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I Like It Like That
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I Like It Like That
Sheetmusic to print
913 sheet music found
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901
I Don't Know But I Like It
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Jazz
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Joshua Maesun Cummings-Fagan
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I Don't Know But I Like It
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Joshua Ashmore
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SheetMusicPlus
Instrumental Duet Bass Guitar,Drums,Instrumental Duet - Level 2 - Digital Download SKU: A0.1012082 Composed by Joshua Maesun Cummings-Fagan. Jazz. Score ...
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Instrumental Duet Bass Guitar,Drums,Instrumental Duet - Level 2 - Digital Download SKU: A0.1012082 Composed by Joshua Maesun Cummings-Fagan. Jazz. Score and parts. 6 pages. Joshua Ashmore #3558333. Published by Joshua Ashmore (A0.1012082). I Don't Know But I Like It is a funky little track that I composed, it features a simple bass guitar, and two drum sets. The name itself comes from me wondering what to name it, and eventually just saying I don't know... but I like it!. This piece would be great to build upon.
$1.99
On That Cross (Piano part ONLY)
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Sacred music
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Chri...
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
On That Cross (choir pack + piano part + licence)
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Sacred music
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
#
SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Chri...
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
I Want It That Way
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Pop music
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The Backstreet Boys
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Jeremy Fox
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I Want It That Way
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JEREMY S FOX
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SheetMusicPlus
Voice (SATB divisi) - Level 3 - Digital Download SKU: A0.1088065 By The Backstreet Boys. By Andreas Carlsson and Max Martin. Arranged by Jeremy Fox. A Ca...
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Voice (SATB divisi) - Level 3 - Digital Download SKU: A0.1088065 By The Backstreet Boys. By Andreas Carlsson and Max Martin. Arranged by Jeremy Fox. A Cappella,Jazz,Pop. Vocal Jazz Ensemble. 10 pages. JEREMY S FOX #692303. Published by JEREMY S FOX (A0.1088065). A CAPPELLA VERSION. Based on the Postmodern Jukebox version of this popular Backstreet Boys song, this will be a favorite of your students and audiences alike – great as a closer! Features one treble soloist, or you can split it up throughout the chart! This is a LEVEL IV SSATTB A CAPPELLA chart. This is also available WITH RHYTHM SECTION – either as a LEVEL III SATB ACCOMPANIED chart (with slightly less crunchy 4-part voicings) OR as a LEVEL IV ACCOMPANIED CHART (with more crunchy 5-part voicings) Look for these different versions on Sheet Music Plus, if you would like.
$75.00
That's What I Like
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Bruno Mars
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Ellen Harle
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That's What I Like
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Fireworks Music
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SheetMusicPlus
String Ensemble,String Quintet Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1153453 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, Jam...
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String Ensemble,String Quintet Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1153453 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, James Fauntleroy, Jeremy Reeves, Jonathan Yip, Philip Lawrence, Ray Charles McCullough II, and Ray Romulus. Arranged by Ellen Harle. Funk,Hip-Hop,Pop,R & B. Score and parts. 24 pages. Fireworks Music #753713. Published by Fireworks Music (A0.1153453). Bruno Mars' hit song That's What I Like is part slow jam, part funk groove. It is arranged here for String Quartet (2 violins, viola, cello) or Quintet (with the addition of double bass - this would sound cool on bass guitar as an alternative to double bass). Parts stay in first position throughout, although there are double stops in the violin 2 and violin 3/viola parts. While the key and the range is suitable for beginning string players, the rhythmic difficulty of the song makes it an intermediate level. Purchase includes score and one print of each part. Violin 3 part (Viola in treble clef) is included.
$12.99
There Is None Like My Lord
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Contemporary
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Craig Curry
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Lyndell Leatherman
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There Is None Like My Lord
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Leatherman Music Services
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SheetMusicPlus
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.829449 Composed by Craig Curry. Arranged by Lyndell Leatherman. Contemporary. Octavo. 35 pages...
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.829449 Composed by Craig Curry. Arranged by Lyndell Leatherman. Contemporary. Octavo. 35 pages. Leatherman Music Services #6024279. Published by Leatherman Music Services (A0.829449). This is a string ensemble accompaniment to the choral octavo There Is None Like My Lord by Craig Curry. The demo mp3 is a computer-generated recording with some questionable tempos, but it will serve to demonstrate the string writing. At this point it appears that the octavo is out of print, so this string accompaniment will be useful only to those churches that already have the octavo in their library. (If I find a source for purchasing the octavo, I'll update this blurb.)
$14.99
That's What I Like
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Pop music
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Bruno Mars
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Nathan Allen
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That's What I Like
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Nathan Martin Allen
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SheetMusicPlus
Instrumental Duet,Piano Flute,Guitar,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.837463 By Bruno Mars. By Bruno Mars, Christopher Brody ...
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Instrumental Duet,Piano Flute,Guitar,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.837463 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, James Fauntleroy, Jeremy Reeves, Jonathan Yip, Philip Lawrence, Ray Charles McCullough II, and Ray Romulus. Arranged by Nathan Allen. Pop. Score and parts. 4 pages. Nathan Martin Allen #4832549. Published by Nathan Martin Allen (A0.837463). This is my version of That's What I Like. This song was originally by Bruno Mars. Use this as a lead sheet to guide your performances, I hope you enjoy it!Subscribe on YouTube & click the bell for Weekly Saxophone Videos: http://bit.ly/AllenMusic
$4.99
And Can it Be - Sagina
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Sacred music
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Kevin P Holdgate
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Kevin P Holdgate
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And Can it Be - Sagina
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Kevin P Holdgate
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 1 - Digital Download SKU: A0.1386967 By Kevin P Holdgate. By Thomas Campbell & Charles Wesley. Arranged by Kevin P Holdgate. 19th Century,Christian,Praise & Worship,Religious,Sacred. Brass Band. 21 pages. Kevin P Holdgate #970852. Published by Kevin P Holdgate (A0.1386967). And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley in 1738 to celebrate his conversion, which he regarded as having taken place on 21 May of that year. The hymn celebrates personal salvation through the death and resurrection of Jesus, and is one of the most popular Methodist hymns today.Charles Wesley (1707–1788), along with his brother John Wesley, was one of the founding figures of Methodism. Like his brother, he was profoundly influenced by a religious conversion. Charles's experience took place on 21 May 1738 (the feast of Pentecost), and it inspired him to write two new hymns, And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin?. After this, Charles went on to become a prolific hymnodist, composing over 6,500 hymns.The original six-verse hymn And Can It Be? was first published in 1739 in John Wesley's hymnal, Hymns and Sacred Poems, with the title Free Grace.The hymn remains popular today and is included in many contemporary hymn books. In 2013, following a survey conducted by the BBC Television programme Songs of Praise, And Can It Be? was voted number 6 in the UK's Top 100 Hymns.
$12.99
I’ve Got Peace Like a River / Swing Low, Sweet Chariot (Downloadable)
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I’ve Got Peace Like a River
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SheetMusicPlus
About Digital Downloads Digital Downloads are downloadable sheet music fi...
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About Digital Downloads Digital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play! PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students)
Song List
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Peace Like A River
Swing Low, Sweet Chariot
$5.00
I Heard It Through The Grapevine
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Pop music
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Creedence Clearwater Revival
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Darren Lloyd
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I Heard It Through The Grapevi
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Darren Lloyd
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SheetMusicPlus
String Ensemble,String Trio Violin - Level 3 - Digital Download SKU: A0.1503932 By Creedence Clearwater Revival. By Barrett Strong and Norman Whitfield. ...
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String Ensemble,String Trio Violin - Level 3 - Digital Download SKU: A0.1503932 By Creedence Clearwater Revival. By Barrett Strong and Norman Whitfield. Arranged by Darren Lloyd. Pop. 10 pages. Darren Lloyd #1079384. Published by Darren Lloyd (A0.1503932). I Heard It Through the Grapevine - Stunning Violin Trio Arrangement (Intermediate Players) Experience the soulful Motown classic I Heard It Through the Grapevine like never before with this vibrant violin trio arrangement, perfect for intermediate players! Whether you're a teacher seeking a fresh ensemble piece or an ensemble looking for a crowd-pleaser, this arrangement has everything: dynamic melodies, lush harmonies, and rhythmic grooves that make Marvin Gaye's hit a true showstopper.Grab your violin and join the fun—ideal for recitals, practice, or just jamming with friends.
$12.99
IF I HAD MY WAY
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Patrick Wisman
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IF I HAD MY WAY
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patrick wisman
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SheetMusicPlus
Small Ensemble Piano,Tenor Saxophone,Voice - Digital Download SKU: A0.973539 Composed by Patrick Wisman. 20th Century,Contemporary,Pop,World. Score and p...
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Small Ensemble Piano,Tenor Saxophone,Voice - Digital Download SKU: A0.973539 Composed by Patrick Wisman. 20th Century,Contemporary,Pop,World. Score and parts. 2 pages. Patrick wisman #5033357. Published by patrick wisman (A0.973539). A REAL MOVING TUNE THAT SHOULD BE NUMBER 1 ONE OF THESE DAYS. EVEN THOUGH IT WAS WRITTEN SOME TIME AGO, MY GAL SINGING I FEEL DID A REAL JOB ON THIS TUNE.HOPE YOU LIKE IT. BMI AFFILIATION. ENJOY.! P&S
$3.99
I Saw Mommy Kissing Santa Claus
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Tommie Connor
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Michael Maschmeier (ASCAP)
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I Saw Mommy Kissing Santa Clau
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Warrior Musician LLC
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SheetMusicPlus
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1465009 Composed by Tommie Connor. Arranged by Michael Maschmeier (ASCAP). Christmas,Holiday,Jazz,...
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Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1465009 Composed by Tommie Connor. Arranged by Michael Maschmeier (ASCAP). Christmas,Holiday,Jazz,Traditional. 39 pages. Warrior Musician LLC #1043708. Published by Warrior Musician LLC (A0.1465009). Duration 2:20, Mixed Woodwind Ensemble or Woodwing Flex Ensemble, Grade 1.5-2.0: Here's a fun arrangement of this more modern, secular Christmas Song for Woodwinds. It offers a great way to feature your 5 best reeders, 7 reeders or all your woodwinds or as a transition piece. Perhaps something in the lobby as people are coming into the concert. Easily playable by most high school players or advanced junior high. It starts out timid, almost scared, like a child that doesn't want to get caught peeking, but gradually opens up into a swing style, with a toe tapping feel and a great rope at the end played by the alto sax, tenor sax or horn. Speaking of part 4, they get to have some ripping fun and the Part 5 player gets to show off their low-down technique.
$16.99
I Want It That Way
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Pop music
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The Backstreet Boys
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Jeremy Fox
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I Want It That Way
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JEREMY S FOX
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SheetMusicPlus
Rhythm Section Voice (SATB) - Level 3 - Digital Download SKU: A0.1088064 By The Backstreet Boys. By Andreas Carlsson and Max Martin. Arranged by Jeremy F...
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Rhythm Section Voice (SATB) - Level 3 - Digital Download SKU: A0.1088064 By The Backstreet Boys. By Andreas Carlsson and Max Martin. Arranged by Jeremy Fox. Jazz,Pop. Vocal Jazz Ensemble. 19 pages. JEREMY S FOX #692301. Published by JEREMY S FOX (A0.1088064). NOTE: this is the LEVEL IV SATTB chart (5-part voicings). Based on the Postmodern Jukebox version of this popular Backstreet Boys song, this will be a favorite of your students and audiences alike – great as a closer! Features one treble soloist, or you can split it up throughout the chart! Again, this is the LEVEL IV SATTB chart (5-part voicings) – it is also available as a LEVEL III SATB chart (with slightly less crunchy 4-part voicings) OR as an a cappella chart. Look for these different versions on Sheet Music Plus, if you wish. Learning part track MP3s are available at Jeremy Fox's website www.JeremyFox.net.
$75.00
I Want It That Way
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Pop music
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The Backstreet Boys
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Jeremy Fox
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I Want It That Way
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JEREMY S FOX
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SheetMusicPlus
Rhythm Section Voice (SATB) - Level 2 - Digital Download SKU: A0.1088062 By The Backstreet Boys. By Andreas Carlsson and Max Martin. Arranged by Jeremy F...
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Rhythm Section Voice (SATB) - Level 2 - Digital Download SKU: A0.1088062 By The Backstreet Boys. By Andreas Carlsson and Max Martin. Arranged by Jeremy Fox. Jazz,Pop. Vocal Jazz Ensemble. 18 pages. JEREMY S FOX #692300. Published by JEREMY S FOX (A0.1088062). Please note, this is a LEVEL III SATB chart with 4-part voicings. Based on the Postmodern Jukebox version of this popular Backstreet Boys song, this will be a favorite of your students and audiences alike – great as a closer! Features one treble soloist, or you can split it up throughout the chart! Again, this is a LEVEL III SATB chart (4-part voicings) – also available as a LEVEL IV SATTB chart (with slightly crunchier 5-part voicings) OR as an a cappella chart. Look for these different versions on Sheet Music Plus, if you wish. Finally, learning part audio files are available at Jeremy Fox's website at www.JeremyFox.net.
$75.00
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
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Contemporary
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Matthew Scott Phillips
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The Sundials: III; Tempus Fugi
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Ma...
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
I'll Walk Alone
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Dinah Shore
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F
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I'll Walk Alone
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1351942 By Dinah Shore. By Jule Styne and Sammy Cahn. Arranged by F. Lesl...
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Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1351942 By Dinah Shore. By Jule Styne and Sammy Cahn. Arranged by F. Leslie Smith. 20th Century,Jazz,Pop,Standards. 20 pages. Sweetwater Brass Press #936564. Published by Sweetwater Brass Press (A0.1351942). “I’ll Walk Alone†is a World War II era ballad whose poignant melody sounds as though it could have been written just yesterday.  First introduced in the 1944 movie Follow the Boys, it was hugely popular and has since been recorded by numerous artists.   Universal Pictures produced Follow the Boys in an effort to help boost morale for both overseas military and folks on the home front.  Despite being filled with stars and songs, critics tended to dismiss it as hokey and trite.  The exception was a scene in which Dinah Shore sang “I’ll Walk Alone.† Nominated for the Academy Award for Best Original Song, Ms. Shore’s follow-up Victor recording spent 20 weeks on the top ten Best Selling Records chart.  The song was used yet again in 1952 for another motion picture, With a Song in My Heart, the Jane Froman biographical film, and the melody eventually developed as a standard, particularly in the world of jazz.   Sammy Cahn’s lyrics for this song express the feelings and the promise of a woman who has been separated from her lover by the war.  She pledges that she will be true, that she will wait for him, and that “'till you're walking beside me, I'll walk alone.† Jule Styne’s melody is both plaintiff and simple. an eight-measure phrase, a repeat of the phrase, an eight-measure second phrase, then another repeat of the first phrase.   For this arrangement, the suggested tempo is a relatively slow, blues-like 72 bpm.  It features a tenor saxophone as lead and solo instrument accompanied by brass quintet.  A four-measure introduction opens the piece with Trumpet 1 playing melody and the other four brass providing background.  Following the intro, Tenor Sax plays its first three notes alone; the other instruments begin their accompaniment on measure 6.  Trumpet 1 is tacit during measures 6-11 but begins adding counterpoint in measure 12.     In performing this arrangement, brass instruments should ensure that, when the Sax plays, their volume as a group is under (i.e., softer than) the melody.  The exception begins at measure 36, when a crescendo leads to the quintet playing fortissimo.  During this section, the Tenor Sax plays a couple of responses.  At measures 43 a decrescendo lowers the brass volume back to its original soft accompaniment level.  The piece ends with brass recapping the introduction and Sax providing a final statement.   This piece, completed in 2023, consists of 57 measures, a little over three minutes in length.  Written in the key of G major, Tuba’s lowest note is a G below the staff.  Other than that, all notes are well within the normal playing range of each instrument.   The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
Let It Be
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Christmas
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The...
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
The Sundials: I;Tempus Edax Rerum (Time devours things)
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Contemporary
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Matthew Scott Phillips
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The Sundials: I;Tempus Edax Re
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. M...
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
I Heard the Voice of Jesus Say (Lent) vocal trio, violin and piano
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Horatius Bonar, John B
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Connie Boss
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I Heard the Voice of Jesus Say
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801775 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contempor...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801775 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score. 7 pages. Connie Boss #6718235. Published by Connie Boss (A0.801775). This wonderful song is for a vocal trio with lyrics for Lent. It is for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. It also includes an optional violin accent instrument that can be played or not and has piano accompaniment. You can sing all the parts for each verse, or like the mp3, I added parts each verse. Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.
$5.50
Tonight when I got your letter
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David Warin Solomons
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Tonight when I got your letter
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David Warin Solomons
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1116039 Composed by David Warin Solomons. Classical,Singer/Songwriter. 6 pages. David Warin ...
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Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1116039 Composed by David Warin Solomons. Classical,Singer/Songwriter. 6 pages. David Warin Solomons #717738. Published by David Warin Solomons (A0.1116039). Poem by Mark Haviland, et to music, with permission, by David W Solomons Tonight when I got your letter I went for a walk in the woods Where a full moon baled by a flume of cloud and glowing ghostly through the trees and glistened on a glimmering stream while the wind as it coasts through the branches hissed like escaping steam. And I sat on the bridge that crosses the stream and settled down to dream a night dream I dreamed of you somewhere in the sun As I sat alone in the moon And I thought of the night when I will set out To bring you home to me To a house that looks onto this scene I thought of the night when I will set out To bring you home to me To a house that looks onto this scene And there where the dark forest path leads down To the dappled moonlit glade Two trees stand silent like watchers all a-grey And in my night-dream I saw you there smiling a smile of the brae.
$9.00
It Is Well With My Soul (When Peace Like a River)
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Horatio Spafford
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Michael E
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It Is Well With My Soul
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Michael E. Ropp
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SheetMusicPlus
Small Ensemble Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.971700 Composed by Horatio Spafford (lyric) and Phillip Bliss (music). Arranged by ...
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Small Ensemble Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.971700 Composed by Horatio Spafford (lyric) and Phillip Bliss (music). Arranged by Michael E. Ropp. Christian,Sacred,Spiritual. Score and parts. 11 pages. Michael E. Ropp #2959209. Published by Michael E. Ropp (A0.971700). I have always loved this hymn, and one Sunday morning when I had been called upon to write something lyric for our brass quartet (two trumpets in Bb, horn in F, and tuba), I went straight for It Is Well With My Soul. This arrangement tells in music the story of Horatio Spafford and the circumstances under which he wrote the lyric for this hymn. The piece opens with sounding of the horn of Spafford’s ship as she passes over the point at which Spafford's four daughters were lost. The first verse builds dramatically as the lyric comes to Spafford and ends with the lovely chorus. The next section is based on the third stanza of the hymn in which Spafford writes, My sin, not the part, but the whole, is nailed to the cross… The horn gets the melody, evoking the sound of Spafford’s own voice, and the other instruments vividly paint the hammering of the nails. However, as Spafford moves into the chorus, the harmony becomes dark and uncertain as Spafford’s grief overwhelms him; his faith wavers as he tries to believe what he is writing. Then, the melody transfers to the trumpet as Spafford is answered by the higher voice from above-his daughters assuring him that, yes, it IS well, it is well. The piece then ends with a peaceful statement of the chorus, evocative of the rolling sea and Spafford’s soul at peace. This piece can be played by a student ensemble; the primary challenge is in achieving the level of expression and emotion required to pull off a piece like this.
$5.99
I Get Around
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Rock
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The Beach Boys
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Petey C
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I Get Around
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Petey C.
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SheetMusicPlus
Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.873893 By The Beach Boys. By Brian Wilson and Mike Love. Arranged by Petey C. Pop,Rock. Score an...
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Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.873893 By The Beach Boys. By Brian Wilson and Mike Love. Arranged by Petey C. Pop,Rock. Score and parts. 13 pages. Petey C. #6252129. Published by Petey C. (A0.873893). First of all, if you're considering purchasing this quartet, check out the store on my website https://peteyc.com/store to see what I have there. My arrangements there are cheaper and most of the revenue will go to the arranger (me) instead of sheet music plus.I love The Beach Boys. As a teenager, I was definitely exposed to a fair amount of their music for some reason. It's not always easy to transform this kind of music into an idiom that sounds good as instrumental chamber music, however, this is part of my quest to develop a broad range of popular music that I can play live with a small group on the instrument I love - the horn.This is great for university students and professionals. There are not a lot of great, challenging horn quartet arrangements out there, like this one is. Depending on which part you play, this one may require a solid high range and/or low one (although some alternate notes are suggested for those who wish to avoid the extremes). This arrangement helps fill a niche for small ensemble in that horn quartet music typically lacks repertoire in most contemporary and rock genres. I've tried to have the melody move around a bit so it's fun and interesting for everyone. Score, parts and cover arts included. I hope someone out there tries this arrangement and has fun!
$12.99
Sonata for Violin & Harpsichord in D minor (VB 157)
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Classical
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Joseph Martin Kraus
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Bertil van Boer
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Sonata for Violin & Harpsichor
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Artaria Editions
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SheetMusicPlus
Harpsichord,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1488837 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical...
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Harpsichord,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1488837 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 27 pages. Artaria Editions #1065691. Published by Artaria Editions (A0.1488837). Artaria Editions AE432Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano, and this work in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. It is not known for whom the work was written, but the extensive virtuosity makes it likely that it was intended either for Kraus himself or his brother Franz (1760-1790), an exceptional talent on the violin. The two-movement format is similar to Kraus's early string quartets (VB 178; Artaria Editions AE418), though in this case, the extensive sonata form first movement is followed by a through-composed one consisting of a slow pastorale (replete with bass drone in the violin) and an exotic faster section that includes material from the first movement. What makes this work interesting is the use of scordatura; the G string is to be tuned down to F, which makes it more useful from a harmonic standpoint in that the note can be used in the tonic, relative major, and all dominant-subdominant keys. The Basso part is completely figured—for this edition it has been realized by the editor - but given that Kraus specifically mentions only the keyboard instrument (clavicembalo), it is unlikely that it was performed as a continuo, i.e. with additional violoncello/contrabass, but rather was intended for harpsichord alone.Allan Badley.
$30.00
I Want A Hippopotamus For Christmas (hippo The Hero)
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Christmas
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John Rox
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Raevynn Nicole Davis
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I Want A Hippopotamus For Chri
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Raevynn Nicole Davis
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1309862 Composed by John Rox. Arranged by Raevynn Nicole Davis. Children,Christmas,Holiday. 58 pages. Raevynn Nicole D...
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Level 2 - Digital Download SKU: A0.1309862 Composed by John Rox. Arranged by Raevynn Nicole Davis. Children,Christmas,Holiday. 58 pages. Raevynn Nicole Davis #899009. Published by Raevynn Nicole Davis (A0.1309862). I Want a Hippopotamus for Christmas for 1 piano/4hands up to 6 pianos/24 hands!  This is a multi-level piano ensemble.  If you don’t have 12 pianists – not to worry! The secondo part for piano 6 is the most difficult part and can be used as an accompaniment part to whatever combination of pianists you do have. If you only have 2 pianists, you can use piano 6 as a duet. If the primo part for piano 6 is too difficult, you can use a primo part from another piano, but may need to switch octaves to make it all fit on one keyboard. Many of the parts have minimal hand movements and can be combined on different pianos, but you may need to switch octaves for one or both pianists to make everything fit.A word about percussion – My studio has a variety of classroom/percussion instruments that we make use of for ensembles. If you don’t have the exact same percussion instruments that I do, feel free to substitute whatever you do have for the rhythms. It is also possible to add clapping, snapping, or tapping on the piano/keyboard to add the percussion rhythms. For the boomwhackers, you can use any ‘C,’ ‘D,’ or ‘G’ you have and the octave caps make it even more fun! My students enjoyed using the extended bass range boomwhackers with the octave caps to make the pitches even lower and more hippo-like. ☺What's included?  A score with all 12 parts, 12 individual parts (2 pages per pianist) with standard notation and my suggested fingering, and 12 individual parts (2 pages per pianist) with alphanote notation and my suggested fingering.  Parts range from beginner to intermediate!  I hope your piano ensemble and/or group class enjoys this festive arrangement.  Merry Christmas!
$44.99
I Know Whom I Have Believed - Flex Orchestra
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Sacred music
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having one or more instruments
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James McGranahan
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Kristin Campbell
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I Know Whom I Have Believed -
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Horsehair Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Download SKU: A0.596386 Composed by James McGranahan. Arranged by K...
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Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Download SKU: A0.596386 Composed by James McGranahan. Arranged by Kristin Campbell. Sacred. Score and parts. 30 pages. Horsehair Music #4301947. Published by Horsehair Music (A0.596386). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination.Set in the key of D and modulating to G. The finger patterns change after the modulations, the melody part also includes a B-flat for the modulation, allowing the player to experience using a low first finger. The melody part has one section of motif between the stanzas and choruses of the hymn. Also included are the words to the hymn, so that players who may not know the lyrics can learn them.
$9.99
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