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Isolation
Sheetmusic to print
20 sheet music found
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1
Confusion Fear Isolation
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Michael C
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Confusion Fear Isolation
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Michael McDonough A.S.C.A.P.
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SheetMusicPlus
Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - Digital Download SKU: A0.965496 Composed by Michael C. McDonough A.S.C.A.P. Contemporary,Multicultural...
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Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - Digital Download SKU: A0.965496 Composed by Michael C. McDonough A.S.C.A.P. Contemporary,Multicultural,World. Score and parts. 12 pages. Michael McDonough A.S.C.A.P. #6013445. Published by Michael McDonough A.S.C.A.P. (A0.965496). This is the 2nd movement of my C - 19 Suite. The 1st movement Prelude To a Pandemic is also on this site for sale. This is a musical representation of things being negatively impacted by the pandemic virus gripping our world at this time. The Baritone Horn part could easily be performed by a 3rd tenor trombone and the Tuba part is easily adapted to a Bass Trombone.
$15.00
Introduction and Energico for Strings
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Keir C
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Introduction and Energico for
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Keir C Crawley
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SheetMusicPlus
String Ensemble - Level 4 - Digital Download SKU: A0.1451892 Composed by Keir C. Crawley. 21st Century,Chamber,Classical,Contemporary. 41 pages. Keir C C...
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String Ensemble - Level 4 - Digital Download SKU: A0.1451892 Composed by Keir C. Crawley. 21st Century,Chamber,Classical,Contemporary. 41 pages. Keir C Crawley #1031204. Published by Keir C Crawley (A0.1451892). Introduction and Energico for Strings is a single movement piece for String Orchestra. It was composed over an intensive four-day period in the summer of 2020 during a momentary lull in the Covid pandemic, as a result I think that there is a sense of isolation about the music. The recording came later in 2021 shortly after 'freedom day' in the UK. Performed here by 9 players - as a result of the lockdowns I didn't have access to a symphonic string orchestra and certainly couldn't afford to pay one either! View the conductor cam footage by following the link: https://www.youtube.com/watch?v=IilDV63rGuk&list=PLuU1eG-lQ97TEpK7GT1p5rox98H32tdhI&index=12.
$35.00
Wynwood Walls
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Stephen Goss
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Wynwood Walls
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan...
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Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
$33.95
Lovely
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Billie Eilish
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Erik B
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Lovely
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Erik Brandão
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SheetMusicPlus
Horn,Instrumental Solo - Level 1 - Digital Download SKU: A0.1426917 By Billie Eilish. By Billie Eilish O'Connell, Finneas O'Connell, and Khalid Robinson....
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Horn,Instrumental Solo - Level 1 - Digital Download SKU: A0.1426917 By Billie Eilish. By Billie Eilish O'Connell, Finneas O'Connell, and Khalid Robinson. Arranged by Erik B. Costa. 21st Century,Pop,Soul. Individual part. 1 pages. Erik Brandão #1007623. Published by Erik Brandão (A0.1426917). PLAY THE SONG LOVELY ON THE HORN IN F!The song “Lovely” is a hauntingly beautiful collaboration that delves into themes of isolation, emotional struggle, and the desire for freedom. The lyrics paint a picture of someone trapped in sadness, yearning for an escape that seems elusive.The delicate balance between vulnerability and strength is palpable in these lines. The heart made of glass and the mind of stone evoke a sense of fragility and resilience simultaneously.
$8.00
Kommos (Lamentation) / "When the World Moved On" - Timpani
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages...
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Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078699. Published by Benjamin Sajo (A0.1018954). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
The Tranquility Of Order
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Nicholas White
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The Tranquility Of Order
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Nicholas White Music
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SheetMusicPlus
Cello,Medium Voice,Piano - Level 5 - Digital Download SKU: A0.1258631 Composed by Nicholas White. 21st Century,Classical,Contemporary. 48 pages. Nicholas...
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Cello,Medium Voice,Piano - Level 5 - Digital Download SKU: A0.1258631 Composed by Nicholas White. 21st Century,Classical,Contemporary. 48 pages. Nicholas White Music #851889. Published by Nicholas White Music (A0.1258631). These twenty short pieces were composed between March 15 – 25, 2020, during the first days of self-isolation and social distancing brought about by the COVID 19 global pandemic. They were conceived as a set of dances and meditations, with the intention of providing music for a dance performance. The individual movements themselves are free form in construction. The countertenor (or mezzo-soprano) part is wordless, with the exception of the penultimate song “The Color Fades to Greyâ€, which serves as a poignant moment of heart-on-sleeve passion before the recapitulation of the first movement. The title of the piece, a play on the concept of 20/20 vision, written in the year 20/20, containing 20 movements, and 20 measures in each, was a gift to the tranquility of order. Having 20/20 vision does not necessarily mean you have perfect vision. 20/20 vision only indicates the sharpness or clarity of vision at a distance. Other important vision skills, including peripheral awareness or side vision, eye coordination, depth perception, focusing ability, and color vision, contribute to your overall visual ability. There is always more than one way to look at things!Â
$20.00
(We're in) Lockdown
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The Shirley Carters
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(We're in) Lockdown
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The Shirley Carters
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SheetMusicPlus
Small Ensemble - Level 2 - Digital Download SKU: A0.1032854 Composed by The Shirley Carters. Contemporary,Pop,Rock. Score and parts. 3 pages. The Shirley...
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Small Ensemble - Level 2 - Digital Download SKU: A0.1032854 Composed by The Shirley Carters. Contemporary,Pop,Rock. Score and parts. 3 pages. The Shirley Carters #5723767. Published by The Shirley Carters (A0.1032854). The Shirley Carters debut single, composed and performed with all members in social isolation due to the Covid-19 pandemic.
$2.49
Brass Sextet - Allegro Spiritoso
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Contemporary
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Mike Lyons
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Brass Sextet - Allegro Spirito
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Lyons Music Services
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767547 Composed by Mike Lyons. Contemporary. Score and parts. 32 pages. Ly...
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767547 Composed by Mike Lyons. Contemporary. Score and parts. 32 pages. Lyons Music Services #5743867. Published by Lyons Music Services (A0.767547). Allegro Spiritoso came about in response to the Covid-19 lockdown. I had been looking for inspiration for a new brass piece and these ideas finally gelled into this single movement work. The opening requires controlled flutter tonguing from the trumpets and glissandos from both the horns and the trombone. This first set of ideas are angry and frustrated, coming in sharp and bitter contrasts between the fluttering of the trumpets and the repetitive semitone on the tuba. Although in F (concert) this section really doesn't have a key centre. Each outburst instead uses a set of pitches ultimately derived from the Gregorian chant of the Dies Irae which appears later in the piece.I imagined how it must feel to be trapped in the house for weeks on end by the lockdown and the fear of catching the virus, combined with the lack of any real leadership from the British government. The interlocking tuba, trombone and horn rhythms (occasionally passed to 2nd. trumpet) drive the music forward and represent, in a way, the mutating virus which underlies all the troubled emotions caused by the lockdown itself and the feelings of isolation and, indeed, abandonment which many people feel.Half way between letters B and C, the trombone plays a kind of distorted motif reminiscent of a Chorale melody which leads us into a section devoted to those who have died (and continue to die) because of the disease. From letter C to the end, the main melodic motifs come from the Dies Irae, part of the Catholic Mass for the Dead (Requiem). Stated first in the Trumpets, the Tuba takes over the melody in augmentation with fragments passed around the ensemble with interjections from the angry motifs of the first section.Finally, the music begins to quieten and work towards the finish. The Dies Irae melody is reduced to a kind of skeleton of itself (all repeated notes removed) which ends the piece over the tuba/horn ostinato. The whole piece is 2 minutes and 57 seconds long and is - though quite by accident - an exact multiple of 19 bars long (114).It's a very dramatic and angry piece and therefore is quite dissonant. Maybe not to everyone's taste, but well worth a listen.
$25.00
Tea for Two
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Vincent Youmans
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Richard Windle
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Tea for Two
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Glumangate Publishing
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SheetMusicPlus
Brass Ensemble Trombone - Level 2 - Digital Download SKU: A0.945107 Composed by Vincent Youmans. Arranged by Richard Windle. 20th Century,Jazz,Musical/Sh...
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Brass Ensemble Trombone - Level 2 - Digital Download SKU: A0.945107 Composed by Vincent Youmans. Arranged by Richard Windle. 20th Century,Jazz,Musical/Show. Score and parts. 8 pages. Glumangate Publishing #5800669. Published by Glumangate Publishing (A0.945107). A Trombone Quartet of this classic song. Accessible by all levels of players and perfect for that isolation recording.
$2.99
Tea for Two
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Broadway
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Vincent Youmans
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Richard Windle
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Tea for Two
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Glumangate Publishing
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SheetMusicPlus
Brass Ensemble Trumpet - Level 2 - Digital Download SKU: A0.945108 Composed by Vincent Youmans. Arranged by Richard Windle. 20th Century,Broadway,Jazz,Mu...
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Brass Ensemble Trumpet - Level 2 - Digital Download SKU: A0.945108 Composed by Vincent Youmans. Arranged by Richard Windle. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 8 pages. Glumangate Publishing #5800673. Published by Glumangate Publishing (A0.945108). A Trumpet Quartet of this classic song. Accessible by all levels of players and perfect for that isolation recording.
$2.99
Search for a Vaccine
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Michael C
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Search for a Vaccine
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Michael McDonough A.S.C.A.P.
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SheetMusicPlus
Small Ensemble Baritone Horn TC,Trombone,Tuba - Level 3 - Digital Download SKU: A0.965498 Composed by Michael C. McDonough, A.S.C.A.P. Contemporary,World...
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Small Ensemble Baritone Horn TC,Trombone,Tuba - Level 3 - Digital Download SKU: A0.965498 Composed by Michael C. McDonough, A.S.C.A.P. Contemporary,World. Score and parts. 14 pages. Michael McDonough A.S.C.A.P. #6017033. Published by Michael McDonough A.S.C.A.P. (A0.965498). This is the third movement of my C-19 Suite for Lower Brass Ensemble. The opening movement is Prelude to a Pandemic. The second movement is Confusion, Fear and Isolation. In this movement I hope to convey a sense of some optimism, three phases of a trial vaccine and the suite will conclude with Postlude to a Pandemic when we get to that point. .
$15.00
Cabin Fever
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Blues
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Jazz
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Sam Spear
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Cabin Fever
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Sam Spear Music
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.995504 Composed by Sam Spear. Blues,Jazz. Score and parts. 1 pages. Sam Spear Music #6077579. Publish...
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Small Ensemble - Level 3 - Digital Download SKU: A0.995504 Composed by Sam Spear. Blues,Jazz. Score and parts. 1 pages. Sam Spear Music #6077579. Published by Sam Spear Music (A0.995504). Cabin Fever is a short burst of energy, representing the angst caused by social isolation.
$2.99
The Endemic pandemic
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Folkloric/Traditional
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Michael C
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The Endemic pandemic
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Michael McDonough A.S.C.A.P.
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.965525 Composed by Michael C. McDonough, A.S.C.A.P. Folk. Score and parts. 12 pages. Michael...
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.965525 Composed by Michael C. McDonough, A.S.C.A.P. Folk. Score and parts. 12 pages. Michael McDonough A.S.C.A.P. #6269689. Published by Michael McDonough A.S.C.A.P. (A0.965525). This is the 5th movement in my Pandemic Suite for Trombone Quartet. The other movements are available at SMP press and included: Prelude to a Pandemic, Fear Confusion and Isolation, Search for a Vaccines, The Vaccines Arrive.
$15.00
Approaching Herd Immunity
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Michael C
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Approaching Herd Immunity
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Michael McDonough A.S.C.A.P.
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.965534 Composed by Michael C. McDonough, A.S.C.A.P. Concert,Folk. Score and parts. 10 pages....
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.965534 Composed by Michael C. McDonough, A.S.C.A.P. Concert,Folk. Score and parts. 10 pages. Michael McDonough A.S.C.A.P. #6358557. Published by Michael McDonough A.S.C.A.P. (A0.965534). This is the 6th movement in my Pandemic Suite for Trombone Quartet. The other movements are available at SMP press and included: Prelude to a Pandemic, Fear Confusion and Isolation, Search for a Vaccines, The Vaccines Arrive, The Endemic Pandemic .
$10.00
Waiting Game
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Pop music
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Chris Taylor and Jillian Rose
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Lauren Kahn
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Waiting Game
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Lauren Kahn
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SheetMusicPlus
Small Ensemble Alto Voice,Baritone Horn TC,Bass Voice,Soprano voice,Tenor Voice - Interactive Download SKU: A0.479910 Composed by Chris Taylor and Jillia...
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Small Ensemble Alto Voice,Baritone Horn TC,Bass Voice,Soprano voice,Tenor Voice - Interactive Download SKU: A0.479910 Composed by Chris Taylor and Jillian Rose Banks. Arranged by Lauren Kahn. This edition: Interactive Download. Pop. Score and parts. 12 pages. Duration 130. Published by Lauren Kahn (A0.479910). This song is haunting yet beautiful. The lyrics are filled with confusion and isolation. It's a difficult emotional journey, but one that many people have experienced.
$19.99
Variants and Strains
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Contemporary
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Brett L
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Variants and Strains
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Sonata Grendel Publishing
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1092409 Composed by Brett L. Wery. Contemporary. 78 pages. Sonata Gr...
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Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1092409 Composed by Brett L. Wery. Contemporary. 78 pages. Sonata Grendel Publishing #696503. Published by Sonata Grendel Publishing (A0.1092409). Variants and Strains was commissioned by the SILVERSMITHS and the New Jersey Wind Symphony Flute Ensemble. A twelve minute, through composed work, Variants and Strains is in three sections representing the pre-COVID world, COVID lock-down, and “post†COVID world. It explores the manic pace of our world, the isolation, loneliness, and loss of the pandemic, and the disruption and change brought about by the virus. The composition is meticulously created around mathematic principles of symmetry and proportion. It contains musical references to the traditional English folk melody, Kingsfold, used in Vaughan Williams’ Five Variants of Dives and Lazarus and the Gregorian antiphon, In paradisum used in the Latin liturgy of the Western Church Requiem Mass which includes the text, “May choirs of angels receive you and with Lazarus, once (a) poor (man), may you have eternal rest..
$29.08
Russian, girl, love, song, music video
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Johnson K
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Russian, girl, love, song, mus
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Johnson Gao
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SheetMusicPlus
Small Ensemble Clarinet,High Voice,Violin - Level 3 - Digital Download SKU: A0.1007026 Composed by Johnson K. Gao. Contemporary,Film/TV,Wedding,World. Sc...
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Small Ensemble Clarinet,High Voice,Violin - Level 3 - Digital Download SKU: A0.1007026 Composed by Johnson K. Gao. Contemporary,Film/TV,Wedding,World. Score and parts. 7 pages. Johnson Gao #5720507. Published by Johnson Gao (A0.1007026). The above four pages of line music sheet are copied from Bon Voyage! Olympic Games’ Athletes! It is a song that the composer published for the 2008 Summer Olympics (2008 å¹´å¤å£å¥¥è¿ä¼š), officially known as the Games of the XXIX Olympiad hold in Beijing, China. According to the melody of that song, a Russian girl Olga mailed to the author of her idea to fill in the alternative lyrics describing a girl’s love philosophy. Then, the author translated it to both Chinese and English versions of lyrics during the Covid-19 home isolation time 12 years later. Now, the author created a new version of short music video base on his original music video, which was at lower resolution. The author hopes that the re-edited video may be a little improvement for readers. The following are the lyrics:
$1.99
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: ...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
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