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Frances J
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Frances J
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12 sheet music found
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1
Once in Royal David's City - Lead Sheet or Solo for bass-clef instrument (G Major)
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C
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Rob Bushnell
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Once in Royal David's City - L
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RBMusic
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SheetMusicPlus
Instrumental Solo - Level 2 - Digital Download SKU: A0.752435 Composed by C. F. Alexander, C. F. Humphreys, Cecil Frances Alexander, Cecil Frances Humphr...
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Instrumental Solo - Level 2 - Digital Download SKU: A0.752435 Composed by C. F. Alexander, C. F. Humphreys, Cecil Frances Alexander, Cecil Frances Humphreys, H. J. Gauntlett, and Henry John Gauntlett. Arranged by Rob Bushnell. Christian,Christmas,Religious,Romantic Period,Sacred. Individual part. 3 pages. RBMusic #6190015. Published by RBMusic (A0.752435). Once in Royal David’s City is a Christmas carol with words by Cecil Frances Alexander (nee Humphreys) and music by Henry John Gauntlett. The Festival of Nine Lessons and Carols at the King's College Chapel Cambridge has begun its Christmas Eve service of this carol, since 1919, as the Processional hymn. According to tradition, the soloist of this carol is chosen on the day of the performance. It was the first recoding that the King's College Choir made for EMI in 1948. This listing is for bass-clef instruments and can be used as either a lead sheet or a solo part (with or without accompaniment – accompaniment not provided). It includes an optional, virtuosic variation of the melody, ideal for solo performances. This version is in G major (written pitch). A recording of the original carol can be found here on YouTube: https://www.youtube.com/watch?v=TT3cfXd3Shk.
$2.99
Once in Royal David's City - Lead Sheet or Solo for bass-clef instrument (F Major)
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C
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Rob Bushnell
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Once in Royal David's City - L
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RBMusic
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SheetMusicPlus
Instrumental Solo - Level 2 - Digital Download SKU: A0.752434 Composed by C. F. Alexander, C. F. Humphreys, Cecil Frances Alexander, Cecil Frances Humphr...
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Instrumental Solo - Level 2 - Digital Download SKU: A0.752434 Composed by C. F. Alexander, C. F. Humphreys, Cecil Frances Alexander, Cecil Frances Humphreys, H. J. Gauntlett, and Henry John Gauntlett. Arranged by Rob Bushnell. Christian,Christmas,Religious,Romantic Period,Sacred. Individual part. 3 pages. RBMusic #6190017. Published by RBMusic (A0.752434). Once in Royal David’s City is a Christmas carol with words by Cecil Frances Alexander (nee Humphreys) and music by Henry John Gauntlett. The Festival of Nine Lessons and Carols at the King's College Chapel Cambridge has begun its Christmas Eve service of this carol, since 1919, as the Processional hymn. According to tradition, the soloist of this carol is chosen on the day of the performance. It was the first recoding that the King's College Choir made for EMI in 1948. This listing is for bass-clef instruments and can be used as either a lead sheet or a solo part (with or without accompaniment – accompaniment not provided). It includes an optional, virtuosic variation of the melody, ideal for solo performances. This version is in F major (written pitch). A recording of the original carol can be found here on YouTube: https://www.youtube.com/watch?v=TT3cfXd3Shk.
$2.99
Once in Royal David's City - Lead Sheet or Solo for treble-clef instrument (G Major)
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C
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Rob Bushnell
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Once in Royal David's City - L
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RBMusic
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SheetMusicPlus
Instrumental Solo - Level 2 - Digital Download SKU: A0.752433 Composed by C. F. Alexander, C. F. Humphreys, Cecil Frances Alexander, Cecil Frances Humphr...
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Instrumental Solo - Level 2 - Digital Download SKU: A0.752433 Composed by C. F. Alexander, C. F. Humphreys, Cecil Frances Alexander, Cecil Frances Humphreys, H. J. Gauntlett, and Henry John Gauntlett. Arranged by Rob Bushnell. Christian,Christmas,Religious,Romantic Period,Sacred. Individual part. 3 pages. RBMusic #6189995. Published by RBMusic (A0.752433). Once in Royal David’s City is a Christmas carol with words by Cecil Frances Alexander (nee Humphreys) and music by Henry John Gauntlett. The Festival of Nine Lessons and Carols at the King's College Chapel Cambridge has begun its Christmas Eve service of this carol, since 1919, as the Processional hymn. According to tradition, the soloist of this carol is chosen on the day of the performance. It was the first recoding that the King's College Choir made for EMI in 1948. This listing is for treble-clef instruments and can be used as either a lead sheet or a solo part (with or without accompaniment – accompaniment not provided). It includes an optional, virtuosic variation of the melody, ideal for solo performances. This version is in G major (written pitch). A recording of the original carol can be found here on YouTube: https://www.youtube.com/watch?v=TT3cfXd3Shk.
$2.99
10 Romantic Easy duets for Oboe and English Horn
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Classical
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Niccolò Paganini Joha
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Francesco Leone
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10 Romantic Easy duets for Obo
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Glissato Edizioni Musicali
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SheetMusicPlus
Composed by Niccolò Paganini Johannes Brahms, Ludwig van Beethoven (1770-1827), Robert Schumann, Anton Rubinstein (1829-1894), Peter Ilyich Tch...
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Composed by Niccolò Paganini Johannes Brahms, Ludwig van Beethoven (1770-1827), Robert Schumann, Anton Rubinstein (1829-1894), Peter Ilyich Tchaikovsky (1840-1893), Antonin Dvorak (1841-1904), and Modest Petrovich Mussorgsky (1839-1881). Arranged by Francesco Leone. Classical, Instructional, Romantic Period. 41 pages. Glissato Edizioni Musicali #6664795. Published by Glissato Edizioni Musicali
10 easy duets collection of the romantic period arranged for Oboe in C and English Horn in F, very useful for recital of beginners / intermediate players. Each title is arranged in three different keys, the most comfortable, from low to high. Duration 15.00 (+-).
Contents: 1. Largo from "New World Symphony" – A. Dvorák 2. Theme from "Le Streghe" - N.Paganini 3. Melody – A. Rubinstein 4. Soldier March – R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane Lake" - P.I.Tchaikovsky.
$12.99
To a Fat Lady Seen from the Train
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Martin J
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To a Fat Lady Seen from the Tr
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Imagine Music - Digital
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SheetMusicPlus
SA chorus, Viola & Piano - Grade 3 - Digital Download SKU: IZ.VMW172 Composed by Martin J. Wimmer. Score. 23 pages. Imagine Music - Digital #VMW172. Publ...
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SA chorus, Viola & Piano - Grade 3 - Digital Download SKU: IZ.VMW172 Composed by Martin J. Wimmer. Score. 23 pages. Imagine Music - Digital #VMW172. Published by Imagine Music - Digital (IZ.VMW172). 6.75 x 10.5 in inches.To a Fat Lady Seen from the Train is a cycle of four songs for women's choir, viola, and piano written by Martin J. Wimmer between 1991-2007. The original poem is a triolet written by English poet Frances Cornford (1886-1960). She was Charles Darwin's granddaughter. Wimmer set it to music in 1991 while studying songwriting at SUNY Purchase. Sixteen years later, he discovered the three subsequent poems, each written as a rebuke of the original. The collection is dedicated to composer/pianist Roland E. Martin and mezzo-soprano Denise Blackmore who premiered the original song in 1992. The complete song cycle was recorded by the Freudig Singers of Western New York in 2009 on their CD titled, The Phat Lady Sings produced by Mark Custom Recordings #7907 MCD.
$2.95
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Ave Maria Bach - Gounod per 1 o 2 ocarine e pianoforte
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Bach - Gounod
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Emiliano Bernagozzi
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Ave Maria Bach - Gounod per 1
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Emiliano Bernagozzi
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Ocarina,Piano - Level 4 - Digital Download SKU: A0.1166524 Composed by Bach - Gounod. Arranged by Emiliano Bern...
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Instrumental Duet,Piano Instrumental Duet,Ocarina,Piano - Level 4 - Digital Download SKU: A0.1166524 Composed by Bach - Gounod. Arranged by Emiliano Bernagozzi. 20th Century,Baroque,Classical,Religious. 12 pages. Emiliano Bernagozzi #766902. Published by Emiliano Bernagozzi (A0.1166524). L'Ave Maria di Bach-Gounod è una celebre composizione su testo in lingua latina dell'Ave Maria. La melodia del canto è stata scritta dal compositore francese Charles Gounod nel 1859, che la pensò sovrapposta al Preludio n. 1 in do maggiore dal I Libro del Clavicembalo ben temperato (BWV 846), composto da J.S. Bach. Questo arrangiamento può essere eseguito con una ocarina e pianoforte o con due ocarine e pianoforte. L’estensione del brano richiede l’utilizzo di un’ocarina a12 fori.
$15.00
Classical Music For Recorder in C
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Classical
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Antonio Vivaldi, CLARKE, Chris
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B
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Classical Music For Recorder i
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bl_music
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SheetMusicPlus
Large Ensemble Flute,Oboe,Piano Accompaniment,Soprano Recorder,Tenor Recorder,Violin - Level 1 - Digital Download SKU: A0.842570 Composed by Antonio Viva...
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Large Ensemble Flute,Oboe,Piano Accompaniment,Soprano Recorder,Tenor Recorder,Violin - Level 1 - Digital Download SKU: A0.842570 Composed by Antonio Vivaldi, CLARKE, Christoph Willibald Von Gluck, Francesco Onofrio Manfredini, Franz Joseph Haydn, Henry Purcell, Johann Sebastian Bach, Ludwig van Beethoven, Luigi Boccherini, and Wolfgang Amadeus Mozart. Arranged by B.Brennan. Baroque,Classical,Concert,Romantic Period,Standards. Score and parts. 47 pages. Bl_music #6610035. Published by bl_music (A0.842570). Classical Music For Recorders in CThis is a collection of favourite pieces from the Baroque, Classical and Romantique era. Arranged for slightly advanced beginners. Highly suitable for school concerts, performances at private events or just for fun (and/or busking?).Trumpet Tune Henry Purcell (1659 – 1695)Minuetto Luigi Boccherini (1743 – 1805) Menuett J.S. Bach (1685 – 1750) Air J.S. Bach (1685 – 1750) Ecossaise Ludwig van Beethoven (1770 – 1827) Trumpet Voluntary Jeremiah Clarke (1674 – 1707) Dance of the Blessed Spirits C. W. Gluck (1714 – 1787) Ave Verum W.A. Mozart (1756 – 1791) Le Quattro Stagioni Antonio Vivaldi (1678 – 1741) - Primavera - Primavera Siciliana - Summer - Autumn - Winter Pastorale Siciliana Francesco Manfredini (1688 – 1740) Serenade Joseph Haydn (1732 – 1809)
$17.99
Brass Quintet: The Bride Elect March (score & parts)
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Francesco Leone
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Francesco Leone
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Brass Quintet: The Bride Elect
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Glissato Edizioni Musicali
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SheetMusicPlus
Brass Ensemble,Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1513677 By Francesco Leone. By John Philip Sousa. ...
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Brass Ensemble,Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1513677 By Francesco Leone. By John Philip Sousa. Arranged by Francesco Leone. March. 29 pages. Glissato Edizioni Musicali #1088438. Published by Glissato Edizioni Musicali (A0.1513677). Step into the world of timeless marches with 'The Bride Elect,' a classic composition by J.P. Sousa, skillfully arranged for Brass Quintet. Perfect for intermediate-level musicians, this arrangement pays homage to the golden age of marches and parades.Within this e-book, you will find a complete score and parts for Bb Trumpets 1 & 2, Horn in F, Trombone, and Tuba, providing your quintet with all the essential components for a rousing and spirited performance. To accommodate different instrumentation preferences, optional parts for Eb Horn, Bb Trombone (T.C.), Eb Tuba (T.C.), and Bb Tuba (T.C.) are thoughtfully included.With this arrangement, your Brass Quintet will be able to capture the grandeur and pomp of Sousa's composition while delivering an engaging and memorable performance.To get a preview of the exhilarating music, don't forget to listen to the audio demo available on www.glissato.it. Share the majestic and celebratory spirit of 'The Bride Elect' with your audience and let your Brass Quintet lead them in a musical procession through time.
$15.99
Ritmo (bad Boys For Life)
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Contemporary
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The Black Eyes Peas & J Balvin
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Omir Charley
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Ritmo
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Omir Charley
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SheetMusicPlus
Large Ensemble Alto Saxophone,Clarinet,Drum Set,Flute,Horn,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone - Digital Download SKU: A0.99...
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Large Ensemble Alto Saxophone,Clarinet,Drum Set,Flute,Horn,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone - Digital Download SKU: A0.995439 By The Black Eyes Peas & J Balvin. By Allan Pineda, Annerley Gordon, Francesco Bontemi, Giorgio Spagna, Jose Alvaro Osorio Balvin, Keith Ernesto Harris, Michael Gaffey, Peter Wilfred Glenister, and Will Adams. Arranged by Omir Charley. Contemporary. Score and parts. 27 pages. Omir Charley #5359127. Published by Omir Charley (A0.995439). Ritmo Arrangement .
$12.99
Con Te Partiro (time To Say Goodbye)
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Pop music
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Soul/R&B
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Andrea Bocelli
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J
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Con Te Partiro
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JP-Synphonic
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SheetMusicPlus
Clavinova,Digital Keyboard,Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1309494 By Andrea Bocelli. By Francesco Sartori and Lucio Qu...
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Clavinova,Digital Keyboard,Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1309494 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by J.Proeckl and JP-Synphonic. Pop,R & B. Individual part. 6 pages. JP-Synphonic #898658. Published by JP-Synphonic (A0.1309494). Arrangements for organ suitable for schools and students and suitable for church services.2 Versions: 1. Leadsheet, 2. Fullscore for organ, piano and keyboards.
$5.99
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