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It's the Girls
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You've selected:
It's the Girls
Sheetmusic to print
29 sheet music found
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1
26
Angels, We Call Them Mothers Down Here
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Contemporary
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Bert Kalmar and Harry Ruby
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Rebecca J
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Angels, We Call Them Mothers D
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Rebecca J. Wood
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SheetMusicPlus
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.996561 Composed by Bert Kalmar and Harry Ruby. Arranged by Rebecca J. Wood. Contemporary. Octa...
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.996561 Composed by Bert Kalmar and Harry Ruby. Arranged by Rebecca J. Wood. Contemporary. Octavo. 5 pages. Rebecca J. Wood #5324813. Published by Rebecca J. Wood (A0.996561). Hear 30 second clip, beginning at measure 1. Arrangement about 1 min 30 secs performance time. This arrangement has a surprise ending, so the title needs to be just Angels. The chords bring wonderful emotions which climax at m 52, followed by the surprise ending, the heart-swell. Could be done by YWIH, high school age girls or Women's Choruses. Use for shows, but not for Competition. Some churches might allow it for Mother's Day services. Feedback would be appreciated. After thinking about ANGELS, I HAVE TO TELL YOU the most important line in the song. After the Daddy tells the child what angels are, he says, They call them angels in Heaven (beautiful spot in the son), but we call them MOTHERS down here. Such a tear-jerker, I think!!
$1.99
It's The Hard-knock Life
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Broadway
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Charles Strouse and Martin Cha
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James Haynor
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It's The Hard-knock Life
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James Haynor
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1204379 Composed by Charles Strouse and Martin Charnin. Arranged by James Haynor. Br...
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Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1204379 Composed by Charles Strouse and Martin Charnin. Arranged by James Haynor. Broadway,Musical/Show. 10 pages. James Haynor #802859. Published by James Haynor (A0.1204379). It's the Hard Knock Life is a song from the musical Annie] with music by Charles Strouse and lyrics by Martin Charnin The song is sung by the eponymous protagonist, together with her fellow orphan girls, and is about how the girls are treated by Miss Hannigan.This arrangement is scored for clarinet quintet. It is playable by intermediate players and makes a great encore.( Duration - 1:35)Â
$12.99
I've Got the Munchies (2001) for violin, viola, bass clarinet in B-flat and vibraphone.
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Thomas Oboe Lee
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I've Got the Munchies
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - Digital Download SKU: A0.869184 Composed by Thomas Oboe Lee. 20th Century,Baroque...
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Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - Digital Download SKU: A0.869184 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With II. 45 pages. Thomas Oboe Lee #30961. Published by Thomas Oboe Lee (A0.869184). Program note. When Stefan Hakenberg and Jocelyn Clark asked me to write a piece for their 2001 Cross Sound concert season in Alaska, I immediately wanted to write a piece with the title, I've Got the Munchies. Music inspired by the visual art is not something new. Mussorgsky composed his infamous Pictures at an Exhibition after viewing a memorial exhibition of paintings and drawings by Victor Alexandrovich Hartmann. Gunther Schuller, my teacher and mentor, composed one of his most memorable orchestral pieces entitled, Six Studies on Themes by Paul Klee. In 1997 I wrote a chamber work inspired by the paintings of Pablo Picasso. The work, Yo Picasso, was scored for Bb clarinet, viola, cello and piano. For the Munchies I used as source material prints and paintings by the Norwegian artist Edvard Munch. The work, scored for violin, viola, bass clarinet and vibraphone, is in six movements: I. For The Scream (1893), I used multiphonics in the bass clarinet to convey the anguish and desperation so clearly depicted in that infamous work. The multiphonics were provided to me by the bass clarinetist, Henri Bok. II. Edvard Munch was very obsessed by his work, Madonna. He made many versions of it between 1893 and 1902. I made three variations of the Madonna movement. III. Tingel-Tangel (1895) is one of his rare prints in which gloom or misery is not the theme. It depicts a stage full of dancing girls. So, I wrote some dance hall music. IV. I wrote a lullaby for The Sick Child (1896). V. The Dance of Life (1899-1900) is a strange picture. The scene is of a party, but no one seems to be happy. I wrote a demented waltz for the scene. VI. The Sun (1909-1916) is one of Munch's last paintings. It shows the rising sun over a peaceful horizon. NB: This is a transposed score. Numbers in the score next to multiphonics refer to those found in Henri Bok's book, New Techniques for the Bass Clarinet. Numbers without asterisks refer to multiphonic fingerings in Table 6; those with asterisks refer to multiphonic tremolos in Table 7.
$9.99
To All The Girls I've Loved Before
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Country
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Julio Iglesias & Willie Nelson
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Cindy Blevins
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To All The Girls I've Loved Be
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Cindy Blevins
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SheetMusicPlus
Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1163614 By Julio Iglesias & Willie Nelson. By Albert Hammond and Hal David. Arranged b...
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Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1163614 By Julio Iglesias & Willie Nelson. By Albert Hammond and Hal David. Arranged by Cindy Blevins. Country,Pop. Individual part. 12 pages. Cindy Blevins #763956. Published by Cindy Blevins (A0.1163614). Note: You can see an excerpt of both the solo without fingerings and the solo with fingerings. The blank pages you may see in the samples are there on purpose to avoid showing more than the music sample. This arrangement is for solo (unaccompanied) Tin Whistle. You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams and a comprehensive fingering chart for your tin whistle. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you! Tin whistle isn't just for Irish music, it is extremely versatile and fun to play! Please note, my Tin Whistle is a high D. I write for D whistle because it is a very common key that many people have. The fingering chart I put together shows the D scale, with chromatic fingerings you may need some day! But if you're playing a different key of whistle, you can also play this piece. It is unaccompanied, and all keys of tin whistle are fingered the same. So follow the part with diagrams if you need to.If you have a pianist in your life, there is a piano and tin whistle arrangement of this piece listed separately (I am not allowed to bundle them for reasons of copyright).
$4.99
Santa's Elves solo and piano with sound effects
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Connie Boss
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Santa's Elves solo and piano w
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Connie Boss
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SheetMusicPlus
Piano,Voice - Level 1 - Digital Download SKU: A0.1177038 By Connie Boss. By Connie Boss. Children,Christmas. Full Performance. Duration 167. Connie Boss ...
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Piano,Voice - Level 1 - Digital Download SKU: A0.1177038 By Connie Boss. By Connie Boss. Children,Christmas. Full Performance. Duration 167. Connie Boss #777059. Published by Connie Boss (A0.1177038). This is a cute song about Santa's Elves. It is for solo and piano. Kids will love singing about these little Santa helpers. My grandkids named the elves and we talked about all they do to help Santa. Purchase at https://www.sheetmusicdirect.com/en-US/se/ID_No/897970/Product.aspx Questions or requests, email cdboss@cvalley.netLyrics below:Santa’s Elves Verse 1: We are very small and We have pointy ears We help Santa Claus All throughout the year We help make the toys For good girls and boys We work hard each day to Load up Santa’s sleigh. Refrain: Santa’s elves, Santa’s elves We like to have some fun Santa’s elves, Santa’s elves, we work to get things done Verse 2: Eliza loves to paint bright colors on each toy, she really likes to make the children smile with joy. Dan tends the reindeer, he feeds them all the year, he even cleans their stalls, and decorates the walls Refrain: Verse 3: Jayler loves the cold, he Likes to blade the snow, he Keeps the pathway clear For all the reindeer, Christine wraps the gifts, she Looks at their wish list, she Writes their name so, He Knows where they should go Refrain: After Santa leaves, the elves do as they please They all dance and sing Then they go to sleep.
$1.99
It's Raining Men
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The Weather Girls
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David Maddux
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It's Raining Men
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David Maddux
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SheetMusicPlus
Small Ensemble Drum Set,Electric Bass Guitar,Piano,Synthesizer - Level 3 - Digital Download SKU: A0.586524 By The Weather Girls. By Paul Jabara and Paul ...
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Small Ensemble Drum Set,Electric Bass Guitar,Piano,Synthesizer - Level 3 - Digital Download SKU: A0.586524 By The Weather Girls. By Paul Jabara and Paul Shaffer. Arranged by David Maddux. Contemporary,Pop. Score and parts. 57 pages. David Maddux #195820. Published by David Maddux (A0.586524). NOTE: This PDF file contains the conductor’s score, individual instrumental parts, and vocal-only part. The piano-vocal is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$50.00
Long Live Cowgirls
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Ian Munsick & Cody Johnson
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Kyle Pudenz
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Long Live Cowgirls
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ViolinVagabond Music
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1320152 By Ian Munsick & Cody Johnson. By Aby Gutierrez, Ian Munsick, and Phil O'Donnell. Arranged by Kyle Pu...
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Guitar - Level 3 - Digital Download SKU: A0.1320152 By Ian Munsick & Cody Johnson. By Aby Gutierrez, Ian Munsick, and Phil O'Donnell. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #908681. Published by ViolinVagabond Music (A0.1320152). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. I got called in to play this tune as an instrumental duo at a wedding. Admittedly, it takes a very specific type of wedding for this to be the vibe for the entrance of the bridesmaids, but perhaps you too may find yourself in this same situation. Fortunately I am here to help!Whether you're performing this with a vocalist or as an instrumental solo/ensemble like me, this chart has everything you need. Chords/lyrics version AND an instrumental (treble clef) lead sheet are included, all for the low low price of about 5 bucks. While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a cocktail hour I have questions.My promises to you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to songs like these wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$4.99
Holst: St. Paul's Suite Op.29 No.2 Mvt. I Jig - wind dectet & bass
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Classical
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Contemporary
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Gustav Holst
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Ray Thompson
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Holst: St. Paul's Suite Op.29
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Tuba - Level 4 - Digital Download SKU: A0.553711 Composed by Gustav Holst. Arranged by Ray Th...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Tuba - Level 4 - Digital Download SKU: A0.553711 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. Score and parts. 33 pages. RayThompsonMusic #3537335. Published by RayThompsonMusic (A0.553711). St Paul's Suite (Op. 29, No. 2), originally titled Suite in C is a composition for string orchestra by the English composer Gustav Holst. It was written in 1912, but owing to revisions was not published until 1922. It is named after the St Paul's Girls' School in the United Kingdom, where Holst was Director of Music from 1905 to 1934. It was written in gratitude to the school, which had built a soundproof studio for him. This suite is the most famous of the many pieces he wrote for students at St. Paul's. The suite has four movements: This is my transcription of the first mvt: !.Jig ( It alternates between 6/8 and 9/8 ). It is arranged for wind dectet and bass ( double bass/ tuba)Check out my other Holst arrangements: 2nd Suite in F
$9.95
Fat Bottomed Girls
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Film/TV
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Queen
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Jordan Crawford
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Fat Bottomed Girls
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Jordan Crawford
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.925554 By Queen. By Brian May. Arranged by Jordan Crawford. Film/TV. Score and parts. 13 pag...
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.925554 By Queen. By Brian May. Arranged by Jordan Crawford. Film/TV. Score and parts. 13 pages. Jordan Crawford #5719445. Published by Jordan Crawford (A0.925554). Here's a fun (and loud!) arrangement of the famous rock anthem by Queen. Written for three Bb tenor trombones and one Bb bass trombone, this arrangement could also be played by a tuba-euphonium ensemble or three Bb tenor trombones and one Bb tuba.Enjoy the arrangement! It's a blast to play, and will have your audience singing along.
$12.99
A Life That's Good
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Contemporary
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Ashley Monroe and Sarah Siskin
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David Anthony
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A Life That's Good
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David Anthony Woods
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Digital Download SKU: A0.931518 Composed by Ashley Monroe and Sarah Siskind. Arranged by David Anthony. Contemporary. 4...
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Woodwind Ensemble,Woodwind Trio - Digital Download SKU: A0.931518 Composed by Ashley Monroe and Sarah Siskind. Arranged by David Anthony. Contemporary. 4 pages. David Anthony Woods #6461747. Published by David Anthony Woods (A0.931518). This is an arrangement for a woodwind trio of one of the most beautiful songs written for the hit TV series drama, Nashville. It was covered on the show by Lennon Stella (Maddie) and her real and TV sister, Maisy, (Daphane). Also, Deacon, (Charles Eston) and the girls rendered a version of it together.
$12.99
Sound Of The Underground
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Girls Aloud
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Liv Muir
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Sound Of The Underground
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Liv Muir
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SheetMusicPlus
Choral 5-Part Chorus,Choir,Choral - Level 3 - Digital Download SKU: A0.1458481 By Girls Aloud. By Brian Higgins and Holly Bush. Arranged by Liv Muir. 21s...
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Choral 5-Part Chorus,Choir,Choral - Level 3 - Digital Download SKU: A0.1458481 By Girls Aloud. By Brian Higgins and Holly Bush. Arranged by Liv Muir. 21st Century,A Cappella,Contemporary,Pop. 12 pages. Liv Muir #1037427. Published by Liv Muir (A0.1458481). An SSSAA arrangement of the timeless Girls Aloud pop bop, Sound of the Underground. It's camp, it's upbeat, it's frankly a crime more choirs don't sing GA rep! Please note: the vocal recording has been pitch shifted as the original arrangement was in a different key.Originally arranged for upper voice alternative pop choir Neighbourhood Voices, based in Sheffield UK. Check us out! IG: @neighbourhoodvoices.
$2.00
Girls Like You
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Maroon 5
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Amphibia Cultural Legacy
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Girls Like You
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Amphibia Cultural Legacy
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SheetMusicPlus
Strings Bass Voice,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electronic Keyboard,Harp,Horn,Medium Voice,Organ,Percussion,Piano and Keyboa...
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Strings Bass Voice,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electronic Keyboard,Harp,Horn,Medium Voice,Organ,Percussion,Piano and Keyboard,Piccolo,Synthesizer,Tuba - Digital Download SKU: A0.1202781 By Maroon 5. By Adam Levine, Brittany Hazzard, Gian Stone, Henry Walter, and Jason Evigan. Arranged by Amphibia Cultural Legacy. Broadway,Classical,Comedy,Multicultural,Musical/Show,Spiritual,World. 9 pages. Amphibia Cultural Legacy #801545. Published by Amphibia Cultural Legacy (A0.1202781). Girls Like You is a song that has captured the hearts of millions across the globe. Originally written by Maroon 5, this pop hit has now been remixed with an orchestra by Amphibia Cultural Legacy, based on Sanjay C's version. The new version is an inspiring and unique take on a beloved classic. Using an orchestra in Girls Like You adds depth and dimension to the already catchy tune. This remix creates a grander soundscape, allowing for more emotional depth and complexity, with each instrument adding flair to the song. Combining strings and other classical instruments with modern pop creates a powerful fusion that will leave listeners in awe.Moreover, Amphibia Cultural Legacy's remix inspires young musicians to explore their creativity beyond traditional genres. It showcases how different styles can be fused to create something new and beautiful.
$50.00
Big Girls Don't Cry
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Fergie
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Amphibia Cultural Legacy
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Big Girls Don't Cry
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Amphibia Cultural Legacy
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SheetMusicPlus
Strings Acoustic Guitar,Bass Voice,Clarinet,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,Horn...
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Strings Acoustic Guitar,Bass Voice,Clarinet,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,Horn,Medium-High Voice,Oboe,Piano and Keyboard,Steel Guitar,String Synthesizer,Trumpet,Tuba - Digital Download SKU: A0.1179134 By Fergie. By Stacy Ferguson and Toby Gad. Arranged by Amphibia Cultural Legacy. Broadway,Comedy,Musical/Show,New Age,Pop,Spiritual. 13 pages. Amphibia Cultural Legacy #779105. Published by Amphibia Cultural Legacy (A0.1179134). Big Girls Don't Cry one of the most iconic tracks from Fergie's solo career. The song has been remixed and covered countless times, but Amphibia Cultural Legacy's version stands out. The group has put its spin on this classic track by adding additional instruments that take it to a new level.Amphibia Cultural Legacy's version of Big Girls Don't Cry starts with a beautiful guitar intro that sets the tone for the rest of the song. As soon as the vocals kick in, you can feel the emotion pouring out of every note. Adding strings and piano throughout the track adds depth and texture not present in Fergie's original version.Overall, Amphibia Cultural Legacy has done an incredible job with its rendition of Big Girls Don't Cry.
$80.00
King of the city Cowboys waltz
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Country
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Paul Henry Dallaire ?Socan
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King of the city Cowboys waltz
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Paul Henry Pub. SOCAN.CA / U.S.Rep: ASCAP
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SheetMusicPlus
Digital Download SKU: A0.1090244 Composed by Paul Henry Dallaire ?Socan.ca. Country. Full Performance. Duration 178. Paul Henry Pub. SOCAN.CA / U.S.Rep: ...
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Digital Download SKU: A0.1090244 Composed by Paul Henry Dallaire ?Socan.ca. Country. Full Performance. Duration 178. Paul Henry Pub. SOCAN.CA / U.S.Rep: ASCAP #20429. Published by Paul Henry Pub. SOCAN.CA / U.S.Rep: ASCAP (A0.1090244). I walked into a bar called 'Sidewinders' one night. It was girls night out and they were an electric Bull riding contest. Some lady won a trophy and I got myself a song (Chuckle).
$1.99
The Ants and the Grasshopper - Expanded Director's Script
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Betsy Lee Bailey
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The Ants and the Grasshopper -
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Betsy Lee Bailey
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SheetMusicPlus
Small Ensemble - Level 1 - Digital Download SKU: A0.746085 Composed by Betsy Lee Bailey. Children,Instructional. Score and parts. 15 pages. Betsy Lee Bai...
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Small Ensemble - Level 1 - Digital Download SKU: A0.746085 Composed by Betsy Lee Bailey. Children,Instructional. Score and parts. 15 pages. Betsy Lee Bailey #6519783. Published by Betsy Lee Bailey (A0.746085). The Ants and the Grasshopper EXPANDED Director's SCRIPT (15 pages) is a retelling of the Aesop fable in Script and Songs by Betsy Lee Bailey. This 15-minute classroom production is perfect for K-3rd graders. (Flexible Cast of 5 boys and 9 girls and optional chorus)  It is easy to stage with simple scenery, costumes, and props. The show offers practical and sound advice. Songs include The Ants’ Working Song, Summer Loafin’, and Pay Now and Play Later. The Production Kit (15 pages) contains the reproducible booklet Script as well as Song Sheets, coloring page Invitation, and Performance License. The Score packet (17 pages) and Mp3 Accompaniment Tracks are available for purchase separately at SheetMusicPlus.  Listen to Guide Vocal Tracks and get other helps at BaileyKidsMusicals.com
$29.99
The Streets of Cairo
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Sol Bloom, James Thornton
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Fiona Hickie
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The Streets of Cairo
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Fiona Alice Hickie
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SheetMusicPlus
Woodwind Ensemble Bassoon,Double Reed Ensemble,English Horn,Oboe - Level 3 - Digital Download SKU: A0.1506981 Composed by Sol Bloom, James Thornton. Arra...
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Woodwind Ensemble Bassoon,Double Reed Ensemble,English Horn,Oboe - Level 3 - Digital Download SKU: A0.1506981 Composed by Sol Bloom, James Thornton. Arranged by Fiona Hickie. Broadway,Chamber,Musical/Show. 13 pages. Fiona Alice Hickie #1082364. Published by Fiona Alice Hickie (A0.1506981). This song has been sung across the world under many titles, but is particularly known as the Snake Charmer's Song. A couple of other titles include, Poor Little Maid, and Girls in France. Here it is arranged for double reed sextet.Instrumentation: Double Reed Sextet – Oboe 1, Oboe 2, Oboe 3 (Or Cor Anglais), Bassoon 1, Bassoon 2 and Bassoon 3Composer: Sol Bloom and James ThorntonArranger: Fiona Hickie.
$14.99
VALS FRÅN DREFVIKEN
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Lars Ek
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VALS FRÅN DREFVIKEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
LÄTTA FINGRAR
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Lars Ek
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LÄTTA FINGRAR
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
FORNUDDSVALSEN
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Lars Ek
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FORNUDDSVALSEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
LOVELY THOUGHTS
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Lars Ek
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LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
SNÖKÄNGAN
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Lars Ek
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SNÖKÄNGAN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
Concerto for Eb Clarinet and Clarinet Choir from Vivaldi Piccolo Concerto RV 443
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Classical
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Antonio Vivaldi
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Alan Edgar
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Concerto for Eb Clarinet and C
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Alan Edgar Ted Moon
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.1425377 Composed by Antonio Vivaldi. Arranged by Alan Edgar. Baroque. 86 pages. Alan Edga...
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Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.1425377 Composed by Antonio Vivaldi. Arranged by Alan Edgar. Baroque. 86 pages. Alan Edgar Ted Moon #1006198. Published by Alan Edgar Ted Moon (A0.1425377). VIVALDI RV 443 PICC CONCERTO ARR FOR EB CLARINET AND CLARINET CHOIR. Essential: Eb soloist, Bb1,2,3 or Alto, Bass. Optional Contra-alto, Contrabass. This Concerto in C Major for flautino RV443 dates from1728-29. It was probably composed for the Ospedale della Pietà in Venice, the convent/orphanage with which he was affiliated.. The girls of the Pietà were famous throughout Europe for their musical performances. . Since the term “flautino” was not generally used in Vivaldi’s day, scholars have speculated ever since about what instrument Vivaldi had in mind. The leading candidate is the sopranino recorder. However, later in the 18th century the transverse flute replaced the recorder in general use, and a new edition of RV 443 was published for the piccolo, a member of the flute family.There are several passages with only the bass line accompanying, and no figures, so I have realised some of these. Some of the accompaniment rhythm patterns, originally for strings, seem too heavy-footed on clarinets, so I have made a few tiny modifications in them. The cadenza, all the articulations and dynamics are mine. 9 minutes if the soloist is very agile.
$40.00
On a Jab - a transsexual poem with music (mp3)
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David Warin Solomons
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On a Jab - a transsexual poem
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David Warin Solomons
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SheetMusicPlus
Sampler,Voice - Digital Download SKU: A0.1355574 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration ...
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Sampler,Voice - Digital Download SKU: A0.1355574 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 135. David Warin Solomons #940299. Published by David Warin Solomons (A0.1355574). This is based on a poem that I wrote back in 1979, while I, as a person with Kallmann's syndrome (intersexual), was trying to decide whether to go towards the female or the male.The accompanying music is a recent piece composed by my AI software (Tot the Third)The original poem is as follows: On a Jab Here we are again, Dawn,My companion in complexity;The month is past and you, forlorn,Must once more face perplexity.Ouch! And in the fleshy thighThe viscous hormone takes its space;And you, dear Dawn, will by and bySlow down - and lose the human race.You it was who liked to seeThe lovely girls in tram and bus;I am he, with fancy free,Who’ll bring “God’s wrath†on both of us.For, as the hormone courses throughOur common arteries and veins,There will be less and less of youAnd what you lose my lover gains.It's dusk for Dawn, who one day thoughtShe'd win and make our body hers,And dawn for me, since science brought meMonthly maleness, jabbed by nurse!(c) David W Solomons 1979.
$4.50
2 Become 1
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The Spice Girls
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Stewart Lewins
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2 Become 1
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Melyn Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1518517 By The Spice Girls. By Emma Lee Bunton, Geri Halliwell, Matt Rowe, Melanie Brown, Melanie Chisholm, Richard Stannard, and Victoria Beckham. Arranged by Stewart Lewins. Pop. Brass Band. 36 pages. Melyn Music #1092615. Published by Melyn Music (A0.1518517). 2 Become 1, the Spice Girls' third consecutive no. 1 UK hit single, released in December 1996, and was the Christmas no.1 song of that year. Indeed, 2 Become 1 peaked in the top ten in over twenty countries around the world. Talia Kraines, of BBC Music said that 'only a cold heart could fail to love their first festive no.1'!This smooth R&B-influenced pop ballad has been skilfully arranged for British-style brass band by Stewart Lewins. It's one of those tracks that get a lot of radio plays in December and is often associated with that time of year, so why not 'Spice up' your Christmas concert?
$24.99
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