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26
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and p...
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Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Love Has Come! (key of F)
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Sacred music
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Christmas
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17th c
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Ken Bible and Lyndell Leatherm
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Love Has Come!
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Leatherman Music Services
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.829382 Composed by 17th c., Words: Ken Bible / Music: French Carol Melody, and attr. to Saboly. Arran...
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Small Ensemble - Level 3 - Digital Download SKU: A0.829382 Composed by 17th c., Words: Ken Bible / Music: French Carol Melody, and attr. to Saboly. Arranged by Ken Bible and Lyndell Leatherman. Christian,Christmas,Sacred. Score and parts. 20 pages. Leatherman Music Services #5955337. Published by Leatherman Music Services (A0.829382). The charming tune usually associated with Bring a Torch, Isabella is the setting for this new Christmas hymn text, resulting in an attractive addition to the Advent/Christmas canon. Because the tune is known to most people, it will be easy to introduce it into worship services this December. As an additional service Ken Bible has provided a script which can be used to provide context and lead in to the hymn.The companion orchestration allows for the participation of supplemental instruments. Even if you only have one–or a few–of the instruments available, they will enhance the presentation of the hymn. A separate edition in the key of E is available on Sheet Music Plus; it can be used instead of–or in addition to–this edition (think modulation into the last stanza).Note: the purchase price allows you to duplicate as many copies as needed for your singers and instrumentalists. If used for congregational singing, please include it in your CCLI tally if it's your turn to report; the CCLI number is included at the bottom of the hymn arrangement.It has been my lifelong endeavor to provide fresh, yet accessible music for the churches and schools with whom I have been associated. Because of the slowdown caused by Covid-19, I finally have the time to start posting 45 years' worth of custom arrangements on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 > or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear more published works. Thanks for your interest! God bless!Lyndell Leatherman, ASCAP
$19.99
Stabat Mater - string ensemble parts
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Contemporary
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble
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Annemieke Lustenhouwer
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lusten...
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
Love Has Come! (key of E)
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Sacred music
#
Christmas
#
17th c
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Ken Bible and Lyndell Leatherm
#
Love Has Come!
#
Leatherman Music Services
#
SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.829380 Composed by 17th c., Words: Ken Bible / Music: French Carol Melody, and attr. to Saboly. Arran...
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Small Ensemble - Level 3 - Digital Download SKU: A0.829380 Composed by 17th c., Words: Ken Bible / Music: French Carol Melody, and attr. to Saboly. Arranged by Ken Bible and Lyndell Leatherman. Christian,Christmas,Sacred. Score and parts. 20 pages. Leatherman Music Services #5955335. Published by Leatherman Music Services (A0.829380). The charming tune usually associated with Bring a Torch, Isabella is the setting for this new Christmas hymn text, resulting in an attractive addition to the Advent/Christmas canon. Because the tune is known to most people, it will be easy to introduce it into worship services this December. As an additional service Ken Bible has provided a script which can be used to provide context and lead in to the hymn.The companion orchestration allows for the participation of supplemental instruments. Even if you only have one–or a few–of the instruments available, they will enhance the presentation of the hymn. A separate edition in the key of F is available on Sheet Music Plus; it can be used instead of–or in addition to–this edition (think modulation into the last stanza).Note: the purchase price allows you to duplicate as many copies as needed for your singers and instrumentalists. Please include it in your CCLI tally if it's your turn to report; the CCLI number is included at the bottom of the hymn arrangement.It has been my lifelong endeavor to provide fresh, yet accessible music for the churches and schools with whom I have been associated. Because of the slowdown caused by Covid-19, I finally have the time to start posting 45 years' worth of custom arrangements on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 > or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear more published works. Thanks for your interest! God bless!Lyndell Leatherman, ASCAP
$14.99
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Pr
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pag...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Pr
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Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pag...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
#
Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets and Pr
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pag...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
The Journey (Lenten) - solo or duet violin (optional) and piano
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Connie Boss
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The Journey
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Connie Boss
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SheetMusicPlus
Small Ensemble Guitar,Piano,Violin,Voice - Level 2 - Digital Download SKU: A0.801580 Composed by Connie Boss. Celtic,Christian,Easter,Pop,Sacred. Score a...
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Small Ensemble Guitar,Piano,Violin,Voice - Level 2 - Digital Download SKU: A0.801580 Composed by Connie Boss. Celtic,Christian,Easter,Pop,Sacred. Score and parts. 4 pages. Connie Boss #6236183. Published by Connie Boss (A0.801580). As we start our Lenten Journey, we reflect on what Jesus went through on His. May we show respect to Him during this time and do our best to Thank Him and show our appreciation. This is for solo or duet optional violin and piano with optional flute. ATTN: I will email this to go with the book I have Lent/Easter for sale if you show me proof of purchase. It doesn't matter if you purchase it last year or this year. Email me the proof and I will email you this music for free! cdboss@cvalley.net Lyrics below:The Journey (Lenten)Composed by Connie Boss Verse 1:As we start this Lenten journeyA time of fast and prayerWe reflect on your own journeyAnd it’s beyond compare Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Verse 2: Ash Wednesday starts our journeyWith a mark of sacrificeA cross of ashes on our foreheadsFor us you paid the price Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Verse 3: As our time ends for this journeyWe enter Holy WeekWe reach that fateful dayForgiveness now we seek Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Final Refrain: So through our Lenten journeyWe fast and prayAnd we battle with the devilIn every way
$5.00
The Journey (Lenten) - solo or duet flute (optional) and piano
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Connie Boss
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The Journey
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Connie Boss
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SheetMusicPlus
Small Ensemble Flute,Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.801578 Composed by Connie Boss. Celtic,Christian,Easter,Pop,Sacred. Score an...
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Small Ensemble Flute,Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.801578 Composed by Connie Boss. Celtic,Christian,Easter,Pop,Sacred. Score and parts. 4 pages. Connie Boss #6236179. Published by Connie Boss (A0.801578). As we start our Lenten Journey, we reflect on what Jesus went through on His. May we show respect to Him during this time and do our best to Thank Him and show our appreciation. This is for duet optional flute and piano with optional flute. cdboss@cvalley.net ATTN: I will email this to go with the book I have Lent/Easter for sale if you show me proof of purchase. It doesn't matter if you purchase it last year or this year. Email me the proof and I will email you this music for free! Lyrics below:The Journey (Lenten)Composed by Connie Boss Verse 1:As we start this Lenten journeyA time of fast and prayerWe reflect on your own journeyAnd it’s beyond compare Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Verse 2: Ash Wednesday starts our journeyWith a mark of sacrificeA cross of ashes on our foreheadsFor us you paid the price Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Verse 3: As our time ends for this journeyWe enter Holy WeekWe reach that fateful dayForgiveness now we seek Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Final Refrain: So through our Lenten journeyWe fast and prayAnd we battle with the devilIn every way
$5.00
The Time of My Life
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Rock
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Steve Martin, Rainy Night Musi
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The Time of My Life
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Steve Martin, Rainy Night Music
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SheetMusicPlus
Bass Guitar,Drums,Piano,Voice - Digital Download SKU: A0.1071759 Composed by Steve Martin, Rainy Night Music. Pop,Rock. Full Performance. Duration 214. S...
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Bass Guitar,Drums,Piano,Voice - Digital Download SKU: A0.1071759 Composed by Steve Martin, Rainy Night Music. Pop,Rock. Full Performance. Duration 214. Steve Martin, Rainy Night Music #6431407. Published by Steve Martin, Rainy Night Music (A0.1071759). This is the third track from my debut EP Moving On. It's a song about the last day of school and that mix of emotions knowing that this is the last time you might see some of you classmates as everyone heads off in different directions. A final chance to reminisce, and perhaps put things right - all part of growing up. Please do consider adding it to your cart if you enjoy listening to it. .
$1.99
Dear Future Husband
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Meghan Trainor
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Tabitha Beaven
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Dear Future Husband
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Tabitha Beaven
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1469514 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Tabitha Beaven. A Cappella,Pop. Ch...
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Guitar - Level 2 - Digital Download SKU: A0.1469514 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Tabitha Beaven. A Cappella,Pop. Chords/Lyrics. 4 pages. Tabitha Beaven #1047554. Published by Tabitha Beaven (A0.1469514). Part of a 'Pop Song Layer Up' series - these arrangements are designed to be quick, easy wins for choir or singing group warm-ups and fun filler songs. Essentially a 'long form' round, it takes three elements of Meghan Trainor's 'Dear Future Husband' and layers them up. As with singing any round, it provides great brain training and stretch for singers to concentrate and focus on their part and not be swayed by the multiple rhythms and notes moving around their part. The arrangement provides a structure but is designed to be explored and experimented with to see what works, ideal to build confidence for both group leader and singers trying something new together. A key chart showing four different keys has been provided with note range and starting notes should an alternative key be more suitable for your vocal group. Suggest using off-beat finger clicks or a metronome beat to keep time. Backing tracks may be available in future. Suggested structure to try:Start with a group on Voice 1 (alternatively this can be the full group before split into different groups)At the repeat sign Voice 1 moves to Voice 2 and a second group start on Voice 1At the repeat sign, Voice 1 moves to Voice 2, Voice 2 moves to Voice 3 and a third group starts as Voice 1If the third group to come in sings all three parts, it will mean 5 repeats in totalAgree a sign with group and when reaching the end of the last repeat - move to the Coda to finish offMost importantly, it's something to have a little bit of fun with and freshen up warm-ups exercises.
$2.97
Long Live Cowgirls
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Ian Munsick & Cody Johnson
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Kyle Pudenz
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Long Live Cowgirls
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ViolinVagabond Music
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1320152 By Ian Munsick & Cody Johnson. By Aby Gutierrez, Ian Munsick, and Phil O'Donnell. Arranged by Kyle Pu...
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Guitar - Level 3 - Digital Download SKU: A0.1320152 By Ian Munsick & Cody Johnson. By Aby Gutierrez, Ian Munsick, and Phil O'Donnell. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #908681. Published by ViolinVagabond Music (A0.1320152). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. I got called in to play this tune as an instrumental duo at a wedding. Admittedly, it takes a very specific type of wedding for this to be the vibe for the entrance of the bridesmaids, but perhaps you too may find yourself in this same situation. Fortunately I am here to help!Whether you're performing this with a vocalist or as an instrumental solo/ensemble like me, this chart has everything you need. Chords/lyrics version AND an instrumental (treble clef) lead sheet are included, all for the low low price of about 5 bucks. While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a cocktail hour I have questions.My promises to you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to songs like these wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$4.99
This Angel
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David Kai
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David Kai
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This Angel
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David Kai
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SheetMusicPlus
String Ensemble Choir,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105244 By David Kai. By David Kai. Arranged...
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String Ensemble Choir,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105244 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop,Rock. Full Performance. Duration 232. David Kai #708504. Published by David Kai (A0.1105244). This song was written to honour our front-line workers during these incredibly stressful pandemic times. It was inspired while thinking of two family members who are working in downtown hospital emergency rooms during this pandemic. This song might be used in worship services honouring our front-line workers or on subjects such as pastoral care during the pandemic, vocation or calling. THIS ANGEL Words and music by David Kai ©2021 Last night I thought I had the strangest dream An angel standing, watching over me No halo on her head, no gown of white No wings upon her back to give her flight I couldn’t see her face ‘cept for her eyes She smiled through them, and then I realized Just where I was and how it came to be This angel’s all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Dear angel, tell my family out there I love them very much, and I still care I’m sorry if I’ve caused them any pain God willing, I will see them all again Dear angel, say a prayer for this old soul That I might have some peace if I’m to go If I don’t make it through, tell them for me My angel all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Last night I thought I had the strangest dream This angel standing, watching over me.
$1.99
This Angel (backing track)
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David Kai
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David Kai
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This Angel
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David Kai
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SheetMusicPlus
String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105248 By David Kai. By David Kai. Arranged by David...
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String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105248 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop. Accompaniment. Duration 229. David Kai #708508. Published by David Kai (A0.1105248). This version of the song is for backing a soloist or group. This song was written to honour our front-line workers during these incredibly stressful pandemic times. It was inspired while thinking of two family members who are working in downtown hospital emergency rooms during this pandemic. This song might be used in worship services honouring our front-line workers or on subjects such as pastoral care during the pandemic, vocation or calling. THIS ANGEL Words and music by David Kai ©2021 Last night I thought I had the strangest dream An angel standing, watching over me No halo on her head, no gown of white No wings upon her back to give her flight I couldn’t see her face ‘cept for her eyes She smiled through them, and then I realized Just where I was and how it came to be This angel’s all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Dear angel, tell my family out there I love them very much, and I still care I’m sorry if I’ve caused them any pain God willing, I will see them all again Dear angel, say a prayer for this old soul That I might have some peace if I’m to go If I don’t make it through, tell them for me My angel all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Last night I thought I had the strangest dream This angel standing, watching over me.
$1.99
Shepherd Of Fire
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Rock
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Avenged Sevenfold
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Kyle Pudenz
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Shepherd Of Fire
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ViolinVagabond Music
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SheetMusicPlus
Small Ensemble Bass Guitar,Drum Set,Electric Violin,Voice - Level 5 - Digital Download SKU: A0.845983 By Avenged Sevenfold. By Brian Haner, Jr., Jonathan...
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Small Ensemble Bass Guitar,Drum Set,Electric Violin,Voice - Level 5 - Digital Download SKU: A0.845983 By Avenged Sevenfold. By Brian Haner, Jr., Jonathan Seward, Matthew Sanders, and Zachary Baker. Arranged by Kyle Pudenz. Rock. Score and parts. 28 pages. ViolinVagabond Music #6022455. Published by ViolinVagabond Music (A0.845983). While Hail To The King will never be A7X's most popular or Critically Acclaimed (...see what I did there) record, it did provide us with some of the catchiest guitar hooks & drum grooves in this band's entire catalog. The opening track, Shepherd of Fire, is an absolute banger of a crossover tune that appeals to rock & metal fans alike. Consequently, like so many Avenged hits, it plays quite well as an instrumental cover and can be adapted to some interesting instrumentations beyond the original 2-guitar, bass, drums format in which it was recorded.Some years ago, I performed this tune with a 4-piece band on my college recital and it was an absolute blast! Whether out of sentimentality or just sheer boredom (I write this as we are right in the thick of the Covid-19 pandemic and gigs are... scarce, to say the least), I decided to resurrect that arrangement and clean up my shorthand charts into some real parts so that you, too, might have the joy of bringing this hard rock anthem to life with your own ensemble.The purchase of this chart includes:- Fully notated parts for drum set, bass, & rhythm guitar- Fully notated Lead part that merges the brass, lead guitar, & vocal parts into one cohesive chart- Lyrics & vocal melodies notated on lead part (if using a vocalist)- Full transcription of Synyster Gates's original guitar solo! (printed on lead part)This arrangement can be performed by as few as 4 instrumentalists. My original performance was with electric violin, guitar, bass & drums, but with the updated Lead chart the violin could easily be replaced by keyboards, a second guitar, or any instrumentalist that can read at concert pitch. The original 4-piece recording can be found at the YouTube link above, but expansion and imagination are highly encouraged!Enjoy the chart, and if you have questions, comments or suggestions, you can contact me via my website www.kylepudenz.com/ or on Instagram @theviolinvagabond
$14.99
Come and Praise the Lord for 8-note Bells and Boomwhackers® (with Black and White Notes)
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Gospel/Spiritual
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Sharon Wilson
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Sharon Wilson
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Come and Praise the Lord for 8
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565156 By ...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565156 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Spiritual. Score and parts. 8 pages. Sharon Wilson #3499895. Published by Sharon Wilson (A0.565156). The title and corresponding lyrics for this song may not sound familiar, but the tune is probably very familiar. The tune’s name is MICHAEL’S BOAT and is best known for the lyrics beginning with Michael, row your boat ashore, Alleluia….This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses black and white noteheads. This same set of scores is available (sold separately) with color coded noteheads which may make it easier for beginning players if you have access to a color printer.Notes used for each instrument are as follows: Bells – C D E F G A Boomwhackers® – C D E F G A BThough this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 5 to 13 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
Bring a Torch, Jeanette, Isabella - SATB, flute or violin or cello and piano with parts
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French Carol - unknown
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Connie Boss
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Bring a Torch, Jeanette, Isabe
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801678 Composed by French Carol - unknown. Arranged by Connie Boss. Celtic,Christmas...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801678 Composed by French Carol - unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 14 pages. Connie Boss #6403523. Published by Connie Boss (A0.801678). This lovely French carol is about two women that found out that Jesus was born and that he was very special. They went around the town to let everyone know. They made food for Mary and Joseph. They warned others to be very quiet as to not awaken Jesus if he was sleeping. This is in SATB parts with parts for flute, violin and cello and piano accompaniment. It has a unique intro and the last verse has SATB taking turns. cdboss@cvalley.netBring a Torch Jeanette, IsabellaFrench CarolArranged by Connie Boss Bring a torchBring a torchBring a torchBring a torch Jeanette, Isabella. Bring a torch, Jeanette, Isabella!Bring a torch, to the stable callChrist is born, tell the folk of the villageJesus is born and Mary's calling.Ah![a] Ah! Beautiful is the Mother!Ah! Ah! Beautiful is her Child Who is knocking on the door?Who is it, knocking like that?Open up, we've arranged on a platterLovely cakes that we have brought hereKnock! Knock! Open the door for us!Knock! Knock! Let us celebrate! It is wrong when the Child is sleeping,It is wrong to speak so loud.Silence, now as you gather around HimLest your noise should waken Jesus.Hush! Hush! See how He slumbers;Hush! Hush! See how He's fast asleep! Softly now unto the stable,Softly for a moment come!Look and see how charming is Jesus,Look at Him there,] His cheeks are rosy!Hush! Hush! See how the Child is sleeping;Hush! Hush! See how He smiles in His dreams
$5.50
Bring a Torch, Jeanette, Isabella - SATB, cello and piano with parts page
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French Carol - unknown
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Connie Boss
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Bring a Torch, Jeanette, Isabe
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801675 Composed by French Carol - unknown. Arranged by Connie Boss. Celtic,Christmas...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801675 Composed by French Carol - unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 12 pages. Connie Boss #6403511. Published by Connie Boss (A0.801675). This lovely French carol is about two women that found out that Jesus was born and that he was very special. They went around the town to let everyone know. They made food for Mary and Joseph. They warned others to be very quiet as to not awaken Jesus if he was sleeping. This is in SATB parts and cello with piano accompaniment. It has a unique intro and the last verse has SATB taking turns. cdboss@cvalley.netBring a Torch Jeanette, IsabellaFrench CarolArranged by Connie Boss Bring a torchBring a torchBring a torchBring a torch Jeanette, Isabella. Bring a torch, Jeanette, Isabella!Bring a torch, to the stable callChrist is born, tell the folk of the villageJesus is born and Mary's calling.Ah![a] Ah! Beautiful is the Mother!Ah! Ah! Beautiful is her Child Who is knocking on the door?Who is it, knocking like that?Open up, we've arranged on a platterLovely cakes that we have brought hereKnock! Knock! Open the door for us!Knock! Knock! Let us celebrate! It is wrong when the Child is sleeping,It is wrong to speak so loud.Silence, now as you gather around HimLest your noise should waken Jesus.Hush! Hush! See how He slumbers;Hush! Hush! See how He's fast asleep! Softly now unto the stable,Softly for a moment come!Look and see how charming is Jesus,Look at Him there,] His cheeks are rosy!Hush! Hush! See how the Child is sleeping;Hush! Hush! See how He smiles in His dreams
$5.50
Bring a Torch, Jeanette, Isabella - SATB, flute and piano with parts page
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French Carol - unknown
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Connie Boss
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Bring a Torch, Jeanette, Isabe
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801674 Composed by French Carol - unknown. Arranged by Connie Boss. Celtic,Christmas...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801674 Composed by French Carol - unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 12 pages. Connie Boss #6403503. Published by Connie Boss (A0.801674). This lovely French carol is about two women that found out that Jesus was born and that he was very special. They went around the town to let everyone know. They made food for Mary and Joseph. They warned others to be very quiet as to not awaken Jesus if he was sleeping. This is in SATB, flute parts with piano accompaniment. It has a unique intro and the last verse has SATB taking turns. cdboss@cvalley.netBring a Torch Jeanette, IsabellaFrench CarolArranged by Connie Boss Bring a torchBring a torchBring a torchBring a torch Jeanette, Isabella. Bring a torch, Jeanette, Isabella!Bring a torch, to the stable callChrist is born, tell the folk of the villageJesus is born and Mary's calling.Ah![a] Ah! Beautiful is the Mother!Ah! Ah! Beautiful is her Child Who is knocking on the door?Who is it, knocking like that?Open up, we've arranged on a platterLovely cakes that we have brought hereKnock! Knock! Open the door for us!Knock! Knock! Let us celebrate! It is wrong when the Child is sleeping,It is wrong to speak so loud.Silence, now as you gather around HimLest your noise should waken Jesus.Hush! Hush! See how He slumbers;Hush! Hush! See how He's fast asleep! Softly now unto the stable,Softly for a moment come!Look and see how charming is Jesus,Look at Him there,] His cheeks are rosy!Hush! Hush! See how the Child is sleeping;Hush! Hush! See how He smiles in His dreams
$5.50
Bring a Torch, Jeanette, Isabella - String quintet and piano with parts
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Unknown
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Connie Boss
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Bring a Torch, Jeanette, Isabe
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Connie Boss
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SheetMusicPlus
Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.801705 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,...
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Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.801705 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. 17 pages. Connie Boss #6428045. Published by Connie Boss (A0.801705). This lovely French carol is about two women that found out that Jesus was born and that he was very special. They went around the town to let everyone know. They made food for Mary and Joseph. They warned others to be very quiet as to not awaken Jesus if he was sleeping. This is in SATB parts with piano accompaniment. It has a unique intro and the last verse has SATB taking turns. cdboss@cvalley.net Bring a Torch Jeanette, Isabella French Carol Arranged by Connie Boss  Bring a torch Bring a torch Bring a torch Bring a torch Jeanette, Isabella.  Bring a torch, Jeanette, Isabella! Bring a torch, to the stable call Christ is born, tell the folk of the village Jesus is born and Mary's calling. Ah![a] Ah! Beautiful is the Mother! Ah! Ah! Beautiful is her Child  Who is knocking on the door? Who is it, knocking like that? Open up, we've arranged on a platter Lovely cakes that we have brought here Knock! Knock! Open the door for us! Knock! Knock! Let us celebrate!  It is wrong when the Child is sleeping, It is wrong to speak so loud. Silence, now as you gather around Him Lest your noise should waken Jesus. Hush! Hush! See how He slumbers; Hush! Hush! See how He's fast asleep!  Softly now unto the stable, Softly for a moment come! Look and see how charming is Jesus, Look at Him there,] His cheeks are rosy! Hush! Hush! See how the Child is sleeping; Hush! Hush! See how He smiles in His dreams
$5.50
Come and Praise the Lord for 8-note Bells and Boomwhackers® (with Color Coded Notes)
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Gospel/Spiritual
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Sharon Wilson
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Sharon Wilson
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Come and Praise the Lord for 8
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565157 By ...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565157 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Spiritual. Score and parts. 8 pages. Sharon Wilson #3499897. Published by Sharon Wilson (A0.565157). The title and corresponding lyrics for this song may not sound familiar, but the tune is probably very familiar. The tune’s name is MICHAEL’S BOAT and is best known for the lyrics beginning with Michael, row your boat ashore, Alleluia….This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Notes used for each instrument are as follows: Bells – C D E F G A Boomwhackers® – C D E F G A BThough this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 5 to 13 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
The Impossible Dream
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Film/TV
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Mitch Leigh
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Phyllis Avidan Louke
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The Impossible Dream
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.736270 Composed by Mitch Leigh. Arranged by Phyllis Avidan Louke. Film/TV,Pop. 12 pages. Lou...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.736270 Composed by Mitch Leigh. Arranged by Phyllis Avidan Louke. Film/TV,Pop. 12 pages. Louke Publishing #3489035. Published by Louke Publishing (A0.736270). 2018 Chamber Music Contest EntryThe Impossible Dream from Man of La ManchaProgram Notes Low Flute Ensemble The Impossible Dream (The Quest) is the most popular song from the 1965 Broadway musical Man of La Mancha and is also featured in the 1972 film of the same name. The song was composed by Mitch Leigh, with lyrics written by Joe Darion. It was awarded the Contemporary Classics Award from the Songwriter’s Hall of Fame. This arrangement for Low Flute Ensemble can be performed with as few as 5 players or a full flute choir with multiple players on a part. It is scored for 3 alto flutes, 2 bass flutes, and optional contrabass flute. I have always found the lyrics of The Impossible Dream extremely moving: To dream the impossible dream, To fight the unbeatable foe, To bear with unbearable sorrow, To run where the brave dare not go. To right the unrightable wrong, To love pure and chaste from afar, To try when your arms are too weary, To reach the unreachable star. This is my quest, To follow that star No matter how hopeless, No matter how far. To fight for the right Without question or pause, To be willing to march Into hell for a heavenly cause. And I know if I'll only be true To this glorious quest That my heart will be peaceful and calm When I'm laid to my rest. And the world will be better for this, That one man scorned and covered with scars Still strove with his last ounce of courage. To fight the unbeatable foe. To reach the unreachable star. BroadwayMoviesPopularBalladMusicals Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com  A list of Phyllis Louke’s SMP publications with full length recordings can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/ Â
$14.00
The Impossible Dream (the Quest)
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Man Of La Mancha
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Phyllis Avidan Louke
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The Impossible Dream
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1113567 By Man Of La Mancha. By Joe Darion and Mitch Leigh. Arranged by Phyl...
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1113567 By Man Of La Mancha. By Joe Darion and Mitch Leigh. Arranged by Phyllis Avidan Louke. Broadway,Film/TV,Musical/Show,Standards. 12 pages. Louke Publishing #715479. Published by Louke Publishing (A0.1113567). Low Flute Ensemble The Impossible Dream from Man of La Mancha Program Notes The Impossible Dream (The Quest) is the most popular song from the 1965 Broadway musical Man of La Mancha and is also featured in the 1972 film of the same name. The song was composed by Mitch Leigh, with lyrics written by Joe Darion. It was awarded the Contemporary Classics Award from the Songwriter’s Hall of Fame. I have always found the lyrics of The Impossible Dream extremely moving: To dream the impossible dream To fight the unbeatable foe To bear with unbearable sorrow And to run where the brave dare not go To right the unrightable wrong And to love pure and chaste from afar To try when your arms are too weary To reach the unreachable star This is my quest To follow that star No matter how hopeless No matter how far To fight for the right Without question or pause To be willing to march, march into Hell For that Heavenly cause And I know if I'll only be true To this glorious quest That my heart will lie peaceful and calm When I'm laid to my rest And the world will be better for this That one man, scorned and covered with scars Still strove with his last ounce of courage To reach the unreachable star This arrangement for Low Flute Ensemble can be performed with as few as 5 players or a full flute choir with multiple players on a part. It is scored for 3 alto flutes, 2 bass flutes, and optional contrabass flute. Broadway Movies Popular Ballad Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com. A list of Phyllis Louke’s SMP publications with full length recordings can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/.
$14.50
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