Home page
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
First and Third
Not classified
497
Piano & keyboards
Piano solo
237
Easy Piano
51
Piano, Voice
44
Organ
27
C Instruments
18
Piano, Vocal and Guitar
10
Piano Trio: piano, violin, cello
8
Piano Accompaniment
8
Piano Quartet: piano, violin, viola, cello
5
1 Piano, 4 hands
4
Piano Quintet: piano, 2 violins, viola, cello
4
2 Pianos, 4 hands
3
Organ, Piano (duet)
2
Piano (band part)
1
2 Accordions
1
Organ, Trumpet (duet)
1
+ 11 instrumentations
-
Retract
Guitars
Guitar
29
Melody line, (Lyrics) and Chords
16
Guitar notes and tablatures
14
Ukulele
6
Guitar (band part)
2
Mandolin, Guitar (duet)
2
2 Guitars (duet)
1
Lyrics and Chords
1
Bass guitar
1
2 Dulcimers (duet)
1
Piano, Guitar (duet)
1
Dulcimer
1
Mandolin
1
+ 8 instrumentations
-
Retract
Voice
Choral SATB
143
Choral 3-part
40
Choral 2-part
32
Choral Unison
25
Choral TTBB
22
Choral SSAA
10
Soprano voice, Piano
8
High voice
2
Baritone voice, Piano
2
Vocal duet
1
Choral
1
Voice solo
1
Alto voice, Piano
1
Tenor voice
1
+ 9 instrumentations
-
Retract
Woodwind
Flute and Piano
37
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
29
Saxophone Quartet: 4 saxophones
26
Clarinet Quartet: 4 clarinets
26
Clarinet and Piano
25
Saxophone Quintet: 5 Saxophones
23
Alto Saxophone and Piano
21
Oboe, Piano (duet)
21
Flute, Oboe, Clarinet, Bassoon
15
Tenor Saxophone and Piano
15
3 Saxophones (trio)
15
2 Saxophones (duet)
14
Flute Quartet: 4 flutes
14
Flute Trio: 3 flutes
12
Tenor Saxophone
11
Clarinet Ensemble
10
Soprano Saxophone and Piano
9
Alto Saxophone
9
Flute ensemble
9
Baritone Saxophone, Piano
8
Saxophone ensemble
8
Saxophone (band part)
8
3 Clarinets (trio)
8
2 Clarinets (duet)
7
2 Flutes (duet)
7
Flute
7
Bass Clarinet, Piano
6
Flute Quintet : 5 flutes
6
Flute, Oboe, Clarinet (trio)
6
Flute, Clarinet (duet)
6
Clarinet Quintet: 5 clarinets
6
English horn, Piano
5
Flute, Clarinet and Bassoon.
5
Clarinet
5
2 Recorders (duet)
5
Flute and Guitar
4
Oboe, Clarinet, Bassoon (trio)
4
Clarinet, Harp (duet)
3
Flute, Violin, Piano
3
Clarinet, Bassoon (duet)
3
Recorder Quartet
3
Clarinet Quintet: Clarinet, String Quartet
2
Flute, Saxophone (duet)
2
Oboe, Harp
2
Saxophone, Clarinet (duet)
2
3 Recorders (trio)
2
Recorder, Piano
2
Treble (Alto) Recorder
2
Saxophone and Guitar
1
Descent (Soprano) Recorder, Piano
1
Piccolo, Piano
1
Flute, Violin and Violoncello
1
Tenor Recorder
1
Soprano Saxophone
1
Flute, Basso continuo
1
Flute, Oboe, Bassoon
1
Clarinet and Viola
1
2 Clarinets, Bassoon
1
2 Clarinets, Piano
1
Clarinet, Violin (duet)
1
Saxophone and Harp
1
Recorder Ensemble
1
Clarinet, Guitar (duet)
1
Oboe ensemble
1
Clarinet, Trumpet (duet)
1
Flute, Clarinet, Piano (trio)
1
Flute, Oboe, Piano (trio)
1
Recorder
1
+ 63 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
42
Trombone and Piano
31
Brass quartet : 2 trumpets, trombone, tuba
25
Trumpet
19
Trumpet, Piano
17
French Horn and Piano
15
Trombone
9
Tuba and Piano
7
Brass Quartet: 2 trumpets, horn, trombone
7
Trumpet, Trombone (duet)
7
Trombone ensemble
6
Brass Quartet
6
Euphonium, Piano (duet)
6
2 Trombones (duet)
6
English horn, Piano
5
Brass Quartet: 4 horns
5
2 French horns (duet)
5
Brass Quartet: 4 trombones
5
Trumpet (band part)
5
Trumpet, Horn (duert)
4
Trombone (band part)
4
2 Trumpets (duet)
4
3 Tubas (trio)
3
Euphonium, Tuba (duet)
3
Trumpet ensemble
3
Tuba and Organ
3
2 Euphoniums and 2 Tubas
2
2 Tubas (duet)
2
Tuba
2
Trumpet, Harp
2
French Horn and Harp
2
Horn Ensemble
2
Brass Trio
2
French horn
1
Trombone, Horn (duet)
1
3 Trombones (trio)
1
4 Tubas
1
Bass Clef Instruments
1
3 French horns (trio)
1
Bass Trombone
1
Brass Quartet: 4 trumpets
1
Bass Trombone and Piano
1
Trumpet, Saxophone (duet)
1
+ 38 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
108
Violin and Piano
55
Viola, Piano
32
Violin
30
Cello, Piano
29
Harp
20
String Trio: violin, viola, cello
18
Cello
17
String Trio: 3 cellos
9
String Trio: 2 violins, cello
9
Double bass, Piano (duet)
9
2 Violins (duet)
9
String Trio: 3 violins
8
Violin, Cello (duet)
7
Violin, Viola (duet)
6
Viola
6
4 Cellos
6
2 Harps (duet)
5
Harp, Flute (duet)
5
Violin (band part)
4
String Quintet: 2 violins, viola, cello, bass
4
2 Cellos (duet)
4
Cello (band part)
4
2 Violas (duet)
3
String Trio: 2 violins, viola
3
String quartet: 4 violins
2
String Quartet : 4 violas
2
Violin ensemble
2
Viola and Harp
2
String Trio: 3 violas
2
Harp, Cello (duet)
2
Viola ensemble
2
Viola (band part)
2
Double Bass
2
2 Violins, Piano
2
Violin, Guitar (duet)
1
Harp, Violin (duet)
1
Harp, Trombone (duet)
1
Viola, Cello (duet)
1
String Quintet: 2 violins, 2 violas, cello
1
Doublebass (band part)
1
Violin, Cello, Clarinet
1
Cello, Orchestra
1
+ 38 instrumentations
-
Retract
Orchestra & Percussion
Concert band
165
String Orchestra
91
Orchestra
82
Brass ensemble
50
Chamber Orchestra
29
Handbells
24
Jazz combo
14
Jazz Ensemble
6
Vibraphone
2
Marimba
2
Percussion Ensemble
2
Drum (band part)
2
Xylophone, Piano
1
Percussion (band part)
1
Marching band
1
Piano and Orchestra
1
Marimba, Piano (duet)
1
Orchestra, Violin
1
Drums
1
+ 14 instrumentations
-
Retract
Others
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
3
Digital Sheet Music
497
Sheet Music Books
2,813
Music Equipment
132
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Active criteria:
First and Third
Sheetmusic to print
497 sheet music found
<
1
26
51
....
476
STAND UP FOR JESUS - trumpet or euphonium solo with accompaniment
#
Sacred music
#
RHEUBEN GREEN JR
#
STAND UP FOR JESUS - trumpet o
#
Rheuben Green
#
SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trumpet - Level 5 - Digital Download SKU: A0.981612 Arranged by RHEUBEN GREEN JR. Christian,Sac...
(+)
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trumpet - Level 5 - Digital Download SKU: A0.981612 Arranged by RHEUBEN GREEN JR. Christian,Sacred. Score and parts. 11 pages. Rheuben Green #5889267. Published by Rheuben Green (A0.981612). Melody and three variations. First and third variations are progressively more difficult. Second variation is in minor mode. Ends with short cadenza. Piano accompaniment provided.
$14.99
Duo Sonata No. 04 for Guitar and Trombone "Three Northern Moods"
#
Contemporary
#
Ken Turley
#
Duo Sonata No. 04 for Guitar a
#
Ken Turley
#
SheetMusicPlus
Flute,Guitar,Trombone,Viola,Violin - Digital Download SKU: A0.926003 Composed by Ken Turley. 20th Century. 62 pages. Ken Turley #4833485. Published by Ke...
(+)
Flute,Guitar,Trombone,Viola,Violin - Digital Download SKU: A0.926003 Composed by Ken Turley. 20th Century. 62 pages. Ken Turley #4833485. Published by Ken Turley (A0.926003). A very unusual combination but musically works very well. First and third movements are slow and lyrical. The middle movement is energetic and quite challenging for both players. Any of the three movements will stand alone in performance. While written for trombone, solo parts for flute/violin and viola are included and work equally well with any of those as soloist. An computer generated version of the middle movement is provided for listening.
$7.00
Silent Guns of Sacrifice and Fortitude
#
Gary Powell Nash
#
Silent Guns of Sacrifice and F
#
Gary Powell Nash
#
SheetMusicPlus
Instrumental Duet Clarinet,Drums,Instrumental Duet - Level 5 - Digital Download SKU: A0.881250 Composed by Gary Powell Nash. African,Contemporary. Score ...
(+)
Instrumental Duet Clarinet,Drums,Instrumental Duet - Level 5 - Digital Download SKU: A0.881250 Composed by Gary Powell Nash. African,Contemporary. Score and parts. 36 pages. Gary Powell Nash #3545021. Published by Gary Powell Nash (A0.881250). Silent Guns of Sacrifice and Fortitude for clarinet and percussion was composed in commemoration of Fort Negley in Nashville, Tennessee. Fort Negley was a significant fixture during the US Civil War, particularly in regards to the Battle of Nashville. While Nash was researching Fort Negley, he discovered an article that described it as silent guns of fortitude, thus the title. This work holds its significance in the unique instrumentation used as well as the rhythm. Since the piece is written for clarinet and African percussion, specifically tom-toms and conga drum, rhythm is highly emphasized. The piece has a standard slow-fast-slow-fast movement scheme. The first and third movements are slow and the second and last movements are faster and have a dance-like feel to them. The final movement in particular was influenced by a song from the Boys Choir of Kenya.
$15.00
Percussion Quartet (2015) for vibraphone, marimba, drum set and multi-percussion (full score)
#
Thomas Oboe Lee
#
Percussion Quartet
#
Thomas Oboe Lee
#
SheetMusicPlus
Small Ensemble Drum Set,Marimba,Multi-Percussion,Vibraphone - Level 4 - Digital Download SKU: A0.869371 Composed by Thomas Oboe Lee. 20th Century,Contemp...
(+)
Small Ensemble Drum Set,Marimba,Multi-Percussion,Vibraphone - Level 4 - Digital Download SKU: A0.869371 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 27 pages. Thomas Oboe Lee #37741. Published by Thomas Oboe Lee (A0.869371). Program note: I met Brian Calhoon when he performed at a Boston Conservatory of Music recital featuring students of marimba godhead, Nancy Zeltsman. This was a few years ago … A year ago, I noticed that Brian had started a percussion ensemble with some friends called the Boston Percussion Group. I have always been fascinated with John Cage’s early explorations with percussion instruments: First, Second and Third Constructions; Imaginary Landscape Nos 1, 2 & 3; etc. These percussion pieces eventually led to his invention of the prepared piano. Brian and I got together one day for lunch last fall, and I asked him if he would be interested if I wrote a piece for his group. He said, Yes!!! Percussion Quartet is in six movements. 1 Back beat … Moderato. 2 Arioso … Moderato. 3 Funk march … Moderato. 4 Nachtmusik I … Adagio. 5 Fast and furious … Presto. 6 Nachtmusik II … Moderato Enjoy!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/percussion-quartet-2015
$9.99
Now And Then
#
Rock
#
The Beatles
#
Richard Starkey, John Lennon,
#
Lorenzo Bocci
#
Now And Then
#
Lorenzo Bocci
#
SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bass Trombone,Drum Set,E-Flat Cornet,Electric Bass Guitar,Electric Guitar,Euphonium,Flugelhorn,Piano,Soprano Saxophone,Tambour...
(+)
Alto Saxophone,Baritone Saxophone,Bass Trombone,Drum Set,E-Flat Cornet,Electric Bass Guitar,Electric Guitar,Euphonium,Flugelhorn,Piano,Soprano Saxophone,Tambourine,Tenor Saxophone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1367896 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Lorenzo Bocci. Pop,Rock. 69 pages. Lorenzo Bocci #952273. Published by Lorenzo Bocci (A0.1367896). NOW AND THEN The Beatlesfor Fanfare Band - Grade 3 - Digital Download Composed by Richard Starkey, John Lennon, Paul McCartney, George Harrison. Arranged by Lorenzo Bocci. Pop/Rock. Fanfare Band. Score and parts. Duration 4'05''. Published by Lorenzo Bocci.Instrumentation:Full Score, Bb Soprano Saxophone, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Eb Cornet, Bb Flugelhorn 1, 2, 3, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Bb Baritone/Euphonium T.C., Bass, Electric Bass, Drum Set, Percussion (Tambourine), Acoustic Guitar, Piano.Additional Parts:Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., C Euphonium, Bb Euphonium B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Now and Then is a ballad that John Lennon wrote and recorded around 1977 as a solo home demo but left unfinished. After Lennon's death in 1980, the song was considered as a potential third Beatles reunion single for their 1995–1996 retrospective project The Beatles Anthology. Instead, it was shelved for nearly three decades, until it was completed by his surviving bandmates Paul McCartney and Ringo Starr, using overdubs and guitar tracks by George Harrison (who died in 2001) from the abandoned 1995 sessions. The final version features additional lyrics by McCartney. Lennon's voice was extracted from the demo using the machine-learning-assisted audio restoration technology commissioned by Peter Jackson for his 2021 documentary The Beatles: Get Back. The song has been released on 2 November 2023 on a double A-side single, paired with a new stereo remix of the band's first single, Love Me Do (1962). Both songs were included on the expanded re-issues of the 1973 compilations 1962–1966 and 1967–1970, released on 10 November 2023. It topped the charts in the United Kingdom, Germany, and Austria, and reached the top ten in Australia, Belgium, Canada, Ireland, the Netherlands, Sweden, Switzerland, and the United States.Subscribe to my YouTube Channel to stay updated on new releases.
$109.00
March: Helping Hands (Rob Bushnell) - Brass Band
#
Rob Bushnell
#
March: Helping Hands
#
RBMusic
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1203187 Composed by Rob Bushnell. 20th Century,Contest,Festival,March,Traditional. Brass Band. 41 pages. RBMusic #801860. Published by RBMusic (A0.1203187). Helping Hands is a march written for the British Bandsman March Composition Contest, entered into category 2 (marches for 3rd/4th section bands). It is dedicated to all the volunteers that make the Whit Friday March Contests possible, which is said to be the greatest free show on Earth. The piece is loosely programmatic in nature.The introduction is fanfare-like, announcing the date of the next Whit Friday Contests and the bands’ anticipation of and preparation for the event. The first section is the march of the volunteers, as they descend upon the many venues, ready to run the contests. There is the usual hustle and bustle before the second section sees the contests start. The bands strike up, march, finish and go from place to place, whilst the volunteers manage them, the audiences, and all manner of issues and problems thrown at them. The third section represents the bad weather which has, at times, presented itself on that particular Friday. But everyone carries on (possibly the sun comes out) and we enjoy the day.The trio uses the hymn St. Vincent by Sigismund Neukomm: St. Vincent de Paul is the patron saint of charities and volunteering, hence its use here. There is a small bridge that is reminiscent of previously used motifs and melodies before the hymn returns. The piece is influenced by marches that are commonly heard during the Whit Friday March Contests, using motifs, rhythms and harmonic progressions (sparingly) throughout the piece.This piece is for the UK-style brass band, includes march-card sized parts, with alternatives for horns in F and bass-clef lower brass.Other searchable terms: Delph, Denshaw, Diggle Dobcross, Friezland, Greenfield, Grotton, Lees and Springhead, Lydgate, Scouthead and Austerlands, Uppermill, Broadoak, Carrbrook, Denton, Droylsden, The Bush, Dukinfield, Tame Valley, Heyrod, Hurst Village, Ashton United FC, Stalybridge, Labour Club, Knight Templar, The Wizard, The President, Ravenswood, Honest Toil, Mephistopheles, Melphi, O.R.B., Castell Coch, Cornish Cavalier William Rimmer, T. J. Powell, W. E. Moyle, Charles Anderson, George Allan, William Gerrman, Shipley Douglas.
$44.99
ARIOSO, by J. S. Bach (sinfonia) - for Bass Recorder and accompaniment
#
Classical
#
Johann Sebastian Bach
#
Leyandder Trustworthy
#
ARIOSO, by J. S. Bach
#
Leyandder Trustworthy
#
SheetMusicPlus
Baritone Recorder,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.964387 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworth...
(+)
Baritone Recorder,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.964387 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and individual part. 2 pages. Leyandder Trustworthy #6321357. Published by Leyandder Trustworthy (A0.964387). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Bass Recorder along with a piano accompaniment that comes with the product.
$4.99
ARIOSO, by J. S. Bach (sinfonia) - for Contrabassoon and accompaniment
#
Classical
#
Johann Sebastian Bach
#
Leyandder Trustworthy
#
ARIOSO, by J. S. Bach
#
Leyandder Trustworthy
#
SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.964383 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. B...
(+)
Contrabassoon,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.964383 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and individual part. 2 pages. Leyandder Trustworthy #6321047. Published by Leyandder Trustworthy (A0.964383). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Contrabassoon along with a piano accompaniment that comes with the product.
$1.99
ARIOSO, by J. S. Bach (sinfonia) - for Tenor Recorder and accompaniment
#
Classical
#
Johann Sebastian Bach
#
Leyandder Trustworthy
#
ARIOSO, by J. S. Bach
#
Leyandder Trustworthy
#
SheetMusicPlus
Instrumental Solo,Piano,Tenor Recorder - Level 1 - Digital Download SKU: A0.964386 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. ...
(+)
Instrumental Solo,Piano,Tenor Recorder - Level 1 - Digital Download SKU: A0.964386 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and individual part. 2 pages. Leyandder Trustworthy #6321355. Published by Leyandder Trustworthy (A0.964386). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Tenor Recorder along with a piano accompaniment that comes with the product.
$4.99
ARIOSO, by J. S. Bach (sinfonia) - for Alto Flue and accompaniment
#
Classical
#
Johann Sebastian Bach
#
Leyandder Trustworthy
#
ARIOSO, by J. S. Bach
#
Leyandder Trustworthy
#
SheetMusicPlus
Small Ensemble Alto Flute,Piano Accompaniment - Level 1 - Digital Download SKU: A0.964368 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustw...
(+)
Small Ensemble Alto Flute,Piano Accompaniment - Level 1 - Digital Download SKU: A0.964368 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and parts. 2 pages. Leyandder Trustworthy #6320689. Published by Leyandder Trustworthy (A0.964368). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Alto Flute along with a piano accompaniment that comes with the product.
$1.99
ARIOSO, by J. S. Bach (sinfonia) - for Alto Trombone and accompaniment
#
Classical
#
Johann Sebastian Bach
#
Leyandder Trustworthy
#
ARIOSO, by J. S. Bach
#
Leyandder Trustworthy
#
SheetMusicPlus
Small Ensemble Piano Accompaniment,Trombone - Level 1 - Digital Download SKU: A0.964394 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustwor...
(+)
Small Ensemble Piano Accompaniment,Trombone - Level 1 - Digital Download SKU: A0.964394 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and parts. 2 pages. Leyandder Trustworthy #6321381. Published by Leyandder Trustworthy (A0.964394). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Alto Trombone along with a piano accompaniment that comes with the product.
$4.99
ARIOSO, by J. S. Bach (sinfonia) - for Electric Bass (Tablature) and accompaniment
#
Classical
#
Johann Sebastian Bach
#
Leyandder Trustworthy
#
ARIOSO, by J. S. Bach
#
Leyandder Trustworthy
#
SheetMusicPlus
Bass Guitar,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.964412 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Bar...
(+)
Bass Guitar,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.964412 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Standards,World. Score and individual part. 2 pages. Leyandder Trustworthy #6323037. Published by Leyandder Trustworthy (A0.964412). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Electric Bass along with a piano accompaniment that comes with the product.
$4.99
ARIOSO, by J. S. Bach (sinfonia) - for Banjo (Tablature) and accompaniment
#
Classical
#
Johann Sebastian Bach
#
Leyandder Trustworthy
#
ARIOSO, by J. S. Bach
#
Leyandder Trustworthy
#
SheetMusicPlus
Banjo,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.964406 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,I...
(+)
Banjo,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.964406 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and individual part. 2 pages. Leyandder Trustworthy #6323017. Published by Leyandder Trustworthy (A0.964406). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Banjo along with a piano accompaniment that comes with the product.
$4.99
ARIOSO, by J. S. Bach (sinfonia) - for English Horn and accompaniment
#
Classical
#
Johann Sebastian Bach
#
Leyandder Trustworthy
#
ARIOSO, by J. S. Bach
#
Leyandder Trustworthy
#
SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.964370 Composed by Johann Sebastian Bach. Arranged by Leyandd...
(+)
Instrumental Duet English Horn,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.964370 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards. Score and parts. 2 pages. Leyandder Trustworthy #6320693. Published by Leyandder Trustworthy (A0.964370). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for English Horn along with a piano accompaniment that comes with the product.
$4.99
ARIOSO, by J. S. Bach (sinfonia) - for C Trumpet and accompaniment
#
Classical
#
Johann Sebastian Bach
#
Leyandder Trustworthy
#
ARIOSO, by J. S. Bach
#
Leyandder Trustworthy
#
SheetMusicPlus
Small Ensemble C Trumpet,Piano Accompaniment - Level 1 - Digital Download SKU: A0.964389 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustwo...
(+)
Small Ensemble C Trumpet,Piano Accompaniment - Level 1 - Digital Download SKU: A0.964389 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and parts. 2 pages. Leyandder Trustworthy #6321361. Published by Leyandder Trustworthy (A0.964389). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for C Trumpet along with a piano accompaniment that comes with the product.
$4.99
ARIOSO, by J. S. Bach (sinfonia) - for Alto Recorder and accompaniment
#
Classical
#
Johann Sebastian Bach
#
Leyandder Trustworthy
#
ARIOSO, by J. S. Bach
#
Leyandder Trustworthy
#
SheetMusicPlus
Alto Recorder,Piano,Recorder Solo - Level 1 - Digital Download SKU: A0.964385 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroq...
(+)
Alto Recorder,Piano,Recorder Solo - Level 1 - Digital Download SKU: A0.964385 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Individual part. 3 pages. Leyandder Trustworthy #6321053. Published by Leyandder Trustworthy (A0.964385). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Alto Recorder along with a piano accompaniment that comes with the product.
$1.99
Symphony No. 4 ... War and Peace (2001) for soprano and orchestra
#
Thomas Oboe Lee
#
Symphony No. 4 ... War and Pea
#
Thomas Oboe Lee
#
SheetMusicPlus
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869357 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period...
(+)
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869357 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 95 pages. Thomas Oboe Lee #15877. Published by Thomas Oboe Lee (A0.869357). Instrumentation: 2222-4231-timp-2perc-hp-pf-strings. Program note: First of all, a huge embrace for Max Hobart who has been so very supportive by promoting and premiering new works for the orchestra. Since 1991, I have written three works for Max and the Civic Symphony Orchestra of Boston. Symphony No. 4 ... War and Peace is my fourth contribution and this work is dedicated to Max. A year ago, John Finney and the University Chorale of Boston College premiered my Mass for the Holy Year 2000. It was a millennial commission by the Jesuit Institution for the community of Boston College. For that occasion I had originally planned to write a Mass whose texts would include both the Latin from the Ordinary of the Mass - Kyrie, Gloria, Credo, Sanctus & Agnus Dei - and poems concerning the atrocities and senseless killing in warfare during the last century.However, as it turned out, the poems I chose ended up reflecting the Latin text, which is all about faith and redemption. But I still wanted to write an anti-war symphony. When I approached Max with this idea, he was very excited. Initially he was a little concerned that I might want to use the Tolstoy novel as my inspiration. I assured him that it would not be a four-hour symphony. In order to convey a political message through a symphonic work, texts set as songs are the most direct way. For this symphony, I have narrowed my focus to poems written by veterans of the First World War - some euphemistically call it the Great War. The first poem by Rupert Brooke, The Soldier, has an uneasy, patriotic cheerfulness to its message. The second poem by Wilfred Owen, Dulce et decorum est, is a more realistic view of warfare. Dying for one's own country is not so cool when the dead and the dying are staring at your face!!! The third and last poem by Ivor Gurney, To his love, reflects on the aftermath of war: peace, but at what cost!!! Rupert Brooke (1887 - 1915) died on a naval expedition near the Greek island of Gallipoli. He died of blood poisoning. Wilfred Owen (1893 - 1918) was wounded three times in France in the spring of 1917 and was sent back to England to recuperate. He returned to the Front, and was killed on November 4, 1918, just a few days before the Armistice was signed. Ivor Gurney (1890 - 1937), a composer as well, was acutely sensitive to the horrors of the war and, after being wounded and gassed in 1917, he was sent back home to a mental hospital. He died twenty years later without ever recovering from the traumas of war.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-4-war-and-peace-2001
$9.99
Carson Cooman: Folk Fantasies (2005) for solo euphonium, string quartet, and percussion, score only
#
Carson Cooman
#
Carson Cooman: Folk Fantasies
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - Digital Download SKU: A0.533661 Composed by Carson Cooman. Contemporary,Folk,Sta...
(+)
Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - Digital Download SKU: A0.533661 Composed by Carson Cooman. Contemporary,Folk,Standards. Score and parts. 34 pages. Musik Fabrik Music Publishing #3036573. Published by Musik Fabrik Music Publishing (A0.533661). I. Highland Ballad (Scotland)II. Ceremonial (Nigeria)III. Circle Dance (America)Folk Fantasies (2005) for solo euphonium, string quartet, and percussion was commissioned,inspired by, and is dedicated to euphoniumist Matthew Murchison. When we first begandiscussing the idea of a new chamber euphonium concerto, Matthew specifically requested apiece connected to folk music. In recent years, he has been interested in taking theeuphonium into folk music contexts in which it is not normally found. Thus, the idea behindthis work became that of creating a concert piece connected to folk traditions.Although this work is heavily connected to folk music, it does not quote or use any actualfolk tunes or material directly. For each of the three movements, I began by composing anoriginal folk tune within that national style. Each movement of the work is then anarrangement in my own musical style of my original folk tune. The formal and harmoniclanguage is simple, direct, and uncluttered throughout, as is appropriate for folk music.The first movement, Highland Ballad (Scotland), begins and ends with lyrical music. Themiddle sections contain settings of the basic melody -- first presented over a bagpipe-likedrone (with interjections) and then in a full harmonization.The second movement, Ceremonial (Nigeria), combines a harmonic refrain along with asimple melody in the Nigerian/Yoruban folk style. As the movement progresses, theeuphonium plays the role of a song-leader, adding increasingly impassioned countermelodiesand textures over the basic refrains.The third movement, Circle Dance (America), is jubilant -- in the vein of the folk songs ofthe Shakers. A basic rondo structure alternates the principal melody with contrastingexcursions.
$25.95
The First Noel - For Recorders
#
Christmas
#
Traditional
#
Javier MartÃnez Maya
#
The First Noel - For Recorders
#
Arte Nova Music Lab
#
SheetMusicPlus
Small Ensemble Alto Recorder,Baritone Recorder,Flute,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download SKU: A0.742374 Composed by Traditional....
(+)
Small Ensemble Alto Recorder,Baritone Recorder,Flute,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download SKU: A0.742374 Composed by Traditional. Arranged by Javier MartÃnez Maya. Children,Christmas,Romantic Period. Score and parts. 3 pages. Arte Nova Music Lab #2930385. Published by Arte Nova Music Lab (A0.742374). The First Noel (also written The First Noël and The First Nowell) is a traditional classical English Christmas carol, most likely from the early modern period, although possibly earlier.[2][3] Noel is an Early Modern English synonym of Christmas.[4]In its current form, it is of Cornish origin, and it was first published in Carols Ancient and Modern (1823) and Gilbert and Sandys Carols (1833), both of which were edited by William Sandys and arranged, edited and with extra lyrics written by Davies Gilbert for Hymns and Carols of God. Today, it is usually performed in a four-part hymn arrangement by the English composer John Stainer, first published in hisCarols, New and Old in 1871.[2] Variations of its theme are included in Victor Hely-Hutchinson's Carol Symphony.The melody is unusual among English folk melodies in that it consists of one musical phrase repeated twice, followed by a refrain which is a variation on that phrase. All three phrases end on the third of the scale. It is thought to be a version of an earlier melody sung in a church gallery setting; a conjectural reconstruction of this earlier version can be found in the New Oxford Book of Carols.[5]The Annunciation to the shepherds and the Adoration of the shepherds are episodes in the Nativity of Jesus described in the second chapter of the Gospel of Luke (Luke 2). The Star of Bethlehem appears in the story of the Magi (the Wise Men) in the Gospel of Matthew; it does not appear in the story of the shepherds. Taken from https://en.wikipedia.org/wiki/The_First_Noel
$10.00
Anything You Can Do . . . for violin and vibraphone
#
Robert M
#
Anything You Can Do . . . for
#
Robert M. Greenberg
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contempor...
(+)
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00
Sonata for Flute (or Violin) And Piano - Opus 6
#
Daniel Carr
#
Sonata for Flute
#
Daniel Carr
#
SheetMusicPlus
Small Ensemble Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.918710 Composed by Daniel Carr. 20th Century,Contemporary,Romantic Period. Score a...
(+)
Small Ensemble Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.918710 Composed by Daniel Carr. 20th Century,Contemporary,Romantic Period. Score and parts. 86 pages. Daniel Carr #30873. Published by Daniel Carr (A0.918710). The Sonata for Flute and Piano is the longest and most complex work I have composed for Flute and Piano. My goal for this piece was to push myself as a composer, and to push both flautist and pianist to their absolute limits – both musically and technically. The flute is capable of much more than just being pretty – and in this work it depicts violence, drama, joy, sorrow and heroism. Extended techniques are used throughout the sonata (aire, percussive tonguing, pitch bends, harmonics and flutter tonguing) but always within a tonal framework. The first movement starts out peacefully, as if beginning a legend, with a folk-like and serene melody. The second and third themes are more percussive and rhythmical – the flute and piano engaging in a violent, interlaced dance in a section marked Allegro Swordfight. In the recapitulation, the first theme reappears in much more dramatic form. The second movement begins with a forceful march before a darker and more cabalistic middle section emerges. The movement builds to a formidable climax in the final measures. The third movement begins simply and quietly, offering a respite from the energy of the first two movements, and quoting themes from both of them. It then leads attacca (without pause) into the final movement, which surges forward relentlessly before a lyrical section provides the flute an opportunity to soar above wave-like arpeggios in the piano. The piece ends on an ethereal note, with flute and piano hovering near silence in their upper ranges.
$10.00
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
#
Contemporary
#
Carson Cooman
#
Carson Cooman: Enchanted Traci
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 ...
(+)
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
#
Contemporary
#
Carson Cooman
#
Carson Cooman Enchanted Tracin
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 ...
(+)
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
Pura Alegria for Trumpet Sextet and Keyboard
#
Eddie Lewis
Spice up yo
#
Eddie Lewis
#
Pura Alegria for Trumpet Sexte
#
Tiger Music
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.750374 Composed by Eddie Lewis. Multicultural,World...
(+)
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.750374 Composed by Eddie Lewis. Multicultural,World. Score and parts. 35 pages. Tiger Music #6635933. Published by Tiger Music (A0.750374). Pura Alegria Brass Sextet and Keyboard 3 Trumpets, 3 Trombones and Keyboard Composed for the Stirling High School Brass Ensemble, in East London, South Africa MBR 3430 By Eddie Lewis Spice up your brass program with this Latin tinged composition for three trumpets, three trombones and keyboard. Pura Alegria is one of Eddie Lewis’ en clave compositions, where every rhythm from every phrase in the piece is derived from the clave. The clave is a rhythm from west Africa that came to the tropical islands with the slaves. From there, hundreds of years later, the rhythm became the underlying groove for a number of modern Latin dance music styles. Eddie Lewis was exposed to the clave rhythms during a period of twenty years when he was making his living primarily as a salsa trumpet player. While Eddie’s compositions are not salsa, his writing has been forever influenced by that music and the people. And that influence is not limited to only the rhythms. We are only emphasizing the rhythms here because of the prominence of the clave in Pura Alegria. Stirling High School, East London, South Africa Eddie composed Pura Alegria for the students in the brass ensemble at Stirling High School in East London, South Africa. The students prepared it as part of a presentation and Eddie was honored to contribute something for them to work on and perform. The request came from Eddie’s good friend, Leonard Brandt. Leonard is a professional trumpet player in South Africa and also teaches applied brass at the high school. When Eddie was in South Africa for the jazz festival in Grahamstown (2016), Leonard arranged a personal performance of Pura Alegria for him in one of the empty classrooms. The composition was a smashing success and the students and the audience all enjoyed it! Skill Level When Eddie does a commission, he goes to great lengths to map out the skills of the individual players. Often times, his method’s skill levels don’t apply. Please keep in mind that skill levels in published music are not about how good the students are. Students will always have mixed skill sets. That’s part of what it means to be human. We are good at some things and bad at others. So the skills of the individual parts in Pura Alegria are varied, not only from part to part, but from skill to skill. That said, the highest note in the first trumpet part is written high C, and the rhythms are syncopated (because of the clave influence). We would put most of that first part in our Trumpet Pro skill level. The highest note in the second part is written A above the staff. The highest note in the third trumpet part is top line F. Practice Recommendations Pay special attention to the articulations, which can feel a little awkward, but really make the piece. Sometimes the eighth-notes are long and the quarter-notes are short. Other times the quarter-notes are long and the eighth-notes are short. Also be careful with the dynamics. There will be a tendency to play the entire piece too loud. Because it feels like that kind of piece. However, if you play it that way, it will ruin some of the compositional effects. This is especially true for the keyboard. If you are performing with a keyboard, not an acoustic piano, then what’s the amplification that it doesn’t bury the rest of the ensemble. You cannot have the keyboard set to the same volume as you would for a full jazz ensemble class. Other than that, have fun with this piece. The name, Pura Alegria, in English means Pure Joy! The rhythms are delightful and the melodies are infectious.
$31.34
Jacara de fandanguillo - Villancico a 5 con violines de chanza - Score Only
#
Arturo Escorza
#
Arturo Escorza
#
Jacara de fandanguillo - Villa
#
Arturo Escorza
#
SheetMusicPlus
Digital Download SKU: A0.1119483 By Arturo Escorza. By Juan Frances de Iribarren. Arranged by Arturo Escorza. Baroque,Chamber,Early Music,Religious,Sacre...
(+)
Digital Download SKU: A0.1119483 By Arturo Escorza. By Juan Frances de Iribarren. Arranged by Arturo Escorza. Baroque,Chamber,Early Music,Religious,Sacred. 12 pages. Arturo Escorza #720894. Published by Arturo Escorza (A0.1119483). Jacara de Fandanguillo - Villancico a 5 con violines de chanza, by Juan Francés de Iribarren (1699 - 1767) was a late Baroque Spanish composer and organist, considered one of the greatest Spanish composers of the first two thirds of the eighteenth century. Instruments: Violin I, Violin II, Continuo, Solo tenor, choir (Soprano, Alto, Tenor, Bass).
$12.00
<
1
26
51
....
476
