedding March by Mendelssohn (score & parts)
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Enrico Zullino
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Enrico Zullino
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Brass Quintet: Wedding March b
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Glissato Edizioni Musicali
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SheetMusicPlus
Brass Ensemble,Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1513674 By Enrico Zullino. By Felix Bartholdy Mend...
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Brass Ensemble,Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1513674 By Enrico Zullino. By Felix Bartholdy Mendelssohn. Arranged by Enrico Zullino. Wedding. 31 pages. Glissato Edizioni Musicali #1088433. Published by Glissato Edizioni Musicali (A0.1513674). Elevate your brass quintet's repertoire with the iconic Wedding March from Felix Mendelssohn-Bartholdy's A Midsummer Night's Dream, thoughtfully arranged in its full version by Enrico Zullino. This intermediate-level arrangement captures the grandeur and celebratory spirit of one of the most beloved pieces in the wedding and classical music canon, making it accessible for brass ensembles.This comprehensive eBook includes the score and parts for a standard brass quintet configuration: two B-flat Trumpets, French Horn in F, Trombone, and Tuba. To ensure versatility and accommodate diverse ensemble needs, additional parts are provided for E-flat Horn, Trombone in treble clef for the third and fourth parts, and E-flat Tuba in treble clef. These alternatives offer the flexibility to adapt the arrangement to varying skill levels and instrument availability, ensuring that every ensemble can deliver a stellar performance.An audio demonstration is available at www.glissato.it, offering ensembles a valuable resource to grasp the arrangement's tempo, dynamics, and emotional depth. This demo can serve as an essential tool for rehearsal planning, individual practice, and ensemble cohesion, helping musicians to embody the majestic essence of Mendelssohn's masterpiece.Wedding March arranged for brass quintet is more than just a piece of music; it's an opportunity to partake in a rich musical tradition, bringing to life the joy and solemnity of matrimonial celebration through the robust and resonant sounds of brass. Whether for a wedding, concert, or educational setting, this eBook promises to enhance the musical journey of both performers and audiences alike, offering a timeless addition to any brass ensemble's library.
$15.99
All In Love Is Fair
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Pop music
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Soul/R&B
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Stevie Wonder
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Kevin P Holdgate
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All In Love Is Fair
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Kevin P Holdgate
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SheetMusicPlus
Instrumental Solo,Piano,Sitar - Level 3 - Digital Download SKU: A0.791164 By Stevie Wonder. By Stevie Wonder. Arranged by Kevin P Holdgate. Pop,Soul. Sco...
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Instrumental Solo,Piano,Sitar - Level 3 - Digital Download SKU: A0.791164 By Stevie Wonder. By Stevie Wonder. Arranged by Kevin P Holdgate. Pop,Soul. Score and individual part. 11 pages. Kevin P Holdgate #5328429. Published by Kevin P Holdgate (A0.791164). KPHMS 'Solo' CollectionAll in Love Is Fair is taken from Stevie Wonder's sixteenth studio album, Innervisions, released on August 3, 1973. All Music's Matthew Greenwald found All in Love Is Fair to be among Wonder's finest ballad statements, which contained one of the most graceful and memorable hooks from the eraThis arrangement is based on the Barbara Streisand version of the song which was recorded in 1974 and appeared on her multi-award-winning album 'The Way We Were',Rhythmically this arrangement is approximately Grade 4/5 ABRSM/Trinity and makes for an interesting challenge away from the grading syllabus.For the Sitar this is perhaps 'unchartered territory'... but why not go for it? What is there to lose? The opportunity to play something like a 'Pop'Style ballad by the great Stevie Wonder is not something that comes along very often for the Sitar.Tab and Notation parts can be read from the full Piano accompaniment part if required... or there are individual Tab and Notation parts included. A combined part for Sitar including the Notation and Ravi Shanker style Tab is available free of charge after purchase from kevinholdgate61@hotmail.com (if required).N.B. There are versions of this arrangement available for a variety of solo instruments and also versions as a vocal and instrumental solo with Brass Band and a 10 piece brass ensemble.
$4.99
Agnus Dei from "Mass Glorificana" (SATB) Piano Accompanient Track
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Carol Troutman Wiggins
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Agnus Dei from "Mass Glorifica
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Piano - Digital Download SKU: A0.1065650 Composed by Carol Troutman Wiggins. Christian,Easter,Instructional,Sacred. Accompaniment. Duration 201. Ca...
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Choir,Piano - Digital Download SKU: A0.1065650 Composed by Carol Troutman Wiggins. Christian,Easter,Instructional,Sacred. Accompaniment. Duration 201. Carol Troutman Wiggins #4111643. Published by Carol Troutman Wiggins (A0.1065650). AGNUS DEI from Mass Glorificana Piano Accompaniment TrackSATBThis breathtakingly beautiful version of the Agnus Dei from the Roman Missal is based on John the Baptist's reference to Jesus in the scripture from John 1:29: Behold the Lamb of God that taketh away the sins of the world.The Latin text,Agnus Dei, qui tollis peccata mundi, miserere nobis. Agnus Dei, qui tollis peccata mundi, miserere nobis. Agnus Dei, qui tollis peccata mundi, dona nobis pacem. translates as:O, Lamb of God, who takes away the sins of the world, have mercy upon us. O. Lamb of God, who takes away the sins of the world, have mercy upon us. O, Lamb of God, who takes away the sins of the world, grant us peace.Excellent for advanced middle school, high school & up, and any mixed voices church choir.Great to use at Lent, Easter, Ash Wednesday, communion, or any other general worship service.Chords included.
$9.99
Eyes Closed
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Pop music
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Ed Sheeran
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Barry McCormick
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Eyes Closed
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B. McCormick
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SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.1227412 By Ed Sheeran. By Ed Sheeran, Fred Gibson, Max Martin, and Shellback. Arranged by Barry McCormick. Po...
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Guitar - Level 1 - Digital Download SKU: A0.1227412 By Ed Sheeran. By Ed Sheeran, Fred Gibson, Max Martin, and Shellback. Arranged by Barry McCormick. Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. B. McCormick #823390. Published by B. McCormick (A0.1227412). ||Get ready to play and sing along to Eyes Closed by Ed Sheeran with our Lead Sheet music!|| This minimalistic arrangement features the melody line, lyrics, and chord symbols, giving you all the essential elements you need to play the song with ease. Whether you're a beginner or an experienced musician, this Lead Sheet is perfect for anyone looking to play Eyes Closed in a simple and straightforward way. So grab your sheet music and get ready to make some beautiful music! ||Notes On the Sheet Music|| -Melody- The melody alters slightly on repeating for subsequent verses etc. These are notated using smaller bracketed note heads and should only be played/sung on the appropriate repeats. The decision was made to not notate the final chorus as sung however when performed/sung the final chorus could be ad-libbed to emulate the original should the performer desire.-Guitar Strumming- There is a suggested strumming pattern/rhythm contained within the intro. This will fit with the song but feel free to come up with your own! This is to be an aid for learners and a resource for teachers. -Structure- The sheet music follows the structure of the song as heard in the recording. If the repeats are not obvious each section (Verse/PreChorus/Chorus) is marked by boxed texts for ease of navigation. I have also provided a tab for the riff which persists throughout the piece in the intro section. -Length- One of my main aims in arranging popular titles is to make the effort to try and minimise the amount of pages required. As a Musician I hate having pages and pages of music that could have been condensed using repeats and other structure markings. This arrangement fully utilises these and this is part of the reason why the decision was made note to notate the final chorus as sung in the recording. As this is a lead sheet it hold all the info to play this song in two pages. -Alternatives- If you need more info in your music I have two other arrangements of this. Both are Voice, Piano, and Guitar Arrangements, the first with the melody above a simple piano accompaniment with the Guitar chords the second is a piano reduction of this arrangement with alterations so that it is playable on the piano. For these arrangements and others that I have done you can click on my publisher link above, B.McCormick. That will take you to all of my arrangements on site. ||About Ed Sheeran|| Ed Sheeran is an award-winning singer-songwriter known for his soulful and introspective lyrics. Born in England in 1991, Sheeran began playing guitar at a young age and started writing his own songs by age 14. He rose to fame with his debut album + in 2011 and has since become one of the most successful and beloved musicians of our time. Sheeran's music is known for its honesty, vulnerability, and emotional depth, and Eyes Closed from his Subtract (-) album is no exception. Get our sheet music arrangement today and experience the magic of Ed Sheeran's music in your own home. ||About the Arranger.|| Hey there! I'm Barry, a musician with over 20 years of experience in everything from performing to tutoring. I studied at Glasgow University and the Royal Conservatoire of Scotland, and now my mission is to create music arrangements that are super fun and easy to learn. I want to help you on your musical journey, so I hope you enjoy using this arrangement - it's all about making music accessible and enjoyable for everyone!
$2.99
I'll Just Love Him, Christmas vocal duet (alto-tenor)
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Sacred music
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Kevin G
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I'll Just Love Him, Christmas
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Kevin G. Pace
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SheetMusicPlus
Voice Duet Alto Voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1282925 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christm...
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Voice Duet Alto Voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1282925 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 7 pages. Kevin G. Pace #874177. Published by Kevin G. Pace (A0.1282925). A beautiful, Christmas vocal duet (alto-tenor).  Music composed by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:I don’t have to be an angel to welcome the Christ Child to earth.But I can sing praises in all holy placesWhen I celebrate his new birth.I don’t have to be a shepherd to find Jesus sleeping on hay.But I can search purely in my heart securely (so early)When I seek this Baby each day.I don’t have to be a wiseman to bring Him a gift like pure gold.But I can give honor and gratitude longerWhen I reach his hand and take hold.I can sing praises to Jesus on earth;I can find Him when I seek.I can thank Him for the gift of his birth,And then when I am most meek . . .I’ll just love Him. I’ll just love Him.I don’t have to be an angel or search like a shepherd from yore.I don’t have to be a wiseman to bring greater gifts to His door.I don’t have to see a bright star so shiny in darkness of nightTo always remember, I’ll always rememberI can love Him. I’ll just love Him.
$3.99
Petit concert en sextuor for oboe, harpsichord and string quartet
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Contemporary
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Brian Joyce
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Petit concert en sextuor for o
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Brian Joyce
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SheetMusicPlus
Small Ensemble,Strings Harpsichord,Oboe - Level 4 - Digital Download SKU: A0.836700 Composed by Brian Joyce. 20th Century,Contemporary. Score and parts. ...
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Small Ensemble,Strings Harpsichord,Oboe - Level 4 - Digital Download SKU: A0.836700 Composed by Brian Joyce. 20th Century,Contemporary. Score and parts. 78 pages. Brian Joyce #2881183. Published by Brian Joyce (A0.836700). An 18-minute concerto in three movements for oboe, harpsichord and string quartet.From the program notes . . . .I can imagine readers glancing over a recital program and seeing that it includes a work for oboe, harpsichord and string quartet. They steel themselves against the onset of what promises to be a dull and dreary piece played by unsmiling people in black suits. My imaginary audience may be pleased to find that this Petit Concert is nothing of the sort. It is actually a rather relaxed piece, combining something of the 18th century Rococo (which was never very serious to begin with) and Steely Dan-influenced Hindemith. But just as a chef will hide the most unlikely ingredients in his sauces and confections, I hope I have concealed these disparate influences in a piece which speaks with its own voice. Here, then, is a short concerto with little if any overt virtuosity; it is offered simple for the enjoyment of players and audience alike. In this it perhaps comes round full circle to composers like François Couperin who preferred to please their listeners rather than stun them.Relaxed the piece may be. To be sure, ranges and techniques are far from extreme and there are plenty of triadic sonorities and almost normal functional harmony here. But there are also moments of jazz-inflected chromaticism and frequent meter changes to contend with. It will take players who can hold their own in a mildly dissonant sound world to pull this off. Careful attention to dynamics, tight ensemble and flawless intonation are a must, but diligent players will be rewarded with an immediate audience-pleaser.A separate harpsichord part is included for players who prefer not to read from the score. Equal temperament and a=440 are assumed for the harpsichord. A two manual instrument is preferred but not absolutely necessary.
$22.50
Bagpipe music - instrumental improvisation based on the poem by Louis MacNeice (mp3)
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Contemporary
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David Warin Solomons
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Bagpipe music - instrumental i
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David Warin Solomons
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SheetMusicPlus
Sampler - Level 4 - Digital Download SKU: A0.1354408 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 261. Davi...
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Sampler - Level 4 - Digital Download SKU: A0.1354408 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 261. David Warin Solomons #939127. Published by David Warin Solomons (A0.1354408). Instrumental version of my improvisation on Louis MacNeiceis Bagpipe MusicThe original poem is: It's no go the merry-go-round, it's no go the rickshaw,All we want is a limousine and a ticket for the peepshow.Their knickers are made of crêpe-de-chine, their shoes are made of python,Their halls are lined with tiger rugs and their walls with heads of bison.John MacDonald found a corpse, put it under the sofa,Waited till it came to life and hit it with a poker,Sold its eyes for souvenirs, sold its blood for whiskey,Kept its bones for dumb-bells to use when he was fifty.It's no go the Yogi-Man, it's no go Blavatsky,All we want is a bank balance and a bit of skirt in a taxi.Annie MacDougall went to milk, caught her foot in the heather,Woke to hear a dance record playing of Old Vienna.It's no go your maidenheads, it's no go your culture,All we want is a Dunlop tyre and the devil mend the puncture.The Laird o' Phelps spent Hogmanay declaring he was sober,Counted his feet to prove the fact and found he had one foot over.Mrs Carmichael had her fifth, looked at the job with repulsion,Said to the midwife 'Take it away; I'm through with overproduction'.It's no go the gossip column, it's no go the Ceilidh,All we want is a mother's help and a sugar-stick for the baby.Willie Murray cut his thumb, couldn't count the damage,Took the hide of an Ayrshire cow and used it for a bandage.His brother caught three hundred cran when the seas were lavish,Threw the bleeders back in the sea and went upon the parish.It's no go the Herring Board, it's no go the Bible,All we want is a packet of fags when our hands are idle.It's no go the picture palace, it's no go the stadium,It's no go the country cot with a pot of pink geraniums,It's no go the Government grants, it's no go the elections,Sit on your arse for fifty years and hang your hat on a pension.It's no go my honey love, it's no go my poppet;Work your hands from day to day, the winds will blow the profit.The glass is falling hour by hour, the glass will fall for ever,But if you break the bloody glass you won't hold up the weather.
$5.50
Just Say the Word
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Dean Turnbow
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Just Say the Word
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Ronald Dean Turnbow
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SheetMusicPlus
Piano Accompaniment - Level 1 - Digital Download SKU: A0.1497353 By Dean Turnbow. By Ronald Dean Turnhow. 21st Century. Accompaniment. Duration 183. Rona...
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Piano Accompaniment - Level 1 - Digital Download SKU: A0.1497353 By Dean Turnbow. By Ronald Dean Turnhow. 21st Century. Accompaniment. Duration 183. Ronald Dean Turnbow #1073766. Published by Ronald Dean Turnbow (A0.1497353). Just say the word, andI will pack up everything.With a suitcase and a dreamwe’ll fly away together .Two tickets to ParisThere’s a place for you and meOn a one way flight to foreverJust say the word .Deep inside there’s a rip tide of emotion.You’re Pulling me inAnd I can’t swim in your ocean.But I can’t fight it anymore Take me .... I’m yoursWe will solve this mysteryPut our names on the marqueeLive like the stars we are meant to be.Just say the Word.All you have to sayAll you have to doReach out to my handAnd I will pull you through.Open up your heartFeel it in your soulHold me in your armsLet me make you whole
$1.99
Dawn in the Room for Baritone and Piano (mp3)
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Mark Rowlinson
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Dawn in the Room for Baritone
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David Warin Solomons
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SheetMusicPlus
Baritone Horn TC,Piano - Level 3 - Digital Download SKU: A0.1422864 By Mark Rowlinson (Baritone) and Peter Lawson (piano). By David Warin Solomons. 20th ...
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Baritone Horn TC,Piano - Level 3 - Digital Download SKU: A0.1422864 By Mark Rowlinson (Baritone) and Peter Lawson (piano). By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 243. David Warin Solomons #1004219. Published by David Warin Solomons (A0.1422864). The bereaved lover gains some brief consolation at dawn when the blond light penetrates his (or her) lonely room and reminds him (or her) of the hair of the loved one. The mode of this song is Dorian, my favourite mode. Poem by E M Solomons - mother of the composer. Poem by E M SolomonsThe pale gold lightcreeps into my silent roomtouching my faceI know that you are here.Softly contours formas the colourstake the place of greyTranslucent gold hits the mirrorand reaches my lonely bed.Dispels the grey mist which lingerson the window paneDeepens the image and I see you.Pale blond lightwhere your hair once shone.Lonely shadow of my former selfI languish here.But then your dear voice calls with comfort, loveand saysI have not left,while your fond memories remain.I think of you andyou are herebeside and withinYour image fadesbut you are still here in me.You must you must come backif only at dawn.See through the tears of gold,you are here once moreYour ghostly presencefills my poor heart,searching my mindonce more to be as one,here is your bodyso close to my ownin this spectral worldwe share our thoughts.My soul now quiet at lastmy yearnings on hold.The golden glow brings me peaceand I might face another day(c) E M Solomons
$5.00
Rocky Top
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Lynn Anderson
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Quinten Petersen
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Rocky Top
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Quinten Petersen
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SheetMusicPlus
Steel Drum Band Cellos,Double Guitar,Double Second,Double Tenor,Drum Set,Lead,Six Bass,Steel Drum Band,Steel Pan - Level 2 - Digital Download SKU: A0.1421104...
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Steel Drum Band Cellos,Double Guitar,Double Second,Double Tenor,Drum Set,Lead,Six Bass,Steel Drum Band,Steel Pan - Level 2 - Digital Download SKU: A0.1421104 By Lynn Anderson. By Boudleaux Bryant and Felice Bryant. Arranged by Quinten Petersen. Country,Folk. Score and Parts. 11 pages. Quinten Petersen #1002489. Published by Quinten Petersen (A0.1421104). Rocky Top like you've never heard before! This arrangement for steelband is quick to learn and hard to forget. The leads take the brunt of the melody while the other voices hold down the rhythm. The drumset part is a suggestion, and the player should interpret it on their own.If you don't have a double tenor in your ensemble, it is playable on double seconds, lead pan, or even omitted.
$24.99
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