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Found by Love's Return
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Found by Love's Return
Sheetmusic to print
9 sheet music found
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1
The Lost Lady Found
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Arr
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Ray Thompson
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The Lost Lady Found
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1251539 Composed by Arr. Michael Sweeney and Percy Aldridge Grainger. A...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1251539 Composed by Arr. Michael Sweeney and Percy Aldridge Grainger. Arranged by Ray Thompson. 20th Century,Folk. 24 pages. RayThompsonMusic #845816. Published by RayThompsonMusic (A0.1251539). Lincolnshire Posy is a musical composition by Percy Grainger for concert band commissioned in 1937 by the American Bandmasters Association. Considered by John Bird, the author of Grainger's biography, to be his masterpiece, the 16-minute-long work has six movements, each adapted from folk songs that Grainger had collected on a 1905–1906 trip to Lincolnshire, England.In a similar fashion to these folk songs, many of the movements are in strophic form.This is my arrangement of No.VI. The Lost Lady FoundArranged symphonic wind dectet (double wind quintet) and bassA lilting 3/4 melody in strophic form. As the tempo is too fast for the conductor to gesture each beat of every measure, the movement is typically conducted in 1 where each gesture given by the conductor indicates a full measure instead of each beat. Every section of the ensemble states the theme at some point in the movement.This movement is based on the ballad of the same name,in which a lady, who while living with her uncle in a village is kidnapped by three Roma. After being missing for a long time, the villagers begin to speculate that the uncle is responsible for her disappearance, later imprisoning him and condemning him to death. At some point, the lady was found in Dublin by a young squire who loved her and was subsequently brought back to the village. Upon return to the village, the villagers, mere moments away from executing the uncle at the gallows, realized their error and set the uncle free, celebrating the lady's return with church bells (which are emulated by the tubular bells in the closing of the movement), music, and frivolity.As this movement was not yet completed at the time of the work's premiere, it was omitted for the performance.For Info:Green Bushes is an English folk song  which is featured in the second movement of Vaughan Williams's English Folk Song Suite, in Percy Grainger's Green Bushes (Passacaglia on an English Folksong), and in George Butterworth's The Banks of Green Willow. The melody is very similar to that of the Lost Lady Found movement.
$17.99
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
The Sands of Time Are Sinking for 2 pianos in classical style
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Chretian Urhan
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Heather Knezevich
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The Sands of Time Are Sinking
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Songs of Praise
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.914316 Composed by Chretian Urhan. Arranged by Heather Knezevich. Christia...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.914316 Composed by Chretian Urhan. Arranged by Heather Knezevich. Christian,Contemporary,Sacred,Wedding. Score and parts. 7 pages. Songs of Praise #6364761. Published by Songs of Praise (A0.914316). Written for 2 pianos, this arrangement draws inspiration from Romanze, Op. 118, No. 5 by Brahms. This less familiar hymn tells of the perfect beauty found in Immanuel's land. In the first verse, the arrangement is in a simple processional style. The second verse changes key and thoughtfully contemplates that Christ, He is the fountain, the deep, sweet well of love! The final verse returns to the original key and climaxes as it depicts the last stanza of the hymn where Christ is pictured as the Bridegroom. This arrangement is appropriate for weddings, funerals, and regular church services, as well as student recitals.
$4.99
Being the Prettiest Girl in the Room
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Fiona Linnane
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Being the Prettiest Girl in th
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Fiona Linnane
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1514761 Composed by Fiona Linnane. 21st Century,Celtic,Chamber,Classical,Irish,Opera. Score. 9 pag...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1514761 Composed by Fiona Linnane. 21st Century,Celtic,Chamber,Classical,Irish,Opera. Score. 9 pages. Fiona Linnane #1089253. Published by Fiona Linnane (A0.1514761). Songs from Kate O’Brien is a cycle of 12 songs with music by Fiona Linnane and lyrics by Mary Coll. Each song depicts a protagonist from a Kate O’Brien novel at a pivotal moment in their development. Being the Prettiest Girl in the Room Marie Rose from The Ante RoomTeresa Mulqueen lies dying surrounded by her family on the Eve of All Saints, 1880. Her daughter Agnes anxiously awaits the return of her sister Marie-Rose and brother-in-law Vincent. Agnes adores her sister, but secretly, passionately loves Vincent—and she knows their marriage is foundering. In Being the Prettiest Girl in the Room Marie Rose despairs at her husband’s lack of attention, despite her efforts to be a dutiful and beautiful wife.
$5.99
A Pukwudgie Christmas: A Tale of Mischief, Mayhem and Redemption
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Joseph Davila
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A Pukwudgie Christmas: A Tale
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JaGlo Music
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SheetMusicPlus
Guitar Ensemble - Level 5 - Digital Download SKU: A0.1453659 By Joseph Davila. By Joseph Davila. Christmas,Classical,Contemporary,Holiday,Multicultural,W...
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Guitar Ensemble - Level 5 - Digital Download SKU: A0.1453659 By Joseph Davila. By Joseph Davila. Christmas,Classical,Contemporary,Holiday,Multicultural,World. Score and Parts. 17 pages. JaGlo Music #1032873. Published by JaGlo Music (A0.1453659). This is a guitar quartet Christmas piece that I wrote earlier this year. It is for advanced players and is perfect for Holiday Concerts, Christmas parties or recitals. The theme is based on the legend of the Pukwudgie and is the soundtrack to the story below. © Copyright 2024 JaGlo Music. In the quaint village of Hollybrook, Christmas was a time of joy and togetherness. But this year, a malicious pukwudgie named Bramble planned to spread fear and chaos. On Christmas Eve, as villagers gathered around the grand tree for the annual lighting ceremony, Bramble struck. He made the lights flicker and go out and twisted the ornaments into grotesque shapes. He snuck into homes, swapping sugar for ashes and hiding stockings in unreachable places, casting a dark spell over the village. By morning, Hollybrook was in disarray. Children found their stockings missing, cookies ruined, and the tree ominous in the square. Fear gripped the town. Amidst the chaos, a brave girl named Lucy refused to let fear win. She gathered her friends and ventured into the forest, following eerie footprints. They found Bramble muttering dark incantations under a gnarled tree. Caught in a trap made from holly and mistletoe, Bramble hissed his intentions to spread fear. Lucy, with steely resolve, offered him a chance at redemption. Reluctantly, Bramble agreed. They returned to the village, and with Bramble’s help, dispelled the dark enchantments. The ornaments returned to their beautiful forms, sugar replaced the ashes, and the stockings were found. That night, the tree lit up, and Bramble felt warmth in his heart for the first time. The villagers, initially wary, accepted him as he helped create beautiful ice sculptures, adding magic to the festivities. From that year on, Bramble became part of Hollybrook. His dark nature slowly transformed under the light of friendship and acceptance. Every Christmas, his magic brought extra sparkle to the celebrations, reminding everyone that even the darkest hearts could find redemption through kindness and love.
$12.00
In Christ Alone
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Keith Getty & Stuart Townend
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Keith Getty and Stuart Townend
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Lloyd Larson
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In Christ Alone
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Hope Publishing - Digital
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SheetMusicPlus
Brass instruments - Digital Download SKU: H1.C5675BDP Composed by Keith Getty and Stuart Townend. Arranged by Lloyd Larson. Vocal Solo Sheet Music Series...
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Brass instruments - Digital Download SKU: H1.C5675BDP Composed by Keith Getty and Stuart Townend. Arranged by Lloyd Larson. Vocal Solo Sheet Music Series. Easter Sunday, General Worship, Creed, Cross of Christ, Hope, Love. Brass Parts. 42 pages. Hope Publishing - Digital #C5675BDP. Published by Hope Publishing - Digital (H1.C5675BDP). By Keith Getty & Stuart Townend. Matthew 28:19 - Matthew 28:20 - John 17:6 - John 17:7 - John 17:8 - John 17:9 - John 17:10 - John 17:11 - John 17:12 - John 17:13 - John 17:14 - John 17:15 - John 17:16 - John 17:17 - John 17:18 - John 17:19.Contemporary hymn by Keith Getty & Stuart Townend Keith Getty and Stuart Townend's contemporary hymn gets a stunning new choral treatment from arranger, Lloyd Larson, just in time for the Easter season. This theologically driven anthem builds from the simple affirmation, In Christ alone my hope is found; he is my light, my strength, my song, then traces the birth, death and crowning glory of the resurrected Lord, who bursting forth in glorious day, up from the grave rose again, culminating with the final return of Christ. The hint of The Solid Rock that Lloyd drops in at the end is a perfect coda to this powerful presentation. The addition of brass and percussion heightens the dramatic impact and sets this arrangement apart from all the rest. The Brass packet contains a Conductor's Score and parts for: 2 B-flat Trumpets, Trombone, Horn, Tuba, Percussion and Timpani.
$59.95
In Christ Alone
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Keith Getty & Stuart Townend
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Keith Getty and Stuart Townend
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Lloyd Larson
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In Christ Alone
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Hope Publishing - Digital
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SheetMusicPlus
Vocal ensemble vocal solo (medium voice-key of E-flat) - Digital Download SKU: H1.8685DP Composed by Keith Getty and Stuart Townend. Arranged by Lloyd La...
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Vocal ensemble vocal solo (medium voice-key of E-flat) - Digital Download SKU: H1.8685DP Composed by Keith Getty and Stuart Townend. Arranged by Lloyd Larson. Vocal Solo Sheet Music Series. Easter Sunday, General Worship, Creed, Cross of Christ, Hope, Love. Vocal score. 8 pages. Hope Publishing - Digital #8685DP. Published by Hope Publishing - Digital (H1.8685DP). By Keith Getty & Stuart Townend. Matthew 28:19 - Matthew 28:20 - John 17:6 - John 17:7 - John 17:8 - John 17:9 - John 17:10 - John 17:11 - John 17:12 - John 17:13 - John 17:14 - John 17:15 - John 17:16 - John 17:17 - John 17:18 - John 17:19.Contemporary hymn by Keith Getty & Stuart Townend Keith Getty and Stuart Townend's contemporary hymn gets a stunning new choral treatment from arranger, Lloyd Larson, just in time for the Easter season. This theologically driven anthem builds from the simple affirmation, In Christ alone my hope is found; he is my light, my strength, my song, then traces the birth, death and crowning glory of the resurrected Lord, who bursting forth in glorious day, up from the grave rose again, culminating with the final return of Christ. The hint of The Solid Rock that Lloyd drops in at the end is a perfect coda to this powerful presentation. The addition of brass and percussion heightens the dramatic impact and sets this arrangement apart from all the rest. The Brass packet contains a Conductor's Score and parts for: 2 B-flat Trumpets, Trombone, Horn, Tuba, Percussion and Timpani.
$7.95
The Butterfly
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Contemporary
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Daniel Burwasser
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The Butterfly
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Head and Stem
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SheetMusicPlus
Flute,Vibraphone,Voice - Level 4 - Digital Download SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published...
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Flute,Vibraphone,Voice - Level 4 - Digital Download SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Stem (A0.1089176). Pavel Friedmann wrote the poem “The Butterfly†in 1942 in the Terezin Ghetto when he was 21. He was murdered in the Auschwitz extermination camp in 1944. Pavel was born in 1921 in Prague, Czechoslovakia (now the Czech Republic) to a Jewish father and a Christian mother. The Butterfly is a living symbol of the beauty of freedom. Such a free spirit could never have survived the confines of the Warsaw ghetto. But while the butterfly did fly away, the spirit and love of freedom it represented never left the souls of the Jews of the ghetto. They always prayed that one day the barbed wire would come down and the butterfly would reappear. The butterfly flutters there today, but many of the Jews who prayed for its return did not live to welcome it back. The first performance of The Butterfly was given on May 8, 1988 at JASA in New York City. The performers were: Andrew Bolotowsky, flute Glenn Rhian, vibraphone Mimi Stern-Wolfe, reciter There are at least two versions of the poem The Butterfly due to different translations.This work uses VERSION 2 as translated here: The last, the very last, So richly, brightly, dazzlingly yellow. Perhaps if the sun's tears would sing against a white stone... Such, such a yellow carried lightly way up high. It went away I'm sure because it wished to kiss the world goodbye. For seven weeks I've lived in here, penned up inside this ghetto, but I have found my people here. The dandelions call to me and the white chestnut candles in the court. Only I never saw another butterfly. That butterfly was the last one. Butterflies don't live in here, In the ghetto.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$12.00
Hymns from Childhood - Set 2 (solo)
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Sacred music
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Various
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Curtis Hanson
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Hymns from Childhood - Set 2
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719762 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069335. Pub...
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719762 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069335. Published by Curtis Hanson (A0.719762). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include This Is My Father's World, I Love to Tell the Story, and Faith of Our Fathers. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
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