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You Say Run
Sheetmusic to print
12 sheet music found
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1
I Say - Backing Track - by Tim Webster
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Tim Webster
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I Say - Backing Track - by Tim
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Pitch Perfect Music Services
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1494280 Composed by Tim Webster. 21st Century,Children,Contemporary. Accompaniment. Duration 261. Pitch Perfect Music ...
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Level 2 - Digital Download SKU: A0.1494280 Composed by Tim Webster. 21st Century,Children,Contemporary. Accompaniment. Duration 261. Pitch Perfect Music Services #1070884. Published by Pitch Perfect Music Services (A0.1494280). I Say is a song for youth choir with guitar/piano accompaniment, written by Tim Webster, and transcribed and typeset by Pitch Perfect. It is from the Magic of Muziki collection, under the theme Self Confidence. This download consists of the regular speed backing track, for use in choir practise sessions. Run time 4:21.©2019 Tim Webster. All rights reserved.
$2.99
Say You Love Me
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Rock
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Fleetwood Mac
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Derek Hasted
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Say You Love Me
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.797762 By Fleetwood Mac. By Christine Mcvie. Arranged by Derek Hasted. Pop,Rock. Score and pa...
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Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.797762 By Fleetwood Mac. By Christine Mcvie. Arranged by Derek Hasted. Pop,Rock. Score and parts. 31 pages. Derek Hasted #5205403. Published by Derek Hasted (A0.797762). SAY YOU LOVE ME (Fleetwood Mac) - FOUR GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is a real crowd-pleaser that will suit any informal concert.My arrangement of 'Say You Love Me' is faithful to the Fleetwood Mac original in both the key and the number of sections that it contains. The piece closes with a final chord instead of a long fade out, but it's a big piece with a big sound and it runs for nearly four minutes at the recommended tempo.There are two bass parts in this edition - one in treble clef and one in bass clef...The arrangement works well with 4 guitars, but a larger ensemble will find it easy to get much more drive and power! In a large ensemble, the syncopated rhythms need to be tight and accurate if they are to provide a compelling rhythmic support to the tune.It’s worth mentioning that the name Fleetwood Mac derives from the group’s founder, Mick Fleetwood and John McVie (Mac), their bass player. Why tell you that? Because the Guitar 4 part is a close representation to the original bass line played by John McVie, and what a fantastic bass line it is! The two bass parts (treble clef and bass clef) are identical and between them, they suit guitar, contrabass guitar, electric bass or double bass. For a fuller sound in a large ensemble, one can place a guitar or two alongside a bass instrument.The standard across the parts varies from intermediate to advanced intermediate, so it's great for an ensemble of mixed abilities.I hope you enjoy this piece!
$4.99
Götterdämmerung
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Richard Wagner
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Colin G Dance
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Götterdämmerung
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Dance is With Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1413736 Composed by Richard Wagner. Arranged by Colin G Dance. 19th Century,Classical,Contemporary,Romantic Period. Brass Band. 35 pages. Dance is With Music #995519. Published by Dance is With Music (A0.1413736). Götterdämmerung is the last in Richard Wagner's cycle of four epic music dramas titled Der Ring des Nibelungen. It received its premiere at the Bayreuth Festspielhaus on 17 August 1876, as part of the first complete performance of the whole work.It featured at the end of the 1981 John Boorman film 'Excalibur' when Sir Percival reluctantly throws 'Excalibur' to the Lady of the Lake and King Arthur dies.This arrangement is for brass band - and I have to say, it was rather difficult to make if fit and work properly! I hope you like the final outcome of my endeavours.
$75.00
A froggy would a wooing go (mp3)
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Traditional
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Lorin Nelson, David Warin Solo
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A froggy would a wooing go
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1059518 Composed by Traditional. Arranged by Lorin Nelson, David Warin Solomons. 20t...
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Alto Voice,Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1059518 Composed by Traditional. Arranged by Lorin Nelson, David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. Duration 178. David Warin Solomons #3397199. Published by David Warin Solomons (A0.1059518). Jolly version of this famous nursery song by Lorin Nelson and David Warin SolomonsA frog he would a-wooing go, mm mm, mm mm, A frog he would a-wooing go, Whether his mother would let him or no, mm mm, mm mm. He rode right to Miss Mousie's den, mm mm, mm mm, He rode right to Miss Mousie's den, Said he, Miss Mousie are you within? mm mm, mm mm. Oh yes, Sir Frog, I sit and spin, mm mm, mm mm, Oh yes, Sir Frog, I sit and spin, So open the door and walk right in, mm mm, mm mm. He said, Miss Mousie I?ve come to see, mm mm, mm mm, He said, Miss Mousie I?ve come to see, If you, Miss Mousie, will marry me? mm mm, mm mm. I don't know what to say to that, mm mm, mm mm, I don't know what to say to that, 'Til I can see my Uncle Rat, mm mm, mm mm. When Uncle Rat came riding home, mm mm, mm mm, When Uncle Rat came riding home, Said he, Whose been here since I've been gone? mm mm, mm mm. A fine young gentleman has been here, mm mm, mm mm, A fine young gentleman has been here, Who wants to marry me, that is clear, mm mm, mm mm. So Uncle Rat, he rode to town, mm mm, mm mm, So Uncle Rat, he rode to town, And bought his niece a wedding gown, mm mm, mm mm. Where shall our wedding supper be, mm mm, mm mm, Where shall our wedding supper be? Down in the trunk of the hollow tree, mm mm, mm mm. The first to come was the Bumble Bee, mm mm, mm mm, The first to come was the Bumble Bee, He strung his fiddle over his knee, mm mm, mm mm. The next to come was a Crawley Bug, mm mm, mm mm, The next to come was a Crawley bug, He broke the bottle and smashed the jug, mm mm, mm mm. The next to come was the Captain Flea, mm mm, mm mm, The next to come was the Captain Flea, He danced a jig with the Bumble Bee, mm mm, mm mm. The Frog and Mouse, they went to France, mm mm, mm mm, The Frog and Mouse, they went to France, And this is the end of my romance, mm mm, mm mm
$2.00
Tell My Father
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Broadway
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Sol3 Mio
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Nicholas Garrett
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Tell My Father
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Nicholas Garrett
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1411273 By Sol3 Mio. By Frank Wildhorn and Jack Murphy. Arranged by Nicholas Garrett. Broadway,Musical/Show. Brass Band. 30 pages. Nicholas Garrett #993608. Published by Nicholas Garrett (A0.1411273). Arrangement of Tell My Father for Brass Band - featuring Euphonium, Trombone, and Eb Bass soloists.Tell My Father from the musical Civil War is a heartwrenching song sung by a soldier wishing to let his father know that he died a man.Lyrics:Tell my father that his sonDidn’t run or surrenderThat I bore his name with prideAs I tried to rememberYou are judged by what you doWhile passing throughAs I rest ‘neath fields of greenLet him lean on your shoulderTell him how I spent my youthSo the truth could grow olderTell my father, when you canI was a manTell him we will meet againWhere the angels learn to flyTell him we will meet as menFor with honour did I dieTell him I wore the blueProud and true, through the fireTell my father so he’ll knowI love him soTell him how I wore the blueJust the way that he taught meTell my father not to cryThen say goodbye
$25.00
Ale Vasserlech for mezzo, flute, cello and guitar (mp3)
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Carla Moraga
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David Warin Solomons
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Ale Vasserlech for mezzo, flut
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David Warin Solomons
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SheetMusicPlus
Cello,Flute,Guitar,Medium Voice - Level 4 - Digital Download SKU: A0.1396707 By Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza TohÃ...
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Cello,Flute,Guitar,Medium Voice - Level 4 - Digital Download SKU: A0.1396707 By Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and Rodrigo GarcÃa (cello). By Traditional. Arranged by David Warin Solomons. Folk,Multicultural,Traditional,World. Full Performance. Duration 177. David Warin Solomons #980048. Published by David Warin Solomons (A0.1396707). Based on a traditional Yiddish folk song[Lyrics - English version below]Ale vasserlech flisn avek, di gribelech blaybn leydik.   Nito aza mentsh oyf gor der velt, vos zol farsteyn mayn veytik. Di yorelech tsien, di yorelech flien, di tsayt geyt avek vi roych, un az ich dermon zich on dir, mayn zis lebn, geyt mir oys der ko'ech.Un aza meydele shpilt a libe, shpilt in ir alle farbn un az zi shpilt ir libe nit oys, ken zi cholile noch shtarbn. Un az de tepelech trinkenen oys blaybn zey ale leydik un az a meydele firt ir libe nit oys vert zi farfalln oyf eybik. All the little waters flow awayThe little ditches remain dryThere is nobody on this whole earthwho can understand my painThe years drag on, the years fleeTime goes away like smokeand when I think of you, my sweet lifeI lose my strengthAnd when a young girl plays at loveall the colours play in herand if she doesn't play her love for realshe can - God forbid - still die.And when the water jars run outthey all remain dryand when a young girl doesn't play her love for realshe will pine away for ever.
$4.50
3 little pigs (mp3)
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now their trotters were gettin
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Lorin Nelson, David Warin Solo
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3 little pigs
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David Warin Solomons
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SheetMusicPlus
Piano,Voice - Digital Download SKU: A0.1059517 Composed by Lorin Nelson, David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. Dura...
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Piano,Voice - Digital Download SKU: A0.1059517 Composed by Lorin Nelson, David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. Duration 117. David Warin Solomons #3397197. Published by David Warin Solomons (A0.1059517). Three little pigs one sunny day Saw a wolf and they ran away They ran to the home of the chimpanzee But he wouldn't let them have the key They ran to the home of the friendly cow But she couldn't let them in just now They ran to the home of the great wild boar By now their trotters were getting sore The wild boar told them to run and hide So they ran and ran and they squealed and sighed And they ran to the horse and they begged some straw But the horse shooed them off so they ran some more Then the pigs they reached the farmer's house And were welcomed in by the tenant mouse The mouse she said to the pigs all three I'll help you if you'll help me You've got a wolf and I've got a cat We need to collaborate on that So they hatched a plot to rid themselves Of all the cats and all the wolves But as they sat and hatched their plan They forgot to post a lookout man So mouse and pigs I regret to say Were no more seen. 'Cos they ran away!
$2.00
Blow, Winds, Blow! (Wehe, Windgen, Wehe) for Tuba Quintet (2 Euph., 3 Tubas)
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Classical
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Samuel Scheidt
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Derrick Thom
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Blow, Winds, Blow!
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Derrick Thom. Lewis
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SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 2 - Digital Download SKU: A0.975916 Composed by Samuel Scheidt. Arranged by Derrick Thom. Lewis. Baroque,Instructio...
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Brass Ensemble Euphonium,Tuba - Level 2 - Digital Download SKU: A0.975916 Composed by Samuel Scheidt. Arranged by Derrick Thom. Lewis. Baroque,Instructional. Score and parts. 19 pages. Derrick Thom. Lewis #6719755. Published by Derrick Thom. Lewis (A0.975916). DON'T FEAR PRE-BACH MUSIC! The idea of 'Progress' in art is fallacious (within reason). Scheidt- Variations on Wehe, Windgen, wehe (Blow Little Winds, Blow) [1624, Halle] This gem of mid-Baroque German meister Sam Scheidt, who (for reference) was 23 yrs. younger than Shakespeare and 98 yrs. than Bach, sounds not-a-bit strange to today's ears. Donald J. (no, not him) Grout says that John Dowland's songs of 1590's sound entirely modern. Well, they do! STING recorded them, if that means anything to you. So then, what have composers been up to for the last 430 years?! I jest, but this piece is terrific. Be advised, the 'runs' are modal, in that the 7th degree is usually NOT just a semitone under the 8th/1st, but a whole tone. A bit like bagpipe music, in our day.
$50.00
Lean On Me
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Pop music
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Bill Withers
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S
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Lean On Me
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S. Tyler Fitzgerald
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SheetMusicPlus
Choral Choir (3-Part Treble) - Level 3 - Digital Download SKU: A0.1095379 By Bill Withers. By Bill Withers. Arranged by S. Tyler Fitzgerald. Pop. Octavo....
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Choral Choir (3-Part Treble) - Level 3 - Digital Download SKU: A0.1095379 By Bill Withers. By Bill Withers. Arranged by S. Tyler Fitzgerald. Pop. Octavo. 11 pages. S. Tyler Fitzgerald #699380. Published by S. Tyler Fitzgerald (A0.1095379). 'Lean on Me’ for soloist, mixed chorus, and piano. This arrangement is separated into an upper, middle, and lower part and can be performed by a variety of ensemble configurations: SSA, SAT, or SAB. It is approximately 3’00†minutes in length. The gospel influenced harmonies are accessible and fun! Solo in Verse 1, an energetic a-cappella section in Verse 3, and the accompaniment in the ending section ‘Call Me’ gives the piano a chance to play some crunchy, bluesy riffs under the voices. My name is Tyler Fitzgerald - I’m a composer, arranger and choir director based in Calgary, Alberta, Canada. I create accessible arrangements that play to the strengths of community choirs and non-auditioned singing groups. If you’d like to say hello or inquire about an arrangement please contact me: tyler.fitzgerald88@hotmail.com Also, feel free to get in touch if you would like rehearsal tracks - these are available for all of my scores.
$1.99
Tristan und Isolde
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Classical
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl...
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - Digital Download SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99
The Ballad Of Gilligan's Isle
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George Wyle, Sherwood Schwartz
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Scott Pfitzinger
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The Ballad Of Gilligan's Isle
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Pfitzinger Music
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SheetMusicPlus
Large Ensemble Handbell - Level 3 - Digital Download SKU: A0.1495894 Composed by George Wyle, Sherwood Schwartz, and Sherwood Schwartzf. Arranged by Scot...
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Large Ensemble Handbell - Level 3 - Digital Download SKU: A0.1495894 Composed by George Wyle, Sherwood Schwartz, and Sherwood Schwartzf. Arranged by Scott Pfitzinger. 20th Century,Children,Film/TV,Standards. 4 pages. Pfitzinger Music #1072424. Published by Pfitzinger Music (A0.1495894). Part of the Pfitzinger TV Theme Song Collection for Handbells.Gilligan's Island was a TV show that ran from 1964 to 1967 and has thrived as a rerun. Even young people today say they have grown up with Gilligan’s Island. This arrangement is a Level 3 piece for 3-6 octaves of handbells, with several key changes as the theme goes up by half steps. The bass clef parts are mostly malleted, but the trebles will need to switch bells every 10 measures.It's a very short piece, coming in at just over one minute long, but it is very familiar and nostalgic, sure to be a favorite among both ringers and audiences. Appropriate for community and school handbell groups.(Reproducible for one ensemble).
$25.00
Wynwood Walls
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Stephen Goss
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Wynwood Walls
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan...
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Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
$33.95
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