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Coffee Break
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You've selected:
Coffee Break
Sheetmusic to print
3 sheet music found
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Le Cafe de 15h
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Jean-Michel Maury
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Le Cafe de 15h
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Chamber Music, Quartet 2 Bb Clarinets Piano Bongo / Snare Drum Double Bass (optional) - Grade 4 - Digital Download SKU: FX.FX071612 Composed by Jean-Mich...
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Chamber Music, Quartet 2 Bb Clarinets Piano Bongo / Snare Drum Double Bass (optional) - Grade 4 - Digital Download SKU: FX.FX071612 Composed by Jean-Michel Maury. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071612. Published by FLEX Editions - Digital Sheet Music (FX.FX071612). A piece to play and work clarinet during a (fun) coffee break... ; Instruments: 2 Bb Clarinets 1 Piano 1 Bongo / Snare Drum 1 Double Bass (optional); Difficuly Level: Grade 4; Duration: 2 mn 15 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Jean-Michel MAURY;.
$9.95
Déjeuner du matin sung in French and English with various samples (mp3)
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David Warin Solomons
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Déjeuner du matin sung in Fre
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Sampler - Level 4 - Digital Download SKU: A0.1350393 By David Warin Solomons. By David Warin Solomons. Contemporary,Multicultural,Singer/Songw...
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Alto Voice,Sampler - Level 4 - Digital Download SKU: A0.1350393 By David Warin Solomons. By David Warin Solomons. Contemporary,Multicultural,Singer/Songwriter,World. Full Performance. Duration 249. David Warin Solomons #935190. Published by David Warin Solomons (A0.1350393). Déjeuner du matin - poem by Jacques PrévertEnglish translation by Lawrence FerlinghettiMusical improvisation on 8-track Fostex with Archimedes sequencer sung by David W Solomons with various samples (1989)using my Isaiah sequence (circular A minor arpeggio feature with bass note going down by semitones returning via a dominant 7th chord)This is best heard on headphones to get the English and French versions separately.Recently described by Howie Richey as follows:sounds like Stairway to Heaven sung by Sgt. Pepper!Yup I can see that LOLFrench and English versions:Déjeuner Du MatinIl a mis le caféDans la tasseIl a mis le laitDans la tasse de caféIl a mis le sucreDans le café au laitAvec la petite cuillèreIl a tournéIl a bu le café au laitEt il a reposé la tasseSans me parlerIl a alluméUne cigaretteIl a fait des rondsAvec la fuméeIl a mis les cendresDans le cendrierSans me parlerSans me regarderIl s'est levéIl a misSon chapeau sur la têteIl a misSon manteau de pluieParce qu'il pleuvaitEt il est partiSous la pluieSans une paroleSans me regarderEt moi, j'ai prisMa tête dans ma mainEt j'ai pleuréBreakfastHe put the coffee in the cupHe put the milk inthe cup of coffeeHe put the sugarin the café au laitWith a coffee spoon he stirred he drank the café au lait and set down the cupwithout a word to mewithout a word to mehe lit a cigarettehe made smoke ringswith the smokehe put the ashesin the ash traywithout a word to mewithout a look at mehe got uphe put his hat upon his headhe put his raincoat on because it was rainingand he left in the rainwith out a wordwithout a look at meand I ....I took my head in my hand and I cried.
$5.50
If Not Now, When?
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Contemporary
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score ...
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00
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