Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Four Forces
Not classified
16
Piano & keyboards
Piano, Voice
5
Piano solo
3
1 Piano, 4 hands
2
Organ
1
Guitars
Voice
Choral SATB
7
Choral 3-part
2
Choral SSATB
1
Choral TTBB
1
Choral SSAA
1
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1
Woodbrass
Trombone ensemble
1
Brass Quartet: 4 trombones
1
Trumpet
1
Brass Quintet: 2 trumpets, horn, trombone, tuba
1
Strings
String Quartet: 2 violins, viola, cello
3
Orchestra & Percussion
Orchestra
6
Percussion Ensemble
2
Chamber Orchestra
2
Handbells
1
Concert band
1
Brass ensemble
1
+ 1 instrumentations
-
Retract
Others
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
1
Digital Sheet Music
16
Sheet Music Books
171
Music Equipment
15
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Four Forces
Sheetmusic to print
16 sheet music found
<
1
Colonel Bogey March, - instruments in four parts
#
Contemporary
#
Kenneth J
#
Paul Burnell
#
Colonel Bogey March, - instrum
#
Paul Burnell
#
SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.835894 Composed by Kenneth J. Alford. Arranged by Paul Burnell. 20th Century. Score and parts. 37 pag...
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.835894 Composed by Kenneth J. Alford. Arranged by Paul Burnell. 20th Century. Score and parts. 37 pages. Paul Burnell #6612805. Published by Paul Burnell (A0.835894). Colonel Bogey March, Kenneth J. Alford, arranged by Paul Burnell for instruments in four partsDownload comprises both score and partsDuration 3:20Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.The key of this arrangement has been transposed from that of the original composition.Play cue-sized notes in brackets where the main notes are out of range.In part 4, bars 37-54, the upper octave may be played where the lower notes are out of range or impractical.Programme note:The 'Colonel Bogey March' was composed in 1914 by Lieutenant F. J. Ricketts (1881 - 1945) a British Army bandmaster who later became the director of music for the Royal Marines at Plymouth. Since service personnel were, at that time, not encouraged to have professional lives outside the armed forces, F. J. Ricketts published his compositions under the pseudonym Kenneth Alford. Supposedly, the tune was inspired by a British military officer who preferred to whistle a descending minor third rather than shout Fore! when playing golf. It is this descending interval that begins each line of the melody. English composer Malcolm Arnold added a counter-march, which he titled 'The River Kwai March' for the 1957 film 'The Bridge on the River Kwai'. On account of the movie the 'Colonel Bogey March' is often incorrectly credited as the 'River Kwai March'.
$3.99
If Ye Love Me-Four Euphoniums or Trombones
#
Thomas Tallis
#
John May
#
If Ye Love Me-Four Euphoniums
#
Lost Key Music
#
SheetMusicPlus
Euphonium,Trombone - Level 2 - Digital Download SKU: A0.829803 Composed by Thomas Tallis. Arranged by John May. Christian,Christmas,Contest,Easter,Festiv...
(+)
Euphonium,Trombone - Level 2 - Digital Download SKU: A0.829803 Composed by Thomas Tallis. Arranged by John May. Christian,Christmas,Contest,Easter,Festival,Sacred. 12 pages. Lost Key Music #3564083. Published by Lost Key Music (A0.829803). On the Texas Prescribed Music ListIf Ye Love Me, by Thomas Tallis, is an English Anthem that was first published in 1560, and perhaps composed circa 1549. This arrangement for euphonium quartet, baritone quartet or trombone quartet can serve as an introduction to your students of music from the Renaissance Period. The polyphony within forces students to listen and count. https://www.youtube.com/watch?v=4x2nPwbByrQ www.lostkeymusic.comFollow Lost Key Music on social media:https://www.facebook.com/lostkeymusic...https://twitter.com/lostkeymusichttps://www.pinterest.com/lostkeymusic/https://www.instagram.com/lostkeymusic/
$12.00
A Mighty Fortress - Instrumental Parts
#
Cathy Moklebust
#
A Mighty Fortress - Instrument
#
Chorister's Guild - Digital
#
SheetMusicPlus
Inst Pts - Level 3 - Digital Download SKU: C7.CGRP22 Composed by Cathy Moklebust. G,r. Set of parts. 16 pages. Chorister's Guild - Digital #CGRP22. Publi...
(+)
Inst Pts - Level 3 - Digital Download SKU: C7.CGRP22 Composed by Cathy Moklebust. G,r. Set of parts. 16 pages. Chorister's Guild - Digital #CGRP22. Published by Chorister's Guild - Digital (C7.CGRP22). UPC: 749193015193.Level 3 • Flexibly designed, this piece may be used as a congregational hymn accompaniment with brass quintet, timpani, organ, and mixed chorus, or the vocal and instrumental forces may be omitted and the handbell part played alone. The arrangement includes an introductory fanfare, four musical verses with an interlude between the third and fourth, and an optional ending. The setting of the third stanza is particularly descriptive of the war-like text, using dissonant chords, martellato lifts, and shaking, then ending triumphantly.
$19.95
A Mighty Fortress - Organ Score
#
Cathy Moklebust
#
A Mighty Fortress - Organ Scor
#
Chorister's Guild - Digital
#
SheetMusicPlus
Organ score - Level 3 - Digital Download SKU: C7.CGB651 Composed by Cathy Moklebust. General, Reformation. Score. 8 pages. Chorister's Guild - Digital #C...
(+)
Organ score - Level 3 - Digital Download SKU: C7.CGB651 Composed by Cathy Moklebust. General, Reformation. Score. 8 pages. Chorister's Guild - Digital #CGB651. Published by Chorister's Guild - Digital (C7.CGB651). UPC: 749193015179.Level 3 • Flexibly designed, this piece may be used as a congregational hymn accompaniment with brass quintet, timpani, organ, and mixed chorus, or the vocal and instrumental forces may be omitted and the handbell part played alone. The arrangement includes an introductory fanfare, four musical verses with an interlude between the third and fourth, and an optional ending. The setting of the third stanza is particularly descriptive of the war-like text, using dissonant chords, martellato lifts, and shaking, then ending triumphantly.
$4.95
Fantasia on Greensleeves - Score and Parts
#
Kevin McChesney and Ralph Vaug
#
Kevin McChesney and Ralph Vaug
#
Fantasia on Greensleeves - Sco
#
Chorister's Guild - Digital
#
SheetMusicPlus
Fl(C Inst),Handchimes 3-5(Cello) - Level 4 - Digital Download SKU: C7.CGB645 Composed by Kevin McChesney and Ralph Vaughan Williams. Arranged by Kevin Mc...
(+)
Fl(C Inst),Handchimes 3-5(Cello) - Level 4 - Digital Download SKU: C7.CGB645 Composed by Kevin McChesney and Ralph Vaughan Williams. Arranged by Kevin McChesney and Ralph Vaughan Williams. Christmas, General. Master Ringer. With Flute (C Instrument), 3, 4, or 5 octaves handchimes, cello. Score and parts. 20 pages. Chorister's Guild - Digital #CGB645. Published by Chorister's Guild - Digital (C7.CGB645). UPC: 749193015117.Level 3 * Flexibly designed, this piece may be used as a congregational hymn accompaniment with brass quintet, timpani, organ, and mixed chorus, or the vocal and instrumental forces may be omitted and the handbell part played alone. The arrangement includes an introductory fanfare, four musical verses with an interlude between the third and fourth, and an optional ending. The setting of the third stanza is particularly descriptive of the war-like text, using dissonant chords, martellato lifts, and shaking, then ending triumphantly.
$13.95
Divertimento in G Major H 642
#
Classical
#
Bach, C P E
#
Brett Thompson (Four and Twent
#
Divertimento in G Major H 642
#
Brett Thompson
#
SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Guitar,Harpsichord,Viola,Violin - Level 5 - Digital Download SKU: A0.851555 Composed by Bach, C P E. Arranged by Brett...
(+)
Small Ensemble Bassoon,Cello,Flute,Guitar,Harpsichord,Viola,Violin - Level 5 - Digital Download SKU: A0.851555 Composed by Bach, C P E. Arranged by Brett Thompson (Four and Twenty Music). Baroque. Score and parts. 32 pages. Brett Thompson #6794389. Published by Brett Thompson (A0.851555). Four and Twenty Music is very proud to present this new edition. The Divertimento in G H642 (a Flute Quartet with Basso Continuo) is hitherto unpublished. Its archive in Berlin was hidden during the Second World War to protect it from allied bombing, sequestered by USSR forces in 1945, and was long thought to have been lost or destroyed.The archive was discovered in Kyiv, Ukraine in 1999, returned to Berlin in 2001, and deposited in the Staatsbibliothek.This edition has remained faithful to Bach’s manuscript with a few minor alterations for inconsistencies with articulations and dynamics. A realisation for the Basso has been included for keyboard and also guitar.
$34.95
Karussell - Carousel
#
Contemporary
#
Andreas Kleinert
#
Karussell - Carousel
#
Andreas Kleinert
#
SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.1017907 Composed by Andreas Kleinert. Contemporary. Score and parts. 1 pages. Andreas Kleinert #6327381. Publis...
(+)
Small Ensemble - Digital Download SKU: A0.1017907 Composed by Andreas Kleinert. Contemporary. Score and parts. 1 pages. Andreas Kleinert #6327381. Published by Andreas Kleinert (A0.1017907). Hier spürst du die Fliehkräfte beim Karussell Fahren! Die Terzen werden zu Quarten und die zu Quinten! Und das ganze in Sequenzen und in Umkehrung! Und zugleich ist es etwas Nettes, Beschauliches; es ist kein Karussell, bei dem du gleich Angst hast hinausgeschleudert zu werden! Gib dich ganz der Freude der Kinder auf dem Jahrmarkt hin und werde dabei selbst wieder zum Kind! Here you feel the centrifugal forces when you are riding a carousel! The thirds become to fourths and they become to fifths! And the whole also in inversions! At the same time there is something kind, comtemplative. It is no carousel riding with fear and you are not afraid to get thrown out! Surrender completely to the childrens´ joy in the fair and so become a child again!
$3.99
Mourning into Dancing from Suite Remembrance (Downloadable)
#
Sacred music
#
Melissa Dunphy
#
Mourning into Dancing from Sui
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
SATB/SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8744-E Composed by Melissa Dunphy. 18 pages. Duration 1 minute, 30 seconds. E. C. Schir...
(+)
SATB/SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8744-E Composed by Melissa Dunphy. 18 pages. Duration 1 minute, 30 seconds. E. C. Schirmer Music Company - Digital #8744-E. Published by E. C. Schirmer Music Company - Digital (MQ.8744-E). English. Psalms 30.A set of four contrasting “memorial dances†for unaccompanied mixed chorus, Suite Remembrance was commissioned by the Saint Louis Chamber Chorus. Movements range from energetic to lyrical and moving, and each takes after a dance form. This final movement sets text from Psalm 30 (KJV) to a sprightly Gigue. This movement differs from the other three in that it is written for double SATB chorus. But the textures are light and dance-like, perhaps not requiring huge forces. Duration: 1:30.
$3.15
Jazz Guitar Lines
#
Jazz
#
Vincent Bredice
#
Jazz Guitar Lines
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Guitar (jazz and contemporary) - Intermediate - Digital Download SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book....
(+)
Guitar (jazz and contemporary) - Intermediate - Digital Download SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #93721EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93721EB). ISBN 9781619119710. 8.75x11.75 inches.An interval is the distance between two notes measured in whole and half steps. When we stack intervals one on top of another, we produce chords. If we play the intervals in the chord one after another, we produce an arpeggio. But since all intervals, chords, and arpeggios are generated by scales, it follows that scales are the basis of all music from these scales we will find our JAZZ LINES, which is what this book is about. The following is a list of most of the jazz scales the student will encounter as he becomes involved in the study of improvising. When we improvise, we use as our weapons the scale, harmony and melody. The two dimensions in music are the harmony (vertical) and melody (horizontal). It is highly recommended that every student of improvising, know his scales in all positions and a variety of chords that the scales generate. All scales should be played in at least four positions especially the 1st position forces one to learn the theory. All other position pattern scales must be transposed throughout the guitar. The author has written a few pages in the beginning of the book serving as a prerequisite for the jazz lines to follow. It is essential that the student know the scales, key signatures, intervals, and chord constructions that will be used throughout the book. In order to benefit fully from this approach to jazz, the student must understand the full meaning of the words practice and analysis. Most students confuse practice with playing or reading through the exercise. To really improve and absorb the material, every phase must be practiced. This means the fingering must be committed to memory, slowly at first and then as fast as technique allows. The idea must be so ingrained in the mind that it flows from any part of the fingerboard that the performer desires. This is the way great players approach an idea – from any fret, string or position! If there is no harmonic or melodic analysis of the material being studied, then the learning skill becomes superfluous and there is no comprehension and absorption, and without this proper digestion the performer cannot use it as his taste dictates. All of the great players, have had a great technique and this is the first goal of the young student – “great chops.†As the student matures, musicianship will grow but technique is at the grasp of all who seek it. Start today to acquire it!
$22.99
S'vivon
#
Klezmer
#
Traditional
#
Michael D
#
S'vivon
#
Michael D. Blostein
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.921098 Composed by Traditional. Arranged by Michael D. Blostein. Hanukkah,Jewish. Sco...
(+)
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.921098 Composed by Traditional. Arranged by Michael D. Blostein. Hanukkah,Jewish. Score and parts. 13 pages. Michael D. Blostein #6512091. Published by Michael D. Blostein (A0.921098). The Hebrew translation of Dreidel, the word origins can be traced back to a Hindu game. With the four sides of the box each having a different meaning, the concept has been translated here musically.The traditional melody is initially stated by all voices except bass in unison. From here, the bass enters with a moving line that borrows heavily from western jazz influence, above which we hear the other voices of the ensemble in turn. As each enters, it has a unique take on the basic structure of the original tune, but with an improvisational influence that continues as the next voice enters. When the final voice (cello) enters with the original tune restated, the upper voices join forces to in a final counter-statement.
$45.00
Theme From "the A Team"
#
Mike Post and Pete Carpenter
#
Rob Bushnell
#
Theme From "the A Team"
#
RBMusic
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.752332 Composed by Mike Post and Pete Carpenter. Arranged by Rob Bushnell. Contemporary,Film/TV. Brass Band. 28 pages. RBMusic #3570265. Published by RBMusic (A0.752332). The A-Team is an American television series that ran from 1983 to 1987. It opens with the infamous narration: ‘In 1972 a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire the A-Team.’ The show revolves around four members of the fictitious United States Army Special Forces unit. These are the leader Colonel/Colonel John Hannibal Smith (played by George Peppard), smooth-talking Lieutenant Templeton Peck or Face (Dirk Benedict), pilot Captain H.M. Howling Mad Murdock (Dwight Schultz) and mechanic Sergeant First Class Bosco B.A. Baracus (Mr. T). The main theme was composed by Mike Post and Pete Carpenter, although the version they created was not the same as the theme heard on-screen (which is what this arrangement is of). The theme has been ranked among the best TV themes every written. Interesting, the French version of the theme has lyrics that mirror the spoken description of the English version of the show. In 2010, 20th Century Fox released a feature film based on the series starring Liam Neeson, Bradley Cooper, Quinton Jackson and Sharlto Copley as the A-Team. Alan Silvestri composed the soundtrack. This arrangement of the Main Theme is for the UK-style brass band, with alternative parts for piccolo trumpet, horns in F and bass-clef lower brass. It has been designed to work just as well for indoor performances as outdoor concerts. It also has the band parts reduced down to march-card size for use with a lyre as well as a music stand (making it ideal for events such as Durham Miners' Gala). A recording from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=_MVonyVSQoM.
$39.99
Silent Night, Holy Night (Downloadable)
#
Christmas
#
Hal H
#
Silent Night, Holy Night
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Congregation, flute, organ, and strings, with optional descant, handbells, and harp - Moderately Easy - Digital Download SKU: MQ.20-011-E Composed by Hal...
(+)
Congregation, flute, organ, and strings, with optional descant, handbells, and harp - Moderately Easy - Digital Download SKU: MQ.20-011-E Composed by Hal H. Hopson. Christmas, Lessons and Carols. 39 pages. MorningStar Music Publishers - Digital Sheet Music #20-011-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-011-E). Taken from the composer's larger Christmas work, Come, Ye Faithful: A Service of Carols, this excerpt is intended for use as a reflective congregational hymn accompaniment. Four unique stanzas are set here, the final one with optional SSA descant. A brief introduction and a brief coda make lovely use of the instrumental forces.
$35.00
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
#
Instructional
#
Nathan Petitpas - Dots and Bea
#
Rhythm Only - Book 1 - Eighths
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
(+)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
The Time Machine (Excerpts), an Accompanied Reading
#
Contemporary
#
Paul Burnell
#
The Time Machine
#
Paul Burnell
#
SheetMusicPlus
Small Ensemble Cello,Flute,Guitar,Handbell,Multi-Percussion,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.835782 Composed by Paul Burnell. Cont...
(+)
Small Ensemble Cello,Flute,Guitar,Handbell,Multi-Percussion,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.835782 Composed by Paul Burnell. Contemporary. Score and parts. 88 pages. Paul Burnell #3222659. Published by Paul Burnell (A0.835782). Composed 2017. One of a series of fourteen accompaniments to texts published between the years 1886 and 1899. Duration 30:00 For narrator and ensemble Text from the novella by H.G. Wells (1866 - 1946) published in 1895 The subtitles for each of the six movements are: Part 1 - the Model Part 2 - the Journey Part 3 - the Eloi Part 4 - the Morlocks Part 5 - the Eclipse Part 6 - the Ghost 'The Time Machine' is a science fiction novel by Herbert George Wells, published in 1895. H. G. Wells is commonly credited with the popularisation of the concept of time travel - using a vehicle that allows an operator to travel intentionally and selectively backwards or forwards in time. Ensemble instrumentation: Keyboard(s) - accordion, organ, glass harmonica, vibraphone, piano, toy piano, etc. Flute or tenor/bass recorder Violin or viola or violincello. Wine glass 1 tuned to Bb Wine glass 2 tuned to C - ideally a minor seventh below wine glass 1 Handbells, three players using bows and beaters: Voice or guitar (acoustic, electric or bass guitar) Percussion - Suspended cymbal, low drum(s), whirly tube(s), ‘found’ resonant instruments, plastic bag(s), singing bowl, guiro(s) There is no overall score. Performers (except percussion) play from a series of graphic scores. The percussion parts are written in more traditional notation. It is not necessary for the ensemble to contain all the instruments. If all instruments are available then the ensemble may vary the instrumentation, or omit instruments, for each of the movements, or within movements. The dynamic balance between players should be sympathetic to the forces available. This may mean, for example, that an accordion is muted or sited away from the other players. Effects such as reverberation or distortion may be applied to the instrumental sounds. Variety of expression is encouraged. The narrator’s text readings must each have a duration of under five minutes.For each of the six movements the ensemble begins playing one minute after the speaker. It is allowed for the movements to be performed as single pieces, and without the narration.
$7.95
Easier Pachelbel Canon
#
Classical
#
Johann Pachelbel
#
Mark Lansom
#
Easier Pachelbel Canon
#
Mark Lansom
#
SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 1 - Digital Download SKU: A0.1102450 Composed by Johann Pachelbel. Arranged by Mark Lansom. Baroqu...
(+)
String Ensemble Cello,Double Bass,Viola,Violin - Level 1 - Digital Download SKU: A0.1102450 Composed by Johann Pachelbel. Arranged by Mark Lansom. Baroque,Children,Classical,Film/TV,Instructional. Score and parts. 24 pages. Mark Lansom #705862. Published by Mark Lansom (A0.1102450). This arrangement was written for a school ensemble with violins at three distinct levels of ability. The first violin part is almost identical to the original, with occasional easing. The second violin part maintains as much of the original as possible too, but without having to leave first position. The third violin part was designed for players towards the end of their first year of lessons, and remains in first hand shape of tone-tone-semitone from each string. The cello part was adapted to avoid the slightly awkward F sharp stretch on the C string, which often leads young cellists out of tune. However, there is a second supplementary score and parts which use the original cello notes. Other supplementary parts include a fourth violin part which is all open strings, a viola part which doubles mostly second violin but sometimes first or third violin to stop the line leaving first position, and a double bass part. Minimum forces for a performance are the first three violin parts with at least one bass clef part (which could also of course be played on a keyboard). Inevitably, the piece loses its purity of being an actual canon of parts, but gains playability. It is almost as long as the original, but some cuts have been made, so it is inadvisable to add parts from other sources. Finally, the piece has been made much easier to read by being written in double time.
$35.99
Pitch Only - Bass Clef (Sight Reading Exercise Book)
#
Instructional
#
Nathan Petitpas - Dots and Bea
#
Pitch Only - Bass Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
(+)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
<
1
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
