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Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
#
Classical
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baro...
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468186. Published by jmsgu3 (A0.552847). J. S. Bach BWV 508  Score: 5 pages, Solo part: 1 page. Piano part: 2 pages. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
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Classical
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroq...
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Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3469232. Published by jmsgu3 (A0.549238). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. ÂÂ
$32.95
Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano
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Classical
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Johann Sebastian Bach
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James M
#
Bach: Bist du bei mir BWV 508
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jmsgu3
#
SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP....
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Contrabassoon,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3468784. Published by jmsgu3 (A0.549233). J. S. Bach BWV 508. This arrangement features a specially revised custom accompaniment part that avoids unwanted collisions with the contrabassoon and revoices chords to avoid awkward doublings and other voice-leading problems. It accentuates the solo part very nicely. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. ÂÂ
$32.95
Offenbach: Orphée aux Enfers Overture - symphonic wind ensemble
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Opera
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Classical
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Jacques Offenbach
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Ray Thompson
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Offenbach: Orphée aux EnfersÂ
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RayThompsonMusic
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553869 Composed by Jacques Offenbach. Arranged by Ray Th...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553869 Composed by Jacques Offenbach. Arranged by Ray Thompson. Opera,Romantic Period. Score and parts. 52 pages. RayThompsonMusic #5204901. Published by RayThompsonMusic (A0.553869). Orpheus in the Underworld and Orpheus in Hell are English names for Orphée aux enfers, a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy.This arrangement is of The best-known and much-recorded Orphée aux enfers overture which is not by Offenbach, and is not part of either the 1858 or the 1874 scores. It was arranged by the Austrian musician Carl Binder (1816–1860) for the first production of the opera in Vienna, in 1860In the last decade of the 19th century the Paris cabarets the Moulin Rouge and Folies Bergère adopted the music of the Galop infernal from the culminating scene of the opera to accompany the can-can, and ever since then the tune has been popularly associated with the dance.This music also appears at the end of the overture.Arranged double wind quintet/bassClarinets in Bb provided in addition to Clts in A.
$17.95
Offenbach: Orphée aux enfers "Galop Infernal" (Can-Can) - symphonic wind ensemble
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Jacques Offenbach
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Ray Thompson
#
Offenbach: Orphée aux enfersÂ
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RayThompsonMusic
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553868 Composed by Jacques Offenbach. Arranged by Ray Th...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553868 Composed by Jacques Offenbach. Arranged by Ray Thompson. Opera,Romantic Period,Standards. Score and parts. 19 pages. RayThompsonMusic #5197807. Published by RayThompsonMusic (A0.553868). Orpheus in the Underworld ] and Orpheus in Hell] are English names for Orphée aux enfers, a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy.In the last decade of the 19th century the Paris cabarets the Moulin Rouge and Folies Bergère adopted the music of the Galop infernal from the culminating scene of the opera to accompany the can-can, and ever since then the tune has been popularly associated with the dance.My arrangement is the final part of the Overture which was arranged by the Austrian musician Carl Binder (1816–1860) for the first production of the opera in Vienna, in 1860.Arranged double wind quintet.Includes Clarinets in A and Bb.
$9.95
Bach: Wachet auf for Bass Flute & Piano
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Classical
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Bass Flut
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jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Ba...
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach: Wachet auf for Oboe d'Amore & Piano
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Classical
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Oboe d'Am
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. ...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554879. Published by jmsgu3 (A0.552247). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Ave Maria - Duet Version (Bach/Gounod)
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Bach Gounod
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Ave Maria - Duet Version
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Paul Lorenz
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SheetMusicPlus
Alto Voice,Piano and Keyboard,Soprano voice,Vocal - Level 3 - Interactive Download SKU: A0.529448 By Bach Gounod. By Bach/Gounod. This edition: Interacti...
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Alto Voice,Piano and Keyboard,Soprano voice,Vocal - Level 3 - Interactive Download SKU: A0.529448 By Bach Gounod. By Bach/Gounod. This edition: Interactive Download. Christmas,Classical,Opera,Praise & Worship,Standards,Wedding. Score. 10 pages. Duration 163. Paul Lorenz #3NdLP4BjV7xkkY1eyvyVhP. Published by Paul Lorenz (A0.529448). Key: F major.Duet Version of the famous song Ave Maria from Bach Gounod for 2 voices, Soprano, Alto and Piano. As sheet music score download.
$19.99
Bist du bei mir (B flat version) by Stölzel and arranged by J S Bach (mp3)
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Classical
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David Warin Solomons
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Johann Sebastian Bach
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Bist du bei mir
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Organ - Level 3 - Digital Download SKU: A0.1342745 By David Warin Solomons (alto) and Lorin Nelson (organ). By Gottfried Heinrich Stolzel. Arr...
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Alto Voice,Organ - Level 3 - Digital Download SKU: A0.1342745 By David Warin Solomons (alto) and Lorin Nelson (organ). By Gottfried Heinrich Stolzel. Arranged by Johann Sebastian Bach. Classical,Religious,Renaissance. Full Performance. Duration 175. David Warin Solomons #928251. Published by David Warin Solomons (A0.1342745). Performed by David Warin Solomons (alto) and Lorin Nelson (organ)Bist du bei mir, geh ich mit Freudenzum Sterben und zu meiner Ruh.Ach, wie vergnügt wär so mein Ende,es drückten deine schönen Händemir die getreuen Augen zu.If you are with me, I will go gladlyto my death and to my rest.Ah, what a delightful end would this be for me,if your lovely hands close my faithful eyes.The song comes from Gottfried Heinrich Stölzel's opera Diomedes, oder die triumphierende Unschuld (Diomedes or triumphant innocence) and was arranged by Johann Sebastian Bach for his Anna Magdalena Bach book.
$4.50
Jacques Offenbach: Schone Nacht, du Liebesnacht, Barcarole from the opera "The Tales of Hoffmann" - soprano, mezzo-soprano & piano
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Classical
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Jacques Offenbach
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Virtualsheetmusic
Instantly printable sheet music by Jacques Offenbach for soprano, mezzo-soprano & piano of EASY/MEDIUM skill level. / classical,opera
Instantly printable sheet music by Jacques Offenbach for soprano, mezzo-soprano & piano of EASY/MEDIUM skill level. / classical,opera
$4.99
Jacques Offenbach: Voyez-la sous son eventail - mezzo-soprano or alto & piano
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Classical
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Jacques Offenbach
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Virtualsheetmusic
Instantly printable sheet music by Jacques Offenbach for mezzo-soprano or alto & piano of EASY/MEDIUM skill level. Contents: Arias for aspiring singers, 28 arias from 4 centuries / classical,opera...
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Instantly printable sheet music by Jacques Offenbach for mezzo-soprano or alto & piano of EASY/MEDIUM skill level. Contents: Arias for aspiring singers, 28 arias from 4 centuries / classical,opera
$4.99
Belle Nuit o nuit d'amour
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Opera
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Classical
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J
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Belle Nuit o nuit d'amour
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SheetmusicLAB
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SheetMusicPlus
Piano trio (Vioin, Violin, Piano) - Primer Level - Digital Download SKU: P5.CL-ROM-1200 Composed by J.Offenbach. Opera. Score and Parts. 13 pages. Sheetm...
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Piano trio (Vioin, Violin, Piano) - Primer Level - Digital Download SKU: P5.CL-ROM-1200 Composed by J.Offenbach. Opera. Score and Parts. 13 pages. SheetmusicLAB #CL-ROM-1200. Published by SheetmusicLAB (P5.CL-ROM-1200). 8.3 x 11.7 inches.
$2.67
Belle Nuit o nuit d'amour
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Opera
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Classical
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J
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Belle Nuit o nuit d'amour
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SheetmusicLAB
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SheetMusicPlus
Piano trio (Vioin, Cello, Piano) - Primer Level - Digital Download SKU: P5.CL-ROM-1201 Composed by J.Offenbach. Opera. Score and Parts. 13 pages. Sheetmu...
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Piano trio (Vioin, Cello, Piano) - Primer Level - Digital Download SKU: P5.CL-ROM-1201 Composed by J.Offenbach. Opera. Score and Parts. 13 pages. SheetmusicLAB #CL-ROM-1201. Published by SheetmusicLAB (P5.CL-ROM-1201). 8.3 x 11.7 inches.
$2.67
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
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Classical
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menest...
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Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 37 pages. Guido Menestrina #119775. Published by Guido Menestrina (A0.828699). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro Karl Friedrich Abel - Symphony Op. 7 n. 1 - First Movement - Allegro Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen,[3][4] a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787.[citation needed] One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. https://www.youtube.com/watch?v=bN3mtmg-rLI.
$7.99
Intermediate Music for Three, Volume 2, Part 3 Cello or Bassoon
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Daniel Kelley
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Daniel Kelley
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Intermediate Music for Three,
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Last Resort Music Publishing
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SheetMusicPlus
Bassoon,Cello - Level 3 - Digital Download SKU: A0.1110212 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Cla...
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Bassoon,Cello - Level 3 - Digital Download SKU: A0.1110212 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructional. 46 pages. Last Resort Music Publishing #712547. Published by Last Resort Music Publishing (A0.1110212). 52231 Part 3 Cello or Bassoon Featuring works by Gounod, Rossini, Sousa, Mozart, Haydn, Dvorak and many more! Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of Contents Tango in D from Suite Espana, Op. 165 #2 (Albeniz) Minuet in D minor from The Anna Magdalena Bach Notebook (Bach) Minuet from the Anna Magdalena Bach Notebook (Bach) Musette from the Anna Magdalena Bach Notebook (Bach) Toreador Song from Carmen (Bizet) Hatikva based on an Eastern European Folk Tune (Cohen & Imber) Daisy Bell (A bicycle Built for Two) (Dacre) Funiculi Funicula (Denza) Songs My Mother Taught Me, Op. 55 #4 (Dvorak) Opening Chorus from H.M.S. Pinafore (Gilbert & Sullivan) When A Felon's Not Engaged in His Employment-Pirates of Penzance (Gilbert & Sullivan) Ballet from Faust (Gounod) Soldier's Chorus from Faust (Gounod) Peer Gynt Suite No. 1, Op. 46, 4 movements (Grieg) Andante from Symphony #101 in D, The Clock (Haydn) Tarantella (Italian Traditional) Villa from The Merry Widow (Lehar) La Ci Darem La Mano from Don Giovanni (Mozart) Menuetto from Symphony #40 in G Minor, K. 550 (Mozart) Minuet from Don Giovanni (Mozart) Minuet in F, K. 2 (Mozart) Waltzing Doll Poupee Valsante from 7 Marionettes, #2 (Poldini) William Tell Overture (Rossini) The Elephant from Carnival of the Animals (Saint-Saens) Semper Fidelis March (Sousa) Washington Post, The March (Sousa) Tritsch-Tratsch Polka, Op. 214 (Strauss) Light Calvary Overture (Suppe) Gavotte from the opera Mignon (Thomas) Trio Sonata in D, RV93 for lute & strings, 3 movements (Vivaldi) Create your own ensemble - List of Available Parts: 52211 Part 1 Flute or Oboe or Violin 52213 Part 1 Clarinet in Bb 52215 Part 1 Alto Sax in Eb 52221 Part 2 Flute or Oboe or Violin *DD 52222 Part 2 Viola 52223 Part 2 Clarinet or Trumpet in Bb 52225 Part 2 Tenor Sax in Bb 52231 Part 3 Cello or Bassoon *DD 52233 Part 3 Bass Clarinet in Bb 52235 Part 3 Baritone Sax in Eb 52240 Keyboard or Guitar 52299 Score (Parts 1-3 in C) All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com.
$20.00
Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221
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Various
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Daniel Kelley
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Intermediate Music for Three V
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Last Resort Music Publishing
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SheetMusicPlus
Alto Saxophone,Autoharp,B-Flat Clarinet,Baritone Saxophone,Bassoon,Cello,Flute,Oboe,Piano,Tenor Saxophone,Viola,Violin - Digital Download SKU: A0.1255183...
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Alto Saxophone,Autoharp,B-Flat Clarinet,Baritone Saxophone,Bassoon,Cello,Flute,Oboe,Piano,Tenor Saxophone,Viola,Violin - Digital Download SKU: A0.1255183 Composed by Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructional. 45 pages. Last Resort Music Publishing #848746. Published by Last Resort Music Publishing (A0.1255183). Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221Featuring works by Gounod, Rossini, Sousa, Mozart, Haydn, Dvorak and many more!  Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of ContentsTango in D from Suite Espana, Op. 165 #2 (Albeniz) Minuet in D minor from The Anna Magdalena Bach Notebook (Bach) Minuet from the Anna Magdalena Bach Notebook (Bach) Musette from the Anna Magdalena Bach Notebook (Bach) Toreador Song from Carmen (Bizet) Hatikva based on an Eastern European Folk Tune (Cohen & Imber) Daisy Bell (A bicycle Built for Two) (Dacre) Funiculi Funicula (Denza) Songs My Mother Taught Me, Op. 55 #4 (Dvorak) Opening Chorus from H.M.S. Pinafore (Gilbert & Sullivan) When A Felon's Not Engaged in His Employment-Pirates of Penzance (Gilbert & Sullivan) Ballet from Faust (Gounod) Soldier's Chorus from Faust (Gounod) Peer Gynt Suite No. 1, Op. 46, 4 movements (Grieg)Andante from Symphony  #101 in D, The Clock (Haydn) Tarantella (Italian Traditional) Villa from The Merry Widow (Lehar) La Ci Darem La Mano from Don Giovanni (Mozart) Menuetto from Symphony  #40 in G Minor, K. 550 (Mozart) Minuet from Don Giovanni (Mozart) Minuet in F, K. 2 (Mozart) Waltzing Doll Poupee Valsante from 7 Marionettes, #2 (Poldini) William Tell Overture (Rossini) The Elephant from Carnival of the Animals (Saint-Saens) Semper Fidelis March (Sousa) Washington Post, The March (Sousa) Tritsch-Tratsch Polka, Op. 214 (Strauss) Light Calvary Overture (Suppe) Gavotte from the opera Mignon (Thomas) Trio Sonata in D, RV93 for lute & strings, 3 movements (Vivaldi) 52211 Part 1 Flute or Oboe or Violin52213 Part 1 Clarinet in Bb  52215 Part 1 Alto Sax in Eb  52221 Part 2 Flute or Oboe or Violin 52222 Part 2 Viola  52223 Part 2 Clarinet or Trumpet in Bb52225 Part 2 Tenor Sax in Bb52231 Part 3 Cello or Bassoon 52233 Part 3 Bass Clarinet in Bb 52235 Part 3 Baritone Sax in Eb52240 Keyboard or Guitar52299 Score (Parts 1-3 in C) Published by Last Resort Music www.lastresortmusic.com
$20.00
Classical Wedding Fake Book (Bb Version) - Popular classical songs arranged in lead sheet format
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Stephen Bulat
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Classical Wedding Fake Book
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.858670 Arranged by Stephen Bulat. Baroque,Classical,Opera,Romantic Period,Wedding. Score and parts. 53 pages. Stephen Bulat Publishing #5723227. Published by Stephen Bulat Publishing (A0.858670). This compilation of popular classical pieces often performed at weddings is arranged in the fake book/lead sheet format Fake book also available for concert C and Eb instruments as well as a Bandleader Gig Pack that contains fake books for C, Bb and Eb Instrumentation.Songs include:Adagio in G Minor - Tomaso Giovanni Albinoni Air On The G String - J. S. Bach Arioso - J. S. Bach Ave Maria - J. S. Bach/Gounod Jesu, Joy of Man's Desiring - J. S. Bach Minuet in G Major - J. S. Bach Ode To Joy - Ludwig Van Beethoven Trumpet Voluntary - Jeremiah Clarke Clair De Lune - Claude Debussy The Flower Duet - Leo Delibes Salut D’Amor - Edward Elgar Pavane - Gabriel Faure Air (from Water Music) - George Frideric Handel Arrival Of The Queen Of Sheba - George Frideric Handel Meditation (from Thais) - Jules Massenet Wedding March (from A Midsummer’s Night Dream) - Felix MendelssohnRondeau (Theme from Masterpiece Theatre) - Jean-Joseph Mouret Eine Kleine Nachtmusik - Wolfgang Amadeus Mozart Canon in D - Johann Pachalbel Trumpet Tune - Henry Purcell The Swan (from Carnival Of The Animals) - Camille Saint-Saëns Ave Maria - Franz Schubert Romeo & Juliet (Love Theme) - Pyotor Ilyich Tchaikovsky Sleeping Beauty Waltz - Pyotor Ilyich Tchaikovsky Swan Lake - Pyotor Ilyich Tchaikovsky Spring (1stMovement) (from The Four Seasons) - Antonio Vivaldi &nbs.
$9.99
Classical Wedding Fake Book - Bandleader Gig Pack with 3 Fake Books (C, Bb & Eb Instruments)
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Stephen Bulat
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one for C instruments
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Classical Wedding Fake Book -
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.858669 Arranged by Stephen Bulat. Baroque,Classical,Opera,Romantic Period,Wedding. Score and parts. 162 pages. Stephen Bulat Publishing #5723235. Published by Stephen Bulat Publishing (A0.858669). This compilation of popular classical pieces often performed at weddings is arranged in the fake book/lead sheet format Band Leader Gig Pack has 3 fake books in total; one for C instruments; one for Bb instruments and one for Eb instruments. Perfect for the band leader that has an ensemble with differently pitched instruments that want to work off the same gig book. All rehearsal markings and bar numbers match across each book.Songs include:Adagio in G Minor - Tomaso Giovanni Albinoni Air On The G String - J. S. Bach Arioso - J. S. Bach Ave Maria - J. S. Bach/Gounod Jesu, Joy of Man's Desiring - J. S. Bach Minuet in G Major - J. S. Bach Ode To Joy - Ludwig Van Beethoven Trumpet Voluntary - Jeremiah Clarke Clair De Lune - Claude Debussy The Flower Duet - Leo Delibes Salut D’Amor - Edward Elgar Pavane - Gabriel Faure Air (from Water Music) - George Frideric Handel Arrival Of The Queen Of Sheba - George Frideric Handel Meditation (from Thais) - Jules Massenet Wedding March (from A Midsummer’s Night Dream) - Felix MendelssohnRondeau (Theme from Masterpiece Theatre) - Jean-Joseph Mouret Eine Kleine Nachtmusik - Wolfgang Amadeus Mozart Canon in D - Johann Pachalbel Trumpet Tune - Henry Purcell The Swan (from Carnival Of The Animals) - Camille Saint-Saëns Ave Maria - Franz Schubert Romeo & Juliet (Love Theme) - Pyotor Ilyich Tchaikovsky Sleeping Beauty Waltz - Pyotor Ilyich Tchaikovsky Swan Lake - Pyotor Ilyich Tchaikovsky Spring (1stMovement) (from The Four Seasons) - Antonio Vivaldi &.
$22.99
Classical Wedding Fake Book (Eb Version) - Popular classical songs arranged in lead sheet format
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Stephen Bulat
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Classical Wedding Fake Book
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.858668 Arranged by Stephen Bulat. Baroque,Classical,Opera,Romantic Period,Wedding. Score and parts. 54 pages. Stephen Bulat Publishing #5723231. Published by Stephen Bulat Publishing (A0.858668). This compilation of popular classical pieces often performed at weddings is arranged in the fake book/lead sheet format Fake book also available for concert C and Eb instruments as well as a Bandleader Gig Pack that contains fake books for C, Bb and Eb Instrumentation.Songs include:Adagio in G Minor - Tomaso Giovanni Albinoni Air On The G String - J. S. Bach Arioso - J. S. Bach Ave Maria - J. S. Bach/Gounod Jesu, Joy of Man's Desiring - J. S. Bach Minuet in G Major - J. S. Bach Ode To Joy - Ludwig Van Beethoven Trumpet Voluntary - Jeremiah Clarke Clair De Lune - Claude Debussy The Flower Duet - Leo Delibes Salut D’Amor - Edward Elgar Pavane - Gabriel Faure Air (from Water Music) - George Frideric Handel Arrival Of The Queen Of Sheba - George Frideric Handel Meditation (from Thais) - Jules Massenet Wedding March (from A Midsummer’s Night Dream) - Felix MendelssohnRondeau (Theme from Masterpiece Theatre) - Jean-Joseph Mouret Eine Kleine Nachtmusik - Wolfgang Amadeus Mozart Canon in D - Johann Pachalbel Trumpet Tune - Henry Purcell The Swan (from Carnival Of The Animals) - Camille Saint-Saëns Ave Maria - Franz Schubert Romeo & Juliet (Love Theme) - Pyotor Ilyich Tchaikovsky Sleeping Beauty Waltz - Pyotor Ilyich Tchaikovsky Swan Lake - Pyotor Ilyich Tchaikovsky Spring (1stMovement) (from The Four Seasons) - Antonio Vivaldi Bridal Chorus - Richard Wagner Please click on the publisher to purchase compilation songs i.
$9.99
Thinking Händel for Baroque Horn Quartet
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Alessandro Macrì
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Thinking Händel for Baroque H
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931276 Composed by Alessandro Macrì. Baroque,Classical,Concert,Instructional,Standards. Score...
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Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931276 Composed by Alessandro Macrì. Baroque,Classical,Concert,Instructional,Standards. Score and parts. 10 pages. Music Macri Editions #6082045. Published by Music Macri Editions (A0.931276). Thinking Händel è un tributo al grande compositore Georg Friedrich Händel, coetaneo di Johann Sebastian Bach, che fu tra i più illustri rappresentanti del barocco musicale. Scrisse opere, oratori e musica strumentale, assimilando gli stili del Settecento che fuse in una sintesi personale e unitaria.I primi successiHändel nacque nel 1685 a Halle, in Germania, da una famiglia senza tradizioni musicali. Iniziò da bambino lo studio della musica, dimostrando subito un grande talento come compositore e organista. All'universitàdi Halle intraprese anche studi giuridici. Nel 1703 si stabilì ad Amburgo, dove lavorò come violinista e dove ebbero luogo le prime esecuzioni di sue musiche, tra cui l'opera Almira, regina di Castiglia (1705).Negli anni successivi compì diversi viaggi in Italia, in Germania e a Londra, dove nel 1711 fu rappresentata con grande successo la sua opera Rinaldo. Nonostante sia oggi conosciuto soprattutto per gli oratori e la musica strumentale, ai suoi tempi Händel fu molto apprezzato per le opere teatrali, prevalentemente composte secondo il modello dell'opera seria italiana (forme musicali). Ambientata in epoca classica, di argomento letterario o di ambientazione mitologica, l'opera seria alterna, in lingua italiana, recitativi e arie. I recitativi, con un'intonazione vicina alla lingua parlata, servivano a far procedere l'azione ed erano accompagnati dal cembalo e a volte dall'orchestra. Le arie, con intonazione melodica, avevano la funzione di esprimere gli stati d'animo o 'affetti' dei personaggi e in esse i cantanti mostravano la propria virtuosistica bravura.Al tempo del soggiorno londinese risalgono anche due significative composizioni orchestrali: le tre suite Musica sull'acqua (1715-36), nate per accompagnare le feste sul Tamigi di re Giorgio I, e i Sei concerti grossi op. 3 (1730-34), ispirati al modello del musicista italiano Arcangelo Corelli.La cittadinanza ingleseNel 1719 Händel promosse la fondazione di una societàmusicale privata, la Royal academy of music, e ne diventò direttore. Nel 1727 ottenne la cittadinanza inglese e per molti anni dominò la scena musicale britannica. Oltre alle circa quaranta opere teatrali, tra cui Giulio Cesare in Egitto (1723), Rodelinda regina de' Longobardi (1725), Ariodante (1734), Alcina (1735), Serse (1737-38), in questi anni scrisse più di venti oratori ‒ composizioni di argomento religioso, per soli, coro e orchestra ‒ in forma drammatica e in lingua inglese (con narrazione, personaggi e dialogo ma senza scena teatrale), per lo più con testi tratti dall'Antico Testamento (tra cui Esther, 1718, Saul e Israele in Egitto, del 1738 entrambi).L'adesione di Händel alla cultura inglese non fu occasionale, ma profondamente sentita: lo dimostrano alcuni lavori vocali e strumentali, come Acis e Galatea (1718, con una seconda versione nel 1732) e l'Ode per il giorno di s. Cecilia (1739), composti su testi di poeti inglesi di grande rilievo come John Dryden e Alexander Pope.Tra la musica strumentale, Händel dedicò in particolare all'organo, di cui era valente esecutore, ben venti concerti con orchestra.Il Messia e le ultime composizioniL'oratorio Messia è uno dei lavori più conosciuti di Händel: eseguito a Dublino nel 1742, fu scritto per una istituzione benefica in soli ventiquattro giorni. Il libretto di Charles Jennens, in inglese, illustra in tre parti i momenti più rilevanti della vita di Cristo con brani delle Sacre Scritture (è l'unico oratorio tratto dal Nuovo Testamento). La prima parte tratta dell'Avvento e del Natale; la seconda della Passione e della Resurrezione, culminante nel celebre Halleluja; la.
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Galop Infernal, - instruments in four parts
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Opera
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Classical
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Jacques Offenbach
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Paul Burnell
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Galop Infernal, - instruments
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Paul Burnell
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SheetMusicPlus
Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835844 Composed by Jacques Offenbach. Arranged by Paul Burnell. Opera,Romantic Period. Score ...
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Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835844 Composed by Jacques Offenbach. Arranged by Paul Burnell. Opera,Romantic Period. Score and parts. 26 pages. Paul Burnell #5010105. Published by Paul Burnell (A0.835844). Galop Infernal (also known as the 'Can-Can') composed by Jacques Offenbach (1819 - 1880), arranged by Paul Burnell, December 2019, for instruments in four parts.Duration 2:30 The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows: Part 1: C, Bb (flute, oboe, Bb clarinet, trumpet/cornet, violin) Part 2: C, Bb (oboe, Bb clarinet, trumpet/cornet, violin) Part 3: C - alto & treble clefs, Bb, F, Eb (Bb clarinet, alto saxophone, horn in F, tenor horn, viola) Part 4: C - bass clef, treble clef in Bb (bassoon, tenor saxophone, trombone, 'cello) Any other appropriate instruments, even if not suggested above, may play. Part 4 may be played an octave lower than written. Although the score is presented with layout appropriate for a brass quartet of two Cornets in Bb, Tenor horn in Eb and Trombone in treble clef with Bb transposition this does not indicate a preferred instrumentation. Programme note: The 'Galop Infernal' appears in the comic opera 'Orphée aux enfers' ('Orpheus in the Underworld') composed by Jacques Offenbach (1819 - 1880) and first performed in Paris in 1858. After Offenbach's death the ‘Galop Infernal’ became one of the world's most famous pieces of music, when the Moulin Rouge and the Folies Bergère adopted it as the regular music for their can-can.
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