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Yesterday
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Rock
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The Beatles
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Ester Alessandrini
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Yesterday
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ester
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SheetMusicPlus
Small Ensemble Flute,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.758267 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ester...
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Small Ensemble Flute,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.758267 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ester Alessandrini. Rock. Score and parts. 12 pages. Ester #3030491. Published by ester (A0.758267). Il fascino inesauribile di questa canzone l'ha reso famoso in tutto il mondo. Qui è stato rielaborato in un quartetto di studenti nei primi anni di studio
$15.00
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Il primo giorno dell'Apocalisse (Oltre l'orizzonte)
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Contemporary
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Monica Bergo
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Il primo giorno dell'Apocaliss
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Monica Bergo
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SheetMusicPlus
Large Ensemble Clarinet,Drum Set,Organ,Piano,Synthesizer,Trombone,Trumpet,Tubular Bells - Level 3 - Digital Download SKU: A0.976854 Composed by Monica Be...
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Large Ensemble Clarinet,Drum Set,Organ,Piano,Synthesizer,Trombone,Trumpet,Tubular Bells - Level 3 - Digital Download SKU: A0.976854 Composed by Monica Bergo. Contemporary. Score and parts. 36 pages. Monica Bergo #3236823. Published by Monica Bergo (A0.976854). 2017 Holiday Contest EntryIL PRIMO GIORNO DELL’APOCALISSE (OLTRE L’ORIZZONTE) Gente che invade le strade Siamo d’estate e la neve cade Nell’aria oscuri presagi Lancette ferme negli orologi Oltre l’orizzonte non posso guardare Una stella che brilla è già pronta a morire Il sole e la luna, che sta succedendo? Insieme nel cielo , è la fine del mondo Sei pronto a pentirti di tutti i peccati? La gente impazzita, va in cerca dei preti Chi piange, chi ride, chi canta , chi prega campane suonate, tamburi rullate è giunta la fine per l’umanità Non mi aspettavo che tutto finisse Questo è il primo giorno dell’Apocalisse Io che sono astemia mi riempio il bicchiere Se devo morire, non voglio capire E scendo in pista per l’ultima danza Mentre lo tzunami si innalza ed avanza Fra tutta la gente non cerco che te Ma tu dove sei? Non vieni da me? Oltre l’orizzonte ti vorrei portare Non sarebbe bello? Tra campi di fiori Noi sopravvissuti ,nell’eden perduto Soltanto per noi Dimmi che lo vuoi E sarebbe vita e nuova occasione E sarebbe gioia e non più prigione Incontaminati, senza più peccati Dimmi una bugia e portami via Da questo tragico presente Dall’Armagghedon imminente Angeli cantano in coro Mi metto in fila, vado con loro Ma tra la folla il tuo viso E Chi se ne frega del paradiso Maschere bianche mi sbarrano il passo Io grido , ti chiamo, ma tu sei lontano Lo strato d’ozono è ormai inesistente La pelle si brucia Il caldo è asfissiante Ognuno parla una lingua diversa moderna Babele, la torre è riapparsa Frammenti di Bibbia, la Genesi insegna Per ogni peccato, la giusta condanna Non mi aspettavo che tutto finisse Ma è l’ultimo giorno dell’Apocalisse Il genere umano , si estingue stanotte La terra oltraggiata, alla fine ci inghiotte Sarebbe bello morire abbracciati I nostri 2 corpi in eterno avvinghiati Oltre l’orizzonte non posso guardare Il sole che esplode Continuo a ballare La morte che avanza Una tragica danza Oltre l’orizzonte ti ritroverò Monica Bergo
$3.99
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
Thérèse Brenet : A Thing of Beauty Is A Joy Forever" for alto saxophone and string orchestra, score
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Therese Brenet
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Thérèse Brenet : A Thing of
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Alto Saxophone,Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.532887 Composed by Therese Brenet. Contemporary,Sacred,Standards. S...
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Small Ensemble Alto Saxophone,Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.532887 Composed by Therese Brenet. Contemporary,Sacred,Standards. Score and parts. 32 pages. Musik Fabrik Music Publishing #119473. Published by Musik Fabrik Music Publishing (A0.532887). This work was inspired by the poem of the same name by Keats. It was written originally for saxophone and organ by its comissioner the saxophonist Paul Wehage and Françoise Lvéchin-Gangloff, the organist at the Church of Sain Roch in Paris where the work was premièred on February 12, 2012 It also exists in a version for saxophone and piano and for saxophone and string orchestra (with harp). The orchestral version was recorded on Thérèse Brenet's CD Le Livre de L'Harmonie du Monde on JTB-Prod (http://www.jtbprod.com/llhm.htm ) The orchestral materials are available on rental from the publisher (email to infoATclassicalmusicnow.com) The work is not a literal illustration of the poem, but an evocation of emotional states between a Romantic literary work and the music which the writing inspired more than a century and a half later, seen through a Modern musical aesthetic. I. - A thing of beauty...(Une belle chose... ) - 1’45 II.- ...is a joy for ever... (...est une joie pour toujours...) - 1’ III. - its lovelyness increases (...son charme s'amplifie...) - 4’ IV. - it will never fall into nothingness... (il ne tombera jamais dans le néant...) - 4’15 Total duration : 11'.
$25.95
Missa Sex Vocum ad imitationem Shaffe in mir Gott ein reines Herz
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Andreas Crappius
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Guido Menestrina
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Missa Sex Vocum ad imitationem
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Guido Menestrina
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SheetMusicPlus
Choral Choir,Choral - Level 4 - Digital Download SKU: A0.1399501 By Andreas Crappius. By Andreas Crappius. Arranged by Guido Menestrina. Religious,Renais...
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Choral Choir,Choral - Level 4 - Digital Download SKU: A0.1399501 By Andreas Crappius. By Andreas Crappius. Arranged by Guido Menestrina. Religious,Renaissance,Sacred. 22 pages. Guido Menestrina #982790. Published by Guido Menestrina (A0.1399501). La Messa a sei voci composta da Andreas Crappius a imitazione del mottetto Shaffe in mir Gott ein reines Herz (ovvero il salmo 51: Crea in me o Dio un cuore puro). Non è sicuro a quale mottetto facesse riferimento Andreas Crappius, essendo in realtà lui uno dei primi a citarlo (anche se non a metterlo in musica in testo tedesco), fatto sta che tra gli anni '60 del '500 e i due secoli successivi, fino a Johannes Brahms, furono diversi i compositori che vi si cimentarono in area germanica: Gregor Lange, Andreas Hammerschmidt, Heinrich Schuets, Johann Georg Wiener... Andrea Crappius fu compositore di musica sacra, direttore e pedagogo prevalentemente nella zona di Hannover per quasi 50 anni a cavallo tra '500 e '600. A 6-voices mass by Andreas Crappius, a musical imitation of the song or motet Shaffe in mir Gott ein reines Herz (Psalm 51) on which many German-area composers put their hands in those years but also well up untile late Brahms: Gregor Lange, Andreas Hammerschmidt, Heinrich Schuets, Johann Georg Wiener... Andreas Crappius was an appreciated sacred music composer, choir director and pedagogue for over 50 years in Hannover.
$2.39
The Magic Sea (Il Magico Mare)
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Lionel Horncastle
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The Magic Sea
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fleXmusic for school
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SheetMusicPlus
Level 1 - Digital Download SKU: A0.1306880 Composed by Lionel Horncastle (pseudonym). 21st Century,Chamber,Children,Contemporary. 164 pages. FleXmusic fo...
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Level 1 - Digital Download SKU: A0.1306880 Composed by Lionel Horncastle (pseudonym). 21st Century,Chamber,Children,Contemporary. 164 pages. FleXmusic for school #896216. Published by fleXmusic for school (A0.1306880). The Magic Sea is a musical fairy tale (duration 10’ - five movements) for Narrator and Ensemble, presented in this FLEX 2 + 3 version (flexible format), in which there are two main lines and 3 accompaniment lines (3 background lines). In addition, a piano guide of the accompaniment lines and 3 optional percussion parts. This way you can play it with any school orchestra or small ensemble. The piece is easy to play, the instruments parts have a degree of difficulty of 1.5 while the background lines have a degree of difficulty of 1. (Double Languages ITA - ENG)Story invented by the children of Second Class - Giungano Elementary School (Italy)Teacher: Trama Anella - School Year 2021-22, State Istitute “Gino Rossi Vairo†of Agropoli (Italy)The story was awarded First Prize in the 1st competition A fairy tale among the murals, organized by the Association “Fiaba in Borgoâ€, Piano Vetrale (Italy).The Musical Tale was instead awarded First Prize (section D) in the 2nd Edition, proposed by the musical school of Capaccio-Paestum (Italy).
$80.00
Respighi: Ancient Airs and Dances (Antiche Arie e Danze) Suites No.1,Balletto "Il Conte Orlando", 1s
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Ottorino Respighi, Simone Moli
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Arkstar Brassmusic
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Tuba) Quintet
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Respighi: Ancient Airs and Dan
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ASANO Takashi
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SheetMusicPlus
Brass Ensemble Trombone,Tuba - Level 3 - Digital Download SKU: A0.892048 Composed by Ottorino Respighi, Simone Molinaro. Arranged by Arkstar Brassmusic. ...
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Brass Ensemble Trombone,Tuba - Level 3 - Digital Download SKU: A0.892048 Composed by Ottorino Respighi, Simone Molinaro. Arranged by Arkstar Brassmusic. 20th Century,Renaissance,Standards. Score and parts. 30 pages. ASANO Takashi #4335341. Published by ASANO Takashi (A0.892048). Ochestral suites by Ottorino Respighi, Ancient Airs and Dances (Italian: Antiche arie e danze) , transcribed from original pieces for Renaissance lute of 16th century.1st Movoment, Balletto Il Conte Orlando was originally composed by Simone MolinaroArranged for Trombone or Low Brass (4 trombones & Tuba) Quintet.Duration: 3 minutesYou can confirm the score and performance by the following YouTube site. https://youtu.be/etA663HzeHc
$14.00
Italian National Anthem (Il canto degli Italiani)
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Patriotic
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Goffredo Mameli
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Lionel Horncastle
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Italian National Anthem
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fleXmusic for school
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SheetMusicPlus
Level 1 - Digital Download SKU: A0.1305005 Composed by Goffredo Mameli (words) and Michele Novaro (music). Arranged by Lionel Horncastle. 19th Century,Ch...
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Level 1 - Digital Download SKU: A0.1305005 Composed by Goffredo Mameli (words) and Michele Novaro (music). Arranged by Lionel Horncastle. 19th Century,Chamber,Historic,March,Romantic Period. 41 pages. FleXmusic for school #894435. Published by fleXmusic for school (A0.1305005). The Italian National Anthem (Il canto degli Italiani), is presented in Flex 1 + 3 version (flexible format), in which there is a main line with the theme (instrument 1) and 3 Backgroud lines (first, tenor and bass). Piano score and Percussion added. The parts are of every type of instrument. This way is possibile to play the piece with any school orchestra or school ensemble. The arrangement is for beginner, with difficulty of the instrument 1 is medium-easy (grade 2), while the background lines are very easy (grade 1).
$32.00
Il Postino (the Postman)
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Contemporary
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Luis Bacalov
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Agnese Garufi
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Il Postino
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Smim.it
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SheetMusicPlus
Alto Saxophone,Bass Guitar,Clarinet,Drum Set,Flute,Piano Accompaniment,Tenor Saxophone - Level 2 - Digital Download SKU: A0.752044 Composed by Luis Bacal...
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Alto Saxophone,Bass Guitar,Clarinet,Drum Set,Flute,Piano Accompaniment,Tenor Saxophone - Level 2 - Digital Download SKU: A0.752044 Composed by Luis Bacalov. Arranged by Agnese Garufi. Contemporary. 25 pages. Smim.it #4820103. Published by Smim.it (A0.752044). Il Postino | Partitura per orchestra scolasticaThe Postman | Sheet Music for School Orchestra.
$12.99
Suite Madrigal Bolognese for Trombone or Low Brass Trio
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Renaissance
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Classical
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Eric Burger Music
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Suite Madrigal Bolognese for T
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Eric Burger Music
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SheetMusicPlus
Brass Ensemble Bassoon,Euphonium,Trombone - Level 2 - Digital Download SKU: A0.508456 Arranged by Eric Burger Music. Baroque,Renaissance. Score and parts...
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Brass Ensemble Bassoon,Euphonium,Trombone - Level 2 - Digital Download SKU: A0.508456 Arranged by Eric Burger Music. Baroque,Renaissance. Score and parts. 16 pages. Eric Burger Music #3884745. Published by Eric Burger Music (A0.508456). Includes these titles: 1. T'ingannavi ben mio 2. Uccelin lascivetto 3. Tu il sonno lusingando 4. Scherzavan gl'augelletti 5. Ben venga Maggio View the score with playback at: https://youtu.be/DxgtrOwjQEw Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trios are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$10.00
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
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David Warin Solomons
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Fragments des Fragments du Nar
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter...
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Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performance. Duration 300. David Warin Solomons #985853. Published by David Warin Solomons (A0.1402629). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$5.50
French Christmas Carol Medley for String Trio - Noëls Français en Pot Pourri pour Trio à Cordes
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Christmas
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Various, Traditional
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Samantha J Bramley - stringspi
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French Christmas Carol Medley
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Samantha Bramley
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.800202 Composed by Various, Traditional. Arranged by Samantha J Bramley - stringspiratio...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.800202 Composed by Various, Traditional. Arranged by Samantha J Bramley - stringspirational@gmail.com. Children,Christmas. Score and parts. 25 pages. Samantha Bramley #3877327. Published by Samantha Bramley (A0.800202). The Holiday Season can be really painful for lower string players in any ensemble. Playing ‘cello in a Carol concert makes me want to cry. That is why I have created arrangements of classic Christmas Carols and Songs guaranteed not to bore the pants off your violist or ‘cellist. No more bashing out bass notes for the ‘cello, and no more chugging away on the off-beat for viola while the fiddles get soaring melody after soaring counter-melody. We deserve more than this, right guys? You got it! Noël Re-Nouvellé Pot pourri des chants de Noëls Français les plus populaires pour trio à cordes. Durée de six minutes à la vitesse proposée. A jolly romp through some of the most popular French language carols, Noël Re-Nouvellé is a medley for string trio lasting 6 minutes at given tempo. With optional 2nd violin for viola part. Written with interest in all three parts, and taking turns with melody and accompaniment, this is a very enjoyable arrangement for ensembles of intermediate ability. If you have a great viola player or bored ‘cellist s/he will love this! Contains some double stopping of open and stopped strings. 1. Joie dans le monde - Joy to the World 2. Quittez, Pasteurs - Shepherds, Leave your Flocks 3. Entre le bœuf et l'âne gris - The Ox and the Grey Donkey 4. La Marche des Rois Mages - March of the Magi Kings 5. Il est né, le Divin Enfant - He is Born, the Divine Christ Child 6. Noël Nouvelet - Traditional French Folk Carol 7. Les Anges dans nos campagnes - Angels from the Realms of Glory 8. Vive le vent d’hiver - Jingle Bells 9. C’est Noël - Deck the Halls 10. O Venez, les Fideles - O Come All Ye Faithful 11. On se dit Joyeux Noël - We Wish You a Merry Christmas Note from the arranger: All my arrangements for strings are conceived specifically with the aim of writing interesting parts for all players. Most parts do not go beyond 4th position (with the exception of a few harmonics in the lower string parts), making them suitable for student and mixed ability groups. A complete score and set of individual parts (violin, violin 2, viola, ‘cello) is included. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.com Keep Calm & Play Strings!
$22.99
Di luce e di ombra (Un anno nuovo)
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Contemporary
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Monica Bergo
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Di luce e di ombra
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Monica Bergo
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SheetMusicPlus
Small Ensemble Flute,Ocarina,Pan Pipe,Piano,Violin - Level 3 - Digital Download SKU: A0.976890 Composed by Monica Bergo. Contemporary. Score and parts. 3...
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Small Ensemble Flute,Ocarina,Pan Pipe,Piano,Violin - Level 3 - Digital Download SKU: A0.976890 Composed by Monica Bergo. Contemporary. Score and parts. 31 pages. Monica Bergo #3418025. Published by Monica Bergo (A0.976890). DI LUCE E DI OMBRA (Un nuovo anno) Luci che Brillano Su questi giorni miei Nuove ombre che uccidono Il mio entusiasmo ma c’è Tutto un cammino che è stato scritto per me Come un romanzo , la sua trama svelerà Un altro anno su di me E nuovi giorni da inventare Scoprire che cosa accadrà È un buon motivo per lottare La luce mi illuminerà O ci sarà nuovo dolore Scoprire che succederà È un buon motivo per restare E corro sempre così forte Per paura di cadere Forse quest’anno imparerò Come si fa a camminare E non rallento mai il mio ritmo Indietro non posso tornare Perché me stessa incontrerei E dentro mi dovrei guardare Di luce ed ombra riempirò Questo mio eterno vuoto Che non so placare Mille canzoni inventerò Se ci sarà qualcuno che vorrà ascoltare In connessione con il mondo canto di fate , maghi, elfi, streghe e intrighi sempre a disagio nel mio tempo cercando un posto, un ruolo in quest’anno nuovo so che nulla ancora cambierà Di luce ed ombra vivrò Rubo alla luna i suoi misteri Al sole poi li donerò In cambio del caldo eterno nel cuore E come una strega che brucia sul rogo Mi infiammo, mi sciolgo Rinasco di nuovo nell ‘allineamento di Giove in Plutone L’eclissi lunare mi dà protezione Vorrei che la notte scendesse veloce Quando il mio dolore non trova mai pace Vorrei che quel sole brillasse in eterno In ogni stagione, estate ed inverno Un nuovo anno qui Davanti a me Metto in disordine i giorni suoi Il grigio di novembre Con il tepore di settembre con luci ed ombre confonderò ruberò il sole a giugno e il mio Natale scalderò e il ghiaccio di gennaio a Pasqua donerò confonderò la notte e il giorno sempre padrona del mio tempo in quello specchio guarderò felice di ciò che vedrò e nuovi viaggi ed esperienze ed emozioni a fior di pelle vivrò con gioia e intensità la luce e l’ombra che verrà quanti sorrisi sulle labbra formeranno nuove rughe felice di questa mia età è un bel traguardo essere qua e quante lacrime di nuovo scenderanno sul mio viso saranno gioia oppur dolore di luce e d’ombra io vivrò sarà un nuovo anno di gioie e dolori di luce e di ombra di freddo e calore….. Monica Bergo
$3.99
Ta Maman for alto, cello and guitar
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Contemporary
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David Warin Solomons
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Ta Maman for alto, cello and g
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and part...
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Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #51133. Published by David Warin Solomons (A0.576653). Very sad poem by Paul Maertens about a child he came to know from his medical practice. The mother was unmarried and ashamed and tried to ignore the child as if it were a reproach to her, the child became autistic and unable to react to others. This setting for alto voice, cello and guitar reflect the mood of the poem in all its sadness. The sound sample is a performance by the composer, with Chris Benson on cello. (The guitar's 6th string is tuned to D - much use is made of 12th and 19th (or 7th if preferred) fret harmonics) The pdf file contains score and parts. An instrumental version of the the music, entitled Promenade d'hiver (viola, cello and guitar), is also available on this site. It is sung in French, but for convenience I am providing an English translation below (not for performance purposes). Ta Maman, p'tit gars, ne te désirait pas.Maintenant tu ouvres les robinets, et vois l'eau couler sans vouloir la saisir.Ta Maman a nié son attente. Ton Papa n'est pas tien, et ta Maman, de honte, t'a caché dans ses seins. Tu naissais sans qu'on te donne la vie. Tu étais dorloté, car il ne fallait pas qu'on t'entende, mon gars. Ta Maman ne te regardait pas dans les yeux; tes sourires n'ont pas eu de réponse. On ne t'a pas aimé.On t'a interdit la vie. Ta Maman ne pouvait soutenir ce reproche que tes yeux lui lançait; et pour mieux te fuir elle fit de toi cet objet cet oubli, un chien propre et fidèle qu'on lave, qu'on nourrit. Maintenant tu te promènes une auto à la main, sans jouer sans sourire sans parler. Ta Maman est partie, et tu n'as pas pleuré; tu as laissé ton auto quelque part, et tu ranges les cubes étalés devant toi: toujours dans le même ordre, simplement, sans angoisse, sans bonheur. Tu ne vis pas, p'tit. Réveille-toi, mon gars! Your mummy, little chap, did not want you. Now you turn on the taps and watch the water flow, but you don't want to grab it. Your mummy didn't admit she was expecting. Your daddy isn't yours and your mummy, out of shame, hid you in her breasts. You were born but you weren't given a life. You were rocked to sleep because you weren't supposed to be heard. Your mummy didn't look into your eyes, your smiles got no response. You weren't loved. You were forbidden to live. Your mummy could not bear the reproach your eyes shot at her, and in order to flee you all the more she made you into this object, this forgotten thing, a clean and faithful dog that you wash and feed. Now you roll your toy car around, without playing or smiling or speaking. Your mummy has gone and you didn't cry. You've left your car somewhere and you arrange the cubes in front of you, always in the same order, simply, without anguish, without happiness. You are not living , little one. Wake up little chap!
$10.00
Déjeuner du matin sung in French and English with various samples (mp3)
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David Warin Solomons
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Déjeuner du matin sung in Fre
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Sampler - Level 4 - Digital Download SKU: A0.1350393 By David Warin Solomons. By David Warin Solomons. Contemporary,Multicultural,Singer/Songw...
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Alto Voice,Sampler - Level 4 - Digital Download SKU: A0.1350393 By David Warin Solomons. By David Warin Solomons. Contemporary,Multicultural,Singer/Songwriter,World. Full Performance. Duration 249. David Warin Solomons #935190. Published by David Warin Solomons (A0.1350393). Déjeuner du matin - poem by Jacques PrévertEnglish translation by Lawrence FerlinghettiMusical improvisation on 8-track Fostex with Archimedes sequencer sung by David W Solomons with various samples (1989)using my Isaiah sequence (circular A minor arpeggio feature with bass note going down by semitones returning via a dominant 7th chord)This is best heard on headphones to get the English and French versions separately.Recently described by Howie Richey as follows:sounds like Stairway to Heaven sung by Sgt. Pepper!Yup I can see that LOLFrench and English versions:Déjeuner Du MatinIl a mis le caféDans la tasseIl a mis le laitDans la tasse de caféIl a mis le sucreDans le café au laitAvec la petite cuillèreIl a tournéIl a bu le café au laitEt il a reposé la tasseSans me parlerIl a alluméUne cigaretteIl a fait des rondsAvec la fuméeIl a mis les cendresDans le cendrierSans me parlerSans me regarderIl s'est levéIl a misSon chapeau sur la têteIl a misSon manteau de pluieParce qu'il pleuvaitEt il est partiSous la pluieSans une paroleSans me regarderEt moi, j'ai prisMa tête dans ma mainEt j'ai pleuréBreakfastHe put the coffee in the cupHe put the milk inthe cup of coffeeHe put the sugarin the café au laitWith a coffee spoon he stirred he drank the café au lait and set down the cupwithout a word to mewithout a word to mehe lit a cigarettehe made smoke ringswith the smokehe put the ashesin the ash traywithout a word to mewithout a look at mehe got uphe put his hat upon his headhe put his raincoat on because it was rainingand he left in the rainwith out a wordwithout a look at meand I ....I took my head in my hand and I cried.
$5.50
He Is Born (Choral Score)
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Robert A
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He Is Born
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB with optional congregation and (organ) or (brass quartet, percussion, and organ) or (organ and orchestra) (SATB choir) - Easy - Digital Download SKU: MQ...
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SATB with optional congregation and (organ) or (brass quartet, percussion, and organ) or (organ and orchestra) (SATB choir) - Easy - Digital Download SKU: MQ.50-1953-E Composed by Robert A. Hobby. Christmas, 21st Century. Downloadable choral score. 9 pages. MorningStar Music Publishers - Digital Sheet Music #50-1953-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-1953-E). UPC: 688670519536. English.The traditional French carol IL EST NÉ is set here in a simple but beautiful way. The beauty of the melody shines throughout this exquisite arrangement. From the larger work Holy Light.Performance Options:Option 1: SATB Choir, Brass Quartet (Two Trumpets in B-flat, Two Trombones), Glockenspiel, Triangle, Tambourine, and Organ, with opt. CongregationOption 2: SATB Choir, Organ, and Orchestra (Flute, Oboe, Clarinet, Bassoon, Two Trumpets in B-flat, Two Trumpets in C, Two Trombones, Organ, Two Violins, Viola, Cello, Double Bass, Percussion [Glockenspiel, Triangle, Tambourine]), with opt. CongregationOption 3: SATB Choir and Organ.
$2.65
Mussorgsky: Pictures at an Exhibition for Piano Quartet - 2nd Edition - Score Only
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Piano Quartet - Level 5 - Digital Download SKU: A0.1397796 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Co...
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Piano Quartet - Level 5 - Digital Download SKU: A0.1397796 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 104 pages. Jmsgu3 #981065. Published by jmsgu3 (A0.1397796). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.The composition was inspired by a visit to an art exhibition featuring the works of Mussorgsky's friend, the Russian artist Viktor Hartmann. The Pictures at an Exhibition pieces aim to capture the sketches, watercolors, and architectural designs displayed at the exhibition. Mussorgsky links the suite's movements to depict the viewer's progress through the exhibition. Two Promenade movements serve as portals to the various pictures, representing the composer himself strolling through the exhibition. Mussorgsky and Hartmann were devoted to the cause of an intrinsically Russian art, and their friendship likely developed in the home of the influential critic Vladimir Stasov, who followed both of their careers with interest. Mussorgsky's original composition is known for its multi-layered music imbued with energy and vitality, requiring the performer to move between soothing melodies, humorous tunes, and pounding rhythms. The suite's diverse range of musical styles and moods is a testament to Mussorgsky's skill as a composer.Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874(МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)   Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²  Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)   Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)   Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле   Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑадThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.
$32.95
He Is Born!
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He Is Born!
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SheetMusicPlus
Six brief movements based on a French carol Set in six, brief movements in the style of the great organ Noels by Loise-Claude Daquin, He Is Born! combines the F...
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Six brief movements based on a French carol Set in six, brief movements in the style of the great organ Noels by Loise-Claude Daquin, He Is Born! combines the French carol, Il Est Ne, with one of the Daquin Noels.Set in six, brief movements in the style of the great organ Noels by Loise-Claude Daquin, He Is Born! combines the French carol, Il Est Ne, with one of the Daquin Noels
Song List
: Single
$12.95
Chorale St. Anthony from Variations on a theme by Haydn
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Classical
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Johannes Brahms
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Alessandro Macrì
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Chorale St. Anthony from Varia
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn - Level 1 - Digital Download SKU: A0.931261 Composed by Johannes Brahms. Arranged by Alessandro Macrì. Concert,Graduation,Instruct...
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Brass Ensemble Horn - Level 1 - Digital Download SKU: A0.931261 Composed by Johannes Brahms. Arranged by Alessandro Macrì. Concert,Graduation,Instructional,Romantic Period,Standards. Score and parts. 10 pages. Music Macri Editions #5801363. Published by Music Macri Editions (A0.931261). Johannes Brahms – Variazioni su un tema di Haydn op.56Le Variazioni op.56 sono un momento fondamentale nell’evoluzione creativa di Johannes Brahms come compositore sinfonico, lo proiettano infatti verso la prima sinfonia; di questa, il primo movimento era già pronto da qualche anno ma si trovava relegato in un cassetto a causa del timore reverenziale nell’affrontare quel modello classico.Le Variazioni sul tema di Haydn, scritte nella duplice versione per due pianoforti e per orchestra, appaiono espressioni di un unico momento creativo dato il breve lasso di tempo intercorrente tra l’una e l’altra; la versione per due pianoforti, inserita in catalogo dallo stesso autore come Opus 56b, viene eseguita a settembre del 1873 con Clara Schumann, quella per orchestra il 2 novembre 1873, con Brahms alla direzione della Filarmonica di Vienna. La versione orchestrale è quella oggi più conosciuta e molto più spesso eseguita.L'arrangimento, si basa sul Corale di Sant’Antonio, composizione per ensemble di fiati, all’epoca attribuita erroneamente a Franz Joseph Haydn ed ancora oggi di origine incerta; i fiati e il pizzicato degli archi esaltano il suo carattere corale. Il tema è impostato su due periodi asimmetrici, entrambi con ripetizioni segnate da ritornelli: il primo periodo presenta due frasi di cinque battute ciascuna, il secondo è costituito da uno sviluppo in otto battute, una ripresa di quattro battute e un finale di sette. Il tema è chiuso da un accordo ripetuto.
$7.00
Placido Abela - Israel per Domenica delle Palme
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Placido Abela
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Guido Menestrina
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Placido Abela - Israel per Dom
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Guido Menestrina
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SheetMusicPlus
Small Ensemble High Voice,Low Voice,Medium Voice,Organ - Level 3 - Digital Download SKU: A0.828737 Composed by Placido Abela. Arranged by Guido Menestrin...
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Small Ensemble High Voice,Low Voice,Medium Voice,Organ - Level 3 - Digital Download SKU: A0.828737 Composed by Placido Abela. Arranged by Guido Menestrina. Christian,Classical. Score and parts. 6 pages. Guido Menestrina #1987519. Published by Guido Menestrina (A0.828737). Israel per Domenica delle Palme ridotto dal Canto Fermo a tre voci con Organo ad libitum dal P. D. Placido Abela Cassinese (1814-1876), trascritto da Guido Menestrina. Il Gloria Laus è l'inno a Cristo Re che entra in Gerusalemme. Eccone il testo completo e la traduzione: Glória, laus et honor tibi sit, Rex Christe, Redémptor : Cui puerÃle decus prompsit Hosánna pium. R/. Glória, laus. Israël es tu Rex, Davidis et Ãnclita proles : Nómine qui in Dómini, Rex benedÃcte, venis. R/. Glória, laus. CÅ“tus in excélsis te laudat caélicus omnis, Et mortális homo, et cuncta creáta simul. R/. Glória, laus. Plebs Hebraéa tibi cum palmis óbvia venit : Cum prece, voto, hymnis, ádsumus ecce tibi. R/. Glória, laus. Hi tibi passúro solvébant múnia laudis : Nos tibi regnánti pángimus ecce melos. R/. Glória, laus. Hi placuére tibi, pláceat devótio nostra: Rex bone, Rex clemens, cui bona cuncta placent. R/. Glória, laus. Traduzione: Gloria, lode e onore a te, Re Cristo Redentore, Al quale una schiera di fanciulli cantò l'Osanna devoto. R/. Gloria, lode. D'Israele tu sei il Re, di David la nobile prole; Tu che vieni, Re benedetto, nel nome del Signore. R/. Gloria, lode. Nel più alto dei cieli, ti loda tutta la schiera celeste; E l'uomo mortale insieme, e tutte le cose create. R/. Gloria, lode. Il popolo ebreo ti venne incontro con le palme; Eccoci dinanzi a te con la preghiera, il voto, gli inni. R/. Gloria, lode. A te che andavi alla tua passione essi pagavano il loro tributo di lode. Noi ora innalziamo i nostri canti a te che regni glorioso. R/. Gloria, lode. Essi ti furono graditi, gradisci la nostra devozione; Re buono, Re clemente al quale piace tutto ciò che è bene. R/. Gloria, lode. Segui lo spartito su Youtube/ Videoscore: https://youtu.be/Mjs6wtv50ys.
$4.99
Game Of Thrones
Percussion, Piano (duet)
Easy level
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Film/TV
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Ramin Djawadi
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Simone Cislaghi
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Game Of Thrones
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SheetMusicPlus
Piano Accompaniment, Clarinet, Marimba, Xylophone, Multi-Percussion, Guitar - Early Intermediate - Digital Download By Ramin Djawadi. Arranged by Sim...
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Piano Accompaniment, Clarinet, Marimba, Xylophone, Multi-Percussion, Guitar - Early Intermediate - Digital Download By Ramin Djawadi. Arranged by Simone Cislaghi. Score, Set of Parts. 13 pages. Published by Giuseppe Cataldi
Il Trono di Spade \| Partitura per orchestra scolastica
Game of Thrones \| Sheet Music for School Ensemble.
$12.99
La visione di Cassandra (Borderline)
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Contemporary
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Monica Bergo
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La visione di Cassandra
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Monica Bergo
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SheetMusicPlus
Small Ensemble Piano - Level 3 - Digital Download SKU: A0.976860 Composed by Monica Bergo. Contemporary. Score and parts. 19 pages. Monica Bergo #3238295...
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Small Ensemble Piano - Level 3 - Digital Download SKU: A0.976860 Composed by Monica Bergo. Contemporary. Score and parts. 19 pages. Monica Bergo #3238295. Published by Monica Bergo (A0.976860). 2017 Holiday Contest Entry♫*´¨`*•.¸¸.♫ La visione di Cassandra ♫*´¨`*•.¸¸.♫ Non vorrei aprire quella porta ,Non dovrei…ma è il vento che mi porta… E canto a voce bassa, Finchè il dolore passa e giro, giro-tondo ,com’è cattivo il mondo Tra pensieri e lacrime, Parole e musica C’è la visione di Cassandra E non so se potrà farcela, a scrivere di te ,Te ne sei andata in fretta , E sei perfetta Nella mente mia Cassandra sta Rinchiusa in quella stanza, Si stringe a sé ,Racconta un’esistenza: guarda là , mio padre e il suo bicchiere, guarda me, la vittima del bere lividi viola, a scuola sempre sola ,nell’indifferenza continua la violenza , mia madre sapeva ma tutto nascondeva ,la mente che non regge , e il borderline distrugge la scintilla che era in me, tutti quei sogni miei e quell’amore che non avrò mai, vorrei scappare ma sto incatenata qua, rituali incontrollati, gesti ripetuti ed un mostro chiuso dentro me Nella visione di Cassandra, Non ha più sbarre questa stanza non ha più un corpo, sesso ,è senza età È una visione ma lei non lo sa In armonia con il creato, Scorda il presente ed il passato Ed il dolore affiora e sparirà ,È una visione ma lei non lo sa Cassandra non lo sa, Che sta per perdere la nostra realtà Fili sdruciti Di un pupazzo fragile Rimane in bilico, Abbraccia un incubo Nei labirinti suoi , Non trova uscite mai E passa il margine, varca quel limite Si sente un fiore che Bisogni più non ha Ed il vento seguirà Davanti allo specchio ,I lunghi capelli, Rifletton bagliori di mille cristalli Li pettini piano,, Con cura infinita, Aspetti il tuo amore da tutta una vita Ed un carillon che risuona lontano ,La spazzola a un tratto ti cade di mano Perché l’uomo nero è qui, è già tornato, Infrange il tuo sogno, l’incanto è spezzato Cassandra corre tra le stelle E se le tatua sulla pelle Lividi e cicatrici più non ha, È una visione ma lei non lo sa In dimensioni da esplorare ,Come gli uccelli può volare Respira sole , amore e libertà E qui nessuno male le farà … Cassandra fermati, Cassandra aiutami a non rimpiangerti Adesso tu non puoi incatenarmi a te ,Al tuo ricordo che per sempre brucierà Cassandra non lo sa che le ali no, non ha Tragico angelo che prende il volo e poi Un burattino con i fili rotti ormai E il tempo è fermo qui, come il tuo battito Ma la visione è mia o di Cassandra, Non ricordo più, Questo tempo cambia La mia percezione del passato Volti e nomi che Il tempo ormai ha sbiadito E danzo al ticchettio di ciò che è stato anime perse che son rimaste indietro sempre dentro me con la loro storia un tatuaggio eterno nella mia memoria Non dovrei aprire quella porta ,Non vorrei, ma è il vento che mi porta…. e canto a voce bassa finchè il dolore passa e giro, giro-tondo com’è cattivo il mondo….. Monica Bergo
$3.99
He Is Born: Oboe
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Instructional
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Ruth Morris Gray
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Recorded Acc. Available.
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He Is Born: Oboe
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Choir - Digital Download SKU: AX.00-PC-0016229_O1 Oboe. Arranged by Ruth Morris Gray. Instructional. Part. 2 pages. Alfred Music - Digital Sheet M...
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Choir - Digital Download SKU: AX.00-PC-0016229_O1 Oboe. Arranged by Ruth Morris Gray. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016229_O1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016229_O1). UPC: 038081444215.It's the familiar Il Est NA(c) sung in English, arranged in a French consort style. Open choral harmonies and accumulating counterlines add to the effect and further the festivity.Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
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