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6 sheet music found
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1
The Cross Kirk and the lang walk
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1438467 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Historic,Medieval. Brass Band. 83 pages. Hambone Music #1018484. Published by Hambone Music (A0.1438467). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and bands of around 2nd to 3rd section, although still possible with 4th section bands. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
Rise And Fall Of Flingel Bunt
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Blues
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Rock
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Brian Bennett, Bruce Welch, Ha
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Derek Hasted
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Rise And Fall Of Flingel Bunt
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1036020 Composed by Brian Bennett, Bruce Welch, Hank Brian Marvin, and John Henry Rostill. Ar...
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1036020 Composed by Brian Bennett, Bruce Welch, Hank Brian Marvin, and John Henry Rostill. Arranged by Derek Hasted. Blues,Pop,Rock. Score and parts. 21 pages. Derek Hasted #641118. Published by Derek Hasted (A0.1036020). THE RISE and FALL of FLINGEL BUNT - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar. Derek Hasted writes What a wonderful title - the story behind the title is explained succinctly on the Wikipedia website.This bluesy piece by The Shadows makes a really accessible guitar quartet for an intermediate ensemble, and a foot-tapping crowd-pleaser for a school recital or as an contrasting item in an adult concert. There are some x-headed notes - simply clap your hands together on the beat and I am sure the audience will join in - they used to when the Hampshire Guitar Orchestra played it - frequently failing to clap at the right time at all!Guitars 2 and 3 are the easiest lines - perfect for the less-experienced players in a mixed ability group. Guitar 4 has a fun and funky bass line. Guitar 1 goes quite high, but I have presented the notes at pitch and also in 8va notation so that your reading of the “on-the-body-notes†is clear and error-free. The soundfile on the publisher’s website is that of Hampshire Guitar Orchestra live in concert.I hope you enjoy performing this!
$4.99
Streetcorner Symphony
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Rob Thomas
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Aaron Hettinga
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Streetcorner Symphony
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Aaron Hettinga
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SheetMusicPlus
Large Ensemble,Rhythm Section Alto Saxophone,Baritone Saxophone,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.781978 By Rob...
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Large Ensemble,Rhythm Section Alto Saxophone,Baritone Saxophone,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.781978 By Rob Thomas. By Matt Serletic and Rob Thomas. Arranged by Aaron Hettinga. Contemporary,Pop. Score and parts. 28 pages. Aaron Hettinga #6021043. Published by Aaron Hettinga (A0.781978). A joyous tune celebrating brotherhood and unity from Rob Thomas, with a 5 piece horn section behind it! The form of the original recording is closely followed but has a little extended tag/playout and a few extra horn licks here and there.The Rhythm/Lead/Vocal sheet contains chord changes and rhythm section cues throughout.Performance options: As mentioned, with an extended outro, there are numerous opportunities to make cuts if not intending for this to run so long. The On and on tag could even be bypassed by jumping ahead to the Final Chorus rather than going back to the DS.Optional Violin and Percussion parts are included but they mostly double other instrumental lines throughout.
$19.99
Streetcorner Symphony
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Rob Thomas
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Aaron Hettinga
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Streetcorner Symphony
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Aaron Hettinga
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SheetMusicPlus
Large Ensemble,Rhythm Section Saxophone,Trombone,Trumpet,Voice - Level 4 - Digital Download SKU: A0.781976 By Rob Thomas. By Matt Serletic and Rob Thomas...
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Large Ensemble,Rhythm Section Saxophone,Trombone,Trumpet,Voice - Level 4 - Digital Download SKU: A0.781976 By Rob Thomas. By Matt Serletic and Rob Thomas. Arranged by Aaron Hettinga. Contemporary,Pop. Score and parts. 55 pages. Aaron Hettinga #6019665. Published by Aaron Hettinga (A0.781976). A joyous tune celebrating brotherhood and unity from Rob Thomas, with a full Big Band behind it! The form of the original recording is closely followed but has a little extended tag/playout and a few extra horn licks here and there.The Rhythm/Lead/Vocal sheet contains chord changes and rhythm section cues throughout.Performance options: As mentioned, with an extended outro, there are numerous opportunities to make cuts if not intending for this to run so long. The On and on tag could even be bypassed by jumping ahead to the Final Chorus rather than going back to the DS.An optional violin part is included but it mostly doubles other instrumental lines throughout.
$24.99
Thank You Very Much
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Contemporary
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Leslie Bricusse
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Ted Samuels
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Thank You Very Much
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Theodore A. Samuels
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.828670 Composed by Leslie Bricusse. Arranged by Ted Samuels. Contemporary. Score. 16 pages....
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.828670 Composed by Leslie Bricusse. Arranged by Ted Samuels. Contemporary. Score. 16 pages. Theodore A. Samuels #6053843. Published by Theodore A. Samuels (A0.828670). This arrangement was created to commemorate both the 50th anniversary of the 1970 Christmas movie musical SCROOGE & the 250th anniversary of the birth of Ludwig van Beethoven. A more detailed description of this piece & the story & imaginings behind it is included in its covering pages. However, it may be summarized by its subtitle, What If Liszt Played Beethoven While Scrooge & the Londoners Celebrated?  (Franz Liszt was performing in a European concert tour at the same time that Charles Dickens was writing A Christmas Carol in 1843. Liszt's purpose for the tour was to raise money for constructing a statue of Beethoven in his hometown of Bonn, Germany.) The piece begins in the key of Bb for the first 3 verses of the song. The 3rd verse consists of a variation on the melody in the style of Beethoven, perhaps as Liszt might have written & performed it. The key is raised to C major for the final verse, which includes a few quotes from Beethoven's Symphony No. 5, and concludes with some final lines from his Choral Symphony No. 9 as well as The 5th. The full time of performance by piano/keyboard, solo voice and/or choir is approximately 4 minutes, which may be shortened & simplified by skipping the 3rd variation verse as indicated.
$6.99
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