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Finale In D
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You've selected:
Finale In D
Sheetmusic to print
43 sheet music found
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1
26
Duet in D-Flat Major (Alternate Version)
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Classical
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Ian Deterling
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9/16
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Duet in D-Flat Major
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Ian Deterling
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SheetMusicPlus
Instrumental Duet - Level 5 - Digital Download SKU: A0.1365910 Composed by Ian Deterling. Classical. 172 pages. Ian Deterling #950261. Published by Ian D...
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Instrumental Duet - Level 5 - Digital Download SKU: A0.1365910 Composed by Ian Deterling. Classical. 172 pages. Ian Deterling #950261. Published by Ian Deterling (A0.1365910). Note: The original version of Duet in D-Flat Major made use of relatively uncommon time signatures (6/16; 9/16; 12/16). This 'Alternate Version' has rewritten the piece into more familiar time signatures (6/8; 9/8; 12/8). Duet in D-Flat Major was written in what could perhaps be best described as a burst of inspiration. After a couple of days of casually juggling some motifs around in my mind, clicked and I woke up with a musical idea that I scrambled to write down as quickly as possible. I spent the majority of that day developing these ideas, and this became what is now the third movement. Some of the ‘leftover ideas’ that didn’t make it into the finale were used as seeds for the second movement - in particular, the motifs at measure 9 and from 70-80. The opening movement ended up being the last one written and begins with a noble and/or heroic fanfare in 6/16. The second movement cautiously meanders through unexpected harmonies, much like someone nervously exploring unfamiliar places. The finale is another fanfare, but has some mischievous fun after turning a few harmonic corners in minor. My goal with this duet was to create a musical universe that has the grandeur of an orchestra with just two voices.  I’ve adapted this duet for a variety of instruments. The score reads as a small flex-band ensemble, but this piece is intended to be performed by just two musicians.Instruments:Part 1 - Clarinet in Bb - Alto Clarinet - Bass Clarinet - Alto Saxophone - Tenor Saxophone in Bb - Baritone Saxophone - Trumpet in Bb - Horn in F - Alto TrombonePart 2 - Bass Clarinet - Bassoon - Baritone Saxophone - Trombone - Bass Trombone - Euphonium (BC and TC) - Tuba.
$20.00
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.IV Finale - symphonic wind dectet/bass
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Classical
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1124411 Composed by Antonin Dvorak. Arranged by Ray Thom...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1124411 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 55 pages. RayThompsonMusic #725159. Published by RayThompsonMusic (A0.1124411). Arranged double wind quintet/bass The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This is my arrangement of the 4th movement: Finale (Vivace ma non troppo) It is in a traditional rondo form, A–B–A–C–A–B–A. The main melody is pentatonic. The B section is more lyrical, but continues in the spirit of the first theme. The C section is a chorale theme. I have adapted the string music for winds, and included some sustained horn chords. It has a similar feel to the finale of Dvorak’s wind serenade in D minor op.44.
$14.95
Duet in D-Flat Major (flexible instrumentation)
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Contemporary
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Ian Deterling
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Duet in D-Flat Major
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Ian Deterling
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SheetMusicPlus
Instrumental Duet - Level 5 - Digital Download SKU: A0.742998 Composed by Ian Deterling. Contemporary. 226 pages. Ian Deterling #6255511. Published by Ia...
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Instrumental Duet - Level 5 - Digital Download SKU: A0.742998 Composed by Ian Deterling. Contemporary. 226 pages. Ian Deterling #6255511. Published by Ian Deterling (A0.742998). Duet in D-Flat Major was written in what could perhaps be best described as a burst of inspiration. After a couple of days of casually juggling some motifs around in my mind, clicked and I woke up with a musical idea that I scrambled to write down as quickly as possible. I spent the majority of that day developing these ideas, and this became what is now the third movement. Some of the ‘leftover ideas’ that didn’t make it into the finale were used as seeds for the second movement - in particular, the motifs at measure 9 and from 70-80. The opening movement ended up being the last one written and begins with a noble and/or heroic fanfare in 6/16. The second movement cautiously meanders through unexpected harmonies, much like someone nervously exploring unfamiliar places. The finale is another fanfare, but has some mischievous fun after turning a few harmonic corners in minor. My goal with this duet was to create a musical universe that has the grandeur of an orchestra with just two voices.  I’ve adapted this duet for a variety of instruments. The score reads as a small flex-band ensemble, but this piece is intended to be performed by just two musicians. Instruments:Part 1 - Clarinet in Bb - Alto Clarinet - Bass Clarinet - Alto Saxophone - Tenor Saxophone in Bb - Baritone Saxophone - Trumpet in Bb - Horn in F - Alto TrombonePart 2 - Bassoon - Baritone Saxophone - Trombone - Bass Trombone - Euphonium (BC and TC) - Tuba
$20.00
Handel: Suite No.2 in D (HWV349)(Complete) "The Water Music" (Wassermusik) - symphonic wind ensemble
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Classical
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George Frideric Handel
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Ray Thompson
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Handel: Suite No.2 in D
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Oboe - Level 4 - Digital Download SKU: A0.553627 Composed by George Frideric Handel. Arranged by Ray Thompson. Baroque...
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Bassoon,Clarinet,Double Bass,Flute,Oboe - Level 4 - Digital Download SKU: A0.553627 Composed by George Frideric Handel. Arranged by Ray Thompson. Baroque,Holiday,Standards,Wedding. 56 pages. RayThompsonMusic #3258859. Published by RayThompsonMusic (A0.553627). All 5 movements of the Water Music 2nd Suite in D (HWV349) arranged for symphonic wind dectet ( and double bass) Horn parts are for natural horn in D.(and are basically the same as Handel's original)Clarinet parts are for A clarinets ( alt Bb parts provided)Mvts are: Suite in D major (HWV 349) 10  Allegro (Overture) in D 11 Alla Hornpipe in D 12 Minuet (Trumpet Minuet) 13 Lentement 14 Bourrée  They are not always performed in that order and often the trumpet minuet is used as a finale. There is an optional seque Adagio between mvts 1 & 2. All the pieces are available to purchase separately, but it is more cost effective to buy the complete suite. This suite is Also available in Eb on this site.
$19.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Oboe d'Amore & Piano
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Classical
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549825 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCA...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549825 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 48 pages. Jmsgu3 #3547921. Published by jmsgu3 (A0.549825). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
Schubert: Wind Octet in F major, D.72 (Complete) - wind octet
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Classical
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Franz Schubert / Ray Thompson
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Ray Thompson
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Schubert: Wind Octet in F majo
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 4 - Digital Download SKU: A0.1082372 Composed by Franz Schubert / Ray Thompson. Arranged by Ray Thompso...
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Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 4 - Digital Download SKU: A0.1082372 Composed by Franz Schubert / Ray Thompson. Arranged by Ray Thompson. Classical,Romantic Period. Score and parts. 106 pages. RayThompsonMusic #686525. Published by RayThompsonMusic (A0.1082372). Written for wind octet :2 oboes, 2 clarinets, 2 horns and 2 bassoons. Composed in 1813, and publised in 1889, Schubert's wind octet D72 is incomplete. The minuet and trio, and finale exist, along with a fragment of 100 bars of the first movement. The 2nd slow movement (if there was one) is missing. This is my 4 movement octet: 1.Allegro (finished by me from the “fragmentâ€) 2. Allegretto (from Rosamunde string quartet†3. Menuetto and 2 Trios (original) 4. Allegro (original) Mvt.1.The fragment seems to show the end of the development, flowing into the recapitulation. I have now completed the first movment, with the expostion starting in F, and 2nd theme moduating into the Dominant C major. An optional repeat has been added, the 2nd time bar has a diminshed 7th chord I have created a new deveopment section in D minor, using themes from the fragment , which then leads into the start of the fragment., which leads to the recapitualtion. This has both themes in F and brings the movement to an end The new movement is 232 bars long. I have made some light tweaks to Schubert's original work. My new 1st mvt. lasts 5 mins 2 seconds without my repeat. (About 7 mins 20 secs with) Check out my other arrangements for wind quartet, wind quintet and wind dectet Mvt.2 is an arrangement of the slow movement of the “Rosamunde†string quartet. I have transposed this into Bb. (NATURAL HORN PARTS in Bb basso)(Hn in F provided) Mvts 3/4 are Schubert’s originals, but the clarinet parts are in Bb, rather than C. The mp3 is of the 1st movement.
$24.95
Schubert: Wind Octet D.72 Mvt.I (Complete mvt. - Thompson) based on original fragment) - wind octet
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Classical
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Franz Schubert/Ray Thompson
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Ray Thompson
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Schubert: Wind Octet D.72 Mvt.
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 5 - Digital Download SKU: A0.1075056 Composed by Franz Schubert/Ray Thompson. Arranged by Ray Thompson....
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Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 5 - Digital Download SKU: A0.1075056 Composed by Franz Schubert/Ray Thompson. Arranged by Ray Thompson. Romantic Period. Score and parts. 35 pages. RayThompsonMusic #679326. Published by RayThompsonMusic (A0.1075056). This is an original composition by me, utilising Schubert's fragment and themes from the fragment Written for wind octet:2 ob, 2 cl, 2 hn and 2 bsn. Composed in 1813, and publised in 1889, Schubert's wind octet D72 is incomplete. The minuet and trio, and finale exist, along with a fragment of 100 bars of the first movement. The 2nd slow movement (if there was one) is missing. The fragment seems to show the end of the development, flowing into the recapitulation. I have now completed the movment, with the expostion starting in F, and 2nd theme moduating into the Dominant C major. An optional repeat has been added, the 2nd time bar has a diminshed 7th chord I have created a new deveopment section in D minor, using themes from the fragment , which then leads into the start of the fragment., which leads to the recapitualtion. This has both themes in F and brings the movement to an end The new movement is 232 bars long. Other mvts are available for quintet, octet and dectet/decet. The mp3 is the 2nd theme of the exposition. leading into the development section. I have made some light tweaks to Schubert's original work. It lasts 5 mins 2 seconds without my repeat. (About 7 mins 20 secs with) Check out my other arrangements for wind quartet, wind quintet and wind dectet.
$19.95
Haydn - Symphony No.52 in D minor, Hob.I:52
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Classical
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Franz Joseph Haydn
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J
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Haydn - Symphony No.52 in D mi
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J.G. Cuco Barber
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SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.819645 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 85 pages. J...
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Small Ensemble - Digital Download SKU: A0.819645 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 85 pages. J.G. Cuco Barber #5988365. Published by J.G. Cuco Barber (A0.819645). Composer Haydn, JosephOpus/Catalogue Number Hob.I:52Key C minorMovements/Sections 4 movements:Allegro assai (C minor, 163 bars)Andante (C major, 196 bars)Minuet (C minor, 36 bars) – Trio (C major, 24 bars)Finale. Presto (C minor, 188 bars)Year/Date of Composition 1771-72First Publication 1774 or earlierAverage Duration 23 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: OrchestraOboe 1Oboe 2BassoonHorn in C/C bass 1 original & F transposedHorn in Eb/C bass 2 original & F transposedViolin IViolin IIViolaVioloncelloContrabass
$28.00
Trio in E major for Clarinet, Violin, and Piano, Op. 5
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Frank Wilhoit
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Trio in E major for Clarinet,
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Broadheath Music
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SheetMusicPlus
Small Ensemble A Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1493801 Composed by Frank Wilhoit. 20th Century,Chamber,Classical. 39 pages. ...
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Small Ensemble A Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1493801 Composed by Frank Wilhoit. 20th Century,Chamber,Classical. 39 pages. Broadheath Music #1070464. Published by Broadheath Music (A0.1493801). This trio was composed in August and September of 1978 and first performed on 5 October of that year at the Catholic University of America in Washington, DC.In every respect except its concision, it is modelled upon the chamber music of Max Reger: the oblique, floating tonality and the dance-like rhythms.Of its four movements, the first three are all written in 6/8 time, but they are nonetheless in three different meters: a slowish two, a very fast two, and a slow six.The first movement is in sonata form; its tonic triad does not appear in root position until the recapitulation.The scherzo is in G minor, with a trio tune in D-flat; nothing is lingered over, and it is all done in scarcely more than a minute.The slow movement is in C major, but spends most of its time roaming around distant harmonies -- and showing that they are not really so distant after all.The finale is a double fugue in sonata form.
$4.99
Haydn: Divertimento No. 25 Trio for Oboe d'Amore, Viola & Cello
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Classical
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Franz Joseph Haydn
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James M
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Haydn: Divertimento No. 25 Tri
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jmsgu3
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SheetMusicPlus
Small Ensemble Cello,Oboe d'Amore,Viola - Level 3 - Digital Download SKU: A0.552754 Composed by Franz Joseph Haydn. Arranged by James M. Guthrie. Classic...
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Small Ensemble Cello,Oboe d'Amore,Viola - Level 3 - Digital Download SKU: A0.552754 Composed by Franz Joseph Haydn. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. Score and parts. 20 pages. Jmsgu3 #6137569. Published by jmsgu3 (A0.552754). Divertimento in three movements in G major. Originally scored for Baryton, Viola & Cello.1. Moderato2. Menuetto3. Finale: Allegro assaiDuration: 8:30Score: 10 pagesFranz Josef Haydn was an Austrian composer who is best known for his work in the field of chamber music. He composed in a variety of musical forms, including divertimenti, trios and string quartets. He was a prolific composer who wrote over 100 pieces of chamber music and is believed to have been a major influence on the music of his students and contemporaries, including Mozart and Beethoven. Haydn's music is known for its balance and clarity in structure. His chamber works were known for their accessibility and elegance, with melodies that were often lighthearted and charming. His symphonies were well-crafted and often featured balanced melodic elements. Haydn composed many well-known divertimenti and trios, but his string quartets are what he is most celebrated for. He wrote some sixty to eighty string quartets, and these works were historically significant for expanding the limits of the genre and for their influence on the composers and musicians who followed him.
$32.95
Schubert: Wind Octet D.72 Mvts.III.Menuetto/Trio and IV. Finale - wind octet
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Classical
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Franz Schubert
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Ray Thompson
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Schubert: Wind Octet D.72 Mvts
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 3 - Digital Download SKU: A0.1075540 Composed by Franz Schubert. Arranged by Ray Thompson. Romantic Per...
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Large Ensemble Bassoon,Clarinet,Horn,Oboe - Level 3 - Digital Download SKU: A0.1075540 Composed by Franz Schubert. Arranged by Ray Thompson. Romantic Period. Score and parts. 41 pages. RayThompsonMusic #679733. Published by RayThompsonMusic (A0.1075540). Transcribed from original, but clarinets now in Bb (rather than C) Mp3 for both movements has NO repeats. Check out my other arrangements for quartet/quintet and dectet/decet.
$9.95
Schubert - Piano Quintet in A major "Trout Quintet" D.667 ; Op.114
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Classical
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Franz Schubert
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J
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Schubert - Piano Quintet in A
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J.G. Cuco Barber
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SheetMusicPlus
Piano Quintet Cello,Double Bass,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1106804 Composed by Franz Schubert. Arranged by J.G. Cucó Barb...
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Piano Quintet Cello,Double Bass,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1106804 Composed by Franz Schubert. Arranged by J.G. Cucó Barber. Chamber,Classical,Romantic Period. 136 pages. J.G. Cuco Barber #709678. Published by J.G. Cuco Barber (A0.1106804). Work Title Quintet for Piano and Violin, Viola, Violoncello and Contrabass Alternative Title Trout Quintet (Die Forelle) Composer Schubert, Franz Opus/Catalogue Number D.667 ; Op.114 Key A major Movements/Sections 5 movements: 1. Allegro vivace 2. Andante (F major) 3. Scherzo. Presto 4. Tema con variazione. Andantino (D major) 5. Finale. Allegro giusto Year/Date of Composition 1819 First Publication 1829 Dedication Silvester Paumgartner Average Duration 40 minutes Composer Time Period Romantic Piece Style Romantic Instrumentation violin, viola, cello, double bass, piano.
$23.00
Winter - 1st Movement from "The Four Seasons" (Vivaldi/John Wick) - Lead sheet (key of D minor)
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Classical
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Antonio Vivaldi
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Stephen Bulat
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Winter - 1st Movement from "Th
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.858719 Composed by Antonio Vivaldi. Arranged by Stephen Bulat. Baroque,Concert,Easter,Sacred,Wedding. Score and parts. 5 pages. Stephen Bulat Publishing #6071451. Published by Stephen Bulat Publishing (A0.858719). The first movement from Winter, taken from Vivaldi's masterpiece, The Four Seasons. Also, recently used in the finale showdown in the film John Wick: Chapter 3 - Parabellum.This is the sheet music for the entire first movement. A very detailed and laid out lead sheet with all essential music notes, musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical fakebook yet still condensed to fit on only 4 pages. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (e.g. violin, flute)Please click on the publisher to view this song in other keys as well as to purchase it in the Classical Wedding Fake Book.Classical Wedding Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21758919 - Item Number: S0.776313Classical Wedding Fake Book (Bb Instruments): https://www.sheetmusicplus.com/title/21758922- Item Number: S0.776329Classical Wedding Fake Book (Eb Instruments): https://www.sheetmusicplus.com/title/21758923- Item Number: S0.776333Classical Wedding Fake Book - Band Leader Gig Pack (C, Bb & Eb Instruments): https://www.sheetmusicplus.com/title/21758924 - Item Number: S0.776337SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569Online: http://stephenbulat.com
$2.99
Violin Masters' Duet Repertoire
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Violin Masters' Duet Repertoir
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Rubank Publications
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SheetMusicPlus
Violin, Violin Duet - Difficulty: medium-difficult SKU: HL.4472680 Violin Duet Collection - Unaccompanied. Edited by Harvey S. Whistler and Herman...
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Violin, Violin Duet - Difficulty: medium-difficult SKU: HL.4472680 Violin Duet Collection - Unaccompanied. Edited by Harvey S. Whistler and Herman Hummel. Rubank Educational Library No. 161. Classical. Duet songbook. With standard notation, fingerings and bowings. 56 pages. Rubank Publications #RUBL161. Published by Rubank Publications (HL.4472680). ISBN 9781423444923. UPC: 073999776201. 9x12 inches.Fantastic collection of advanced pieces for violin duet. Works by such esteemed composers as Telemann, Corelli, Kreutzer, Paganini and many, many more are included. Highly appropriate and challenging for contest or festival, yet none are more than two pages in length. Each duet is carefully edited and bowed.
Song List
: Allegro De Concert Allegro (from Sonata In A) Andante (from Duo Sonata in G) Aubade Canzoneta Concerto Grosso in D Minor Concertstuck Divertimento in D Dudziarz (The Country Fiddler) Duettino In F Duo Brillante Duo Celebre Duo Concertante Duo De Salon Duo Dramatique Duo Perpetuo Duo Populaire Duo Symphonique Finale (from Sixth Canonic Sonata) La Chasse La Melancolie Meditation (from Military Concerto) Menuet (from Concert-Sonate) Minuetto (from Suite Romantique) Morceau Lyrique Notturno-Pastorale Piece De Concert Rondo-Allegro (from Grand Duo in Eb) Salon-Duett Scherzo-Caprice Souvenir Poetique Theme & Variation (on Barucaba) Allegro (from First Canonic Sonata) Adagio Elegiaque Rondo Elegante Fantaisie Brillante (Duo de Concours) Musette (from Second CLassical Suite) Variations (on Montegnard) Folies D' Espagne (Theme and Variations)
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Selected Duets for Violin - Volume 2
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Harvey S
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Selected Duets for Violin - Vo
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Rubank Publications
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SheetMusicPlus
Violin; Violin Duet - Grade 4 SKU: HL.4472670 Advanced First Position. Arranged by Harvey S. Whistler. Ensemble Collection. Concert, Contest, Inst...
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Violin; Violin Duet - Grade 4 SKU: HL.4472670 Advanced First Position. Arranged by Harvey S. Whistler. Ensemble Collection. Concert, Contest, Instruction. 40 pages. Rubank Publications #RUBL168. Published by Rubank Publications (HL.4472670). ISBN 9781540001757. UPC: 073999726701. 9.0x12.0x0.11 inches.This classic series of duets is recognizable to nearly everyone who has ever studied an instrument. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles. These volumes written specifically for violin duet are carefully edited and bowed. (Vol. I – First Position [Medium]; Vol. II – First Position [Advanced]).
Song List
: Dramatic Episode Abendlied (Tours) Allegro (Sym.Duo) Kalliwoda A Mirage (Mazas) Bal Masque (Dancla) Beau Soir (Dancla) Caprice-Elegante (Henning) Dialogue No. 1 (Eichberg) Dialogue No. 2 (Eichberg) Duo Chromatic (Eichberg) Duo De Concours (Wohlfahrt) Duo Processional (Wohlfahrt) Etude De Concert (Spohr) Eudoxa (Mazas) Finale (Concert.E Flat) Spohr Grand Duo De Salon (Kalliwoda) Guitare (Dancla) Intro & Scherzo-Capricc. (Weiss) La Capricieuse (Mazas) La Fileuse (Alard) Le Papillon (Mazas) Marche Melisande (Dancla) Menuet(2nd Duettino) Pleyel Poeme D'amour (De Beriot) Polka De Concert (Dancla) Promenade (Eichberg) Reveuse (De Beriot) Rondo (Duo In D) Mazas Scene De Danse (Kalliwoda) Theme & Var. (4th Duo) Pleyel Wellenspiel (L.Schubert)
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Music for Three, Volume 1 Score 50199
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Various
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Daniel Kelley
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Music for Three, Volume 1 Scor
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - Digital Download SKU: A0.720843 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Perio...
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Small Ensemble - Level 5 - Digital Download SKU: A0.720843 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period,Wedding. Score and parts. 83 pages. Last Resort Music Publishing #329230. Published by Last Resort Music Publishing (A0.720843). Music for Three, Volume 1 - Score (Part 1-3 in Score Form in C) Baroque, Classical & Romantic Favorites Includes works by Bach, Beethoven, Handel, Mouret, Pachelbel, Wagner and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The keyboard/guitar part encompasses parts 2 & 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played! Includes 35 arrangements. Table of Contents Air on the G String from Suite #3 in D Major (Bach) Arioso from Cantata #156 (Bach) Ave Maria adapted by Charles Gounod from WTC (Bach) Prelude #1 (Bach) Gigue from Suite #3 in D Major (Bach) Jesu, Joy of Man's Desiring from Cantata #147 (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Minuet in G (Beethoven) Trumpet Voluntary (Clarke) Gavotte (Gossec) Allegro from Sonata in F Major, Op. 1 #11 (Handel) Largo from Xerxes (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) Air, Allegro, Andante, Bourree, Finale from Water Music Suite (Handel) Presto from String Quartet in F Major, Op. 74, #2 (Haydn) Waltz from Waves of the Danube, #1 (Ivanovici) Elegie from Incidental Music to Les Erinnyes (Massenet) Rondeau from Sinfonies de Fanfares (Mouret) Allegro, Menuetto, Romanza, Rondo from Eine Kleine Nachtmusik, String Quartet in G Major, K. 525 (Mozart) Canon (Pachelbel) Adagio from Octet in F Major, Op. 166 (Schubert) Andante from String Quartet in A minor, Op. 29 Rosamunde (Schubert) Moment Musical from Op. 94, #3 (Schubert) Traumerei from Kinderscenen, Op. 15, #7 (Schumann) Presto from Sonatina in F Major (Telemann) Allegro, Adagio, Finale from Concerto Grosso in D Minor, Op. 3, #11 (Vivaldi) Bridal Chorus from Act III of Lohengrin (Wagner) Available Parts 50111 Part 1 Flute or Oboe or Violin 50113 Part 1 Clarinet in Bb 50121 Part 2 Flute or Oboe or Violin 50122 Part 2 Viola 50123 Part 2 Clarinet in Bb 50131 Part 3 Cello or Bassoon 50140 Keyboard or Guitar 50199 Score Published by lastresortmusic.com.
$39.95
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Bass Flute & Piano
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Classical
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549824 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP....
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549824 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and individual part. 48 pages. Jmsgu3 #3547907. Published by jmsgu3 (A0.549824). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
George Frideric Handel: Finale In D (arr. Steven Frackenpohl) (COMPLETE) - orchestra
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George Frideric Handel
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Virtualsheetmusic
Instantly printable sheet music by George Frideric Handel for orchestra of MEDIUM skill level. / classical,classical
Instantly printable sheet music by George Frideric Handel for orchestra of MEDIUM skill level. / classical,classical
$43.99
Wynwood Walls
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Stephen Goss
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Wynwood Walls
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan...
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Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
$33.95
A Night’s Tale
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contrast, the middle section,
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Alfredo Franco
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Cristiano Porqueddu
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A Night’s Tale
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Digital Download SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ...
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Guitar - Digital Download SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4330. Published by Les Productions d'OZ - Digital (ZZ.DZ-4330). The underlying concept is that of dreaming.The first section, Dreaming, which is static and meditative in character, is further divided into several parts, which, looking at the processes of dream narrative, present, in addition to the initial theme, short melodies of lyrical/melancholic character, ready to interrupt before reaching a possible development, to leave room for further suggestions.The short themes are repeated several times, including in the final section, which is a reprise, condensed and varied from the first.By contrast, the middle section, Nightmaring, has a strongly contrasting character to the preceding one, rhythmically marked and searchingly percussive, sardonic in the variety of figurations employed in the different registers of the instrument.A technically intricate section that demands of the performer the choice of appropriate solutions, and closes with a frenetic accumulation of fragments. The most perturbing part of the dream.Le concept sous-jacent est celui du rêve.La première section, Dreaming, qui est statique et méditative par nature, est subdivisée en plusieurs parties qui, en examinant les processus narratifs du rêve, présentent, en plus du thème initial, de courtes mélodies d’un caractère lyrique/mélancolique, prêtes à s’interrompre avant d’atteindre un développement possible, pour laisser place à de nouvelles suggestions.Les courts thèmes sont répétés plusieurs fois, y compris dans la section finale, qui est une reprise, condensée et variée par rapport à la première.En revanche, la section centrale, Nightmaring, contraste fortement avec la précédente, marquée rythmiquement et percussive dans sa recherche, sarcastique dans la variété des figurations employées dans les différents registres de l’instrument.Une section techniquement complexe qui demande au musicien de choisir des solutions appropriées, et qui se termine par une accumulation frénétique de fragments. La partie la plus troublante du rêve.
$5.95
6 Pieces of Joy an Melancholy
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Yorgos Nousis
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6 Pieces of Joy an Melancholy
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Digital Download SKU: ZY.DO-1546 Composed by Yorgos Nousis. Score. 9 pages. Les Editions Doberman-Yppan (digital) #DO 1546. Published by Les Edi...
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Guitar - Digital Download SKU: ZY.DO-1546 Composed by Yorgos Nousis. Score. 9 pages. Les Editions Doberman-Yppan (digital) #DO 1546. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1546). SIX PIECES OF JOY AND MELANCHOLY is a collection of short pieces with a more melodic and in some cases rhythmic character. The pieces were composed individually for different occasions, but they work together somehow and offer the performer and the audience a roller-coaster sensation through the constant change of mood. Danceuphoria is the opening piece, an uneven, powerful dance which immediately creates an uplifting mood. Melodic Sorrow is a piece dedicated to the memory of my father, Konstantinos Nousis. It's one of the first pieces I wrote for guitar as a teenager. Here you can read an evolved version of that first piece which keeps the simplicity of the primary inspiration.Lifeness is an ode to life piece full of rich colors, melodies and harmonies. Meditation, originally written as the theme music for a Reiki Yoga YouTube channel, is a very slow and meditative piece with short melodic legato lines. Hope evokes warmer feelings. A simplistic piece based on natural harmonies that calms and soothes us.Finally, Cascading Waltz was chosen as the final piece, because it can be freely interpreted by any performer and gives the opportunity for diverse crescendos and accelerandos.The pieces can complement the repertoire of young students as well as professional guitarists who seek a modern yet melodic approach to the guitar.SIX PIECES OF JOY AND MELANCHOLY est une collection de courtes pièces au caractère plus mélodique et, dans certains cas, rythmique. Les pièces ont été composées individuellement pour des occasions différentes, mais elles fonctionnent ensemble d'une certaine manière et offrent à l'interprète et au public une sensation de montagnes russes grâce au changement constant d'humeur. Danceuphoria est la pièce d'ouverture, une danse inégale et puissante qui crée immédiatement une atmosphère exaltante. Melodic Sorrow est une pièce dédiée à la mémoire de mon père, Konstantinos Nousis. C'est l'une des premières pièces que j'ai écrites pour la guitare lorsque j'étais adolescent. Vous pouvez lire ici une version évoluée de cette première pièce qui conserve la simplicité de l'inspiration première.Lifeness est une ode à la vie, un morceau plein de couleurs, de mélodies et d'harmonies. Meditation, écrit à l'origine comme thème musical pour une chaîne YouTube de Reiki Yoga, est un morceau très lent et méditatif avec de courtes lignes mélodiques legato. Hope évoque des sentiments plus chaleureux. Il s'agit d'un morceau simpliste basé sur des harmonies naturelles qui nous calme et nous apaise.Enfin, Cascading Waltz a été choisie comme pièce finale, car elle peut être interprétée librement par n'importe quel interprète et donne l'occasion de divers crescendos et accelerandos.Les morceaux peuvent compléter le répertoire des jeunes étudiants ainsi que des guitaristes professionnels qui recherchent une approche moderne et mélodique de la guitare.1. Danceuphoria2. Melodic Sorrow3. Lifeness4. Meditation5. Hope6. Cascading Waltz.
$5.95
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Fiddle Sonata Trio (violin part - pno, vln, cel)
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Mark O'Connor
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Fiddle Sonata Trio
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.861902 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pag...
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Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.861902 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6206171. Published by Mark O'Connor Musik International (A0.861902). Fiddle Sonata Trio (violin part – piano, vln, cel) MO165BViolin Part (score and parts available)Music by Mark O’Connor14 pages - 20:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue Fiddle Sonata for violin, cello and piano composed and adapted by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during their prestigious ‘97-’98 chamber music season. The Library was featuring piano in their programming that year therefore requesting O’Connor to compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a national public radio special America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. For inspiration O’Connor used these influences as well as those from the French Canadians. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C.Mark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO165BCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$12.00
Fiddle Sonata Trio (piano score - pno, vln, cel)
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Mark O'Connor
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Fiddle Sonata Trio
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.861900 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 51 pag...
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Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.861900 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 51 pages. Mark O'Connor Musik International #6206167. Published by Mark O'Connor Musik International (A0.861900). Fiddle Sonata Trio (piano score – piano, vln, cel) MO165APiano Score (parts available)Music by Mark O’Connor45 pages - 20:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue Fiddle Sonata for violin, cello and piano composed and adapted by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during their prestigious ‘97-’98 chamber music season. The Library was featuring piano in their programming that year therefore requesting O’Connor to compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a national public radio special America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. For inspiration O’Connor used these influences as well as those from the French Canadians. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C.Mark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO165ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$18.00
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