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We Are Called #Sacred music #Becki Slagle Mayo #We Are Called #Chorister's Guild - Digital #SheetMusicPlus

Intergenerational Choirs - Digital Download SKU: C7.CGA1088 Composed by Becki Slagle Mayo. Dedication Sunday, General. Combined Choirs. With Trumpet. Sac...(+)

$2.10

Revelation - an original hymn #Sacred music #Kevin G #

#Revelation - an original hymn #Kevin G. Pace #SheetMusicPlus

Small Ensemble - Level 4 - Digital Download SKU: A0.701806 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Score and part...(+)

$1.99

Christmas Drag #Christmas #I Don't Know How They Found Me #Jani van der Watt #Christmas Drag #Jani van der Watt #SheetMusicPlus

Small Ensemble Drum Set,Electric Bass Guitar,Electric Guitar,Piano - Level 3 - Digital Download SKU: A0.754679 By I Don't Know How They Found Me. By Dall...(+)

$14.99

Wonderful Words of Life #padding: 0px 5px 5px 5px #Wonderful Words of Life #SheetMusicPlus

Large Print Hymnal Large P...(+)

$19.95

Shine, Jesus, Shine #Graham Kendrick #Graham Kendrick #D #Shine, Jesus, Shine #Hope Publishing - Digital #SheetMusicPlus

C Instrument, Flute, Handbells, Violin - Level 3 - Digital Download SKU: H1.2225DP Composed by Graham Kendrick. Arranged by D. Linda McKechnie. Contempor...(+)

$9.95

Poem For Carlita (viola part - vln, vla, cel) #Mark Oâ€™Connor

#Mark O'Connor #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pa...(+)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202197. Published by Mark O'Connor Musik International (A0.861805). Poem For Carlita (viola part â€“ vln, vla, cel) MO142CViola Part (score and parts available)Music by Mark Oâ€™Connor6 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used tocalm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142CCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

Poem For Carlita (violin part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pa...(+)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6202181. Published by Mark O'Connor Musik International (A0.861803). Poem For Carlita (violin part â€“ vln, vla, cel) MO142BViolin Part (score and parts available)Music by Mark Oâ€™Connor7 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142BCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

Poem For Carlita (cello part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pa...(+)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202205. Published by Mark O'Connor Musik International (A0.861806). Poem For Carlita (cello â€“ vln, vla, cel) MO142DCello Part (score and parts available)Music by Mark Oâ€™Connor15 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142DCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

Polka Russe-Czerny-Violin Trio #Charles Czerny #Phil Beaman #Polka Russe-Czerny-Violin Trio #Phil Beaman #SheetMusicPlus

String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.844569 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional...(+)

String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.844569 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Score and parts. 17 pages. Phil Beaman #3904049. Published by Phil Beaman (A0.844569). In 1853 Charles Czerny composed a set of 20 easy piano pieces which he called Amusement des Jeunes Amateurs (Amusement for Young Amateurs); they were subtitled Petites et Brillantes Recreations (Small and Brilliant Recreations). Let's just say they are easy fun little pieces! All of the pieces were loosely based on a folk song or a popular theme from a classical composer. One of them was based on a popular folk Russian polka, so he called it Polka Russe.I have taken Polka Russe and freely arranged it for Instrumental Trio, using some of Czerny's themes, re-arranging them into parts, and also re-ordering them into my own Rondo. Form is Intro-ABACADA-Coda. I have broken up his melodies and spread them across all three parts; each part is of equal importance and each part independently adds to the stunning melodic weaving. Parts are mostly scales and arpeggios. It requires careful counting and close attention to rhythmic interplay, but sounds quite advanced and dramatic when all details are observed. This piece is really quite Easy, I have just marked it Early Intermediate because of the Allegretto vivace tempo, the note range (two octaves), and the necessary counting. A fun piece to show your technique and musicianship as a group in any concert. 1:45 minutes, 8 pages score, 3 pages @ part(Temporary recording of piano reduction of parts)

$5.50
The Cross Kirk and the lang walk #Graham Hamilton #The Cross Kirk and the lang wa #Hambone Music #SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...(+)

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1438467 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Historic,Medieval. Brass Band. 83 pages. Hambone Music #1018484. Published by Hambone Music (A0.1438467). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and bands of around 2nd to 3rd section, although still possible with 4th section bands. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.

$40.00
Roadside Inn-Schumann-Euphonium/Baritone Horn trio #Robert Schumann #Phil Beaman #Roadside Inn-Schumann-Euphoniu #Phil Beaman #SheetMusicPlus

Brass Ensemble Baritone Horn TC,Euphonium - Level 3 - Digital Download SKU: A0.845143 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Peri...(+)

Brass Ensemble Baritone Horn TC,Euphonium - Level 3 - Digital Download SKU: A0.845143 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 9 pages. Phil Beaman #6213631. Published by Phil Beaman (A0.845143). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Trio. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. There are interpretive marks in every measure as each part independently adds to the stunning polyphonic weaving. Not too difficult to play but sounds quite advanced when all details are observed. A great piece to show your musicianship as a group. To be played warmly and with passion to welcome people to your Roadside Inn.

$6.50
Roadside Inn-Schumann-Brass trio #Robert Schumann #Phil Beaman #Roadside Inn-Schumann-Brass tr #Phil Beaman #SheetMusicPlus

Brass Ensemble Euphonium,Horn,Trombone - Level 3 - Digital Download SKU: A0.845144 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,...(+)

Brass Ensemble Euphonium,Horn,Trombone - Level 3 - Digital Download SKU: A0.845144 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 7 pages. Phil Beaman #6213647. Published by Phil Beaman (A0.845144). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Trio. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. There are interpretive marks in every measure as each part independently adds to the stunning polyphonic weaving. Not too difficult to play but sounds quite advanced when all details are observed. A great piece to show your musicianship as a group. To be played warmly and with passion to welcome people to your Roadside Inn.

$6.50
Roadside Inn - Saxophone Trio #Robert Schumann #Phil Beaman #Roadside Inn - Saxophone Trio #Phil Beaman #SheetMusicPlus

Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.844491 Composed by Robert Schumann. Arranged by Phil Beaman. Instructional,Romantic ...(+)

Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.844491 Composed by Robert Schumann. Arranged by Phil Beaman. Instructional,Romantic Period,Standards. 6 pages. Phil Beaman #3450037. Published by Phil Beaman (A0.844491). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Trio. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. There are interpretive marks in every measure as each part independently adds to the stunning polyphonic weaving. Not too difficult to play but sounds quite advanced when all details are observed. A great piece to show your musicianship as a group. To be played warmly and with passion to welcome people to your Roadside Inn. 3 minutes, 3 page score, 1 page @ partTemporary MIDI recording; a live performance will be much more expressive and free

$6.50
Roadside Inn - Schumann- Baritone Horn-Euphonium-Piano #Robert Schumann #Phil Beaman #Roadside Inn - Schumann- Barit #Phil Beaman #SheetMusicPlus

Instrumental Duet,Piano Baritone Horn TC/Euphonium,Piano - Level 2 - Digital Download SKU: A0.844515 Composed by Robert Schumann. Arranged by Phil Beaman...(+)

Instrumental Duet,Piano Baritone Horn TC/Euphonium,Piano - Level 2 - Digital Download SKU: A0.844515 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pages. Phil Beaman #3490485. Published by Phil Beaman (A0.844515). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo part (includes solo part in both Bass Clef and Treble Clef)Temporary MIDI recording; a live performance will be much more expressive and free

$4.99
Roadside Inn - Schumann- Alto Flute-Piano #Robert Schumann #Phil Beaman #Roadside Inn - Schumann- Alto #Phil Beaman #SheetMusicPlus

Alto Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.844505 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructiona...(+)

Alto Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.844505 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and individual part. 7 pages. Phil Beaman #3488991. Published by Phil Beaman (A0.844505). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free

$4.99
Haunted Spot - Schumann - String Quintet #Robert Schumann #Phil Beaman #Haunted Spot - Schumann - Stri #Phil Beaman #SheetMusicPlus

String Ensemble,String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.844500 Composed by Robert Schumann. Arranged by Phil Beaman. Roman...(+)

String Ensemble,String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.844500 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 11 pages. Phil Beaman #3485509. Published by Phil Beaman (A0.844500). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Haunted Spot, which I have arranged for Instrumental Quintet. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. There are interpretive marks in every measure as each part independently adds to the stunning polyphonic weaving. Requires careful counting and close attention to rhythms, but sounds quite advanced and dramatic when all details are observed. A fun piece to show your technique and musicianship as a group in any concert. To be played with passion, excitement, and mystery...perfect for that Halloween program!2018 Chamber Music Contest entry2 1/2 minutes, 6 pages score, 1 page @ parttemporary MIDI recording for a general idea

$10.99
The Lamb (William Blake) — low voice (alto / bass-baritone), keyboard accompaniment #the stream and o'er the mead;< #Todd Marchand #The Lamb #Con Spirito Music #SheetMusicPlus

Low Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141424 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 8 pages. Con Spirito M...(+)

Low Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141424 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 8 pages. Con Spirito Music #741750. Published by Con Spirito Music (A0.1141424). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, â€œlittle,â€ â€œmeek,â€ and â€œmild.â€ The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: â€œLittle lamb, God bless thee!â€This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Alto range G3-D5; Bass-Baritone range G2-D4Â©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com

$4.99
Mediterraneo - Score Only #Alicia DomÃnguez Arcos Sona #Alicia DomÃnguez Arcos #Mediterraneo - Score Only #Alicia Dominguez #SheetMusicPlus

Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Mult...(+)

Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Praise & Worship,Singer/Songwriter,World. 30 pages. Alicia Dominguez #957004. Published by Alicia Dominguez (A0.1372693). In these 112 measures for the twinning of Istanbul-Algeciras I have wanted to incorporate concepts from both parties, with the respect that the composition of Don Joan Manuel Serrat deserves in which in 1970 he sang â€œMare Nostrumâ€ (Nostrum mare more correctly in Latin classic, being one of the popular anthems of Spain and therefore a cultural heritage. Therefore it can be used instrumentally or if required, there is a number in the score of which, although the guitar has a melody and one of the choral voices, with two guitars, or make two choral voices or join with your own melody, use both bowed string instruments and plucked strings, etc.Likewise, there are two voices, of which a single voice can use the phrasings of both one voice and the other, giving it its own personality.The tempo will be whatever the interpretation itself wants, much slower, without accelerating so much between the beginning and the moment of the song itself. I have incorporated some instruments into the arrangement as examples:Buzukibouzouki, like the sazturco and the Lebanese Buzuq, which belong to the same family of Buzuki instruments.And as percussion only percussion The Turkish Darbuka is a percussion musical instrument The Turkish Darbuka is a percussion musical instrument from Turkey. The Turkish Darbuka have a high range of low and high resonant tones that sound between the two registers; serious (Dum) and acute (Tek). The edge or lip allows for finger breaking techniques that are not possible in the Egyptian Darbuka.And the Tombak, also called Dombak Ozarb, is a chalice-shaped drum, traditionally built with a hollowed-out biker or walnut trunk covered with skin at one end.With the beginning and among the work itself I wanted to give place to the Bashraf (Turkish Pesrev and Persian Pishraw, which means Overture) and the Sama'i (Turkish Sam Semai) Instrumental genre that is used in the Turkish court and in Sufi music . They were introduced into the Arab world before the 19th century.And also give place in his forms to the Ottoman composer Ismail Hakkibei (1866-1927). Unite Serrat with Hakkibey with this Istanbul-Algeciras work.Although the Bashraf is always made up of four points, Khanat (Plural Dekhana) or Hanne in Turkish, which are always followed by a chorus (Taslim / Teslim), its structure being Khana 1+ Taslim, Khana 2, Khana 3+ Taslim, Khana 4 + Taslim.The fragments must be incorporated since the main base is the Mediterranean pop theme. For this reason, its original rhythm is the DefÃ¢hte (In Arabic, Faakhito Fahitah Turki. Being a 20/4 time signature subdivided into 5 sub-groups of 4/4 where the complete cycle coincides with the phrases of the theme. Without forgetting that in music Arabic with the oriental rhythm Lsaada Duyukde 8/8 making a cycle for each measure of 4/4, that is, cycles per phrase, if those written for Western reading in 4/4 with double durations and simplicity. Unit of time: quarter note , coincides in two phrases of 5 measures per staff for a better understanding of the form of the piece, also within a written Arabic version of the theme the unit of time is eighth note 8/8 in G, but it had to be incorporated into MediterrÃ¡neo and it is always It is more feasible to think of the human voice as being more limited than instrumentation such as flute, plucked leather instruments, and bowed string instruments.Instrumentation:FluteGuitar 1 (1st voice melody)Guitar 2 (2nd voice melody)Bass (accompaniment and chords)BuzukiSazDarbukaTombakVoice 1st2nd voiceSMATB Voices1st violin2nd violinViolaCellosDouble basses.

$9.00
Rota #Carl Orff #Rota #Schott Music - Digital #SheetMusicPlus

4 Tr. (od. 4 Sopranblockfl.) Â· 2 Pos. (od. Gamben od. Bratschen) Â· Fg. ad lib. â€“ 4 P. S. (Glsp. [Sopr., Alt, mehrfach besetzt]) Â· Trgl. Â· Bec...(+)

4 Tr. (od. 4 Sopranblockfl.) Â· 2 Pos. (od. Gamben od. Bratschen) Â· Fg. ad lib. â€“ 4 P. S. (Glsp. [Sopr., Alt, mehrfach besetzt]) Â· Trgl. Â· Beck. [Cymb.] Â· gr. Tr. Â· Schellentr. (10 Spieler) â€“ 2 Git. (mehrfach besetzt) â€“ Violoncelli Â· KontrabÃ¤sse mixed choir (STBar) and instruments - easy - Digital Download SKU: S9.Q2721 Sumer is icumen in. Composed by Carl Orff. This edition: score. Downloadable, Score. Duration 4 minutes. Schott Music - Digital #Q2721. Published by Schott Music - Digital (S9.Q2721). Old English.The first known canon of European art music, now in the British Museum in London, is preserved in a thirteenth-century manusript from the English abbey in Reading: This is the so-called summer canon, whose verses greet the advent of summer. An accompanying note elucidates the artistic layer-like construction of the sound structure: a two-voice foundation of bell-like, swinging pendulum tones supports an upper structure of four voices which enter at equal time intervals. The note terms the canon rota - round -, which makes reference to the turning, circling movement of the constantly pulsating sound. The circular figure originates in a vital, ages-old moving force in music-making, and it demands a dance-like execution. But the canon is also, through the interaction of the strictly ordered voice entries, convivially bound musical form. Carl Orff was able to choose no better fitting musical form for the Greetings to Youth at the Olympic Games 1972 in Munich than the medieval rota. In the connexion of the singing voices with the Orff instruments, today in world-wide use, a testimony of European tradition sounds in a living present.

$27.99
Rota #Carl Orff #Rota #Schott Music - Digital #SheetMusicPlus

4 Tr. (od. 4 Sopranblockfl.) Â· 2 Pos. (od. Gamben od. Bratschen) Â· Fg. ad lib. â€“ 4 P. S. (Glsp. [Sopr., Alt, mehrfach besetzt]) Â· Trgl. Â· Bec...(+)

4 Tr. (od. 4 Sopranblockfl.) Â· 2 Pos. (od. Gamben od. Bratschen) Â· Fg. ad lib. â€“ 4 P. S. (Glsp. [Sopr., Alt, mehrfach besetzt]) Â· Trgl. Â· Beck. [Cymb.] Â· gr. Tr. Â· Schellentr. (10 Spieler) â€“ 2 Git. (mehrfach besetzt) â€“ Violoncelli Â· KontrabÃ¤sse mixed choir (STBar) and instruments - easy - Digital Download SKU: S9.Q9193 Sumer is icumen in. Composed by Carl Orff. This edition: choral score. Downloadable, Choral score. Duration 4 minutes. Schott Music - Digital #Q9193. Published by Schott Music - Digital (S9.Q9193). Old English.The first known canon of European art music, now in the British Museum in London, is preserved in a thirteenth-century manusript from the English abbey in Reading: This is the so-called summer canon, whose verses greet the advent of summer. An accompanying note elucidates the artistic layer-like construction of the sound structure: a two-voice foundation of bell-like, swinging pendulum tones supports an upper structure of four voices which enter at equal time intervals. The note terms the canon rota - round -, which makes reference to the turning, circling movement of the constantly pulsating sound. The circular figure originates in a vital, ages-old moving force in music-making, and it demands a dance-like execution. But the canon is also, through the interaction of the strictly ordered voice entries, convivially bound musical form. Carl Orff was able to choose no better fitting musical form for the Greetings to Youth at the Olympic Games 1972 in Munich than the medieval rota. In the connexion of the singing voices with the Orff instruments, today in world-wide use, a testimony of European tradition sounds in a living present.

$4.99
The Grim Reaper's Suite #Apostolos Paraskevas #The Grim Reaper's Suite #Silver Sickle Publications #SheetMusicPlus

Small Ensemble Guitar - Level 3 - Digital Download SKU: A0.942081 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,Romantic Period,W...(+)

Small Ensemble Guitar - Level 3 - Digital Download SKU: A0.942081 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,Romantic Period,World. Score and parts. 40 pages. Silver Sickle Publications #4887663. Published by Silver Sickle Publications (A0.942081). The Grim Reaperâ€™s Suite consists of five humorous and at the same dark pieces for five guitars to celebrate the humanity of the Grim Reaper. Two of these pieces are the well-known tune of Happy Birthday in two different and witty variations. The work was conceived to be performed live during the projection of a film by Apostolos Paraskevas called I Finally Did It. The work was premiered in 2009 by an array of well-known soloists at the Iserlohn Guitar Festival in Germany. Duration: approx. 10 minutes Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Fossâ€“â€“and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences â€“ from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts â€“ amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music

$12.99
Moonlight Sonata by Beethoven for Alto Flute #Classical #Ludwig van Beethoven #Ander #Moonlight Sonata by Beethoven #Woods Only, Arrangements #SheetMusicPlus

Alto Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.1156922 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,...(+)

Alto Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.1156922 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and individual part. 5 pages. Woods Only, Arrangements #757266. Published by Woods Only, Arrangements (A0.1156922). This arrangement adapted for flute in g and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).

$1.99
Moonlight Sonata by Beethoven for Clarinet Ensemble #Classical #Ludwig van Beethoven #Ander #Moonlight Sonata by Beethoven #Woods Only, Arrangements #SheetMusicPlus

Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1147369 Composed by Ludwig van Beethoven. Arranged by Ander. Christm...(+)

Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1147369 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 15 pages. Woods Only, Arrangements #747573. Published by Woods Only, Arrangements (A0.1147369). This arrangement adapted for clarinet ensemble was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).

$7.99
Moonlight Sonata by Beethoven for Woodwind Trio #Classical #Ludwig van Beethoven #Ander #Moonlight Sonata by Beethoven #Woods Only, Arrangements #SheetMusicPlus

Woodwind Ensemble,Woodwind Trio - Level 2 - Digital Download SKU: A0.1147489 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Ins...(+)

Woodwind Ensemble,Woodwind Trio - Level 2 - Digital Download SKU: A0.1147489 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 9 pages. Woods Only, Arrangements #747726. Published by Woods Only, Arrangements (A0.1147489). This arrangement adapted for woodwind trio was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).

$5.99
Moonlight Sonata by Beethoven for E-flat and B-flat Clarinet Duet #Classical #Ludwig van Beethoven #Ander #Moonlight Sonata by Beethoven #Woods Only, Arrangements #SheetMusicPlus

B-Flat Clarinet,E-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.1151931 Composed by Ludwig van Beethoven. Arranged by Ander. Chris...(+)

B-Flat Clarinet,E-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.1151931 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 8 pages. Woods Only, Arrangements #752136. Published by Woods Only, Arrangements (A0.1151931). This arrangement adapted for Bb and Eb clarinet duo was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).

$3.99

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