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15
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You've selected:
From France
Sheetmusic to print
199 sheet music found
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176
French Noels from 1740 for Flexible Trio
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Michel Richard de Lalande
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John Gibson
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French Noels from 1740 for Fle
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JB Linear
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SheetMusicPlus
Small Ensemble Bass Clarinet,Bassoon,Cello,Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.581950 Composed by Michel Richard de Lalande. Arranged ...
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Small Ensemble Bass Clarinet,Bassoon,Cello,Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.581950 Composed by Michel Richard de Lalande. Arranged by John Gibson. Baroque,Christmas. Score and parts. 53 pages. JB Linear #3568937. Published by JB Linear (A0.581950). French Noels from 1740 by Michel Richard de Lalande (1657-1726), edited and set for flexible trio by John Gibson. These may be performed using flute, oboe, Bb clarinet, or violin on part 1; flute, oboe, Bb clarinet, or violin on part 2; and bassoon, cello, or Bb bass clarinet on the Bass part. These trios are de Lalande's arrangements of popular Christmas Noels of the time and they were first published after his death c. 1740. The source material was found in the Bibliotheque nationale de France and is used by permission of the library for this setting. This was an interesting task, as the source was a copy of the original publication that was difficult to read and used clefs and musical notation that is not used today. Some articulations and slurs were added, although they are optional according to the performer's wishes. The marks, + in the parts were interpreted as trills, although the performer may use any common Baroque period ornamentation desired.
$14.25
Two Rondes from Susato's Danserye (1551)
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Renaissance
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Tielman Susato
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Colin Kirkpatrick
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Two Rondes from Susato's Danse
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1034006 Composed by Tielman Susato. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 ...
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String Ensemble - Level 2 - Digital Download SKU: A0.1034006 Composed by Tielman Susato. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #639328. Published by Colin Kirkpatrick Publications (A0.1034006). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone color. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambor or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Two Almandes from Premier Livre de Danseries (Pierre Phalèse, 1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Two Almandes from Premier Livr
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1037867 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. ...
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String Ensemble - Level 2 - Digital Download SKU: A0.1037867 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #642781. Published by Colin Kirkpatrick Publications (A0.1037867). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The two almands in this arrangement were well known popular melodies at the time of publication. They still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Prelude from "Aida" for Flute Quartet - Score & Parts
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Francesco Leone
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Francesco Leone
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Prelude from "Aida" for Flute
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Glissato Edizioni Musicali
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1508278 By Francesco Leone. By Giuseppe Verdi. Arranged by ...
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Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1508278 By Francesco Leone. By Giuseppe Verdi. Arranged by Francesco Leone. Opera. 21 pages. Glissato Edizioni Musicali #1083579. Published by Glissato Edizioni Musicali (A0.1508278). Experience the hauntingly beautiful prelude from Giuseppe Verdi's opera Aida with this exquisite transcription for Flute Quartet by Francesco Leone. Designed for intermediate-level musicians, this arrangement captures the emotional depth and delicate nuances of Verdi's original composition, bringing its timeless beauty to your flute ensemble.Includes:Full ScoreSet of Parts (4):C Flute 1C Flute 2G Alto FluteC Bass FluteFeatures:Emotional Depth: Francesco Leone's transcription preserves the delicate and haunting melodies of Verdi's prelude, ensuring a moving and expressive performance.Intermediate Level: This arrangement is tailored for intermediate-level flutists, providing a balanced challenge that is both rewarding and accessible.Comprehensive Package: Includes a full score and individual parts for each member of the quartet, facilitating a smooth rehearsal and performance process.Why Choose This Transcription? This transcription is perfect for flute quartets looking to explore the rich traditions of operatic music and add a piece of profound beauty to their repertoire. Whether for concerts, recitals, or special events, the prelude from Aida arranged by Francesco Leone offers a captivating and inspiring musical experience.Bring the serene and expressive sounds of Giuseppe Verdi's Aida prelude to your flute quartet and enchant audiences with this timeless masterpiece. Get your copy today and let Verdi's music inspire your next performance!
$15.00
Pilgrim's Chorus from "Tannhäuser" - Flute Quartet (score & parts)
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Francesco Leone
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Francesco Leone
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Pilgrim's Chorus from "Tannhä
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Glissato Edizioni Musicali
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 3 - Digital Download SKU: A0.1508774 By Francesco Leone. By Richard Wagner. Arranged by Francesco L...
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Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 3 - Digital Download SKU: A0.1508774 By Francesco Leone. By Richard Wagner. Arranged by Francesco Leone. Romantic Period. 22 pages. Glissato Edizioni Musicali #1084042. Published by Glissato Edizioni Musicali (A0.1508774). Experience the profound and stirring Pilgrim's Chorus from Richard Wagner's opera Tannhäuser, beautifully transcribed for Flute Quartet by Francesco Leone. This arrangement captures the emotional depth and grandeur of Wagner's original composition, making it accessible for intermediate-level flutists.Includes:Full ScoreSet of Parts (5):C Flute 1C Flute 2C Flute 3C Flute 4Optional G Alto Flute (instead of Flute 4)Features:Emotional Depth: Francesco Leone's transcription preserves the rich harmonies and sweeping melodies of Wagner's Pilgrim's Chorus, ensuring a powerful and moving performance.Intermediate Level: This arrangement is tailored for intermediate-level flutists, offering a balanced challenge that is both rewarding and accessible.Flexible Instrumentation: The inclusion of an optional part for G Alto Flute provides flexibility in ensemble configuration, accommodating different instrumental setups.Comprehensive Package: Includes a full score and individual parts for each member of the quartet, facilitating a smooth rehearsal and performance process.Why Choose This Transcription? This transcription is perfect for flute quartets looking to explore the rich traditions of operatic music and add a piece of profound beauty to their repertoire. Whether for concerts, recitals, or special events, Pilgrim's Chorus arranged by Francesco Leone offers a captivating and inspiring musical experience.Bring the majestic and moving sounds of Richard Wagner's Pilgrim's Chorus to your flute quartet and touch the hearts of your audience with this timeless masterpiece. Get your copy today and let Wagner's music inspire your next performance!
$12.00
Allegretto (from a Sonata) (Downloadable)
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Petronio Franceschini and S
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Allegretto
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Solo instrument and keyboard - Easy to Moderately Easy - Digital Download SKU: MQ.20-951-1E Composed by Petronio Franceschini and S. Drummond Wolff. 4 pa...
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Solo instrument and keyboard - Easy to Moderately Easy - Digital Download SKU: MQ.20-951-1E Composed by Petronio Franceschini and S. Drummond Wolff. 4 pages. MorningStar Music Publishers - Digital Sheet Music #20-951-1E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-951-1E).
$5.00
CAVALLI Francesco: Un agile vento, aria from the cantata, - Voice and Piano (G major)
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Francesco CAVALLI
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Sergei PICHUGIN
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CAVALLI Francesco: Un agile ve
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Really Good Music, LLC.
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868769 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baro...
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Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868769 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580877. Published by Really Good Music, LLC. (A0.868769). Un agile vento is an aria from Solo cantata III Nell'acque semina, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – E5) for low voice.
$5.95
CAVALLI Francesco: Chiedi consiglio à mè, aria from the cantata, - Voice and Piano (G m
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Francesco CAVALLI
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Sergei PICHUGIN
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CAVALLI Francesco: Chiedi cons
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Really Good Music, LLC.
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868781 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baro...
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Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868781 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580899. Published by Really Good Music, LLC. (A0.868781). Chiedi consiglio à mè is an aria from Solo cantata V In duri lacci, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (D4 – D5) for low voice.
$5.95
CAVALLI Francesco: Come scherza quel augelletto, aria from the cantata, - Voice and Piano
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Francesco CAVALLI
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Sergei PICHUGIN
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CAVALLI Francesco: Come scherz
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Really Good Music, LLC.
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868795 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baro...
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Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868795 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4596599. Published by Really Good Music, LLC. (A0.868795). Come scherza quel augelletto is an aria from Solo cantata VII Sospiri ohime, sospiri, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (B3 – D5) for low voice.
$5.95
CAVALLI Francesco: Tu sei finta, aria from the cantata, - Voice and Piano (E minor)
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Francesco CAVALLI
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Sergei PICHUGIN
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CAVALLI Francesco: Tu sei fint
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Really Good Music, LLC.
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868812 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baro...
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Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868812 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4596851. Published by Really Good Music, LLC. (A0.868812). Tu sei finta is an aria from Solo cantata X Bellissima Dorsibe, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of E minor (B3 – E5) for low voice.
$5.95
CAVALLI Francesco: Oh Dio, non far ch’io mora, aria from the cantata, - Voice and Piano
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Francesco CAVALLI
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Sergei PICHUGIN
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CAVALLI Francesco: Oh Dio, non
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Really Good Music, LLC.
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868756 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baro...
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Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868756 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580837. Published by Really Good Music, LLC. (A0.868756). Oh Dio, non far ch’io mora is an aria from Solo cantata I Ferma deh, ferma omai, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo. Ferma deh, ferma omai is the only cantata in the collection, composed for alto and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D minor (C4 – C5) for low voice.
$5.95
"Vado a morir" from "La forza dell'amore e dell'odio" - Francesco Araja - Score Only
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Arturo Escorza
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Arturo Escorza
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"Vado a morir" from "La forza
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Arturo Escorza
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SheetMusicPlus
Digital Download SKU: A0.1118989 By Arturo Escorza. By Francesco Araja. Arranged by Arturo Escorza. Baroque,Chamber,Classical,Early Music,Opera. 5 pages....
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Digital Download SKU: A0.1118989 By Arturo Escorza. By Francesco Araja. Arranged by Arturo Escorza. Baroque,Chamber,Classical,Early Music,Opera. 5 pages. Arturo Escorza #720396. Published by Arturo Escorza (A0.1118989). Aria Vado a morir from the first italian opera ever performed in the Russian Empire: La forza dell'amore e dell'odio by the neapolitan composer Francesco Araja. In B minor, like Cecilia Bartoli's version in her 2014 St. Petersburg album. INSTRUMENTS Violin 1, Violin 2, Viola, Soprano, Continuo.
$13.00
Vanne intrepido (from La Statira)
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Opera
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Classical
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Francesco Cavalli
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Early Music Scores
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Vanne intrepido
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Early Music Scores
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SheetMusicPlus
Continuo,Soprano voice,Violin - Digital Download SKU: A0.1348986 Composed by Francesco Cavalli. Arranged by Early Music Scores. Baroque,Opera. 14 pages. ...
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Continuo,Soprano voice,Violin - Digital Download SKU: A0.1348986 Composed by Francesco Cavalli. Arranged by Early Music Scores. Baroque,Opera. 14 pages. Early Music Scores #933722. Published by Early Music Scores (A0.1348986). Soprano, two violins, and continuoComposed by Francesco Cavalli (1602-1676). From the opera La Statira (1656). Edited by Felipe Dias. 14 pages. Score and parts.
$7.99
Amor che mascherasti (from La Statira)
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Opera
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Classical
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Francesco Cavalli
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Early Music Scores
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Amor che mascherasti
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Early Music Scores
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SheetMusicPlus
Continuo,Soprano voice,Violin - Digital Download SKU: A0.1348989 Composed by Francesco Cavalli. Arranged by Early Music Scores. Baroque,Opera. 7 pages. E...
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Continuo,Soprano voice,Violin - Digital Download SKU: A0.1348989 Composed by Francesco Cavalli. Arranged by Early Music Scores. Baroque,Opera. 7 pages. Early Music Scores #933726. Published by Early Music Scores (A0.1348989). Soprano, two violins, and continuoComposed by Francesco Cavalli (1602-1676). From the opera La Statira (1656). Edited by Felipe Dias. 7 pages. Score and parts.
$7.99
Non posso far (Lucillo's aria from Lo schiavo di sua moglie)
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Classical
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Francesco Provenzale
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Early Music Scores
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Non posso far
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Early Music Scores
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SheetMusicPlus
Strings Basso Continuo,Soprano voice - Digital Download SKU: A0.791855 Composed by Francesco Provenzale. Arranged by Early Music Scores. Baroque,Classica...
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Strings Basso Continuo,Soprano voice - Digital Download SKU: A0.791855 Composed by Francesco Provenzale. Arranged by Early Music Scores. Baroque,Classical,Opera. 2 pages. Early Music Scores #6628463. Published by Early Music Scores (A0.791855). Soprano voice, two violins and continuoComposed by Francesco Provenzale (1624-1704). From Lo schiavo di sua moglie, Atto I, scena 5. Source: Roma, Biblioteca del Conservatorio musicale di S. Cecilia, MS 21025. Baroque period. Edited by Felipe Dias. 2 pages.
$6.99
"Vado a morir" from "La forza dell'amore e dell'odio" - Orchestral karaoke
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Arturo Escorza
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Arturo Escorza
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"Vado a morir" from "La forza
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Arturo Escorza
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SheetMusicPlus
Digital Download SKU: A0.1120293 By Arturo Escorza. By Francesco Araja. Arranged by Arturo Escorza. Baroque,Chamber,Classical,Early Music,Opera. Accompan...
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Digital Download SKU: A0.1120293 By Arturo Escorza. By Francesco Araja. Arranged by Arturo Escorza. Baroque,Chamber,Classical,Early Music,Opera. Accompaniment. Duration 434. Arturo Escorza #721620. Published by Arturo Escorza (A0.1120293). Instrumental Backing track of the aria Vado a morir from the first italian opera ever performed in the Russian Empire: La forza dell'amore e dell'odio by the neapolitan composer Francesco Araja. In B minor, like Cecilia Bartoli's version in her 2014 St. Petersburg album. INSTRUMENTS Violin 1, Violin 2, Viola, Continuo.
$12.00
To a Fat Lady Seen from the Train
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Martin J
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To a Fat Lady Seen from the Tr
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Imagine Music - Digital
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SheetMusicPlus
SA chorus, Viola & Piano - Grade 3 - Digital Download SKU: IZ.VMW172 Composed by Martin J. Wimmer. Score. 23 pages. Imagine Music - Digital #VMW172. Publ...
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SA chorus, Viola & Piano - Grade 3 - Digital Download SKU: IZ.VMW172 Composed by Martin J. Wimmer. Score. 23 pages. Imagine Music - Digital #VMW172. Published by Imagine Music - Digital (IZ.VMW172). 6.75 x 10.5 in inches.To a Fat Lady Seen from the Train is a cycle of four songs for women's choir, viola, and piano written by Martin J. Wimmer between 1991-2007. The original poem is a triolet written by English poet Frances Cornford (1886-1960). She was Charles Darwin's granddaughter. Wimmer set it to music in 1991 while studying songwriting at SUNY Purchase. Sixteen years later, he discovered the three subsequent poems, each written as a rebuke of the original. The collection is dedicated to composer/pianist Roland E. Martin and mezzo-soprano Denise Blackmore who premiered the original song in 1992. The complete song cycle was recorded by the Freudig Singers of Western New York in 2009 on their CD titled, The Phat Lady Sings produced by Mark Custom Recordings #7907 MCD.
$2.95
Bilitis (theme From)
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Film/TV
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Sarah Brightman
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Nigel Hall
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Bilitis
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Elgin Media
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.806272 By Sarah Brightman. By Frances Lai. Arranged by Nigel Hall. Film/TV. Brass Band. 43 pages. Elgin Media #5023751. Published by Elgin Media (A0.806272). Theme tune from the classic 70's French movie arranged for Brass Band.
$35.00
Where Do I Begin (theme from Love Story) (arr. Adrian Lucas)
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Film/TV
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Frances Lai
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Adrian Lucas
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Where Do I Begin
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Hal Leonard Europe
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SheetMusicPlus
Choral - Digital Download SKU: HX.353367 By Frances Lai. Arranged by Adrian Lucas. This edition: scorch. Choral. Film/TV. Octavo. 5 pages. Hal Leonard Eu...
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Choral - Digital Download SKU: HX.353367 By Frances Lai. Arranged by Adrian Lucas. This edition: scorch. Choral. Film/TV. Octavo. 5 pages. Hal Leonard Europe #21510. Published by Hal Leonard Europe (HX.353367).
$1.70
SARTORIO Antonio: Dolce Amor, bendato Dio, aria from the opera "Il Massenzio", - Voice an
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Antonio SARTORIO
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Sergei PICHUGIN
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SARTORIO Antonio: Dolce Amor,
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Really Good Music, LLC.
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868659 Composed by Antonio SARTORIO (1630 – 1680). Arranged by Sergei PICHUGIN. Baroq...
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Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868659 Composed by Antonio SARTORIO (1630 – 1680). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4366446. Published by Really Good Music, LLC. (A0.868659). Dolce Amor, bendato Dio is an aria from the opera Il Massenzio (1673), composed by Antonio SARTORIO (1630 – 1680). Despite the fact that Sartorio’s authorship has been reliably established, various publications of the arrangements of the aria for a long time named Francesco CAVALLI as a composer. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the first publications of the libretto of the opera (Venice, 1673; Rome, 1674) and on comparison of four manuscripts, mostly from the end of seventeenth century. It is available in the key of E minor (B3 – D5) for low voice. .
$5.95
Popular Music from the Age of Humanism 1430-1530 - - Score Only
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Adrian Willaert, Anonymous, Co
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Alastair Lodge
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Popular Music from the Age of
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Wold Meridian
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1365464 Composed by Adrian Willaert, Anonymous, Conrad Paumann, Guglielmo Ebreo da Pesaro, Guillaume Dufay, Heinrich I...
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Level 3 - Digital Download SKU: A0.1365464 Composed by Adrian Willaert, Anonymous, Conrad Paumann, Guglielmo Ebreo da Pesaro, Guillaume Dufay, Heinrich Isaac, Johannes Ockeghem, John Bedyngham, Josquin Des Pres, Juan Roman, Magistro Rofino/Francesco Patavino, Robert Morton, and etc. Arranged by Alastair Lodge. Early Music,Historic,Medieval,Renaissance. 88 pages. Wold Meridian #949794. Published by Wold Meridian (A0.1365464). 26 Secular consort pieces and songs  in 2, 3 and 4 parts from late mediaeval and early renaissance sources in full score with lyrics.  The century between 1430 and 1530 was a revolutionary time for the arts in Europe, bridging the late Middle Ages and Early Renaissance.This selection of 26 pieces have been prepared in modern notation and familiar time signatures for those who wish to explore music popular secular music composed between these years .  There are songs and instrumental pieces that can be performed in a wide variety of ways, using modern  or period reproduction instruments.  Each piece has background historical notes, and there is an accompanying playlist on YouTube in which each of the pieces can be auditioned.  The pieces are presented in full score form, with lyrics provided.This book covers the transition in music between that featured in my volume Harmony of the Middle Ages, and the other two volumes Chording to the Dance Masters and Chording to the Consort.  Together they provide an invaluable companion to performers of Early Music, re-enactors or people who would like to extend their repertoire and get to know works of this period.
$15.00
Daniel de Moivre: Eight Suites For Alto Recorder Solo
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Classical
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Daniel de Moivre
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Socrates Arvanitakis
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Daniel de Moivre: Eight Suites
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Socrates Arvanitakis
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SheetMusicPlus
Recorder Solo,Treble Recorder - Level 3 - Digital Download SKU: A0.1261477 Composed by Daniel de Moivre (1687-1731). Arranged by Socrates Arvanitakis. Ba...
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Recorder Solo,Treble Recorder - Level 3 - Digital Download SKU: A0.1261477 Composed by Daniel de Moivre (1687-1731). Arranged by Socrates Arvanitakis. Baroque. Individual part. 88 pages. Socrates Arvanitakis #854554. Published by Socrates Arvanitakis (A0.1261477). PREFACEThese eight suites for solo recorder are amongst the relatively fewcompositions by Daniel de Moivre that have survived for us through the centuries.Not very much is known of the life of this composer, except that hewas a French Huguenot, the younger brother of the well-known French mathematician Abraham de Moivre, with whom he movedfrom France to England after their imprisonment in France for being protestants, and it is recorded that they both became denizens ofGreat Britain on 16/12/1687. It seems that both brothers earn their livings mostly by teaching in their respective subjects for the rest of their lives. Daniel de Moivre had early training in France in recorderand composition, and in England he was known as one of the bestrecorder players at the time, together with Paisible, Banister Loilet and others.The solo suites that follow are of moderate technical difficulty andform a good basis for advancing the recorder technique to higher levels. But primarily are well made baroque dance tunes that can beused for both study and recreation.All ornaments are marked as trills starting usually on the upper note,but some of them can be interpreted as mordents or inverted mordents. There are quite a few baroque-rondeau movements withinthese suites, marked with double bar lines but without repeats.Repeats are optional here, and it depends on personal aesthetics. I find the following scheme of playing baroque- rondeau movements quite satisfactory: AA-BB-A-CC-ALegato marks and other slurs were not included in the original andare left to the performer’s decision.All tempi are only editorial suggestions which can be ignored to a reasonable degree.This volume has been created with decorated and undecorated pages and with individual front covers for each suite so that the user can add or omit pages at will and create his own book designs.The mp3 sample contains various movements from all suites.Socrates ArvanitakisLondon 2021.
$25.00
PlayPopSongs: So Far Away From L.A.
Support de cours
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French Songs
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PlayPopSongs
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So Far Away From L.A.
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Quickpartitions
4.99€
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