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8 sheet music found
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1
Oscillation
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Contemporary
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contrast, the string quartet h
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Jeremy Hart
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Oscillation
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Jeremy Graham Hart
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score ...
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Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
$19.95
The Journey For Percussion Ensemble
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Contemporary
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Sean Mallow
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The Journey For Percussion Ens
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Sean Mallow
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SheetMusicPlus
Percussion Ensemble Bells,Chimes,Low Drum,Mallet Percussion,Snare Drum,Tom Tom - Level 2 - Digital Download SKU: A0.495112 By Sean Mallow. By Sean Mallow...
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Percussion Ensemble Bells,Chimes,Low Drum,Mallet Percussion,Snare Drum,Tom Tom - Level 2 - Digital Download SKU: A0.495112 By Sean Mallow. By Sean Mallow. 20th Century,Classical. Score and parts. 65 pages. Sean Mallow #109675. Published by Sean Mallow (A0.495112). The Journey for Percussion Ensemble is for 8 percussionist. Written for early advanced High School or early college groups, the piece tells a story about taking a journey from light to dark, moving from good times and bad, and coming out a better person for it. The piece starts off with a quiet waltz, lullaby-esque, providing a tonal anchor and tranquility. As it moves into the next section, we hear the first main melodic idea. While still maintaining this idea of calm and ambient energy, the main theme should be reflective of an old spaghetti western film. The vibraphonist should play loud and proud.When the piece moves into the heavier 6/8 section, the battery should be sensitive to the melodic instruments. There should be a quiet forward energy weaving through the entire piece.
$25.00
Seven Serapés for Six Pianos (Parts only)
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Igor Korneitchouk
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Seven Serapés for Six Pianos
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Studio at the Post
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SheetMusicPlus
Level 5 - Digital Download SKU: A0.1124743 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 98 pages. Studio at the Post #725501. Publis...
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Level 5 - Digital Download SKU: A0.1124743 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 98 pages. Studio at the Post #725501. Published by Studio at the Post (A0.1124743). Parts only (see A725494 for Score). Duration: 22 – 24 minutes, Six Parts between 12 – 16 pp. Description: Each of the SerapeÌs has a programmatic subtitle that gives the listener a hint as to how to listen. SerapeÌs Nos. 1, 4 and 7 (subtitled Three Brothers) divide up the collection symmetrically as all three share variations of the same set of motivic layers. Nonetheless, despite their common genetic heritage, the three brothers all have radically different personalities. SerapeÌ No. 2 is called Burro for its loping cowboy-swing. Its seemingly infinite upward-spiraling progression through succeeding tonal centers reminds one of the mules on the switchbacks of the Grand Canyon. SerapeÌ No. 3, Starry Night, employs one of Korneitchouk's favorite devices of combing complex order out of chaos. Overlapping melodic patterns in 7/8, 8/8, 9/8, 10/8, 11/8, and 13/8 emerge -- three at a time -- out of constellations of apparently random notes. The brutal SerapeÌ No. 5, L.A. Smog, is rude. This SerapeÌ starts as a sonorous block of jackhammer intensity that later reveals itself to be in a very brisk 5/8 meter. In contrast, SerapeÌ No. 6 is the most peaceful and static SerapeÌ. It includes a musical portrait of the composer's refrigerator turning itself on and off in the dead of night. A drone, which suggests the 60-cycle hum of the refrigerator, anchors the subtle shifting and overlapping harmonies of the piece.
$5.02
Seven Serapés for Six Pianos - Score Only
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Igor Korneitchouk
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Seven Serapés for Six Pianos
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Studio at the Post
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SheetMusicPlus
Level 5 - Digital Download SKU: A0.1125661 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 110 pages. Studio at the Post #725494. Publi...
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Level 5 - Digital Download SKU: A0.1125661 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 110 pages. Studio at the Post #725494. Published by Studio at the Post (A0.1125661). Score only (see A725501 for Parts). Duration: 22 – 24 minutes, 217 pp. reduced to 108 pp. Description: Each of the SerapeÌs has a programmatic subtitle that gives the listener a hint as to how to listen. SerapeÌs Nos. 1, 4 and 7 (subtitled Three Brothers) divide up the collection symmetrically as all three share variations of the same set of motivic layers. Nonetheless, despite their common genetic heritage, the three brothers all have radically different personalities. SerapeÌ No. 2 is called Burro for its loping cowboy-swing. Its seemingly infinite upward-spiraling progression through succeeding tonal centers reminds one of the mules on the switchbacks of the Grand Canyon. SerapeÌ No. 3, Starry Night, employs one of Korneitchouk's favorite devices of combing complex order out of chaos. Overlapping melodic patterns in 7/8, 8/8, 9/8, 10/8, 11/8, and 13/8 emerge -- three at a time -- out of constellations of apparently random notes. The brutal SerapeÌ No. 5, L.A. Smog, is rude. This SerapeÌ starts as a sonorous block of jackhammer intensity that later reveals itself to be in a very brisk 5/8 meter. In contrast, SerapeÌ No. 6 is the most peaceful and static SerapeÌ. It includes a musical portrait of the composer's refrigerator turning itself on and off in the dead of night. A drone, which suggests the 60-cycle hum of the refrigerator, anchors the subtle shifting and overlapping harmonies of the piece.
$9.03
Anna; or, The Adieu
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Mr
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Anna; or, The Adieu
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice; flutes - Digital Download SKU: LV.16071 Composed by Mr. Hook. Courtship & love, Good-byes, Seamen. Lester S. Levy Collection. 2 pages. P...
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Piano and voice; flutes - Digital Download SKU: LV.16071 Composed by Mr. Hook. Courtship & love, Good-byes, Seamen. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16071). Anna; or, The Adieu. Composed by Mr. Hoo. Published [1797] by I.C. Mollers Musical Store, No.58 Vesey Street in New York. Composition of strophic with chorus with piano and voice; flutes instrumentation. Subject headings for this piece include Courtship & love, Good-byes, Seamen. First line reads When the Sails catch the Breeze and the Anchor is weigh'd.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Crazy World
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Contemporary
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Henry Mancini
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Jim Hopson
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Crazy World
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Phonos Music
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.932407 Composed by Henry Mancini. Arranged by Jim Hopson. Contemporary. Score and parts. 21 ...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.932407 Composed by Henry Mancini. Arranged by Jim Hopson. Contemporary. Score and parts. 21 pages. Phonos Music #6462811. Published by Phonos Music (A0.932407). Henry Mancini wrote ‘Crazy World’ for the 1982 Blake Edwards film ‘Victor/Victoria’, starring the incomparable Dame Julie Andrews. Mancini’s gorgeous, bittersweet melody is arranged here for trombone quartet, supported by colourful harmony and flowing counterpoint. All three tenor trombonists get a piece of the action, while the bass trombonist anchors the tune with an intricate, driving bass line. This challenging arrangement aims to highlight the lyrical prowess of a highly-skilled trombone quartet or choir. For advanced playersTrombone 1 high range to high EBass trombone low range to pedal ATrombone 1/2/3 parts: tenor clef and bass clef options included!Stunningly beautiful arrangement!
$12.99
Doubt & Determination (An Epic Sonata of Indeterminacy)
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Dennis Garretson
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Doubt & Determination
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Dennis Garretson
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SheetMusicPlus
Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - Digital Download SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baro...
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Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - Digital Download SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baroque,Contemporary. Score and parts. 5 pages. Dennis Garretson #4580777. Published by Dennis Garretson (A0.993652). Description:Doubt & Determination bridges the gaps between musical eras, as one would hear certain nuance that dates back to the Baroque era but possess a rather modern musical structure. The piece challenges both the listeners and the player themselves. For the public ears, one will have to adapt the performer's perspectives to 'feel' the piece. As the title suggests, both 'Doubt' and 'Determination' are two human perceptions that oppose each other, to understand the music is to find common grounds between them, through unexpected cadences and dynamic change. The performer will have to deliver the technicalities of bringing them together, through detail instructions on dynamics and tempo change. The piece is modeled in Sonata Form. however, it is to be approached with indeterminacy, occasionally granting the performer the freedom through Tempo Rubato and Breath Perceptions.Practice Suggestion:This music can only prevail through expression, thus the commitment for dynamic is of the utmost importance. It is highly suggested to understand what makes this piece unique, a score analysis is always a good start. Mark out the accents (Staccato and Emphasis) and the tempo change. Establish breathing points since the piece has very minimal instructions for that, it is hence highly dependent on the performer's capability to deliver.A proper mindset is essential for the perfect performance.Instrumentations:Certain instruments are optional if a soprano saxophone is proven unavailable. The permitted exceptions are Violins (high strings with nuance deliverance) and Woodwinds within the tenor and soprano range.About the ComposerDennis Garretson is young Pianist, Improviser and Composer.Born and raised in Hong Kong, he started as a self-taught composer in high school. and became increasingly influenced by Hollywood &Blockbuster sounds, which paved the way towards discovering his passion towards the realm of orchestral music & film scores. He produced his first soundtrack when he was 17 and secured his first Media Award in the 12th Annual Hong Kong Film Art Association for the best original composition.Currently pursuing a music degree in Nova Scotia Canada, Dennis has the honorable opportunity of studying under multi Juno nominated composer - Peter Togni. His style of writing could be described as - Adaptive Story Telling, allowing listeners to have their very own unique interpretations of what the music could be about while anchoring within reach of the composer's core idea. Dennis strives to be a composer of true versatility, albeit his primary interest remains committed to film scores. He has written in the styles of Schoenberg's 12-tone techniques and has gone as polar as modern movie and trailer music. His music has been commissioned for short films and could be heard on various media platforms.For work inquiry, please contact through social media.
$6.99
Orpheus: Un Amore Immortale (A Cinematic String Trio Symphony)
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Broadway
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Dennis Garretson
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Dennis Garretson
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film scores
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Orpheus: Un Amore Immortale
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Dennis Garretson
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SheetMusicPlus
String Ensemble,String Trio Cello,Double Bass,Violin - Level 4 - Digital Download SKU: A0.993653 Composed by Dennis Garretson. Arranged by Dennis Garrets...
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String Ensemble,String Trio Cello,Double Bass,Violin - Level 4 - Digital Download SKU: A0.993653 Composed by Dennis Garretson. Arranged by Dennis Garretson. 20th Century,Broadway,Contemporary. Score and parts. 9 pages. Dennis Garretson #4580793. Published by Dennis Garretson (A0.993653). Retelling the myth of the lovers, in a modern fashionDescriptionOrpheus: Un Amore Immortale features a 6 minutes symphony written for violins, cellos and double basses, with an optional solo violin and cello part for a better depths. Debut in the 2018 Acadia University Composer Recital.This Trio Symphony features a Violin, Cello and Double bass, in contrast to the original string trio layout to deliver full harmony. The piece possesses a structure deeply related to modern film scores through the use of rhythmic pulses and ostinatos, with a stable ritornello (theme) occurring throughout the six-minute performance. This piece is a direct retelling of the story Orpheus and Eurydice, as it goesOrpheus, a legendary musician gifted with superhuman musical abilities, traveled to the Underworld to save his bride Eurydice, whom during the wedding died an untimely death. the symphony utilized modern cinematic elements to speak out the events. a saddening finale which ultimately points to the original tragedy of Eurydice's ultimate fate.For the following for the Full Recording:https://soundcloud.com/dcgarretsoncomposer/orpheus-amore-immortale-a-cinematic-trio-symphonyAbout the ComposerDennis Garretson is young Pianist, Improviser and Composer.Born and raised in Hong Kong, he started as a self-taught composer in high school. and became increasingly influenced by Hollywood &Blockbuster sounds, which paved the way towards discovering his passion towards the realm of orchestral music & film scores. He produced his first soundtrack when he was 17 and secured his first Media Award in the 12th Annual Hong Kong Film Art Association for the best original composition.Currently pursuing a music degree in Nova Scotia Canada, Dennis has the honorable opportunity of studying under multi Juno nominated composer - Peter Togni. His style of writing could be described as - Adaptive Story Telling, allowing listeners to have their very own unique interpretations of what the music could be about while anchoring within reach of the composer's core idea. Dennis strives to be a composer of true versatility, albeit his primary interest remains committed to film scores. He has written in the styles of Schoenberg's 12-tone techniques and has gone as polar as modern movie and trailer music. His music has been commissioned for short films and could be heard on various media platforms.For work inquiry, please contact through social media.
$9.99
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