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51
A Night’s Tale
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contrast, the middle section,
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Alfredo Franco
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Cristiano Porqueddu
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A Night’s Tale
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Digital Download SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ...
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Guitar - Digital Download SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4330. Published by Les Productions d'OZ - Digital (ZZ.DZ-4330). The underlying concept is that of dreaming.The first section, Dreaming, which is static and meditative in character, is further divided into several parts, which, looking at the processes of dream narrative, present, in addition to the initial theme, short melodies of lyrical/melancholic character, ready to interrupt before reaching a possible development, to leave room for further suggestions.The short themes are repeated several times, including in the final section, which is a reprise, condensed and varied from the first.By contrast, the middle section, Nightmaring, has a strongly contrasting character to the preceding one, rhythmically marked and searchingly percussive, sardonic in the variety of figurations employed in the different registers of the instrument.A technically intricate section that demands of the performer the choice of appropriate solutions, and closes with a frenetic accumulation of fragments. The most perturbing part of the dream.Le concept sous-jacent est celui du rêve.La première section, Dreaming, qui est statique et méditative par nature, est subdivisée en plusieurs parties qui, en examinant les processus narratifs du rêve, présentent, en plus du thème initial, de courtes mélodies d’un caractère lyrique/mélancolique, prêtes à s’interrompre avant d’atteindre un développement possible, pour laisser place à de nouvelles suggestions.Les courts thèmes sont répétés plusieurs fois, y compris dans la section finale, qui est une reprise, condensée et variée par rapport à la première.En revanche, la section centrale, Nightmaring, contraste fortement avec la précédente, marquée rythmiquement et percussive dans sa recherche, sarcastique dans la variété des figurations employées dans les différents registres de l’instrument.Une section techniquement complexe qui demande au musicien de choisir des solutions appropriées, et qui se termine par une accumulation frénétique de fragments. La partie la plus troublante du rêve.
$5.95
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
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Classical
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. C...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516867. Published by jmsgu3 (A0.549645). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Overture D Minor
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Francesco Barsanti
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Overture D Minor
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Schott Music - Digital
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SheetMusicPlus
Strings and basso continuo - intermediate - Digital Download SKU: S9.Q16304 Composed by Francesco Barsanti. This edition: score. Concertino. Die dreisÃÂ...
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Strings and basso continuo - intermediate - Digital Download SKU: S9.Q16304 Composed by Francesco Barsanti. This edition: score. Concertino. Die dreisätzige Ouvertüre ist ein prägnantes, kontrastreiches Werk. Der 3. Satz Paesana ahmt das volkstümliche Geigenspiel aus Schottland nach. Downloadable, Score. Op. 4/2. Duration 7 minutes. Schott Music - Digital #Q16304. Published by Schott Music - Digital (S9.Q16304). Key: D minor.The three-movement overture is a succinct work full of contrasts. The 3rd movement Paesana imitates the popular violin-playing of Scotland that Barsanti got to know there (from the age of 24, he lived as oboist and flute teacher in London and Edinburgh).
$22.99
Giovanna D'Arco
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Giuseppe Verdi
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Vittorio Tamburrano
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Giovanna D'Arco
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Vittorio Tamburrano
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet A Clarinet,Bassoon,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1490900 Composed by Giuseppe Verdi. Arranged b...
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Woodwind Ensemble,Woodwind Quintet A Clarinet,Bassoon,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1490900 Composed by Giuseppe Verdi. Arranged by Vittorio Tamburrano. 19th Century,Classical,Opera,Romantic Period. 52 pages. Vittorio Tamburrano #1067685. Published by Vittorio Tamburrano (A0.1490900). La trascrizione per quintetto di fiati della sinfonia Giovanna d'Arco nasce dall'esigenza di adattare l'opera per una formazione cameristica, mantenendo l'essenza drammatica e l'intensità dell'originale orchestrale. La sinfonia è stata trascritta per flauto, oboe, clarinetto, fagotto e corno. Ogni strumento è stato scelto per le sue capacità espressive e tecniche, permettendo una riproduzione fedele delle linee melodiche e armoniche. - *Flauto*: assegnato alle parti più leggere e agili, mantiene la brillantezza delle melodie principali e aggiunge colore nelle sezioni più drammatiche.- *Oboe*: utilizzato per il suo timbro caldo e penetrante, prende spesso le parti liriche e sostenute, evocando la forza interiore di Giovanna.- *Clarinetto*: grazie alla sua estensione e flessibilità , il clarinetto copre un ampio range, passando dalle tonalità più gravi e scure alle più acute e brillanti.- *Fagotto*: il fagotto dona profondità e gravità , spesso impiegato per sottolineare i momenti più cupi e solenni della sinfonia.- *Corno*: essenziale per ricreare la potenza e il carattere eroico della musica, il corno fornisce supporto armonico e contrappuntistico, oltre a enfatizzare i momenti più epici.La trascrizione tiene conto delle peculiarità timbriche di ciascuno strumento, adattando le dinamiche originali per sfruttare al meglio le caratteristiche del quintetto di fiati. Ad esempio, passaggi che nell'orchestra originale coinvolgono sezioni intere di archi sono stati ridistribuiti tra gli strumenti a fiato per garantire chiarezza e equilibrio sonoro. Una delle principali sfide è stata quella di mantenere l'intensità orchestrale nella riduzione per soli cinque strumenti. Questo è stato raggiunto attraverso l'uso di contrappunti interni, dinamiche ben calibrate e l'attenta gestione delle articolazioni, che permettono di ricreare l'impatto emotivo dell'originale. La trascrizione per quintetto di fiati della sinfonia Giovanna d'Arco offre una nuova prospettiva sull'opera, mettendo in luce dettagli e sfumature che nella versione orchestrale possono passare inosservati. La scelta del quintetto di fiati non solo rende la sinfonia accessibile a un gruppo più ristretto di musicisti, ma permette anche di esplorare le potenzialità espressive di ciascuno strumento.
$10.00
Comme D'habitude
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Claude Francois, Jacques Revau
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Thomas Graf
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Comme D'habitude
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1122381 Composed by Claude Francois, Jacques Revaux, and Lucien Thib...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1122381 Composed by Claude Francois, Jacques Revaux, and Lucien Thibaut. Arranged by Thomas Graf. Broadway,Film/TV,Jazz,Musical/Show,Pop. 28 pages. Thomas Graf - the-hit-factory.com #723539. Published by Thomas Graf - the-hit-factory.com (A0.1122381). Comme d'habitude, French for As usual is a French song about routine in a relationship falling out of love, composed in 1967 by Jacques Revaux, with lyrics by Claude François and Gilles Thibaut [fr]. In 1968 the song was adapted by Paul Anka and given new lyrics to create the song that became My Way, Frank Sinatras signature song. About this arrangement: Instrumentation: Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$20.00
Comme D'habitude
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Claude Francois, Jacques Revau
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Thomas Graf
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Comme D'habitude
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1122383 Composed by Claude Francois, Jacques Revaux, and Lucien Thibaut. Arr...
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1122383 Composed by Claude Francois, Jacques Revaux, and Lucien Thibaut. Arranged by Thomas Graf. Broadway,Film/TV,Jazz,Musical/Show,Pop. 18 pages. Thomas Graf - the-hit-factory.com #723541. Published by Thomas Graf - the-hit-factory.com (A0.1122383). Comme d'habitude, French for As usual is a French song about routine in a relationship falling out of love, composed in 1967 by Jacques Revaux, with lyrics by Claude François and Gilles Thibaut [fr]. In 1968 the song was adapted by Paul Anka and given new lyrics to create the song that became My Way, Frank Sinatras signature song. About this arrangement: Instrumentation: Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$20.00
Comme D'habitude
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Claude Francois, Jacques Revau
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Thomas Graf
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Comme D'habitude
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.1122398 Composed by Claude Francois, Jacques Revaux, a...
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.1122398 Composed by Claude Francois, Jacques Revaux, and Lucien Thibaut. Arranged by Thomas Graf. Broadway,Film/TV,Jazz,Musical/Show,Pop. Score and parts. 18 pages. Thomas Graf - the-hit-factory.com #723555. Published by Thomas Graf - the-hit-factory.com (A0.1122398). Comme d'habitude, French for As usual is a French song about routine in a relationship falling out of love, composed in 1967 by Jacques Revaux, with lyrics by Claude François and Gilles Thibaut [fr]. In 1968 the song was adapted by Paul Anka and given new lyrics to create the song that became My Way, Frank Sinatras signature song. About this arrangement: Instrumentation: Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$20.00
Comme D'habitude
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Claude Francois, Jacques Revau
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Thomas Graf
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Comme D'habitude
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Ensemble,Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1122377 Composed by Claude Francois, Jacques Rev...
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Brass Ensemble,Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1122377 Composed by Claude Francois, Jacques Revaux, and Lucien Thibaut. Arranged by Thomas Graf. Broadway,Film/TV,Jazz,Multicultural,Musical/Show,Pop,World. Score and parts. 29 pages. Thomas Graf - the-hit-factory.com #723535. Published by Thomas Graf - the-hit-factory.com (A0.1122377). Comme d'habitude, French for As usual is a French song about routine in a relationship falling out of love, composed in 1967 by Jacques Revaux, with lyrics by Claude François and Gilles Thibaut [fr]. In 1968 the song was adapted by Paul Anka and given new lyrics to create the song that became My Way, Frank Sinatras signature song. About this arrangement: Instrumentation: Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$20.00
Gaillarde d'Escosse - Gaillarde No 15, Premier Livre de Danseries (1571)
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Pierre Phalèse
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Colin Kirkpatrick
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Gaillarde d'Escosse - Gaillard
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.953397 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Holiday,Renaissance. Score and ...
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String Ensemble - Level 2 - Digital Download SKU: A0.953397 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Holiday,Renaissance. Score and parts. 16 pages. Colin Kirkpatrick Publications #559136. Published by Colin Kirkpatrick Publications (A0.953397). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file incudes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. An additional melody part is provided in treble clef and the chords (for optional guitar) are shown in both keyboard and bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Bach: Air on a G String for Oboe d'Amore & Harp
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Classical
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for Ob
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jmsgu3
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SheetMusicPlus
Harp,Instrumental Duet,Oboe d'Amore - Level 2 - Digital Download SKU: A0.1277138 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque...
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Harp,Instrumental Duet,Oboe d'Amore - Level 2 - Digital Download SKU: A0.1277138 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Wedding. 8 pages. Jmsgu3 #868826. Published by jmsgu3 (A0.1277138). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. Air - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled Air on a G String not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist – and entirely on the G String.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Con...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier àlumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Hommage au pianoman d'imprévu // The Pianoman Breakdown ..# ISRC 10253
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Celtic/Irish
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Réal Dubois
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Réal Dubois & Gaétane Po
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Hommage au pianoman d'imprévu
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Réal Dubois
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SheetMusicPlus
Small Ensemble Double Bass,Guitar,Percussion,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1018792 Composed by Réal Dubois. Arranged by RÃÂ...
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Small Ensemble Double Bass,Guitar,Percussion,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1018792 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Film/TV,Folk,Standards. Score and parts. 1 pages. Réal Dubois #2069243. Published by Réal Dubois (A0.1018792). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
La branleuse d'imprévu // The shakerman swing ..# ISRC 10247
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Celtic/Irish
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Réal Dubois
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Réal Dubois & Gaétane Po
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La branleuse d'imprévu // The
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Réal Dubois
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SheetMusicPlus
Small Ensemble Double Bass,Guitar,Percussion,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1018793 Composed by Réal Dubois. Arranged by RÃÂ...
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Small Ensemble Double Bass,Guitar,Percussion,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1018793 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Film/TV,Folk,Standards. Score and parts. 1 pages. Réal Dubois #2069245. Published by Réal Dubois (A0.1018793). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Hommage aux frères Lavallée d'imprévu // Lavallée brother's breakdown.. # ISRC 10255
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Celtic/Irish
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Réal Dubois
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Réal Dubois & Gaétane Po
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Hommage aux frères Lavallée
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Réal Dubois
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SheetMusicPlus
Small Ensemble Double Bass,Guitar,Percussion,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1018791 Composed by Réal Dubois. Arranged by RÃÂ...
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Small Ensemble Double Bass,Guitar,Percussion,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1018791 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Film/TV,Folk,Standards. Score and parts. 1 pages. Réal Dubois #2069241. Published by Réal Dubois (A0.1018791). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Sullivan: The Lost Chord for Oboe d'Amore & Piano
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for O
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, A...
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Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497155. Published by jmsgu3 (A0.549449). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. ÂÂ
$26.95
Why Not Come to Jesus Now? Solo (Bb) (A) (G)
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Sacred music
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Denny Glasscock and Greg Jenki
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Why Not Come to Jesus Now? Sol
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Denny Glasscock
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SheetMusicPlus
Small Ensemble,Strings Drum Set,High Voice,Low Voice,Medium Voice - Digital Download SKU: A0.922041 Composed by Denny Glasscock and Greg Jenkins (drums)....
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Small Ensemble,Strings Drum Set,High Voice,Low Voice,Medium Voice - Digital Download SKU: A0.922041 Composed by Denny Glasscock and Greg Jenkins (drums). Christian,Latin,Praise & Worship,Sacred. Score and parts. 6 pages. Denny Glasscock #6048121. Published by Denny Glasscock (A0.922041). This is the solo version of Why Not Come to Jesus Now? by Denny Glasscock. Also available is a nice instrumental performance/accompaniment digital recording of the song by a string trio (violin, viola and violoncello), accompanied by piano, drums and bass (rhythm trio). The violin, viola and violoncello performed along with the rhythm trio, complex back and forth exchanges of melody vs. counter melody. A second melody, the refrain or chorus, significantly contrasts with the prior one (1st verse). The exchange is repeated (2nd verse). At the ending, the piece concludes with a layering of tones and a light stop. Included are leads sheets for three different keys: Bb, A, and G. See accompaniment tracks for this vocal solo - key of Bb (range low C to D), item no. S0.866387, and key of A (from low B to C), item no. S0.866401, are good for sopranos and possibly tenors. Key of G (item no. S0.866405) is good for altos and baritones.
$3.99
BACH: Air on a G String for Alto Clarinet & Harp
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Classical
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Johann Sebastian Bach
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James M
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BACH: Air on a G String for Al
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.552188 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Conte...
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E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.552188 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Contemporary. 8 pages. Jmsgu3 #6264449. Published by jmsgu3 (A0.552188). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. Air - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled Air on a G String not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist – and entirely on the G String.
$32.95
Bach: Air on a G String for French Horn & Harp
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Classical
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for Fr
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jmsgu3
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SheetMusicPlus
Harp,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1277153 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber...
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Harp,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1277153 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Traditional,Wedding. 8 pages. Jmsgu3 #868841. Published by jmsgu3 (A0.1277153). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. Air - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled Air on a G String not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist – and entirely on the G String.
$32.95
Bach: Air on a G String for Soprano Sax & Harp
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Classical
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for So
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jmsgu3
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SheetMusicPlus
Harp,Instrumental Duet,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1277167 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Ba...
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Harp,Instrumental Duet,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1277167 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Traditional,Wedding. 8 pages. Jmsgu3 #868862. Published by jmsgu3 (A0.1277167). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. Air - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled Air on a G String not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist – and entirely on the G String.
$32.95
Bach: Air on a G String for Alto Sax & Harp
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Classical
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for Al
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1277157 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroq...
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Alto Saxophone,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1277157 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Traditional,Wedding. 8 pages. Jmsgu3 #868848. Published by jmsgu3 (A0.1277157). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. Air - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled Air on a G String not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist – and entirely on the G String.
$32.95
Meloncholy in D Dorian
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Alisa Tomlinson
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Meloncholy in D Dorian
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Alisa Tomlinson
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SheetMusicPlus
Piano Quintet,String Ensemble Piano - Level 4 - Digital Download SKU: A0.971969 Composed by Alisa Tomlinson. 20th Century,Classical,Contemporary,Romantic...
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Piano Quintet,String Ensemble Piano - Level 4 - Digital Download SKU: A0.971969 Composed by Alisa Tomlinson. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 10 pages. Alisa Tomlinson #3113525. Published by Alisa Tomlinson (A0.971969). Piano feature. The entire piece is based on the piano part, which can be played alone or with accompaniment. For more advanced players, the emotional drive of the piece can be very intense. The use of dynamic contrast is very important in this piece as it helps to move the emotional conveyance. Portraying loss, loneliness or even somber contemplation, this piece can open your audience to those inner realms of memory, so you can lead them out again by following it with a more vibrant, lively piece.
$4.99
Hans Dampf in allen Possen (Jack of all tricks) for string trio
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Anonymous
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David Warin Solomons
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Hans Dampf in allen Possen
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Violin - Level 3 - Digital Download SKU: A0.575835 Composed by Anonymous. Arranged by David Warin Solomons. Contemporary,Folk,World....
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Small Ensemble Cello,Violin - Level 3 - Digital Download SKU: A0.575835 Composed by Anonymous. Arranged by David Warin Solomons. Contemporary,Folk,World. Score and parts. 19 pages. David Warin Solomons #2028693. Published by David Warin Solomons (A0.575835). Variations on traditional German and Alsacien folk songs. Part 1 - Hans Spielmann stimme deine Fiedel Part 2 [rehearsal mark A] - Hansel und Gretel and D'r Hans im Schnockeloch Part 3 [rehearsal mark B] - minor reprise of Hans Spielmann stimme deine Fiedel Part 4 [rehearsal mark C] - 3/4 Vivace - Hans Spielmann der hat eine einzige Kuh Part 5 [rehearsal mark D] - 3/4 vivace - Hans Naber ik heb et ju togebracht Part 6 [rehearsal mark E] - varied version of Hans Spielmann stimme deine Fiedel Part 7 [rehearsal mark F] - Hänschen klein with varied version of d'r Hans im Schnockeloch Part 8 [rehearsal mark G] - Another varied version of Hans Spielmann stimme deine Fiedel, with a very brief Hänschen klein reprise Hans Dampf in allen Strassen is a Jack of all trades, mine is up to tricks so I call it Hans Dampf in allen Possen (Jack of all tricks) The sound sample is an electronic preview The Pdf file contains score and parts.
$9.00
Hans Dampf in allen Possen (Jack of all tricks) for flute, cor anglais and cello
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Traditional
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David Warin Solomons
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Hans Dampf in allen Possen
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,English Horn,Flute - Level 4 - Digital Download SKU: A0.576337 Composed by Traditional. Arranged by David Warin Solomons. Contempora...
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Small Ensemble Cello,English Horn,Flute - Level 4 - Digital Download SKU: A0.576337 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Score and parts. 27 pages. David Warin Solomons #17625. Published by David Warin Solomons (A0.576337). Mixed trio version of my set of variations on traditional German and Alsacien folk songs. Part 1 - Hans Spielmann stimme deine Fiedel Part 2 [rehearsal mark A] - Hansel und Gretel and D'r Hans im Schnockeloch Part 3 [rehearsal mark B] - minor reprise of Hans Spielmann stimme deine Fiedel Part 4 [rehearsal mark C] - 3/4 Vivace - Hans Spielmann der hat eine einzige Kuh Part 5 [rehearsal mark D] - 3/4 vivace - Hans Naber ik heb et ju togebracht Part 6 [rehearsal mark E] - varied version of Hans Spielmann stimme deine Fiedel Part 7 [rehearsal mark F] - Hänschen klein with varied version of d'r Hans im Schnockeloch Part 8 [rehearsal mark G] - Another varied version of Hans Spielmann stimme deine Fiedel, with a very brief Hänschen klein reprise Hans Dampf in allen Strassen is a Jack of all trades, mine is up to tricks so I call it Hans Dampf in allen Possen The sound sample is an electronic preview The pdf file contains score and parts Versions are also available for string trio (2 violins and cello) and for brass trio (trumpet, trombone and tuba).
$10.00
Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone (or Bass) Piano
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James Nathaniel Holland
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Sonnet 29 "When in Disgrace wi
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James Nathaniel Holland
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SheetMusicPlus
Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730322 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday,Love. 12 pages. James ...
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Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730322 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday,Love. 12 pages. James Nathaniel Holland #2891389. Published by James Nathaniel Holland (A0.730322). The sonnet of William Shakespeare set to music and arranged for orchestra and Baritone (or Bass with upper notes). (Range A2 to E4) The piece begins loud and dramatically with crashes and booms, then contrasts with a beautiful and romantic second part. Orchestral accompaniment available, sold separately. This art song is from A Cycle of Sonnets Music by 21st century, American composer James Nathaniel Holland SONNET 29 When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state And trouble deaf heaven with my bootless cries And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings. YouTube video presentation (with Tenor and orchestra): https://www.youtube.com/watch?v=ry0b9cLOYc4 (The sample attached here includes a synthesizer.)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$4.50
Desire
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Margaret Brandman
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Desire
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Jazzem Enterprises
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Digital Download SKU: A0.939245 Composed by Margaret Brandman. Concert,Contemporary. 8 pages. Jazzem Enterprises #387917...
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Mezzo-Soprano Voice,Vocal Solo - Digital Download SKU: A0.939245 Composed by Margaret Brandman. Concert,Contemporary. 8 pages. Jazzem Enterprises #3879177. Published by Jazzem Enterprises (A0.939245). ‘Desire’ is the second song in the song cycle of contemporary classical art songs ‘Songs of Love and Desire’ for Mezzo Soprano voice and piano, composed by Margaret Brandman to the passionate lyrics of Désirée Regina. Duration 4'18 This gently moving, lyrical and ambient work contrasts with the dramatic opening song of the cycle. Bright harmonies capture the lover’s feelings as she wakes in the morning light in the glow of love. The work has been performed in concert many times by lyricist Désirée Regina and composer/pianist Margaret Brandman who have also recorded the song cycle for the ‘Songs of Love and Desire’ album on the JazzEM music label (MMP8041). The work is registered with A.P.R.A (Australian Performing Rights Association). The album is available for purchase from CD Baby and/or Margaret Brandman’s website. www.margaretbrandman.com. The recording is available on Margaret Brandman’s You-Tube channel. http://bit.ly/mb5music www.facebook.com/margaretbrandmanmusic https://au.linkedin.com/in/margaret-brandman2a435a1 https://twitter.com/margbrandmusic5 http://www.instagram.com/margaretbrandmanmusic
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