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You've selected:
D Melodic Minor
Sheetmusic to print
20 sheet music found
<
1
Two-Handed Tapping The D Melodic Minor Scale
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Traditional
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Danny Crocome
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Two-Handed Tapping The D Melod
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1511513 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock...
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Guitar - Level 4 - Digital Download SKU: A0.1511513 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Tablature. 4 pages. Danny Crocome Music #1086670. Published by Danny Crocome Music (A0.1511513). These info sheets teach guitarists how to play the D Melodic Minor scale using the technique known as two handed tapping (sounding the notes by a combination of hitting both your fretting, and picking, hands onto the fretboard). It teaches guitarists how to play a 3-octave D Melodic Minor scale, in both ascending and descending forms, as well as the various diatonic chords produced from both forms of the scale. Additionally, it features a mode/chord connection exercise, showing how the related modes are produced from the different scale forms. A brilliant resource for guitarists looking to extend their technical and theoretical vocabulary and enter the world of two handed tapping.
$7.99
A&D Étude III
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Classical
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J
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A&D Étude III
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J. Randolph Hall
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SheetMusicPlus
Voice - Interactive Download SKU: A0.482542 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 5 pages. Duration 38. Pub...
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Voice - Interactive Download SKU: A0.482542 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 5 pages. Duration 38. Published by J. Randolph Hall (A0.482542). The band director of the Williamson County Community Band will start out on a warm up where he divides the band into three section to do a scale round. This involves Ascending and descending which creates an interesting harmony as well as warming of the chops. This however, is in a Melodic Minor key. Imagine the scale is stretched out on a 180° where 90° is the zenith. Once a voice (Vox) has reached that zenith and descends, notice the two angles which are supplementary angles (whose sum equals 180°). The degrees listed above the notes are based on the concept found in https://www.noteflight.com/marketplace/1avadoxR8tmLGLdIp5O4rA/musical-angles The red indicates a major chord. Blue indicates minor. Magenta indicates harmony/consonance while khaki green indicates dissonance. The vertical sum of the degrees in relation to the harmony produced in each measure also has interesting results.
$3.00
CANON IN D MAJOR FOR TWO GUITARS
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EMILIO ANTONUCCI
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EMILIO ANTONUCCI
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CANON IN D MAJOR FOR TWO GUITA
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EMILIO ANTONUCCI
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SheetMusicPlus
Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1506625 By EMILIO ANTONUCCI. By J. Pachelbel. Arranged by EMILIO ANTONUCCI. Baroque,Classic...
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Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1506625 By EMILIO ANTONUCCI. By J. Pachelbel. Arranged by EMILIO ANTONUCCI. Baroque,Classical,Early Music,Lent,Religious. 4 pages. EMILIO ANTONUCCI #1081993. Published by EMILIO ANTONUCCI (A0.1506625). Sebbene Pachelbel fosse un compositore barocco minore rispetto a giganti come Bach o Vivaldi, il Canon in D ha guadagnato enorme popolarità nel XX secolo, diventando parte della cultura popolare. È presente in numerosi film, spot pubblicitari, e ha ispirato arrangiamenti moderni in vari generi musicali.Canon in D Major di Johann Pachelbel è uno dei brani più iconici della musica barocca e viene spesso suonato in occasione di matrimoni e celebrazioni per la sua melodia elegante e serena.Caratteristiche Musicali:Forma: Il Canon in D è scritto in forma di canone, un tipo di composizione in cui una melodia viene ripetuta e imitata in maniera sequenziale da altre voci o strumenti. In questo caso, il brano è suonato da due chitarre: la prima chitarra esegue la melodia principale suonata con il capotasto al settimo tasto; la seconda chitarra esegue l'accompagnamento (senza capotasto).Basso Ostinato: Il brano è costruito su un basso ostinato, cioè una sequenza di otto note che viene ripetuta per tutta la durata del pezzo. Questa ripetizione crea una solida base armonica su cui si sviluppano le variazioni melodiche.Semplicità ed Eleganza: Nonostante la struttura ripetitiva, la progressione delle melodie sopra il basso continuo dà al brano una sensazione di crescendo e variazione, mantenendo l’ascoltatore coinvolto. Le frasi melodiche si arricchiscono e si complicano man mano che il brano prosegue, aggiungendo movimento e dinamismo.Atmosfera: Il Canon in D è conosciuto per la sua atmosfera calma e contemplativa grazie alla fluidità delle melodie che lo rendono perfetto per occasioni che richiedono un sottofondo musicale elegante e tranquillo.
$5.99
‘Andante’ from Trio Sonata in E minor, BWV 528, J. S. Bach - - Clarinet, Cello and Piano
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Armando Vazquez
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Len Rhodes
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‘Andante’ from Trio Sonata
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Len Rhodes Music
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1518334 By Armando Vazquez. By Johann Sebastia...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1518334 By Armando Vazquez. By Johann Sebastian Bach. Arranged by Len Rhodes. Baroque,Chamber,Lent. 12 pages. Len Rhodes Music #1092433. Published by Len Rhodes Music (A0.1518334). This arrangement has been commisioned in 2024 by clarinettist Armando Vazquez, and is scored for Bb Clarinet, Cello and Piano.Bach’s Trio Sonata in E minor, BWV 528 was composed in Leipzig c. 1727, whilst Bach was in the position of Kantor at the Thomaskirche.Originally scored for oboe d’amore, viola da gamba and continuo. Bach was often vague with his instrumentations, often simply designating two melodic parts with continuo/harpsichord.The download contains piano score, with separate clarinet and cello parts, and is twelve pages.
$12.95
Sonata in D minor for Violin and Piano
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Classical
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Robert Edward Smith
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Sonata in D minor for Violin a
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ROBERT EDWARD SMITH MUSIC
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SheetMusicPlus
Strings Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.1475550 Composed by Robert Edward Smith. Classical. Score and individual part. 34 pa...
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Strings Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.1475550 Composed by Robert Edward Smith. Classical. Score and individual part. 34 pages. ROBERT EDWARD SMITH MUSIC #1053103. Published by ROBERT EDWARD SMITH MUSIC (A0.1475550). This is a sonata in four movements for violin and piano. The music is tonal, melodic, and accessible to the average audience for classical chamber music. The sound sample is a computer reading of the first movement. Parts of the sonata are quite virtuosic, and meant as flashy technical displays.
$50.00
Guitar Trio No. 3 in D Minor with Violin and Cello "Absinthe"
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Contemporary
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Ken Turley
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Guitar Trio No. 3 in D Minor w
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Ken Turley
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SheetMusicPlus
Cello,Guitar,Violin - Level 4 - Digital Download SKU: A0.926000 Composed by Ken Turley. 20th Century,Contemporary. 32 pages. Ken Turley #1921601. Publish...
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Cello,Guitar,Violin - Level 4 - Digital Download SKU: A0.926000 Composed by Ken Turley. 20th Century,Contemporary. 32 pages. Ken Turley #1921601. Published by Ken Turley (A0.926000). Trio for classical guitar, violin and cello in two movements. For intermediate to advanced players, the music moves between dramatically rhythmic to flowingly lyrical with melodic interplay between the two strings and a guitar accompaniment of varied textures. Great performance piece. Computer generated listening sample is the first movement. Individual parts when printed double sided are arranged for ease of page turning during performance.
$7.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Publ...
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Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Instructional
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Publ...
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Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Sl...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5...
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Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Oscillation
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Contemporary
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contrast, the string quartet h
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Jeremy Hart
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Oscillation
#
Jeremy Graham Hart
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score ...
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Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
$19.95
O Clap Your Hands (Downloadable)
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Sacred music
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Stephen Chatman
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O Clap Your Hands
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Treble solo or soli, 3-part treble choir and piano - Medium - Digital Download SKU: MQ.7.0577-E Composed by Stephen Chatman. Children's Sabbath/Emphasis,...
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Treble solo or soli, 3-part treble choir and piano - Medium - Digital Download SKU: MQ.7.0577-E Composed by Stephen Chatman. Children's Sabbath/Emphasis, 21st Century, Praise/Thanksgiving. Instrument part. 14 pages. Galaxy Music Corporation - Digital #7.0577-E. Published by Galaxy Music Corporation - Digital (MQ.7.0577-E). English. Psalms 47:1-3, 5-6.Commissioned by Mississauga (Ontario) Children’s Choir, O Clap Your Hands is a setting of words from Psalm 47 as translated and adapted by the composer. Influenced by jazz and gospel music, this fast, energetic work surges forward with constant syncopation, rich pan-diatonic and chromatic harmony, and repeated melodic lines and text. The exciting initial melody in G minor, repeating the first line, balances the following melodic variation in D minor, repeating the second line with increasing intensity. The same melodic motive is then presented in E minor and developed with soprano solo or soli floating above the choir. The bright and challenging piano part, with its added-tone arpeggios and extended registers, highlights and punctuates the vocal lines. Through alternating keys, various homophonic and contrapuntal episodes, and the addition of “tutti†clapping, the work reaches a climactic, resounding ending. Duration: c. 3:00.
$2.85
Harmony and Composition (Italian / Spanish) - Chapters 1 to 7 of 25
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Instructional
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Santino Cara
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Harmony and Composition
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Santino Cara
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SheetMusicPlus
Small Ensemble - Level 1 - Digital Download SKU: A0.516388 Composed by Santino Cara. Instructional. Score and parts. 82 pages. Santino Cara #2012617. Pub...
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Small Ensemble - Level 1 - Digital Download SKU: A0.516388 Composed by Santino Cara. Instructional. Score and parts. 82 pages. Santino Cara #2012617. Published by Santino Cara (A0.516388). PART.1 Armonia-Tonalità / ArmonÃa-Tonalidad PART.2 Intervalli/Intervalos (Intervalli melodici/Intervalos melódicos - Intervalli armonici/Intervalos armónicos – Intervalli consonanti e dissonanti/Intervalos consonantes y disonantes) PART.3 Moto dei suoni/Movimientos de los sonidos (Moto retto/Mov.recto – Moto obliquo/Mov.oblicuo – Moto contrario/Mov.contrario) PART.4 Accordo maggiore e minore/Acorde mayor y menor (Come si applicano le tonalità /Como se aplican las tonalidades) PART.5 Costruzione e congiunzione degli accordi/Construcción y conjunción de los acordes (Posizione stretta e lata/Posición estrecha y lata – Accardi consonanti/Acordes consonantes) PART.6 Cadenze/Cadencias (Cadenza perfetta e plagale/ Cadencia perfecta y plagal – Modo minore/modo menor – Moti eccezionali della dominante/Movimientos excepcionales de la dominante (Cadenza d’inganno/Cadencia de engaño - Modo maggiore e minore/Modo mayor y menor) PART.7 Concatenazione degli accordi/Concatenación de los acordes (Di prima, seconda e terza specie/De primera, segunda y terzera especie (Accordo diretto e rivoltato/Acorde directo y volteado).
$8.60
Scales Matter - A systematic approach to learning Scales
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Instructional
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Kevin Hume
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Drew Morris
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Scales Matter - A systematic a
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Yellow Envelope Publications
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Euphonium,Flute,Horn,Keyboard,Marimba,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone - Level 1 - ...
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Euphonium,Flute,Horn,Keyboard,Marimba,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone - Level 1 - Digital Download SKU: A0.1314000 Composed by Kevin Hume. Arranged by Drew Morris. Instructional. Educational Method. 723 pages. Yellow Envelope Publications #902713. Published by Yellow Envelope Publications (A0.1314000). This resource includes packets for all the typical concert band melodic instruments and works through a collection of 13 scales most commonly needed to be successful in the early years of band instruction. It is structured to be used both in mixed instrument classes and like instrument classes.There is no score for this method. Only the individual packets available for each instrument.Scales Included:Concert B-Flat Major, Concert A-Flat Major, Concert G Major, Concert F Major, Concert E-Flat Major, Concert D Major, Concert D-Flat Major, Concert C Major, Concert a minor, Concert g minor, Concert e minor, Concert d minor, Concert c minorThe first half of the packet is made to be accessible to beginners and more developed players alike. Each scale is taught with a small subset of the scale first, eventually building to the entire scale, and every note also has a blank fingering chart/keyboard graphic beneath to allow students to fill in to help them learn the scale better. It also includes a 2-octave scale supplement supplement for each instrument at the end of the packet. Published by Yellow Envelope Publications and Drew Morris Music.
$45.00
Tu, Doamna noastră, Sfântă Marie! (You, our Lady, Saint Mary!) - a religious song (prayer) based
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Robert Klenck
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Andrei Lucian Dragoi
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Tu, Doamna noastră, Sfânt
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Andrei-Lucian Dragoi
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SheetMusicPlus
Harpsichord,Low Voice,Medium Voice - Level 2 - Digital Download SKU: A0.913010 Composed by Robert Klenck (b.1850-d.1921). Arranged by Andrei Lucian Drago...
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Harpsichord,Low Voice,Medium Voice - Level 2 - Digital Download SKU: A0.913010 Composed by Robert Klenck (b.1850-d.1921). Arranged by Andrei Lucian Dragoi. Contemporary,Instructional,Standards. 4 pages. Andrei-Lucian Dragoi #4718695. Published by Andrei-Lucian Dragoi (A0.913010). Tu, Doamna noastră, Sfântă Marie! (You, our Lady, Saint Mary!) - a religious song (prayer) based on Minuetto (in G minor) (no. 112), a violin duo from Klenck's Violin method (1892) - Notebook no. 1 -Music by: Robert Klenck (b.1850 - d.1921) (Romanian violinist and teacher) and dr. Andrei-Lucian Drăgoi Arrangement with harmonic&melodic modifications and (both Romanian and English) lyrics by: dr. Andrei-Lucian DrăgoiThe Violin II part from the Klenck's original version of this Minuetto in Gm was preserved and attributed to acoustic/classical guitar, harpsichord or viola as the accompaniment line that minimally sustains the alto voice part. The original Minuetto in Gm can be also accessed at this URL: https://www.scoreexchange.com/scores/362369.htmldr. Andrei-Lucian Drăgoi also created a Vixrapedia article on Robert Klenck life and work which can be accessed at this URL:https://www.vixrapedia.org/wiki/RK
$2.00
Ensuenos
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Enrique Domingo Cadicamo and L
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Kenneth Pasciak
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Ensuenos
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Kenneth Pasciak
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.1101682 Composed by Enrique Domingo Cadicamo and Luis Antonio Brighenti. A...
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Instrumental Duet Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.1101682 Composed by Enrique Domingo Cadicamo and Luis Antonio Brighenti. Arranged by Kenneth Pasciak. 20th Century,Classical,Folk,Latin,Multicultural,World. Score and parts. 11 pages. Kenneth Pasciak #705059. Published by Kenneth Pasciak (A0.1101682). Ensueños by Luis Antonio Brighenti arranged for viola and guitar in D minor. Includes a 5-page score with tablature plus individual parts for viola and guitar without tab. This fun arrangement of a classic Argentine tango features melodic and rhythmic embellishments for viola and an expressive guitar accompaniment with plenty of glissandos and slides, plus interacting bass and chords.Note: Guitar tuning required, 6=D
$7.99
Game Of Thrones
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Ramin Djawadi
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Snezana Ivkovic
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Game Of Thrones
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World Violin Academy
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SheetMusicPlus
String Ensemble Violin - Level 1 - Digital Download SKU: A0.1504052 By Ramin Djawadi. By Ramin Djawadi. Arranged by Snezana Ivkovic. 21st Century,Film/TV...
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String Ensemble Violin - Level 1 - Digital Download SKU: A0.1504052 By Ramin Djawadi. By Ramin Djawadi. Arranged by Snezana Ivkovic. 21st Century,Film/TV. 12 pages. World Violin Academy #1079053. Published by World Violin Academy (A0.1504052). The Game of Thrones, arranged for the Violin Orchestra by Snezana Ivkovic, presents an Educational Violin learning Method for students, and self-learners. The arrangement is composed of three violin sections and can be performed as a violin orchestra, trio, duet, or solo violin piece. The colorful sheet music provides visually appealing and easy-to-follow scores. The tempo of the arrangement can range from 100 BPM as shown in the video sample, to a maximum of 170 beats per measure, as heard in the audio sample.The arrangement is in D-Minor tonality to complement the third violin section, designed for beginners and grade-1 students, performing the open strings and first flattened notes. The second violin section and the first violin section are for second and third-grade violin students, who perform the main melodic parts.
$39.99
Uriel - for harp or piano
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Jeffrey Hoover
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Uriel - for harp or piano
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Musicart Publications
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.971641 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritua...
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Instrumental Duet Harp,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.971641 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 14 pages. Musicart Publications #4270425. Published by Musicart Publications (A0.971641). Duration: 5 min. 45 sec. Appropriate for recitals, concert performances, and worship services. In biblical literature, Archangel Uriel is a divine messenger from God, bringing knowledge to the people while serving as a protector of truth. Uriel's providence is set in light, truth, and wisdom. Uriel is a patron of poetry, associated with repentance, and is one of the archangels who stand in the presence of God. In some traditions, Uriel stands at the entrance to the Garden of Eden, with a fiery sword, preventing Man's return to that paradise on Earth. Uriel is the angel who came to Earth and warned Noah of the Great Flood to come. Uriel also spoke to the biblical prophet Ezra on behalf of God, teaching and answering a series of questions Ezra posed to God. Uriel is associated with several literary and artistic works, notably depicted in Leonardo da Vinci's famous painting The Virgin on the Rocks. In this painting, Uriel is shown along with Mary (the mother of Jesus), with Jesus and John the Baptist presented as young toddlers. The composition Uriel makes use of two modal scales to create melodic and harmonic tension and resolution: an altered E Phrygian scale (with a lowered 6th step of the scale) and an altered C Lydian (with a lowered 6th and 7th scale step). The Phrygian scale brings a dark minor quality to the sound, in contrast to the Lydian scale's major yet veiled quality. Set in an unfolding three-part form, the music invokes a blurred and sometimes mystical atmosphere for the listener. Jeffrey Hoover's compositions- music for soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$19.00
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and p...
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Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Ode To Joy
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Elaine Yu
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Elaine Yu
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Ode To Joy
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Elaine Yu
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SheetMusicPlus
Instrumental Solo,Melodica - Level 1 - Digital Download SKU: A0.789733 Composed by Elaine Yu. Arranged by Elaine Yu. Children,Classical,Instructional,Sta...
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Instrumental Solo,Melodica - Level 1 - Digital Download SKU: A0.789733 Composed by Elaine Yu. Arranged by Elaine Yu. Children,Classical,Instructional,Standards,World. Individual part. 2 pages. Elaine Yu #3414925. Published by Elaine Yu (A0.789733). Ode To Joy is Beethoven's 9th Symphony in D minor, Op. 125, 4th movement. http://www.elaineyu.co.uk
$1.99
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