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2 sheet music found
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Santa Claus Is Comin' To Town
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Jazz
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Steve Tyrell
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Stephen Bulat
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Santa Claus Is Comin' To Town
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bass Guitar,Bassoon,Clarinet,English Horn,Flute,Harpsichord,High Voice,Low Voice,Medium Voice,Oboe,Organ,Piano...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bass Guitar,Bassoon,Clarinet,English Horn,Flute,Harpsichord,High Voice,Low Voice,Medium Voice,Oboe,Organ,Piano Accompaniment,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin - Digital Download SKU: A0.858684 By Steve Tyrell. By John Frederick Coots. Arranged by Stephen Bulat. Jazz. Score and parts. 20 pages. Stephen Bulat Publishing #5754209. Published by Stephen Bulat Publishing (A0.858684). The sheet music for Santa Claus Is Coming To Town; the classic Christmas song in the style of Bruce Springsteen & The East Street Band. It includes both a lead sheet with melody, lyrics and chords (and some cue markings) and a rhythm chart with more detailed cues written out. This is the Bandleader Gig Pack which has both the lead sheet and rhythm chart for C, Bb and Eb instruments; perfect if you have a sax or trumpet player wanting to play along with the band. Every chart has rehearsal markings that match across all parts; ideal for making notes and calling out sections of the song. As well, sheet music with no key signature and empty bars but with rehearsal markings is included for any musician (eg: drummer) wanting a blank template to write in their parts in sheet music that lines up with the other musicians.A Holiday songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical fakebook yet still condensed to fit on one page. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist. (e.g. violin, flute, singer)Please click on the publisher to view this song in other keys as well as to purchase other popular Christmas songs in the Christmas Classics Fake Book compilation.Christmas Classics Fake Book (C Instruments): https://www.sheetmusicplus.com/title/20936007 - Item Number: S0.440923Christmas Classics Fake Book (Bb Instruments): https://www.sheetmusicplus.com/title/20940166 - Item Number: S0.444845Christmas Classics Fake Book (Eb Instruments): https://www.sheetmusicplus.com/title/20940155 - Item Number: S0.444839Christmas Classics Fake Book - Band Leader Gig Pack (C, Bb & Eb Instruments): https://www.sheetmusicplus.com/title/20953727 - Item Number: S0.453973SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 - Stephen Bulat PublishingOnline: http://stephenbulat.com
$9.99
Pura Alegria for Trumpet Sextet and Keyboard
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Eddie Lewis
Spice up yo
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Eddie Lewis
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Pura Alegria for Trumpet Sexte
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Tiger Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.750374 Composed by Eddie Lewis. Multicultural,World...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.750374 Composed by Eddie Lewis. Multicultural,World. Score and parts. 35 pages. Tiger Music #6635933. Published by Tiger Music (A0.750374). Pura Alegria Brass Sextet and Keyboard 3 Trumpets, 3 Trombones and Keyboard Composed for the Stirling High School Brass Ensemble, in East London, South Africa MBR 3430 By Eddie Lewis Spice up your brass program with this Latin tinged composition for three trumpets, three trombones and keyboard. Pura Alegria is one of Eddie Lewis’ en clave compositions, where every rhythm from every phrase in the piece is derived from the clave. The clave is a rhythm from west Africa that came to the tropical islands with the slaves. From there, hundreds of years later, the rhythm became the underlying groove for a number of modern Latin dance music styles. Eddie Lewis was exposed to the clave rhythms during a period of twenty years when he was making his living primarily as a salsa trumpet player. While Eddie’s compositions are not salsa, his writing has been forever influenced by that music and the people. And that influence is not limited to only the rhythms. We are only emphasizing the rhythms here because of the prominence of the clave in Pura Alegria. Stirling High School, East London, South Africa Eddie composed Pura Alegria for the students in the brass ensemble at Stirling High School in East London, South Africa. The students prepared it as part of a presentation and Eddie was honored to contribute something for them to work on and perform. The request came from Eddie’s good friend, Leonard Brandt. Leonard is a professional trumpet player in South Africa and also teaches applied brass at the high school. When Eddie was in South Africa for the jazz festival in Grahamstown (2016), Leonard arranged a personal performance of Pura Alegria for him in one of the empty classrooms. The composition was a smashing success and the students and the audience all enjoyed it! Skill Level When Eddie does a commission, he goes to great lengths to map out the skills of the individual players. Often times, his method’s skill levels don’t apply. Please keep in mind that skill levels in published music are not about how good the students are. Students will always have mixed skill sets. That’s part of what it means to be human. We are good at some things and bad at others. So the skills of the individual parts in Pura Alegria are varied, not only from part to part, but from skill to skill. That said, the highest note in the first trumpet part is written high C, and the rhythms are syncopated (because of the clave influence). We would put most of that first part in our Trumpet Pro skill level. The highest note in the second part is written A above the staff. The highest note in the third trumpet part is top line F. Practice Recommendations Pay special attention to the articulations, which can feel a little awkward, but really make the piece. Sometimes the eighth-notes are long and the quarter-notes are short. Other times the quarter-notes are long and the eighth-notes are short. Also be careful with the dynamics. There will be a tendency to play the entire piece too loud. Because it feels like that kind of piece. However, if you play it that way, it will ruin some of the compositional effects. This is especially true for the keyboard. If you are performing with a keyboard, not an acoustic piano, then what’s the amplification that it doesn’t bury the rest of the ensemble. You cannot have the keyboard set to the same volume as you would for a full jazz ensemble class. Other than that, have fun with this piece. The name, Pura Alegria, in English means Pure Joy! The rhythms are delightful and the melodies are infectious.
$31.34
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