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Ave Domine
Sheetmusic to print
18 sheet music found
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1
A. Vivaldi: Gloria RV 589: Domine Deus and Laudamus Te for Horn and Piano/Organ
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Classical
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Antonio Vivaldi
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Richelle Bakovsky
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A. Vivaldi: Gloria RV 589: Dom
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Pavel and Richelle Bakovsky
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SheetMusicPlus
Instrumental Duet,Piano Horn,Instrumental Duet,Organ,Piano - Digital Download SKU: A0.886211 Composed by Antonio Vivaldi. Arranged by Richelle Bakovsky. ...
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Instrumental Duet,Piano Horn,Instrumental Duet,Organ,Piano - Digital Download SKU: A0.886211 Composed by Antonio Vivaldi. Arranged by Richelle Bakovsky. Baroque. Score and parts. 12 pages. Pavel and Richelle Bakovsky #3053049. Published by Pavel and Richelle Bakovsky (A0.886211). Domine Deus and Laudamus Te, originally for solo voices and orchestra, arranged for Horn solo and accompaniment.Included is a Version of Domine Deus for early intermediate piano.
$12.00
DOMINE DEUS (8) - From Missa in B minor BWV 232
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Classical
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Renato Tagliabue
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Renato Tagliabue
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DOMINE DEUS
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Renato Tagliabue
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SheetMusicPlus
Small Ensemble Flute,Organ,Violin - Level 4 - Digital Download SKU: A0.1143378 By Renato Tagliabue. By Johann Sebastian Bach. Arranged by Renato Tagliabu...
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Small Ensemble Flute,Organ,Violin - Level 4 - Digital Download SKU: A0.1143378 By Renato Tagliabue. By Johann Sebastian Bach. Arranged by Renato Tagliabue. Baroque,Christian. Score and parts. 36 pages. Renato Tagliabue #743735. Published by Renato Tagliabue (A0.1143378). Arr. for Flute traverso, Violin, Soprano, Tenor and Organ.
$19.90
Domine Deus (mp3)
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Classical
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David Warin Solomons
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David Warin Solomons
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Domine Deus
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David Warin Solomons
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SheetMusicPlus
String Orchestra Voice - Digital Download SKU: A0.1103555 By David Warin Solomons. By Antonio Vivaldi. Arranged by David Warin Solomons. Baroque,Classica...
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String Orchestra Voice - Digital Download SKU: A0.1103555 By David Warin Solomons. By Antonio Vivaldi. Arranged by David Warin Solomons. Baroque,Classical,Religious. Full Performance. Duration 249. David Warin Solomons #706825. Published by David Warin Solomons (A0.1103555). The 6th movement of Vivaldi's Gloria performed by David W Solomons Domine Deus rex coelestis Deus pater omnipotens O lord king of heaven God the omnipotent father.
$4.50
Domine ad adiuvandum (score and parts for brass, strings, two choirs, up to two organs and optional
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Classical
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Claudio Monteverdi
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Andrew Henderson
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Domine ad adiuvandum
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Andrew Henderson
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.850851 Composed by Claudio Monteverdi. Arranged by Andrew Henderson. Baroque,Christian,Sacred....
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.850851 Composed by Claudio Monteverdi. Arranged by Andrew Henderson. Baroque,Christian,Sacred. Octavo. 44 pages. Andrew Henderson #3003051. Published by Andrew Henderson (A0.850851). Monteverdi's magnificent opening to his Vespers, arranged for a modern brass quintet, string orchestra, with two separate choirs and two organ parts so you can experiment with the space you have to perform in. This makes a dramatic beginning to any concert!
$6.99
Domine, ne in furore tuo (Psalm 38). Motette für 2 Soprane, Traversflöte und B.c., op. 56 (1995)
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Sacred music
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Klaus Miehling
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Domine, ne in furore tuo
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Klaus Miehling
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SheetMusicPlus
Small Ensemble Basso Continuo,Flute,Soprano voice - Digital Download SKU: A0.496661 Composed by Klaus Miehling. 20th Century,Sacred. Score and parts. 50 ...
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Small Ensemble Basso Continuo,Flute,Soprano voice - Digital Download SKU: A0.496661 Composed by Klaus Miehling. 20th Century,Sacred. Score and parts. 50 pages. Published by Klaus Miehling (A0.496661). Neobaroque Motet on Psalm 38. The pdf contains score and parts.
$4.90
Psalm 6 * Psalm 99 (100)
Mezzo-Soprano voice
Intermediate/advanced level
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Contemporary
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Nino Rota
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Psalm 6 * Psalm 99
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Schott Music - Digital
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SheetMusicPlus
Domine, ne in furore * Jubilate Deo omnis terra. Composed by Nino Rota (1911- 1979). This edition: Sheet music. Psalme, Vertonung, Zeitgenossiche Musik...
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Domine, ne in furore * Jubilate Deo omnis terra. Composed by Nino Rota (1911- 1979). This edition: Sheet music. Psalme, Vertonung, Zeitgenossiche Musik. Downloadable. Duration 4 minutes. Schott Music - Digital #Q6584. Published by Schott Music - Digital
Latin.
'Salve Regina, mater misericordiae' ('Hail, holy Queen, Mother of Mercy') .- known as a prayer of praise and supplication in the Catholic liturgy .- is published in two versions, like other sacred works by Rota before. One version is for mezzo-soprano and organ, the other with additional male choir, .but .both have .Latin text.
This is again proof of the great variety of works by Rota who is at home in all genres, from sacred and secular vocal music via chamber music, concerto, symphony and stage works to film music.
$9.99
Vivaldi's Gloria (mp3)
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Classical
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dwsChorale
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David Warin Solomons
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Vivaldi's Gloria
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David Warin Solomons
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SheetMusicPlus
String Orchestra Voice - Digital Download SKU: A0.1103557 By dwsChorale. By Antonio Vivaldi. Arranged by David Warin Solomons. Baroque,Classical,Religiou...
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String Orchestra Voice - Digital Download SKU: A0.1103557 By dwsChorale. By Antonio Vivaldi. Arranged by David Warin Solomons. Baroque,Classical,Religious. Full Performance. Duration 1173. David Warin Solomons #706827. Published by David Warin Solomons (A0.1103557). The whole of Vivaldi's Gloria performed by the dwsChorale (one-man choir) with alto solo David W Solomons Lyrics (English translation can be found below) Coro [Allegro] Gloria in excelsis Deo Coro [Andante] et in terra pax hominibus Aria [Allegro] - Due soprani Laudamus te, benedicimus te, adoramus te, glorificamus te. Coro [Adagio] Gratias agimus tibi Coro [Allegro] propter magnam gloriam tuam. Aria [Largo] - Soprani Domine Deus, Rex coelestis, Deus Pater omnipotens, Coro [Allegro] Domine Fili unigenite Jesu Christe, Aria [Adagio] - Contralto e Coro Domine Deus, Agnus Dei, Filius Patris. qui tollis peccata mundi, miserere nobis Coro [Adagio] Qui tollis peccata mundi, miserere nobis, suscipe deprecationem nostram. Aria [Allegro] - Contralto Qui sedes ad dexteram patris, miserere nobis. Coro [Allegro] Quoniam tu solus sanctus, tu solus Dominus, tu solus altissimus Jesu Christe. Coro [Allegro] cum Sancto Spiritu in gloria Dei Patris, Amen. (English translation) Chorus (Allegro): Glory to God in the highest Chorus (Andante): And on earth peace to men. Air (Allegro) - Two sopranos: We praise you, we bless you, we adore you, we glorify you. Chorus (Adagio): We thank you Chorus (Allegro): for your immense glory. Air (Largo) – Two sopranos: Lord God, king of heaven, God the Father almighty, Chorus (Allegro): God the only begotten Son Jesus Christ, Air (Adagio) - Alto and Chorus: Lord God, Lamb of God, Son of the Father, you who take away the sins of the world, have mercy on us. Chorus (Adagio): You who take away the sins of the world, have mercy on us, accept our prayers. Air (Allegro) – Alto: You who sit on the right hand of the Father, have mercy on us, Chorus (Allegro): because you only are holy, you only the Lord, you only the most high Jesus Christ Chorus (Allegro): with the Holy Spirit in the glory of God the Father. Amen.
$7.50
Vivaldi's Gloria performed by the Hertford College Choral Society (mp3)
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Classical
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Hertford College Choral Societ
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Anon
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Vivaldi's Gloria performed by
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David Warin Solomons
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SheetMusicPlus
String Orchestra Choir - Digital Download SKU: A0.1103560 By Hertford College Choral Society. By Antonio Vivaldi. Arranged by Anon. Baroque,Classical,Rel...
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String Orchestra Choir - Digital Download SKU: A0.1103560 By Hertford College Choral Society. By Antonio Vivaldi. Arranged by Anon. Baroque,Classical,Religious. Full Performance. Duration 1678. David Warin Solomons #706829. Published by David Warin Solomons (A0.1103560). Lyrics (English translation can be found below) Coro [Allegro] Gloria in excelsis Deo Coro [Andante] et in terra pax hominibus Aria [Allegro] - Due soprani Laudamus te, benedicimus te, adoramus te, glorificamus te. Coro [Adagio] Gratias agimus tibi Coro [Allegro] propter magnam gloriam tuam. Aria [Largo] - Soprani Domine Deus, Rex coelestis, Deus Pater omnipotens, Coro [Allegro] Domine Fili unigenite Jesu Christe, Aria [Adagio] - Contralto e Coro Domine Deus, Agnus Dei, Filius Patris. qui tollis peccata mundi, miserere nobis Coro [Adagio] Qui tollis peccata mundi, miserere nobis, suscipe deprecationem nostram. Aria [Allegro] - Contralto Qui sedes ad dexteram patris, miserere nobis. Coro [Allegro] Quoniam tu solus sanctus, tu solus Dominus, tu solus altissimus Jesu Christe. Coro [Allegro] cum Sancto Spiritu in gloria Dei Patris, Amen. (English translation) Chorus (Allegro): Glory to God in the highest Chorus (Andante): And on earth peace to men. Air (Allegro) - Two sopranos: We praise you, we bless you, we adore you, we glorify you. Chorus (Adagio): We thank you Chorus (Allegro): for your immense glory. Air (Largo) – Two sopranos: Lord God, king of heaven, God the Father almighty, Chorus (Allegro): God the only begotten Son Jesus Christ, Air (Adagio) - Alto and Chorus: Lord God, Lamb of God, Son of the Father, you who take away the sins of the world, have mercy on us. Chorus (Adagio): You who take away the sins of the world, have mercy on us, accept our prayers. Air (Allegro) – Alto: You who sit on the right hand of the Father, have mercy on us, Chorus (Allegro): because you only are holy, you only the Lord, you only the most high Jesus Christ Chorus (Allegro): with the Holy Spirit in the glory of God the Father. Amen.
$7.50
Josquin: 22 Duets for French Horn & Bass Trombone
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Josquin des Prez
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James M
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Josquin: 22 Duets for French H
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jmsgu3
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SheetMusicPlus
Bass Trombone,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Fes...
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Bass Trombone,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678587. Published by jmsgu3 (A0.1074291). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Trombone & Tuba
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Josquin des Prez
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James M
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Josquin: 22 Duets for Trombone
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jmsgu3
#
SheetMusicPlus
Instrumental Duet,Tenor Trombone,Tuba - Level 3 - Digital Download SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Fe...
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Instrumental Duet,Tenor Trombone,Tuba - Level 3 - Digital Download SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678601. Published by jmsgu3 (A0.1074311). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period. Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Bassoon & Contrabassoon
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Josquin des Prez
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James M
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Josquin: 22 Duets for Bassoon
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jmsgu3
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SheetMusicPlus
Contrabassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074025 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival...
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Contrabassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074025 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678293. Published by jmsgu3 (A0.1074025). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Trumpet & Bass Trombone
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Josquin des Prez
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James M
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Josquin: 22 Duets for Trumpet
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jmsgu3
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SheetMusicPlus
Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074276 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contes...
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Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074276 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678569. Published by jmsgu3 (A0.1074276). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Baritone Horn & Bass Trombone
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Josquin des Prez
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James M
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Josquin: 22 Duets for Baritone
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074280 Composed by Josquin des Prez. Arranged by James M. Guthrie....
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Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074280 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678573. Published by jmsgu3 (A0.1074280). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Oboe d'Amore & Bassoon
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Josquin des Prez
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James M
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Josquin: 22 Duets for Oboe d'A
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jmsgu3
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SheetMusicPlus
Bassoon,Instrumental Duet,Oboe d'Amore - Level 2 - Digital Download SKU: A0.1073999 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,F...
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Bassoon,Instrumental Duet,Oboe d'Amore - Level 2 - Digital Download SKU: A0.1073999 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #678267. Published by jmsgu3 (A0.1073999). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Spem in Alium (mp3)
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Thomas Tallis
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David Warin Solomons
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Spem in Alium
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David Warin Solomons
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SheetMusicPlus
Choir - Digital Download SKU: A0.1059479 Composed by Thomas Tallis. Arranged by David Warin Solomons. Christian,Renaissance,Sacred. Full Performance. Dur...
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Choir - Digital Download SKU: A0.1059479 Composed by Thomas Tallis. Arranged by David Warin Solomons. Christian,Renaissance,Sacred. Full Performance. Duration 445. David Warin Solomons #3387821. Published by David Warin Solomons (A0.1059479). Sung by the dwsChoraleSpem in alium nunquam habuiPraeter in te, Deus IsraelQui irasceris et propitius eriset omnia peccata hominumin tribulatione dimittisDomine DeusCreator caeli et terraerespice humilitatem nostramI have never put my hope in any otherbut in Thee, God of Israelwho canst show both wrath and graciousness,and who absolves all the sinsof suffering manLord God,Creator of Heaven and EarthRegard our humility.
$3.00
Basically Baroque - Part 2 for Clarinet in Bb #10223
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Various
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Joel Lish
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Basically Baroque - Part 2 for
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Viola,Violin - Level 5 - Digital Download SKU: A0.530811 Composed by Various. Arranged by Joel Lish. Baroque,Standards,Wedd...
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Small Ensemble Cello,Clarinet,Viola,Violin - Level 5 - Digital Download SKU: A0.530811 Composed by Various. Arranged by Joel Lish. Baroque,Standards,Wedding. Score and parts. 72 pages. Last Resort Music Publishing #6496563. Published by Last Resort Music Publishing (A0.530811). Part 2 for Clarinet in Bb34 Arrangements of Baroque Favorites including works by Albinoni, Bach, Charpentier, Corelli, Handel, Marcello, Pergolesi, Vivaldi and more!Set of parts - includes 3 parts for Violin, Viola and Cello - SOLD SEPARATELYTable of ContentsConcerto in G, Op. 5, No. 4, 1st Mvt. (Albinoni)Brandenburg Concerto No. 5, 1st Mvt (Bach)Brandenburg Concerto No. 5, 2nd Mvt (Bach)Brandenburg Concerto No. 5, 3rd Mvt (Bach)Brandenburg Concerto No. 6, 1st Mvt (Bach)Concerto in D Minor (Double), 1st Mvt (Bach)Concerto in D Minor (Double), 2nd Mvt (Bach)Concerto in D Minor (Double), 3rd Mvt (Bach)Te Deum (Charpentier)Trio Sonata No. 7 in C, 1st Mvt (Corelli)Trio Sonata No. 7 in C, 2nd Mvt (Corelli)Entrance of the Queen of Sheba (Handel)March from St. Cecilia (Handel)Piangi Pur, from Tolomeo (Handel)Arm Ye The Brave, from Judas Maccabeus (Handel)Hornpipe, from Water Music (Handel)Concerto Grosso, Op. 6, No. 2, 1st Mvt (Handel)Oboe Concerto in C Minor, 1st Mvt (Marcello)Largo from Violin Concerto in G Minor (Pergolesi)Trio in F for Recorder, Violin & Continuo, 1st Mvt (Telemann)Trio in F for Recorder, Violin & Continuo, 2nd Mvt (Telemann)Trio in F for Recorder, Violin & Continuo, 3rd Mvt (Telemann)Concerto for Viola in G, 1st Mvt (Telemann)Concerto for Viola in G, 2nd Mvt (Telemann)Violin Concerto in G Major, 1st Mvt (Vivaldi)Violin Concerto in G Major, 2nd Mvt (Vivaldi)Concerto in A Minor, Op. 3, No. 8, 1st Mvt (Vivaldi)Concerto in A Minor, Op. 3, No. 8, 2nd Mvt (Vivaldi)Concerto in A Minor, Op. 3, No. 8, 3rd Mvt (Vivaldi)Laudamus Te, from Gloria (Vivaldi)Domine Deus, from Gloria (Vivaldi)Largo, from Winter (Vivaldi)Published by Middle Fiddle Music/Distributed by Last Resort Music Publishing Inc. www.lastresortmusic.com
$18.50
Requiem Songs (Downloadable Full/Vocal Score for Chamber Version)
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David Conte
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Requiem Songs
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano solo, violin, harp, and organ or string orchestra - Moderately Difficult - Digital Download SKU: MQ.8068-E Composed by David Conte. 9/11 Service,...
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Soprano solo, violin, harp, and organ or string orchestra - Moderately Difficult - Digital Download SKU: MQ.8068-E Composed by David Conte. 9/11 Service, Funeral. 24 pages. Duration 12 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8068-E. Published by E. C. Schirmer Music Company - Digital (MQ.8068-E). Latin.Commissioned by the American Music Research Center, Boulder, Colorado, Thomas Riis, director, in loving memory of Don Campbell. The work received its premiere performance at l’Église de la Sainte-Trinité, Paris, on October 24, 2013 by Alexis Galpérine, violin, Magali Léger, soprano, Saori Kikuchi, harp, and Carolyn Shuster Fournier, organist. The work consists of three Latin texts from the Requiem Mass. The first, Exaudi, is in “Larghetto†tempo and serves as a prelude. The second, Dies Iræ, marked “Allegro agitato,†is an intense and dark scherzo in D minor with chromatic runs in the organ and violin which accompany the soprano. A central, more lyrical section follows based on the “Lacrymosa†text in a slower tempo, leading to the song’s only serene moment: “Pie Jesu Domine.†The “Dies Irae†music returns, and the song ends violently and decisively. The third song, In Paradisum, introduces the harp. The soprano melody is modeled very closely on the Gregorian chant based on this text. A gentle climax occurs on the text “habeas eternam,†and the song slowly winds down to its end, having laid to rest life’s struggles in the eternity of heaven. Duration: 12:30.
$12.00
CS153 No.1_Ave Domine Jesu Christe - Choir SAATB and organ
Voice, Organ, Choral
Intermediate level
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Classical
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Santino Cara
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CS153 No.1_Ave Domine Jesu Chr
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Santino Cara
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SheetMusicPlus
By Santino Cara. For Voice, Organ, Choral. Sacred, Christian, Classical Period. Intermediate. Sheet Music Single. Santino Cara #CS153. Published by Santino Cara...
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By Santino Cara. For Voice, Organ, Choral. Sacred, Christian, Classical Period. Intermediate. Sheet Music Single. Santino Cara #CS153. Published by Santino Cara
$7.50
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