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You've selected:
Art For Art's Sake
Sheetmusic to print
21 sheet music found
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1
For Beauty's Sake - parts
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Contemporary
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Emily Misner
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For Beauty's Sake - parts
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Emily Misner
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - Digital Download SKU: A0.991542 Composed by Emily Misner. Contemporary. Score and parts. 18 ...
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - Digital Download SKU: A0.991542 Composed by Emily Misner. Contemporary. Score and parts. 18 pages. Emily Misner #3041909. Published by Emily Misner (A0.991542). This file contains the individual parts for flute, clarinet, violin, cello, and piano, rather than the conductor's score. For Beauty's Sake was written for the Pierrot Ensemble at the University of Montana. It is a piece of lyrical beauty and rhythmic exploration, passing the motive between all musicians in the ensemble. For flute, clarinet, violin, cello, and piano, this piece also makes use of the strings inside the piano for a haunting, wave-like sound as the woodwinds and strings enter slowly, turning a few notes into a beautiful melodic line.One note about the pianist's part. The pianist may either cut short the time she is playing inside the piano to allow for time to move back and forth to the actual keyboard, or she may enlist the help of a second performer for the parts inside the piano.
$9.00
For Beauty's Sake
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Contemporary
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Emily Misner
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For Beauty's Sake
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Emily Misner
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - Digital Download SKU: A0.991541 Composed by Emily Misner. Contemporary. Score and parts. 18 ...
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - Digital Download SKU: A0.991541 Composed by Emily Misner. Contemporary. Score and parts. 18 pages. Emily Misner #3041907. Published by Emily Misner (A0.991541). For Beauty's Sake was written for the Pierrot Ensemble at the University of Montana. It is a piece of lyrical beauty and rhythmic exploration, passing the motive between all musicians in the ensemble. For flute, clarinet, violin, cello, and piano, this piece also makes use of the strings inside the piano for a haunting, wave-like sound as the woodwinds and strings enter slowly, turning a few notes into a beautiful melodic line. One note about the pianist's part. The pianist may either cut short the time she is playing inside the piano to allow for time to move back and forth to the actual keyboard, or she may enlist the help of a second performer for the parts inside the piano.
$9.00
A Mission for Every One
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Ken Litton
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Ken Litton
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and shall deceive many
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A Mission for Every One
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Artist of Note, Inc.
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SheetMusicPlus
Keyboard - Digital Download SKU: A0.1503432 Composed by Ken Litton. Arranged by Ken Litton. 20th Century,Christian,Contemporary,Religious,Sacred. Accompa...
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Keyboard - Digital Download SKU: A0.1503432 Composed by Ken Litton. Arranged by Ken Litton. 20th Century,Christian,Contemporary,Religious,Sacred. Accompaniment. Duration 140. Artist of Note, Inc. #1078881. Published by Artist of Note, Inc. (A0.1503432). A Mission for Every OneAudio accompaniment/demo MP3A song I wrote at the request of the South Brazil Mission of the International Mission Board SBC, for their Annual South Brazil Mission Meeting in 1997 while we were serving the churches of the Federal District Baptist Convention in the capital city of Brasília (1000 miles into the interior of the country).The key reference here is Matthew 24:4-14...And Jesus answered and said unto them, Take heed that no man deceive you. For many shall come in my name, saying, I am Christ; and shall deceive many. And ye shall hear of wars and rumours of wars: see that ye be not troubled: for all these things must come to pass, but the end is not yet. For nation shall rise against nation, and kingdom against kingdom: and there shall be famines, and pestilences, and earthquakes, in divers places. All these are the beginning of sorrows. Then shall they deliver you up to be afflicted, and shall kill you: and ye shall be hated of all nations for my name's sake. And then shall many be offended, and shall betray one another, and shall hate one another. And many false prophets shall rise, and shall deceive many. And because iniquity shall abound, the love of many shall wax cold. But he that shall endure unto the end, the same shall be saved. And this gospel of the kingdom shall be preached in all the world for a witness unto all nations; and then shall the end come.—KJV#evangelism #outreach #witness #testifyAvailable where you go for the best in downloadable resources, including:Sheet Music PlusSheet Music DirectAnd via your local Hal Leonard InStore music dealerAlso…check out other titles from East of the Altar/Artist of Note, Inc.!Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard!
$2.99
Time Off (for saxes and piano)
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Colin Kirkpatrick
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Time Off
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522199 Composed by Colin Kirkpa...
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Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522199 Composed by Colin Kirkpatrick. Concert,Holiday,Jazz,Latin. Score and parts. 37 pages. Colin Kirkpatrick Publications #3407717. Published by Colin Kirkpatrick Publications (A0.522199). These pieces are in jazz and Latin styles and are intended for intermediate students. This is a companion set to Let’s Go! but the music is technically more challenging. The pieces are intended for an end-of-term concert or recital but would be useful for any light hearted occasion. The 15-page piano score also includes the saxophone parts. The highest note in the 1st sax part is (written) D6 and that in the 2nd sax part is C6. Five-page parts for the two E flat alto saxophones are provided as well as an optional part for tenor sax, which is exactly the same part as the 2nd saxophone. In the piano parts the improvisation chords are shown only in the 1st alto part purely for the sake of visual tidiness, but they appear in all the saxophone parts. If the participants do not feel confident enough, the improvising sections can be omitted. The optional guitar and bass parts are combined and the bass part is similar to the left hand of the piano part. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679714 All five parts are presented in a single PDF file. The three numbers are: 1. Highway South - This is a jazz style number written in 6/8 time in concert G minor. There is an improvisation section in the minor key which can be repeated as often as required. It’s a real swinger and useful for giving students the experience of working in a minor key. 2. Summer Siesta - This is a slow number in E flat major which gives the opportunity to practise a soft singing tone-quality over chromatic shifts in harmony 3. Tequila Surprise - Written in 4/4 time in E flat, this is a Latin-style fun piece that lets the participants create surprises during the empty bars. The surprises can be musical or non-musical, depending on the performance occasion and there’s an improvisation section which can be repeated as often as required. The audio sample contains all three titles. Play-along backing tracks are available here: https://www.sheetmusicplus.com/title/20679714
$6.99
Let's Go! (for saxes and piano)
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Colin Kirkpatrick
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Let's Go!
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522196 Composed by Colin Kirkpa...
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Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522196 Composed by Colin Kirkpatrick. Concert,Holiday,Jazz,Latin,Patriotic,Wedding. Score and parts. 35 pages. Colin Kirkpatrick Publications #3397237. Published by Colin Kirkpatrick Publications (A0.522196). Three numbers in popular style for two alto saxes and piano (or alto and tenor) with optional part for guitar and/or bass.These pieces are in jazz and Latin styles and are intended for intermediate students. They’re ideal for an end-of-term concert or recital but would be useful for any festive occasion or celebration. The 13-page piano score also includes the saxophone parts. The highest note in the 1st sax part is (written) C6 and that in the 2nd sax part is A6. Both parts avoid low D and C. Five-page parts for the two E flat alto saxophones are provided as well as an optional part for tenor sax, which is exactly the same part as the 2nd saxophone. In the piano parts the improvisation chords are shown only in the 1st alto part purely for the sake of visual tidiness, but they appear in all the saxophone parts so that any participant can offer an improvised solo. The guitar and bass parts are combined and the bass part is similar to the left hand of the piano part. All five parts are presented in a single PDF file. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679812 1. Hit the Town This is an entertaining swinger in the concert key of E flat and 4/4 time. It uses “jazz†eighth notes (quavers) and would be good introduction to playing in a jazz style. The improvisation section can be repeated as often as required. 2. Cool company A slow number in F major in a Latin-American style, this gives the opportunity to practise a soft singing tone-quality. There is one short section for improvising. 3. Freeway Written in 3/4 time in B flat, this jazzy waltz also uses “jazz†eighth notes (quavers) and the improvisation section can be repeated as often as required.
$6.99
Shine On You Crazy Diamond (parts 1 - 9)
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David Jon Gilmour, George Roge
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Lucas Rei Ramos
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Shine On You Crazy Diamond
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Lucas Rei Ramos
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SheetMusicPlus
Choral Choir (5-Part) - Level 3 - Digital Download SKU: A0.1265017 Composed by David Jon Gilmour, George Roger Waters, and Richard William Wright. Arrang...
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Choral Choir (5-Part) - Level 3 - Digital Download SKU: A0.1265017 Composed by David Jon Gilmour, George Roger Waters, and Richard William Wright. Arranged by Lucas Rei Ramos. 20th Century,A Cappella,Rock. Octavo. 6 pages. Lucas Rei Ramos #857855. Published by Lucas Rei Ramos (A0.1265017). Arrangement for SSATB of this classic from Pink Floyd, ideal for choirs who want to add some classic rock to their repertoire.I wanted to convey the intimate and, at the same time, intense mood of the original tune. Its dynamic contrast and opposition between counterpoint and homophonic sections serve this purpose. It features several contrapuntal sections at the beginning (part II), end (parts VIII and IX) and interlude (part IV), aimed to imitate the instrumental performance. It’s not a challenging arrangement, but should some of these parts be complicated for the choir, they can be skipped safely.This arrangement only comprises lyrics from part IV, excluding part VII for the sake of brevity and simplicity.Commissioned by Coro da Rá, a choir specialized in jazz and Brazilian music. I had a special relationship with the music of Pink Floyd in my youth, so I made this arrangement with enthusiasm. I’d love to have it sung by other choirs around the world and hope you enjoy it as well.
$1.99
Folk Songs For Classical Guitar - Volume 13 (Songs 325-351)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1153431 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Class...
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1153431 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 41 pages. Socrates Arvanitakis #753692. Published by Socrates Arvanitakis (A0.1153431). This is the thirteenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Folk Songs For Classical Guitar - Volume 13 (Songs 325-351)Flowers in the Valley [The Red, The Green and the Yellow]Flowers O’ the ForestFoggy Dew (the)Football CrazyFor I am a Maid that’s Deep in LoveForsaken Maiden - A Maiden Sat A-WeepingForty MilesFour in a BoatFour Maries (the)Four Pence a DayFox 1 (THE)Fox 2 (THE)Fox 3 (THE)Fox Hunt (the)Frenet Ha’Friendly Beasts (THE)Frog and the Mouse (THE)Fum, Fum Fum!Gabriel’s MessageGarden Gate (THE)Garden where the Praties Grow (THE)Gathering PeascodsGentlemen of High RenownGently Johnny my Jingalo (different key)GeordieGeorge CollinsGeorgie.
$25.00
Guinean National Anthem for String Orchestra
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Keith Terrett
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Keith Terrett
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Guinean National Anthem for St
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1517572 By Keith Terrett. By Original: Korofo Moussa, 1904 Modern: Fodéba Keïta, 1958. Arranged b...
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String Orchestra - Level 3 - Digital Download SKU: A0.1517572 By Keith Terrett. By Original: Korofo Moussa, 1904 Modern: Fodéba Keïta, 1958. Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Praise & Worship,Traditional,World. 9 pages. Keith Terrett #1091734. Published by Keith Terrett (A0.1517572). Korofo Moussa's song:The music of the anthem is derived from a praise song for the late-1800s king of Labé, in Fouta Djallon, Alpha Yaya Diallo (or Alfa Yaya). Alpha Yaya is, along with Wassoulou Empire founder Samory Touré, considered central by Guineans to the foundation of the modern Guinean nation, in part because of his fierce attempts to resist colonisation.In 1904, Alpha Yaya was one of many traditional chiefs and kings summoned to a doctrinal conference with French colonists, who were still in the process of consolidating his territory.The chiefs each brought along a retinue for the journey; in Alpha Yaya's retinue was griot Korofo Moussa, from Kissidougou in the south of the country. Alpha Yaya arrived to the conference on its sixth day, and Korofo Moussa is said to have spontaneously improvised, along with his troupe of dancers and kora players, a praise song for Alpha Yaya after he arrived. The song began with the line Alpha Yaya, Mansa bè Manka (Alpha Yaya, mansas (kings) are not the same). According to Fodéba Isto Keira, former Minister of Youth, Sports and Culture, the performance took place in the building of the modern Directorate of the Judicial Police in the Kaloum sub-prefecture of Conakry.Korofo Moussa's air quickly became popular; it was sung and played by all the griots for the rest of the conference, and within a few days it was known throughout Conakry. Alpha Yaya's personal griot immediately trained to play the song. Upon the return of the kings and their retinues to their regions, it spread throughout the country.Modern anthem:Upon approaching independence in 1958, the lyrics of Korofo Moussa's song were reworked and written in French by artist, choreographer and politician Fodéba Keïta and Jean Cellier for the national anthem of Guinea. Korofo Moussa's melody was retained for the anthem. According to Keira, Keïta used the solfège method when working with the music. Keira stated that the national anthem had to be inspired by something from Fouta Djallon for the sake of avoiding frustrations and preserving national unity.
$8.99
Bink's sake
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One piece
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Lkmusic
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Bink's sake
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Lucas Kist
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SheetMusicPlus
Alto Flute,Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1294330 By One piece. By Eichiro Oda. Arranged by Lkmusic. 21st Century,Contemporary,...
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Alto Flute,Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1294330 By One piece. By Eichiro Oda. Arranged by Lkmusic. 21st Century,Contemporary,Film/TV,Multicultural,Video Game,World. Score and part. 1 pages. Lucas Kist #884685. Published by Lucas Kist (A0.1294330). Arrangement for flute transposed to the original key.
$4.99
Machaut: La Messe de Nostre Dame for Double Reed Quartet
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn - Level 2 - Digital Download SKU: A0.1258422 Composed by Guillaume de Machaut, 1300-1377. Arrange...
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Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn - Level 2 - Digital Download SKU: A0.1258422 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #851675. Published by jmsgu3 (A0.1258422). INSTRUMENTATION: 2 ENGLISH HORNS and 2 BASSOONS1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Machaut: La Messe de Nostre Dame for 2 Horns & 2 Trombones
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet Horn,Trombone - Level 2 - Digital Download SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamb...
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Brass Quartet Horn,Trombone - Level 2 - Digital Download SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #852054. Published by jmsgu3 (A0.1258806). INSTRUMENTATION: 2 Horns in F, 2 Tenor Trombones.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Sonatina No. 1
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Mark Anthony Cruz
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Sonatina No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Digital Download SKU: ZZ.DZ-4272 Composed by Mark Anthony Cruz. Score. 16 pages. Les Productions d'OZ - Digital #DZ 4272. Published by Les Produ...
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Guitar - Digital Download SKU: ZZ.DZ-4272 Composed by Mark Anthony Cruz. Score. 16 pages. Les Productions d'OZ - Digital #DZ 4272. Published by Les Productions d'OZ - Digital (ZZ.DZ-4272). En septembre 2018, le guitariste Toby McWilliams a commandé à Cruz l’écriture d’une pièce solo en trois mouvements après avoir entendu ses Five Pieces in C dans l’émission de radio internationale Classical Guitar Alive. McWilliams a demandé que le premier mouvement soit en forme sonate-allegro, suivi de deux autres pièces reflétant les choix de tempo d’une sonatine en trois mouvements typique. Comme c’est le cas pour la plupart des œuvres de Cruz, cette Sonatine a été achevée en tant que musique pure, sans programme sous-jacent. Cependant, dans sa quête de trouver des titres autres que des indications de tempo, Cruz a extrait trois mots de la correspondance entre lui-même et McWilliams qui, ensemble, ajoutent une touche personnelle à la collection tout en suggérant une progression des événements d’une journée imaginaire.Un point d’intérêt dans le premier mouvement, le thème A : Cruz commence sur l’accord IV et évite intentionnellement d’utiliser un accord I tout au long de la pièce. Bien que la section B commence dans la tonalité de dominante, elle se dirige rapidement vers un centre tonal de ré majeur.Festival (3ème mouvement) utilise un thème d’ouverture bitonal : mi majeur dans la voix supérieure tandis que la ligne de basse utilise mi mineur.In September of 2018, guitarist, Toby McWilliams commissioned Cruz to write a three-movement guitar solo after hearing his Five Pieces in C on the internationally syndicated radio show, Classical Guitar Alive. McWilliams requested the first movement to be in sonata-allegro form followed by two other pieces that reflect the tempo choices of a typical three-movement sonatina. As is the case with most of Cruz’s music, this Sonatina was completed as music written for music’s sake. However, in his quest to find titles other than tempo markings, Cruz plucked three words from the correspondence between himself and McWilliams that together, add a personal touch to the collection while suggesting a progression of an imaginary day’s events.A point of interest in the first movement, A theme: Cruz begins on the IV chord and intentionally avoids using a proper I chord throughout. While the B section does begin in the dominant key, it moves quickly towards a D major tonal center.Festival (3rd movement) uses a bitonal opening theme: E major in the top voice while the bass line uses E minor.
$9.95
Folk Songs For Classical Guitar - Volume 35 (Songs 919-945)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1167752 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Class...
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1167752 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 46 pages. Socrates Arvanitakis #768119. Published by Socrates Arvanitakis (A0.1167752). This is the thirtieth-fifth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 35 (Songs 919-945)Wild, Wild Berry (the)Will Ye No Come Back AgainWill you go lassieWilliam TaylorWillie Brook (William Cook)Willie DooWillie drowned in EroWindy Old WeatherWithin a GardenWoodsmans Alphabet (the)World I have Forsaken (the)Wraggle Taggle Gipsies-O (the)Wreck of the Sloop John B (the)Yankee DoodleYarmouth is a Pretty TownYe Banks And BraesYe Mar’ners AllYe People All, In God RejoiceYe’re sair dung, Annie, or, Bervie’s BraesYellow BirdYellow Rose of Texas (the)Yellow Sheepskin (the)Young BankerYoung Bucks A-Hunting GoYoung CollinsYoung HerchardYoung William.
$25.00
Only Hope
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Mandy Moore
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Patrick McAlexander
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Only Hope
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Patrick McAlexander
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SheetMusicPlus
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.777351 By Mandy Moore. By Jonathan Foreman. Arranged by Patrick McAlexander. A Cappella,Dance,...
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.777351 By Mandy Moore. By Jonathan Foreman. Arranged by Patrick McAlexander. A Cappella,Dance,Pop. Octavo. 7 pages. Patrick McAlexander #3682661. Published by Patrick McAlexander (A0.777351). Arrangement of this song featured in A Walk To Remember, as sung by 1999 Harmony Incoroporated Quartet Champions, For Heaven's Sake.
$12.99
How far is it to Bethlehem a cappella arrangement (ATB) (mp3)
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Christmas
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dwsChorale
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not known
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How far is it to Bethlehem a c
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David Warin Solomons
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SheetMusicPlus
Choir - Level 3 - Digital Download SKU: A0.1342162 By dwsChorale. By Traditional. Arranged by not known. Children,Christmas,Holiday,Traditional. Full Per...
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Choir - Level 3 - Digital Download SKU: A0.1342162 By dwsChorale. By Traditional. Arranged by not known. Children,Christmas,Holiday,Traditional. Full Performance. Duration 112. David Warin Solomons #927684. Published by David Warin Solomons (A0.1342162). This is an a cappella arrangement of the tune Stowey, which is a traditional English folksong often paired with these words by Frances Chesterton:How far is it to Bethlehem, not very far?Shall we find the stable room lit by a star?Can we see the little child, is He within?If we lift the wooden latch, may we go in?May we stroke the creatures there, ox, ass or sheep?May we peek like them and see Jesus asleep?If we touch His tiny hand, will He awake?Will He know we've come so far just for His sake?Great Kings have precious gifts and we have noughtLittle smiles and little tears are all we have brought.For all weary children Mary must weepHere, on His bed of straw, sleep, children, sleep.God in his mother's arms, babes in the byreSleep as they sleep who find their heart's desire.
$5.50
Italian Concerto
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Classical
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Johann Sebastian Bach
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Olaf Muehlenhardt
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Italian Concerto
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Advance Music GmbH - Digital
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SheetMusicPlus
4 saxophones (SATBar) - intermediate - Digital Download SKU: S9.Q40398 Composed by Johann Sebastian Bach. Arranged by Olaf Muehlenhardt. This edition: sc...
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4 saxophones (SATBar) - intermediate - Digital Download SKU: S9.Q40398 Composed by Johann Sebastian Bach. Arranged by Olaf Muehlenhardt. This edition: score and parts. Interpretation - quartet - saxophone. Downloadable, Score and parts. Advance Music GmbH - Digital #Q40398. Published by Advance Music GmbH - Digital (S9.Q40398). In this faithful adaptation of Bach’s popular keyboard work in three distinct movements, all players serve in a variety of roles as soloist, as a small soloistic group within the ensemble (concertino), and as a tutti (ripieno) ensemble. For the sake of authenticity, all of Bach’s original instructions, embellishments and articulations have been included and adjusted as necessary.
$23.99
Three Sacred Songs: 3. Magdalene (Downloadable)
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Derek Healey
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Three Sacred Songs: 3. Magdale
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7542-E Composed by Derek Healey. Instrument p...
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Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7542-E Composed by Derek Healey. Instrument part. 13 pages. E. C. Schirmer Music Company - Digital #7542-E. Published by E. C. Schirmer Music Company - Digital (MQ.7542-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.†The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).
$2.25
Three Sacred Songs: 2. The Shepherd Lad (Downloadable)
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Derek Healey
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Three Sacred Songs: 2. The She
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7541-E Composed by Derek Healey. Instrument p...
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Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7541-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7541-E. Published by E. C. Schirmer Music Company - Digital (MQ.7541-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.†The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).
$1.95
Beati eritis
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Giovanni Croce
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David Musgrove
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Beati eritis
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David Musgrove
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.575305 Composed by Giovanni Croce. Arranged by David Musgrove. Classical,Renaissance. Score ...
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.575305 Composed by Giovanni Croce. Arranged by David Musgrove. Classical,Renaissance. Score and parts. 8 pages. David Musgrove #182964. Published by David Musgrove (A0.575305). Italian composer Giovanni Croce (1557-1609) was mostly prominent as a madrigalist, and a highly respected composer of his time. He produced less music in the choral style of the Gabrielis, which is perhaps why his music is less well known than theirs today. Generally lighter and clearer in texture than Giovanni Gabrieli, of whom he was an exact contemporary, his music nevertheless has much to offer audiences. 'Beati eritis' is a setting of two verses from St Matthew's account of Jesus's Sermon on the Mount, or Beatitudes. ' Blessed are you when they revile and persecute you, and say all kinds of evil against you falsely for My sake. Rejoice and be exceedingly glad, for great is your reward in heaven, for so they persecuted the prophets who were before you.' It sits very well on trombones, and will particularly suit a resonant acoustic. Item number: DM 2642 MP3 sound file is produced from Sibelius.
$7.99
You Are My King
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Billy James Foote
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Billy James Foote
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Larry Shackley
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You Are My King
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Hope Publishing - Digital
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SheetMusicPlus
Rhythm instruments - Digital Download SKU: H1.C5387RDP Composed by Billy James Foote. Arranged by Larry Shackley. Contemporary, Lent, General Worship, Co...
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Rhythm instruments - Digital Download SKU: H1.C5387RDP Composed by Billy James Foote. Arranged by Larry Shackley. Contemporary, Lent, General Worship, Commitment, Love, Sacrifice. Rhythm Parts. 13 pages. Hope Publishing - Digital #C5387RDP. Published by Hope Publishing - Digital (H1.C5387RDP). By Billy James Foote. Matthew 18:21 - Matthew 18:22 - Matthew 18:23 - Matthew 18:24 - Matthew 18:25 - Matthew 18:26 - Matthew 18:27 - Matthew 18:28 - Matthew 18:29 - Matthew 18:30 - Matthew 18:31 - Matthew 18:32 - Matthew 18:33 - Matthew 18:34 - Matthew 1.Contemporary worship song by Billy James Foote Billy James Foote's popular contemporary worship song revisits the familiar territory of Charles Wesley's beloved text And Can It Be? The verse quietly meditates on the contradictions of Christ's sacrifice: I'm forgiven because You were forsaken/I'm accepted, You were condemned. The chorus provides the joyful response: Amazing love! This sensitive yet powerful setting from arranger, Larry Shackley, is suitable for Holy Week or any time of the year.
$34.95
EASIER SCHOOL ORCHESTRA SERIES 1 Barcarolle (Les Contes d'Hoffmann) Offenbach
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Classical
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Jacques Offenbach
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John Beale
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EASIER SCHOOL ORCHESTRA SERIES
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John Beale
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SheetMusicPlus
Large Ensemble Bass Guitar,Clarinet,Double Bass,Flute,Horn,Piano,Recorder,Timpani,Trombone,Trumpet,Violin - Level 2 - Digital Download SKU: A0.984861 Com...
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Large Ensemble Bass Guitar,Clarinet,Double Bass,Flute,Horn,Piano,Recorder,Timpani,Trombone,Trumpet,Violin - Level 2 - Digital Download SKU: A0.984861 Composed by Jacques Offenbach. Arranged by John Beale. Romantic Period. Score and parts. 35 pages. John Beale #4775671. Published by John Beale (A0.984861). I arranged music for my school's musicians to come together and perform in our school concerts. I chose and arranged many well-known pieces but, unfortunately, can only publish the public domain music. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. In this piece I had to persuade the pupils with a very repetitive part they were just as important as the others for the sake of the whole.
$15.00
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