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I Got Rhythm: Score
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I Got Rhythm: Score
SheetMusicPlus
Sheetmusic to print
30 sheet music found
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1
26
I Got Rhythm
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George Gershwin
#
Jirka Kadlec
#
I Got Rhythm
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Editions Marc Reift - Digital
#
SheetMusicPlus
Woodwind Quartet & Rhythm Section (Piano, Bass, Drums) (Piano / Guitar, Bass Guitar, Drums, Percussion (optional)) - Grade 3 - Digital Download SKU: R0.36956...
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Woodwind Quartet & Rhythm Section (Piano, Bass, Drums) (Piano / Guitar, Bass Guitar, Drums, Percussion (optional)) - Grade 3 - Digital Download SKU: R0.36956 Composed by George Gershwin. Arranged by Jirka Kadlec. Woodwind Quartet & Rhythm Section (Piano, Bass, Drums) (Piano / Guitar, Bass Guitar, Drums, Percussion (optional)). Score and parts. 44 pages. Duration 2'52. Editions Marc Reift - Digital #36956. Published by Editions Marc Reift - Digital (R0.36956).
$24.95
I Got Rhythm
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George Gershwin
#
Jirka Kadlec
#
I Got Rhythm
#
Editions Marc Reift - Digital
#
SheetMusicPlus
String Quintet (Piano / Guitar, Bass Guitar, Drums, Percussion (optional)) - Grade 3 - Digital Download SKU: R0.36945 Composed by George Gershwin. Arrang...
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String Quintet (Piano / Guitar, Bass Guitar, Drums, Percussion (optional)) - Grade 3 - Digital Download SKU: R0.36945 Composed by George Gershwin. Arranged by Jirka Kadlec. String Quintet (Piano / Guitar, Bass Guitar, Drums, Percussion (optional)). Score and parts. 32 pages. Duration 2'52. Editions Marc Reift - Digital #36945. Published by Editions Marc Reift - Digital (R0.36945).
$22.95
I Got Rhythm
#
George Gershwin
#
Jirka Kadlec
#
I Got Rhythm
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Bb Bass & Piano - Grade 3 - Digital Download SKU: R0.36984 Composed by George Gershwin. Arranged by Jirka Kadlec. Bb Bass & Piano. Score and parts. 8 pag...
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Bb Bass & Piano - Grade 3 - Digital Download SKU: R0.36984 Composed by George Gershwin. Arranged by Jirka Kadlec. Bb Bass & Piano. Score and parts. 8 pages. Duration 2'52. Editions Marc Reift - Digital #36984. Published by Editions Marc Reift - Digital (R0.36984).
$5.95
I Got Rhythm
#
George Gershwin
#
Jirka Kadlec
#
I Got Rhythm
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Eb Bass & Piano - Grade 3 - Digital Download SKU: R0.36983 Composed by George Gershwin. Arranged by Jirka Kadlec. Eb Bass & Piano. Score and parts. 8 pag...
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Eb Bass & Piano - Grade 3 - Digital Download SKU: R0.36983 Composed by George Gershwin. Arranged by Jirka Kadlec. Eb Bass & Piano. Score and parts. 8 pages. Duration 2'52. Editions Marc Reift - Digital #36983. Published by Editions Marc Reift - Digital (R0.36983).
$5.95
I Got You (I Feel Good)
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James Brown
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MAJOR SCORE PUBLISHING TM
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I Got You
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Major Score Publishing
#
SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Keyboard,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU...
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Alto Saxophone,Baritone Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Keyboard,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.1384081 By James Brown. By James Brown. Arranged by MAJOR SCORE PUBLISHING TM. Blues,Funk,R & B,Singer/Songwriter,Soul. 36 pages. Major Score Publishing #968443. Published by Major Score Publishing (A0.1384081). The Ultimate Singer & Horn Chart! Perform this funky James Brown hit with our ultimate I Got You (I Feel Good) singer and horn chart arrangement with an epic level of musical support. All the funky horn lines you are expecting are contained in this full version of I Got You (I Feel Good) as performed by James Brown! Included in this epic sheet music arrangement is horn parts designed with different voicings for 3, 5 or 6 horns and 4 piece rhythm section. Our drum part is also fully notated providing performance consistency. Our arrangement is in the original key of D and runs 2 minutes and 43 seconds!Included in our premium sheet music download:Singer + 3 horns & 4 piece rhythm sectionSinger + 5 horns & 4 piece rhythm sectionSinger + 6 horns & 4 piece rhythm sectionFollow us today!Websitehttps://www.majorscorepublishing.com/
$74.99
I Got You (I Feel Good)
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James Brown
#
MAJOR SCORE PUBLISHING TM
#
I Got You
#
Major Score Publishing
#
SheetMusicPlus
Alto Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Keyboard,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.1385740 By...
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Alto Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Keyboard,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.1385740 By James Brown. By James Brown. Arranged by MAJOR SCORE PUBLISHING TM. Funk,Pop,R & B,Singer/Songwriter,Soul. 33 pages. Major Score Publishing #969678. Published by Major Score Publishing (A0.1385740). I Feel Good (I Got You) - James Brown Condensed version with Vamp Designed for the commanding vocal entertainer this version of I Got you (I Feel Good) for singer 3/5/6 horns and 4 piece rhythm section has an added intro vamp on the drums to build up the crowd! This version is similar to our fulll length arrangemement but we have cut the last verse making this a shorter version.Looking for the full on James Brown arrangement?https://www.sheetmusicplus.com/en/product/i-got-you-i-feel-good-22699975.htmlVisit our webite today!https://www.majorscorepublishing.com/
$99.99
I Got You (i Feel Good)
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James Brown
#
DeeAye Music
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I Got You
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Dimitri Willenberg
#
SheetMusicPlus
Large Ensemble Alto Saxophone,B-Flat Trumpet,Baritone Saxophone,Bass Guitar,Drums,Electric Guitar,Keyboard,Voice - Level 3 - Digital Download SKU: A0.1163667...
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Large Ensemble Alto Saxophone,B-Flat Trumpet,Baritone Saxophone,Bass Guitar,Drums,Electric Guitar,Keyboard,Voice - Level 3 - Digital Download SKU: A0.1163667 By James Brown. By James Brown. Arranged by DeeAye Music. Funk,Hip-Hop,Jazz,R & B. Score and parts. 15 pages. Dimitri Willenberg #764009. Published by Dimitri Willenberg (A0.1163667). One of the most well known songs by the Godfather of Soul covered by Maceo Parker's 'Life on Planet Groove' album, recorded at his live performance in Cologne, Germany. This arrangement of 'I Got You (I Feel Good)' is written for a typical Rhythm and Horn Section. With parts for Alto Sax, Baritone Sax, Trumpet and Trombone. Intermediate to Advanced level. All parts are notated with Verse and Bridge markings for vocals. Guitar and Keys contain notated sections, but also chord markings with rhythm. However, comping is also possible. Best suited for live gigs and dance events.Approx 2:20 minutes long.
$12.99
I Got You (i Feel Good)
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Soul/R&B
#
James Brown
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Matt Smith
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I Got You
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Matt Smith
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SheetMusicPlus
Rhythm Section Voice - Level 3 - Digital Download SKU: A0.789819 By James Brown. By James Brown. Arranged by Matt Smith. Hip-Hop,Pop,R & B. Score and par...
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Rhythm Section Voice - Level 3 - Digital Download SKU: A0.789819 By James Brown. By James Brown. Arranged by Matt Smith. Hip-Hop,Pop,R & B. Score and parts. 17 pages. Matt Smith #6381109. Published by Matt Smith (A0.789819). I Got You (I Feel Good) by James Brown, arranged for function band horns: Alto Sax, Tenor Sax, Trumpet and Trombone.Duration: About 2 minutesYouTube demo video: https://www.youtube.com/watch?v=lMrim3dmJWAVisit https://www.mattsmithmusic.co.uk/shop?Category=-Function+Band for more Function Band sheet music!
$24.99
I Got Plenty O' Nuttin'
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George Gershwin
#
Jirka Kadlec
#
I Got Plenty O' Nuttin'
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Woodwind Quartet & Rhythm Section (Piano, Bass, Drums) (Piano / Guitar, Bass Guitar, Drums, Percussion (optional)) - Grade 3 - Digital Download SKU: R0.46041...
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Woodwind Quartet & Rhythm Section (Piano, Bass, Drums) (Piano / Guitar, Bass Guitar, Drums, Percussion (optional)) - Grade 3 - Digital Download SKU: R0.46041 Composed by George Gershwin. Arranged by Jirka Kadlec. Woodwind Quartet & Rhythm Section (Piano, Bass, Drums) (Piano / Guitar, Bass Guitar, Drums, Percussion (optional)). Score and parts. 44 pages. Duration 3'03. Editions Marc Reift - Digital #46041. Published by Editions Marc Reift - Digital (R0.46041).
$24.95
I Got You (i Feel Good)
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Soul/R&B
#
James Brown
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Alexandre CARLIN
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I Got You
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Alexandre CARLIN
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SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.779856 By James Brown. By James Brown. Arranged by Alexandre CARLIN. Hip...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.779856 By James Brown. By James Brown. Arranged by Alexandre CARLIN. Hip-Hop,Pop,R & B. 12 pages. Alexandre CARLIN #5770425. Published by Alexandre CARLIN (A0.779856). Arrangement for Double-Reed Quartet of this huge hit by the Godfather of Soul aka James Brown.Very fun to play, very good to work on rhythm.8 pages score, 4 pages parts. All parts provided.Duration : 2.30Check out my other arrangements and compositions for double-reed ensemble :
$12.99
If it Ain't Got That Rhythm
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Kian Beatty
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If it Ain't Got That Rhythm
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Kian Beatty
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SheetMusicPlus
Small Ensemble Bongos,Piano,Snare Drum - Digital Download SKU: A0.494041 By Kian Beatty. By Kian Beatty. 20th Century,Jazz,Multicultural,World. Score and...
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Small Ensemble Bongos,Piano,Snare Drum - Digital Download SKU: A0.494041 By Kian Beatty. By Kian Beatty. 20th Century,Jazz,Multicultural,World. Score and parts. 3 pages. Published by Kian Beatty (A0.494041). A trio piece I wrote for a composition module for Snare drum, Bongos and Piano. This piece displays polyrhythms, rhythmic displacement and metric modulation.
$3.99
I’ve Got Peace Like a River for 8-note Bells and Boomwhackers® (with Color Coded Notes)
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Gospel/Spiritual
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Sharon Wilson
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Sharon Wilson
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I’ve Got Peace Like a River
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Sharon Wilson
#
SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565147 By ...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565147 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Praise & Worship,Spiritual. Score and parts. 11 pages. Sharon Wilson #3490233. Published by Sharon Wilson (A0.565147). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody (with added harmony on some notes) while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Notes used for each instrument are as follows: Bells – D E G A B  Boomwhackers® – C D E F G A BThough this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The staves are shown without sharps or flats for simplicity since even though this song is actually written in the key of G major, no sharps or flats are used.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned one to three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 6 to 12 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
I’ve Got Peace Like a River for 8-note Bells and Boomwhackers® (with Black and White Notes)
#
Gospel/Spiritual
#
Sharon Wilson
#
Sharon Wilson
#
I’ve Got Peace Like a River
#
Sharon Wilson
#
SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565146 By ...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565146 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Spiritual. Score and parts. 11 pages. Sharon Wilson #3490209. Published by Sharon Wilson (A0.565146). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody (with added harmony on some notes) while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses black and white noteheads. This same set of scores is available (sold separately) with color coded noteheads which may make it easier for beginning players if you have access to a color printer.Notes used for each instrument are as follows: Bells – D E G A B  Boomwhackers® – C D E F G A BThough this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The staves are shown without sharps or flats for simplicity since even though this song is actually written in the key of G major, no sharps or flats are used.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned one to three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 6 to 12 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
I've Got The World On A String
Small Ensemble
Intermediate level
#
Jazz
#
Dick Hyman
#
Joseph Hasper
#
I've Got The World On A String
#
Joseph Hasper
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.734833
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Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.734833 By Dick Hyman. By Harold Arlen. Arranged by Joseph Hasper. Jazz. Score and parts. 36 pages. Joseph Hasper #3563033. Published by Joseph Hasper (A0.734833). The beloved anthem popularized by Frank Sinatra, Louis Armstrong, Michael Buble, Sarah Vaughan and others arranged for vocal solo and small jazz ensemble. Ensemble includes three saxes (alto sax, tenor sax, baritone sax), two trumpets, one trombone, and rhythm section (piano, bass, and drums).Key of G. 89 measures. Includes a full score, vocal part, and complete set of instrument parts.I've Got The World on a String was composed by Harold Arlen in 1932. It was written for the twenty-first edition of the Cotton Club series which opened on October 23, 1932.The song was introduced and recorded by Cab Calloway. Bing Crosby recorded the song in 1933 with the Dorsey Brothers and their Orchestra The song was one of the first recorded by Frank Sinatra when he transferred to Capitol Records in 1953. His recording (with orchestra conducted by Nelson Riddle) reached #14 on Billboard's most played list that year.
$18.99
Ain't No Woman (like The One I've Got)
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Contemporary
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The Four Tops
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Marc Gumberg
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Ain't No Woman
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Marc Gumberg
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SheetMusicPlus
Instrumental Duet,Piano Bass Guitar,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.897973 By The Four Tops. By Brian Potter and Dennis Lamb...
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Instrumental Duet,Piano Bass Guitar,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.897973 By The Four Tops. By Brian Potter and Dennis Lambert. Arranged by Marc Gumberg. Contemporary. Score and parts. 5 pages. Marc Gumberg #4298351. Published by Marc Gumberg (A0.897973). Keyboard part that can also be used as Master Rhythm chart. Has piano & string lines as well as bass cues & chords throughout. This arrangement follows the form of the original recording, great for those playing in cover bands, at weddings or corporate events. Great for any band wanting to play this classic R&B tune!
$6.99
Girl Crazy Musical Notebook
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Jazz
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George Gershwin and Ira Gershw
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Alexander Timofeev
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Girl Crazy Musical Notebook
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Alexander Timofeev
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SheetMusicPlus
B-Flat Clarinet,Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1211330 Composed by George Gershwin and Ira Gershwin. Arranged by Alexander...
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B-Flat Clarinet,Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1211330 Composed by George Gershwin and Ira Gershwin. Arranged by Alexander Timofeev. Broadway,Jazz,Musical/Show,Standards. 30 pages. Alexander Timofeev #808995. Published by Alexander Timofeev (A0.1211330). Includes score, and parts: Clarinet in Bb, Piano, Violin 1, Violin 2, Viola, Cello, and optional Bass Clarinet part. The famous song by Ira and George Gershwin I Got Rhythm came from the musical Girl Crazy, and became one of the favorite jazz standards of the 20th century! This concert arrangement of I Got Rhythm for Clarinet, Piano and String Quartet, with an optional Bass Clarinet part, was completed in 2023 at the request of clarinetist Stas Chernyshev and for the premiere performance at the Opus Nova Chamber Music Series, Fort Worth, TX. You can look at other arrangements by Alexander Timofeev on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/alexander-timofeev-sheet-music/3024244?Ns=salesRank%7C1&isPLP=1 and on his Youtube channel: https://www.youtube.com/playlist?list=PLYAT0Pt94D9U_aX-YCqvlVUIrJw4Q-HfR
$12.99
Morning Gloria From Peoria
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Jazz
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John Philips
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Morning Gloria From Peoria
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John Philips Music Service
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SheetMusicPlus
Small Ensemble - Level 2 - Digital Download SKU: A0.947268 Composed by John Philips. Jazz. Score and parts. 27 pages. John Philips Music Service #3867631...
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Small Ensemble - Level 2 - Digital Download SKU: A0.947268 Composed by John Philips. Jazz. Score and parts. 27 pages. John Philips Music Service #3867631. Published by John Philips Music Service (A0.947268). First adjust the tempo...This should run at about 130/140. It’s a Funky 2 beat on I Got Rhythm changes gets into 4 on the first bridge. Ending is multiple tags with big finish. This could be opened for choruses. The idea here is the loose swing and not to concentrate on technique so it bogs down. If you liked Basie you would like this.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
Stabat Mater - string ensemble parts
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Contemporary
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble
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Annemieke Lustenhouwer
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lusten...
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
Wonderful Gershwin
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Dennis Armitage
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Wonderful Gershwin
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Editions Marc Reift - Digital
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SheetMusicPlus
String Quintet (Drums optional) - Grade 4+ - Digital Download SKU: R0.50928 The Man I Love / I've Got Rhythm / It Ain't Necessarily So / Summertime / ...
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String Quintet (Drums optional) - Grade 4+ - Digital Download SKU: R0.50928 The Man I Love / I've Got Rhythm / It Ain't Necessarily So / Summertime / S'Wonderful / Rhapsody In Blue. Composed by Dennis Armitage. String Quintet (Drums optional). Score and parts. 32 pages. Duration 6'37. Editions Marc Reift - Digital #50928. Published by Editions Marc Reift - Digital (R0.50928).
$22.95
Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 1
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Sharon Wilson
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Sharon Wilson
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Folk Songs for 13-note Bells a
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Handbell,Handchime,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565251 By Sharon Wilson. By Various. Arranged b...
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Large Ensemble Bells,Boomwhackers,Handbell,Handchime,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565251 By Sharon Wilson. By Various. Arranged by Sharon Wilson. 20th Century,Children,Folk,Instructional,Traditional. Score and parts. 176 pages. Sharon Wilson #3626293. Published by Sharon Wilson (A0.565251). This sheet music collection of 20 folk songs is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord reference chart is also provided for each song.The songs in this digital book are ordered by difficulty with the easiest songs presented first. The songs progressively incorporate more challenging rhythms, some requiring rapid chord changes. Many of the songs include two verses. The first verse is “easy†with fewer notes. The second verse is “intermediate†and expands the melody by adding more notes (sometimes including harmony notes). If you want to learn (practice) only the “easy†verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. Instrument assignment suggestions are provided for each song. Each of the 20 arrangements in this collection is also available separately with accompanying preview pages and audio samples. Titles included in this collection: Alphabet SongBe Kind to Your Loved OnesB-I-N-G-ODoo-dah-day! Good Morning, Merry SunshineHe’s Got the Whole World in His HandsHickory Dickory DockHokey PokeyHot Cross BunsI Love the MountainsItsy Bitsy SpiderLittle Robin Red-breastOld MacDonaldOn Top of Old SmokeyRain, Rain, Go AwayRow, Row, Row Your BoatSimple GiftsSkip to My LouTake Me Out to the Ball GameThe Water Is WideBoomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$25.00
Birthday Suit
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Contemporary
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Igor Korneitchouk
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Drake Mabry, Igor Korneitchouk
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Birthday Suit
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Studio at the Post
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SheetMusicPlus
Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor K...
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Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor Korneitchouk. 20th Century,Contemporary. Individual part. 19 pages. Studio at the Post #723162. Published by Studio at the Post (A0.1122089). Duration: 10 minutes, 16 pp. Description: In speaking of his recitation of his Four Quartets on phonograph, T. S. Eliot says: A recording of a poem by its author is no more definitive an 'interpretation' than a recording of a symphony conducted by the composer. The poem, if it is of any depth and complexity, will have meanings in it concealed from the author; and should be capable of being read in many ways, and with a variety of emotional emphasis.... Another reader, reciting the poem, need not feel bound to reproduce these rhythms: but, if he has studied the author's version, he can assure himself that he is departing from it deliberately, and not from ignorance. The composer could not have stated his intentions towards this piece better than to quote T. S. Eliot. No note or inflection is fixed in stone that it cannot be negotiated, changed to better suit the needs of the performer. This is especially true of the first movement which is composed around sections of the first of Eliot's Four Quartets (Burnt Norton), but applies generally to the whole piece. Much of the notation in this piece is meant to be suggestive. The performer may take a highly faithful approach to realizing the score, or consider the movements as models for directed improvisation. Movement 2, for example, asks the performer to continue to improvise in like manner, yet maps out a clear design for the music. Birthday Suit is dedicated to Robert S. Howe, a friend and obstetrician who welcomes into this world many people in their birthday suits. That is the most obvious reason for the title of this piece. A reason more germane to the music itself is the piece's reliance on the performer's own natural body rhythms (such as speech rhythms, involuntary eye movements, and rate of breathing) to help organize the flow of the music. In this way both metabolism and the written note cooperate to make music. There are three movements, Rhythm of Speech - Rhythm of Sight - Rhythm of Breath. Total 10 minutes. (Audio Sample of movement I is for oboe; YouTube Link of movement III is an arrangement for the Turkish ney.).
$2.01
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and p...
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Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baro...
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468186. Published by jmsgu3 (A0.552847). J. S. Bach BWV 508  Score: 5 pages, Solo part: 1 page. Piano part: 2 pages. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroq...
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Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3469232. Published by jmsgu3 (A0.549238). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
#
SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP....
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Contrabassoon,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3468784. Published by jmsgu3 (A0.549233). J. S. Bach BWV 508. This arrangement features a specially revised custom accompaniment part that avoids unwanted collisions with the contrabassoon and revoices chords to avoid awkward doublings and other voice-leading problems. It accentuates the solo part very nicely. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
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