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You've selected:
Hand To Hold On To
Sheetmusic to print
41 sheet music found
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1
26
Hold On To God's Unchanging Hand
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Sacred music
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Dale K
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Hold On To God's Unchanging Ha
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Dale K. Rodgers
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.943784 Arranged by Dale K. Rodgers. Christian,Praise & Worship,Spir...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.943784 Arranged by Dale K. Rodgers. Christian,Praise & Worship,Spiritual. Score and parts. 2 pages. Dale K. Rodgers #4580589. Published by Dale K. Rodgers (A0.943784). This haunting melody will fit well in any religious setting. The finger-style guitar accompaniment is in the Key of C and played entirely in first position. In standard notation, with complete fingerings, chord names and TAB included. The voice range is from G-4 up to A-5.
$3.99
I Want To Hold Your Hand
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Rock
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The Beatles
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Jeff Perholtz
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I Want To Hold Your Hand
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Fab Forward Entertainment
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SheetMusicPlus
Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Digital Download SKU: A0.497404 By The Beatles. By John Lennon and Pa...
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Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Digital Download SKU: A0.497404 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Perholtz. Rock. Score and parts. 12 pages. Published by Fab Forward Entertainment (A0.497404). The Beatles - I Want To Hold Your Hand (Short version from the Beatles Love album) [For Three Piece Horn Section &/or String Trio to accompany a Rock Band] This arrangement of The Beatles classic I Want To Hold Your Hand for strings & horns is great for rock bands that want to perform with a full background ensemble. Throw away the phony keyboard patches and perform with real human beings! This arrangement should be used to accompany a band performing the song as it was edited on the Beatles Love album. The brass should be played as a trio with your choice of either tenor or alto sax. Includes individual parts and master score. Piano, guitar, bass, vocal & drum parts are not included.
$12.99
I Want To Hold Your Hand
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Pop music
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The Beatles
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NEAUXWAI
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I Want To Hold Your Hand
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NeauxWai
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SheetMusicPlus
Choral Alto Voice,Baritone Horn TC,Soprano voice (SATB) - Level 3 - Interactive Download SKU: A0.535427 By The Beatles. By John Lennon and Paul McCartney...
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Choral Alto Voice,Baritone Horn TC,Soprano voice (SATB) - Level 3 - Interactive Download SKU: A0.535427 By The Beatles. By John Lennon and Paul McCartney. Arranged by NEAUXWAI. This edition: Interactive Download. Pop. Octavo. Duration 148. NeauxWai #53rsXuNovmADsd9ISpoqjA. Published by NeauxWai (A0.535427). Key: C major.A straightforward arrangement based on the Across the Universe movie soundtrack version with a simple beatboxing line great for beginner beatboxers.
$4.99
holding your hands ( Misty Highland Shores )
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Eve Mctelenn
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Eve McTelenn
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holding your hands
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Eve Rodolfi-McTelenn
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SheetMusicPlus
Acoustic Guitar,Double Bass,Electric Violin,Flute,Piano - Level 4 - Digital Download SKU: A0.1487249 By Eve Mctelenn ( Ai Studio). By Eve McTelenn. Arran...
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Acoustic Guitar,Double Bass,Electric Violin,Flute,Piano - Level 4 - Digital Download SKU: A0.1487249 By Eve Mctelenn ( Ai Studio). By Eve McTelenn. Arranged by Eve McTelenn. Celtic,Folk,Irish,Medieval. Full Performance. Duration 230. Eve Rodolfi-McTelenn #1064223. Published by Eve Rodolfi-McTelenn (A0.1487249). Holding your hands[Verse]In the whispering woods, I wander farBeneath the ancient oaks and shining starYour voice it calls, a guiding lightIn the heart of the silent night[Chorus]Through the shadows and the echoing landsI know I'll find my way, holding your hands[Verse]Upon the misty shores, where waves embraceI journey on, to find your graceYour melody lingers, across the seaIn the twilight's soft, eternal plea[Chorus]Through the tempest and the boundless tidesTogether we'll roam, where true love abidesholding your hands[Verse]In the whispering woods, I wander farBeneath the ancient oaks and shining starYour voice it calls, a guiding lightIn the heart of the silent night[Chorus]Through the shadows and the echoing landsI know I'll find my way, holding your hands.
$1.99
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phale...
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, ...
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to Consort Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to Consort Full Score
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Wold Meridian
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John ...
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Level 2 - Digital Download SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig Senfl, Michael Praetorius, Pierre Attaignanant, Pierre Bonnet, and Tielman Susato. Arranged by Alastair Lodge. Classical,Early Music,Historic,Medieval,Renaissance. 43 pages. Wold Meridian #840108. Published by Wold Meridian (A0.1245199). This is a companion to my earlier volume Chording to Consort which presented 35 Renaissance Dance band tunes and Chansons and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited the remaining 17 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. Â You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkPO9vTOgEoG_kRJlJ5nUHnxComposers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on.Working with this publicationFor those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Bagpipe music - instrumental improvisation based on the poem by Louis MacNeice (mp3)
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Contemporary
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David Warin Solomons
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Bagpipe music - instrumental i
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David Warin Solomons
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SheetMusicPlus
Sampler - Level 4 - Digital Download SKU: A0.1354408 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 261. Davi...
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Sampler - Level 4 - Digital Download SKU: A0.1354408 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 261. David Warin Solomons #939127. Published by David Warin Solomons (A0.1354408). Instrumental version of my improvisation on Louis MacNeiceis Bagpipe MusicThe original poem is: It's no go the merry-go-round, it's no go the rickshaw,All we want is a limousine and a ticket for the peepshow.Their knickers are made of crêpe-de-chine, their shoes are made of python,Their halls are lined with tiger rugs and their walls with heads of bison.John MacDonald found a corpse, put it under the sofa,Waited till it came to life and hit it with a poker,Sold its eyes for souvenirs, sold its blood for whiskey,Kept its bones for dumb-bells to use when he was fifty.It's no go the Yogi-Man, it's no go Blavatsky,All we want is a bank balance and a bit of skirt in a taxi.Annie MacDougall went to milk, caught her foot in the heather,Woke to hear a dance record playing of Old Vienna.It's no go your maidenheads, it's no go your culture,All we want is a Dunlop tyre and the devil mend the puncture.The Laird o' Phelps spent Hogmanay declaring he was sober,Counted his feet to prove the fact and found he had one foot over.Mrs Carmichael had her fifth, looked at the job with repulsion,Said to the midwife 'Take it away; I'm through with overproduction'.It's no go the gossip column, it's no go the Ceilidh,All we want is a mother's help and a sugar-stick for the baby.Willie Murray cut his thumb, couldn't count the damage,Took the hide of an Ayrshire cow and used it for a bandage.His brother caught three hundred cran when the seas were lavish,Threw the bleeders back in the sea and went upon the parish.It's no go the Herring Board, it's no go the Bible,All we want is a packet of fags when our hands are idle.It's no go the picture palace, it's no go the stadium,It's no go the country cot with a pot of pink geraniums,It's no go the Government grants, it's no go the elections,Sit on your arse for fifty years and hang your hat on a pension.It's no go my honey love, it's no go my poppet;Work your hands from day to day, the winds will blow the profit.The glass is falling hour by hour, the glass will fall for ever,But if you break the bloody glass you won't hold up the weather.
$5.50
Joy To The World
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Rock
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Three Dog Night
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Mike Hyziak
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Joy To The World
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MPH Holding
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Cowbell,Drum Set,Flute,Hand Percussion,Horn,Piano,Tambourine,Tenor Saxophone,Trombone,Trumpet,Tuba,Xylophone - L...
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Cowbell,Drum Set,Flute,Hand Percussion,Horn,Piano,Tambourine,Tenor Saxophone,Trombone,Trumpet,Tuba,Xylophone - Level 2 - Digital Download SKU: A0.846352 By Three Dog Night. By Hoyt Axton. Arranged by Mike Hyziak. Rock. 20 pages. MPH Holding #6322627. Published by MPH Holding (A0.846352). CONCERT BAND. Hello, and thank you very much for your interest in my works! With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. Do you need an alternate part that is not in the score? One can be made for you, for a small fee. All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.comFinally, I have many more works not yet listed here, available on my website:http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html
$19.00
Joy To The World - Flex Orchestra
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having one or more instruments
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George Frederick Handel and An
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Kristin Campbell
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Joy To The World - Flex Orches
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Horsehair Music
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SheetMusicPlus
Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.596406 Composed by George Frederick Handel and Antonio Vivaldi. A...
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Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.596406 Composed by George Frederick Handel and Antonio Vivaldi. Arranged by Kristin Campbell. Baroque,Christmas. 31 pages. Horsehair Music #6631151. Published by Horsehair Music (A0.596406). The Flex Orchestra arrangements are settings that can flex to your available instrumentation. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each stringed instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part for each instrument. Ensemble parts are unique to the specific instrument. The piano accompaniment is the glue that holds it all together. This arrangement can be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part.      This arrangement for strings is easy uses 1st and 3rd position for the violin melody. Viola and cello melody parts are in first position. This setting mixes Vivalid's Gloria with Handel's Joy to the World. You will enjoy this lively and energetic setting of these well loved Christmas classics.
$9.99
Silly Love Songs
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Film/TV
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Wings
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Peet du Toit
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Silly Love Songs
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Peet du Toit
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SheetMusicPlus
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802642 By Wings. By Linda McCartney and Paul McCartney. Arranged by ...
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802642 By Wings. By Linda McCartney and Paul McCartney. Arranged by Peet du Toit. Film/TV. Score and parts. 36 pages. Peet du Toit #6115473. Published by Peet du Toit (A0.802642). Silly Love Songs is a song written by Paul McCartney and Linda McCartney and performed by Wings. The song appears on the 1976 album Wings at the Speed of Sound. It was also released as a single in 1976, backed with Cook of the House. The song, written in response to John Lennon and music critics accusing McCartney of predominantly writing silly love songs and sentimental slush, also features disco overtones.The song was McCartney's 27th number one as a songwriter; the all-time record for the most number one hits achieved by a songwriter.With this song, McCartney became the first person to have a year-end No. 1 song as a member of two distinct acts. McCartney previously hit No. 1 in the year-end Billboard chart as a member of the Beatles with I Want to Hold Your Hand in 1964 and Hey Jude in 1968.Silly Love Songs has since appeared on multiple McCartney greatest hits compilations, including Wings Greatest and All the Best!. The song has also appeared on the Hits section of the compilation album Wingspan: Hits and History. Despite its popularity, McCartney has not performed the song live since the dissolution of Wings.Silly Love Songs was written as a rebuttal to music critics (as well as John Lennon) who had criticized McCartney for writing lightweight love songs. Author Tim Riley suggests that in the song, McCartney is inviting his audience to have a laugh on him, as Elvis Presley had sometimes done. But over the years people have said, Aw, he sings love songs, he writes love songs, he's so soppy at times. I thought, Well, I know what they mean, but, people have been doing love songs forever. I like 'em, other people like 'em, and there's a lot of people I love -- I'm lucky enough to have that in my life. So the idea was that you may call them silly, but what's wrong with that? The song was, in a way, to answer people who just accuse me of being soppy. The nice payoff now is that a lot of the people I meet who are at the age where they've just got a couple of kids and have grown up a bit, settling down, they'll say to me, I thought you were really soppy for years, but I get it now! I see what you were doing! - Paul McCartney, Billboard Enjoy my brassy version of Silly Love Songs
$22.00
Never Land
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Walt Disney
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Children
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Mavis Pan
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Never Land
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Mavis Pan Music
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Cello,Horn,Piano,Voice - Level 3 - Digital Download SKU: A0.1031778 Composed by Mavis Pan. Contemporary. Score and parts. ...
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Small Ensemble B-Flat Clarinet,Cello,Horn,Piano,Voice - Level 3 - Digital Download SKU: A0.1031778 Composed by Mavis Pan. Contemporary. Score and parts. 15 pages. Mavis Pan Music #3554423. Published by Mavis Pan Music (A0.1031778). This composition is inspired by the Disney film, Peter Pan, which depicts a fictional character who is incredibly mischievous and charming yet possess the spirit of eternal youth. After Peter finds Wendy Darling, who has always believed in Peter Pan's existence and loves to share tales about him, Peter invites Wendy to an adventure to Never Land. Though Wendy doubts her ability to fly, Peter teaches her the only way to reach her dream land is to leave her worries behind and have faith and trust and a little help of pixie dust... Upon the farewell of a beloved who reminds me much the character of Peter Pan, I composed this piece as a remembrance of the happy time we have shared and wish his dreams come true as he continues to fly on his musical journey. Mavis Pan Come with me where dreams are born, and time is never planned. Just think of happy things and your heart will fly on wings, forever, in Never Land. Let not doubt crush your wings, let not fear steal your dreams. Dreams do come true, if only we wish hard enough. All you need is faith and trust and a little bit of pixie dust. I am young at heart for my love never grows old. The wrinkle of time can't be traced on my innocent soul. The ship of our dreams will soar and turn to gold. Oh darling please do hold my hand, and dream with me to Never Land. Fly oh fly , fly straight till the morning. Fly ...oh fly....oh fly and never never say goodbye.
$20.00
I'll Just Love Him, Christmas vocal duet (alto-tenor)
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Sacred music
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Kevin G
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I'll Just Love Him, Christmas
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Kevin G. Pace
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SheetMusicPlus
Voice Duet Alto Voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1282925 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christm...
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Voice Duet Alto Voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1282925 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 7 pages. Kevin G. Pace #874177. Published by Kevin G. Pace (A0.1282925). A beautiful, Christmas vocal duet (alto-tenor).  Music composed by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:I don’t have to be an angel to welcome the Christ Child to earth.But I can sing praises in all holy placesWhen I celebrate his new birth.I don’t have to be a shepherd to find Jesus sleeping on hay.But I can search purely in my heart securely (so early)When I seek this Baby each day.I don’t have to be a wiseman to bring Him a gift like pure gold.But I can give honor and gratitude longerWhen I reach his hand and take hold.I can sing praises to Jesus on earth;I can find Him when I seek.I can thank Him for the gift of his birth,And then when I am most meek . . .I’ll just love Him. I’ll just love Him.I don’t have to be an angel or search like a shepherd from yore.I don’t have to be a wiseman to bring greater gifts to His door.I don’t have to see a bright star so shiny in darkness of nightTo always remember, I’ll always rememberI can love Him. I’ll just love Him.
$3.99
Christmas Time Is Here
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Jazz
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Vince Guaraldi
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Mark W
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Christmas Time Is Here
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Mark Wayne Music, LLC
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.808436 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts...
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.808436 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts. 4 pages. Mark Wayne Music, LLC #3688823. Published by Mark Wayne Music, LLC (A0.808436). 2018 Holiday Contest Entry Performance Considerations This arrangement retains the same form and key as the original soundtrack recording and is very flexible. On an ad hoc basis, choir, jazz piano, and/or snare with brushes can easily be added. A lead sheet is also included in the set of parts and is available separately from Mark Wayne Music Educational Considerations 1. Minimum Proficiency/Curricular Assumption - The student has studied the key of F, but the key of Bb may be currently under study. Fingerings that are unique to the key of Bb are provided as listed by instrument below. Positions are indicated for cello and bass 2. Harmony and Enharmonics - This piece provides an excellent opportunity to discuss how the oddly spelled note illustrates its’ function within the chord. Notes that may be new to the student or enharmonic spellings the player will encounter are listed below. Chord symbols are indicated in the score as an aid. Violin: L4 on D string, new note Ab Viola: L4 on G string, new note Db, Enharmonics- Cb, Fb Violin III included Cello: 2 measures extended first position (repeated). Second position on D string Bass: New notes: Eb on D string, Db on A string, Ab on E string, Enharmonic- Gb Jazz Pizzicato (optional) - Place the inside of the right hand on the string and pluck with the entire side of the index finger, letting it come to rest on the lower string. This has two effects, more sustain, and a more resonant tone. The technique works great for a single bass but may cause an ensemble problem with multiple basses
$6.99
Christmas Time Is Here
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Jazz
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Vince Guaraldi
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Mark W
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Christmas Time Is Here
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Mark Wayne Music, LLC
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.808437 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts...
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.808437 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts. 7 pages. Mark Wayne Music, LLC #3688827. Published by Mark Wayne Music, LLC (A0.808437). 2018 Holiday Contest Entry Performance Considerations This arrangement retains the same form and key as the original soundtrack recording and is very flexible. On an ad hoc basis, choir, jazz piano, and/or snare with brushes can easily be added. A lead sheet is also included in the set of parts and is available separately from Mark Wayne Music Educational Considerations 1. Minimum Proficiency/Curricular Assumption - The student has studied the key of F, but the key of Bb may be currently under study. Fingerings that are unique to the key of Bb are provided as listed by instrument below. Positions are indicated for cello and bass 2. Harmony and Enharmonics - This piece provides an excellent opportunity to discuss how the oddly spelled note illustrates its’ function within the chord. Notes that may be new to the student or enharmonic spellings the player will encounter are listed below. Chord symbols are indicated in the score as an aid. Violin: L4 on D string, new note Ab Viola: L4 on G string, new note Db,     Enharmonics- Cb, Fb     Violin III included Cello: 2 measures extended first position (repeated).     Second position on D string Bass: New notes: Eb on D string, Db on A string, Ab on E string, Enharmonic- Gb Jazz Pizzicato (optional) - Place the inside of the right hand on the string and pluck with the entire side of the index finger, letting it come to rest on the lower string. This has two effects, more sustain and a more resonant tone. The technique works great for a single bass but may cause an ensemble problem with multiple basses.
$6.99
Christmas Time Is Here
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Jazz
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Vince Guaraldi
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Mark W
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Christmas Time Is Here
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Mark Wayne Music, LLC
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.808435 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts...
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.808435 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts. 11 pages. Mark Wayne Music, LLC #3688811. Published by Mark Wayne Music, LLC (A0.808435). 2018 Holiday Contest Entry Performance Considerations This arrangement retains the same form and key as the original soundtrack recording and is very flexible. On an ad hoc basis, choir, jazz piano, and/or snare with brushes can easily be added. A lead sheet is also included in the set of parts and is available separately from Mark Wayne Music Educational Considerations 1. Minimum Proficiency/Curricular Assumption - The student has studied the key of F, but the key of Bb may be currently under study. Fingerings that are unique to the key of Bb are provided as listed by instrument below. Positions are indicated for cello and bass 2. Harmony and Enharmonics - This piece provides an excellent opportunity to discuss how the oddly spelled note illustrates its’ function within the chord. Notes that may be new to the student or enharmonic spellings the player will encounter are listed below. Chord symbols are indicated in the score as an aid. Violin: L4 on D string, new note Ab Viola: L4 on G string, new note Db, Enharmonics- Cb, Fb Violin III included Cello: 2 measures extended first position (repeated). Second position on D string Bass: New notes: Eb on D string, Db on A string, Ab on E string, Enharmonic- Gb Jazz Pizzicato (optional) - Place the inside of the right hand on the string and pluck with the entire side of the index finger, letting it come to rest on the lower string. This has two effects, more sustain, and a more resonant tone. The technique works great for a single bass but may cause an ensemble problem with multiple basses
$12.99
Frostflowers for harp
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Contemporary
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Kristine Warmhold
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Frostflowers for harp
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Kristine Warmhold
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SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.945087 Composed by Kristine Warmhold. Contemporary. Score and parts. 3 pages. Kristine Warmhold #5348071. Publi...
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Small Ensemble - Digital Download SKU: A0.945087 Composed by Kristine Warmhold. Contemporary. Score and parts. 3 pages. Kristine Warmhold #5348071. Published by Kristine Warmhold (A0.945087). A beautiful melody for harp. Level beginner to advanced beginner. Left hand mostly chords, easy to play. Creates a peaceful and soothing atmosphere like having a hot chocolate on a frosty day. Perfect as well for Yoga or harptherapie. .
$5.00
Buongiorno Principessa
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Nicola Piovani
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Alberto Mattia Bellio
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Buongiorno Principessa
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0Bli0 Music
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SheetMusicPlus
Mixed Percussion Bass Voice,Cello,Flute,Glockenspiel,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.1279486 Composed by Nicola Piovani. Arrange...
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Mixed Percussion Bass Voice,Cello,Flute,Glockenspiel,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.1279486 Composed by Nicola Piovani. Arranged by Alberto Mattia Bellio. Classical,Film/TV. 14 pages. 0Bli0 Music #870964. Published by 0Bli0 Music (A0.1279486). Embark on a Musical Journey: Buongiorno Principessa Ensemble Sheet MusicExperience the magic of Buongiorno Principessa, a timeless piece from the soundtrack of the iconic film Life is Beautiful. Transcending from screen to stage, this enchanting arrangement is tailored for school music ensembles, comprising flutes, violins, guitars, cello, piano, bass (or additional single-hand keyboard part), glockenspiel, and percussion.A Glimpse into the Film:Imagine yourself transported into the heartwarming world of Life is Beautiful, a cinematic masterpiece that beautifully blends humor and poignancy amidst the backdrop of World War II. As you delve into the notes of Buongiorno Principessa, you'll be painting a musical portrait of the film's touching narrative.Designed for School Ensembles:Calling all school music directors and budding musicians! This ensemble sheet music opens the door to a captivating musical exploration. With its combination of instruments, it's an ideal choice for mixed school orchestras looking to showcase their talents with a classic piece that holds sentimental value.Unique Arrangement:Our sheet music shines a spotlight on the soulful melody of Buongiorno Principessa, weaving together flutes, violins, guitars, cello, piano, bass, glockenspiel, and percussion. The result? An ensemble that creates harmonies resonating with emotion, making the audience feel every note.A Note on Precision:Every detail has been meticulously transcribed to ensure accuracy and authenticity. Our sheet music captures the essence of Buongiorno Principessa, allowing you to channel your passion and skills into a remarkable performance.Seize the Opportunity:Join the ranks of musicians who have brought Buongiorno Principessa to life on the big screen and now on the stage. As you guide your ensemble through this musical journey, you'll be adding your unique touch to a cherished composition.Elevate your school ensemble's repertoire with the captivating allure of Buongiorno Principessa. Purchase our ensemble sheet music now and immerse yourself in a musical experience that pays homage to both the film's beauty and the power of music itself.
$18.00
Pantheon for Horn, Violin and Piano
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Contemporary
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Elizabeth Raum
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Pantheon for Horn, Violin and
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Horn,Piano,Violin - Level 5 - Digital Download SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324....
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Small Ensemble Horn,Piano,Violin - Level 5 - Digital Download SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Gordon Cherry (A0.1503872). Rome's Pantheon, based on Greek mythical legends was first constructed over 2,000 years ago as a temple of all the gods. In the year 609, it became a Catholic church.Pantheon for Violin, Horn, and Piano by the great Canadian composer Elizabeth Raum is a seven-movement suite of chamber music depicting various of the Greek gods:1. Eos: Goddess of the Dawn2. Moirae: Gods of Fate3. Aphrodite: Goddess of Love and Beauty4. Zeus and Hera5. Artemis (Diana) Goddess of the Moon and the Hunt6. Hermes (Mercury) of the Winged Sandals7. Apollo: God of Sun and LightHere are the comments about Pantheon from composer Elizabeth Raum:Pantheon alludes to a temple, a musical temple in this case, devoted to the gods of ancient Greek mythology, several of whom are represented in this work. The first movement opens with a horn call as Eos, Goddess of the Dawn begins her rosy-fingered awakening, and rising from her couch, ascends the heavens in her horse-drawn chariot. She heralds the approach of her brother, Helius, the sun god, whose superior brightness causes her color to fade. In the second movement, The Fates (Moirae) spin their thread of life and death. The minimalist quality of the music, representing the steady turn of the spindle, becomes more and more agitated as Atropos, the Fate who holds the shears, prepares to cut the thread. The hand stopped horn and the Bartok pizzicato signify the final snip. A moment of contemplation, and they begin again. Some try to persuade Atropos to delay a moment, but she cannot be deterred. Aphrodite, the goddess of love and beauty, is the third movement. She arose from the foam of the sea and all were charmed by her grace, but she could also be coy and flirtatious as she is in this version. Zeus and Hera, the king and queen of the gods, make up the fourth movement. The opening theme suggests the regal stride of Zeus while Hera, furious at his many infidelities, quarrels with him and schemes to thwart his affairs. In the fifth movement, Artemis (Dawn Goddess of the Moon and the Hunt), holds high her silver bow that gleams in the night sky like the new moon. The clouds drift silently past while she runs with her hounds and dances with her nymphs. Hermes (Mercury) of the Winged Sandals, sixth movement, is scored for violin and horn alone. He is a very mischievous and cunning god, and his exceptional swiftness is aided by his winged sandals as he flies to carry out his divine duties. And finally in the seventh movement, Apollo the horn again summons the gods. A hymn to Apollo celebrates the god of eternal youth, beauty, and music. This is a major chamber work for Violin, Horn, and Piano of about 26 minutes in length written for Erika Raum, Phil Myers, and Peter Allen and is appropriate for very advanced artists.
$45.00
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
Mad World
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Michael Andrews Feat
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Steven Pope
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Mad World
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Steven Pope
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SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.1487843 By Michael Andrews Feat. Gary Jules. By Roland Orzabal. Arranged by Steven Pope. 20th Century,21st Ce...
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Guitar - Level 1 - Digital Download SKU: A0.1487843 By Michael Andrews Feat. Gary Jules. By Roland Orzabal. Arranged by Steven Pope. 20th Century,21st Century,Contemporary,Film/TV,Pop. Guitar Tab. 3 pages. Steven Pope #1064781. Published by Steven Pope (A0.1487843). Easy fingerstyle guitar arrangement of Mad World, written by Roland Orzabal, performed by Michael Andrews and Gary Jules.Anybody who has seen Donnie Darko will be instantly familiar with this song. The arrangement uses let ring and legato techniques to capture the essence of the simple yet beautiful piano part which fans of the song will be familiar with. Holding down E minor and A major chord shapes in the B section will make things easier and allow you to focus on your picking hand.This arrangement will help you to practise: arpeggiated chords, hammer-ons, pull-offs, slides, accompanying a melody in the bass, D.S. al Coda, rallentando, fingerstyle technique.
$5.99
What Will We Say?
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Aaron Gage
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What Will We Say?
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Aaron Gage
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SheetMusicPlus
Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage...
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Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
$19.99
Jig
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transposing the piece one whol
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Gustav Holst
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Albert Loritz
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Jig
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Advance Music GmbH - Digital
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SheetMusicPlus
5 saxophones (SAATBar) - intermediate to advanced - Digital Download SKU: S9.Q40418 From St. Paul's Suite, op. 29. Composed by Gustav Holst. Arran...
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5 saxophones (SAATBar) - intermediate to advanced - Digital Download SKU: S9.Q40418 From St. Paul's Suite, op. 29. Composed by Gustav Holst. Arranged by Albert Loritz. This edition: score and parts. Saxophon - Quintett - Blasinstrument. Downloadable, Score and parts. Advance Music GmbH - Digital #Q40418. Published by Advance Music GmbH - Digital (S9.Q40418). The Jig is the first of the four movements of the “St Paul’s Suite†(op.29, No. 2) written by the British composer Gustav Holst in 1912. Holst composed this work for the string orchestra of the St Paul’s Girls’ School in Hammersmith where he had already been holding the position of Director of Music for seven years. The suite premiered in 1913. This vibrant and vivacious piece immediately captivates the listener. The folcloristic character of the theme and the playful use of the motivic material turn the Jig into a truly “catchy tuneâ€. Even meter and harmony both hold a whole series of charming little surprises. The original version of the composition is characterized by an exquisite setting for string orchestra, which draws the rich and mellow quality of its overall sound especially from those many double stops – mostly played as drones on open strings. Holst’s composition starts from the key of D dorian and finally ends in C mixolydian. The arrangement on hand converts the string setting into a five-part saxophone setting, translating the characteristic features of the original’s folcloristic style as best as possible to the new tone color. By transposing the piece one whole-tone down, the arrangement starts in a register which is very comfortable for saxophones to play in. The piece, however, would end up in a key and/or register in the last part (measure 170 of the original version), which could not be mastered by the saxophone instrumentation chosen for this arrangement. Therefore, the five-bar modulation leading from measure 165 to measure 169 in the original composition has been extended – true to Holst’s style – by two more bars (up to measure 171). This way, the Jig in its arrangement for saxophone quintet now starts in C dorian but finishes in G mixolydian.
$19.99
Folk Songs For Classical Guitar - Volume 15 (Songs 379-405)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1153433 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Class...
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1153433 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 44 pages. Socrates Arvanitakis #753694. Published by Socrates Arvanitakis (A0.1153433). This is the fifteenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 15 (Songs 379-405)Green Grow the Rushes ohGreen mossy banks of the LeaGreen Willow Tree (The)Greenland Fishery (The)GreensleevesGresford Disaster (The)Grey Cock or The Lover’s Ghost (The)Grey Selkie 1 (The)Grigol CridheGround for the FloorGuise O’ ToughGuy Fawkes (Drum March For)Gypsy DaveyHampshire Mummers’ Christmas CarolHandsome Butcher (the)Hard Times of Old EnglandHark, hark, let us behold (Russell)Hark, Shepherds Hark, The Angels SingHarvest Song (Wiltshire)He Called for a CandleHe That Will Not Merry Merry BeHeavenly Child (The)Help Me O LordHenry MartinHenry, My SonHere Come the NavviesHere we come a-wassailing
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