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31 sheet music found
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26
Sullivan: Overture to "H.M.S. Pinafore" - symphonic wind
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Sir Arthur Seymour Sullivan
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Ray Thompson
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Sullivan: Overture to "H.M.S.
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 3 - Digital Download SKU: A0.553910 Composed by Sir Arthur Seymour Sullivan. Arranged by Ray Thompson. 20th Century,Broadway,Music...
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Large Ensemble - Level 3 - Digital Download SKU: A0.553910 Composed by Sir Arthur Seymour Sullivan. Arranged by Ray Thompson. 20th Century,Broadway,Musical/Show,Opera,Standards. Score and parts. 33 pages. RayThompsonMusic #6083851. Published by RayThompsonMusic (A0.553910). H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical theatre piece up to that time. H.M.S. Pinafore was Gilbert and Sullivan's fourth operatic collaboration and their first international sensation.Arranged for double wind quintet and bass. Flute 2 has the fun piccolo part!
$19.95
Pinafore Medley (from "H.M.S. Pinafore")
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Arthur S
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Richard Giszczak
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Pinafore Medley
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1046244 Composed by Arthur S. Sullivan (1842–1900). Arranged by Richard Giszczak. ...
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1046244 Composed by Arthur S. Sullivan (1842–1900). Arranged by Richard Giszczak. Classical,Opera,Romantic Period. Individual part. 12 pages. Singing Winds Music Company #650746. Published by Singing Winds Music Company (A0.1046244). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. The music comes from the operetta H.M.S. Pinafore by Gilbert & Sullivan. The medley contains the songs: We Sail the Ocean Blue, I'm Called Little Buttercup, A Maiden Fair to See, and I Am the Captain of the Pinafore.
$3.00
Sullivan: The Lost Chord for Baritone Horn & Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP...
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Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497277. Published by jmsgu3 (A0.552854). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Sullivan: The Lost Chord for Oboe d'Amore & Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for O
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, A...
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Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497155. Published by jmsgu3 (A0.549449). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Sullivan: "Pineapple Poll" - Movement.1 "Opening Number" - symphonic wind
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Sir Arthur Seymour Sullivan
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Ray Thompson
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Sullivan: "Pineapple Poll" - M
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 4 - Digital Download SKU: A0.553914 Composed by Sir Arthur Seymour Sullivan. Arranged by Ray Thompson. 20th Century,Opera,Standard...
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Large Ensemble - Level 4 - Digital Download SKU: A0.553914 Composed by Sir Arthur Seymour Sullivan. Arranged by Ray Thompson. 20th Century,Opera,Standards. Score and parts. 43 pages. RayThompsonMusic #6097361. Published by RayThompsonMusic (A0.553914). Pineapple Poll is a Gilbert and Sullivan-inspired comic ballet, created by choreographer John Cranko.Pineapple Poll is based on The Bumboat Woman's Story, one of W. S. Gilbert's Bab Ballads, written in 1870. The Gilbert and Sullivan opera H.M.S. Pinafore was also based, in part, on this story. For the ballet, Cranko expanded the story of the Bab Ballad and added a happy ending. All the music is arranged from Sullivan's music. This is my arrangement of the concert band suite1st movement.
$19.95
Sullivan: Pineapple Poll Suite - wind dectet/bass
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Broadway
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Sir Arthur Seymour Sullivan
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Ray Thompson
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Sullivan: Pineapple Poll Suite
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 5 - Digital Download SKU: A0.553947 Composed by Sir Arthur Seymour Sullivan. Arranged by Ray Thompson. 20th Century,Broadway,Music...
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Large Ensemble - Level 5 - Digital Download SKU: A0.553947 Composed by Sir Arthur Seymour Sullivan. Arranged by Ray Thompson. 20th Century,Broadway,Musical/Show,Standards. Score and parts. 100 pages. RayThompsonMusic #6325103. Published by RayThompsonMusic (A0.553947). Pineapple Poll is a Gilbert and Sullivan-inspired comic ballet, created by choreographer John Cranko.Pineapple Poll is based on The Bumboat Woman's Story, one of W. S. Gilbert's Bab Ballads, written in 1870. The Gilbert and Sullivan opera H.M.S. Pinafore was also based, in part, on this story. For the ballet, Cranko expanded the story of the Bab Ballad and added a happy ending.All the music is arranged from Sullivan's music.
$19.95
H.M.S. Pinafore: A Choral Salute
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Sir Arthur Seymour Sullivan
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Philip Kern
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H.M.S. Pinafore: A Choral Salu
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - Digital Download SKU: AX.00-PO-0003986 Composed by Sir Arthur Seymour Sullivan. Arranged by Philip Kern. Secular Choral. 25 pages. Alfred Music ...
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Chorus - Digital Download SKU: AX.00-PO-0003986 Composed by Sir Arthur Seymour Sullivan. Arranged by Philip Kern. Secular Choral. 25 pages. Alfred Music - Digital Sheet Music #00-PO-0003986. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003986). UPC: 038081142975. William S. Gilbert.
$4.25
Suite Bergamasque 2.) Menuet
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Classical
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Claude Debussy
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Ivan H
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Suite Bergamasque 2.) Menuet
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Ivan Howard
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SheetMusicPlus
Orchestra Bass Clarinet,Viola,Violin - Level 5 - Interactive Download SKU: A0.484900 Composed by Claude Debussy. Arranged by Ivan H. Kurcz. This edition:...
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Orchestra Bass Clarinet,Viola,Violin - Level 5 - Interactive Download SKU: A0.484900 Composed by Claude Debussy. Arranged by Ivan H. Kurcz. This edition: Interactive Download. Classical. Score and parts. Duration 309. Ivan Howard #5bbihrnkWVMQzyH3a9rDJi. Published by Ivan Howard (A0.484900). Key: C major.My transcribed arrangement of Debussy's beloved piano suite, Suite Bergamasque.
$5.99
A Little Night Music
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Classical
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Ivan H
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A Little Night Music
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Ivan Howard
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SheetMusicPlus
Orchestra Bass Clarinet,Cello,Harpsichord,Viola,Violin - Level 5 - Interactive Download SKU: A0.484897 Composed by Ivan H. Kurcz. This edition: Interacti...
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Orchestra Bass Clarinet,Cello,Harpsichord,Viola,Violin - Level 5 - Interactive Download SKU: A0.484897 Composed by Ivan H. Kurcz. This edition: Interactive Download. Classical. Score and parts. Duration 274. Ivan Howard #37EfFk0m6Zq4bC1P2BvqtJ. Published by Ivan Howard (A0.484897). Key: G major.Inspired by Bach's Third Brandenburg Concerto, A Little Night Music is perfect for concerts or festival and a great way to introduce your Advanced Orchestra students to the Baroque Style.
$3.99
Suite Bergamasque 1.) Prelude
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Classical
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Claude Debussy
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Ivan H
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Suite Bergamasque 1.) Prelude
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Ivan Howard
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SheetMusicPlus
Large Ensemble Cello,Viola,Violin - Level 5 - Interactive Download SKU: A0.484901 Composed by Claude Debussy. Arranged by Ivan H. Kurcz. This edition: In...
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Large Ensemble Cello,Viola,Violin - Level 5 - Interactive Download SKU: A0.484901 Composed by Claude Debussy. Arranged by Ivan H. Kurcz. This edition: Interactive Download. Classical. Score and parts. Duration 1194. Ivan Howard #3YB5fLbbc1CPLPlnrRn2XF. Published by Ivan Howard (A0.484901). Key: F major.My transcribed arrangement of Debussy's beloved Piano Suite, Suite Bergamasque Performance Notes A Tempo at the following measures: 30, 50 and 82.
$5.99
Piano Sonata No. 14, Op. 27, No. 2 ("Moonlight")
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Classical
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Ludwig van Beethoven
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Ivan H
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Piano Sonata No. 14, Op. 27, N
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Ivan Howard
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SheetMusicPlus
Orchestra Cello,Double Bass,Viola,Violin - Level 5 - Interactive Download SKU: A0.484895 Composed by Ludwig van Beethoven. Arranged by Ivan H. Kurcz. Thi...
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Orchestra Cello,Double Bass,Viola,Violin - Level 5 - Interactive Download SKU: A0.484895 Composed by Ludwig van Beethoven. Arranged by Ivan H. Kurcz. This edition: Interactive Download. Classical. Score and parts. Duration 512. Ivan Howard #1Vof5jYsT07rznh0W9isn. Published by Ivan Howard (A0.484895). Key: E major.
$5.99
Concert Piece for String Orchestra
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Classical
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Ivan H
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Concert Piece for String Orche
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Ivan Howard
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Viola - Level 5 - Interactive Download SKU: A0.484899 Composed by Ivan H. Kurcz. This edition: Interactive Download. Cla...
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Large Ensemble Cello,Double Bass,Viola - Level 5 - Interactive Download SKU: A0.484899 Composed by Ivan H. Kurcz. This edition: Interactive Download. Classical. Score and parts. Duration 209. Ivan Howard #15Zj6pJDY5MZUCd9nAaZoD. Published by Ivan Howard (A0.484899). Key: C major.Description: All is in the name. This is sure to be a festive Concert Piece for your students. While providing various sectional solis, various higher positions in the strings, playful pizzicato sections, jaunting melodies. Concert Piece for String Orchestra is sure to be a new favorite among your students and audience members alike. Performance Notes: mm 3 & 4.- the pizzicato for the violas should not be too loud, even it's marked with an accent. Should blend in with the orchestra. mm 7.- Even though this is a full 4 beat measure rest. This measure is to be counted as 1 beat. A slight Grand Pause (G.P.) mm 8-12.- Cello and Bass are soli here. Be careful no to overbear the violins and violas. mm. 33- Cellos have the counter melody and should slightly be heard over the orchestra. mm 56. - 1st & 2nd Violins- should play in the middle part of the bow. mm 57.- lower cellos and bass should play jauntily. With a strong slight broadened accent. mm 78-81.- Violas, Cellos and Bass are soli, here. 2nd Violins have the counter melody and should be heard behind the lower strings. 1st Violins are to play from frog to tip of the bow. mm 90.- All strings are to play from the frog to the tip of the bow. Alot of subito dynamics. This piece is meant to have fun. Hope you and your orchestra enjoy this as much as I did making it!
$5.99
A Fairy's Kiss
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Classical
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Ivan H
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A Fairy's Kiss
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Ivan Howard
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SheetMusicPlus
Orchestra Cello,Double Bass,Harp,Viola,Violin - Level 5 - Interactive Download SKU: A0.484892 Composed by Ivan H. Kurcz. This edition: Interactive Downlo...
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Orchestra Cello,Double Bass,Harp,Viola,Violin - Level 5 - Interactive Download SKU: A0.484892 Composed by Ivan H. Kurcz. This edition: Interactive Download. Classical. Score and parts. Duration 101. Ivan Howard #5V4RsU2Lp9ETMMJyx5jnMz. Published by Ivan Howard (A0.484892). Key: F major.A short Lyrical Fantasy. Depicting a dark colorful fluorescent garden at night time as the fairies awaken from their Winter slumber and begin to dance around in a flourish, as they get ready for their nightly Summertime festivities.
$3.99
Young And Beautiful
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Pop music
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Lana Del Rey
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Ivan H
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Young And Beautiful
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Ivan Howard
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SheetMusicPlus
Small Ensemble Bass Clarinet,Cello,Viola - Level 5 - Interactive Download SKU: A0.484894 By Lana Del Rey. By Elizabeth Grant and Rick Nowels. Arranged by...
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Small Ensemble Bass Clarinet,Cello,Viola - Level 5 - Interactive Download SKU: A0.484894 By Lana Del Rey. By Elizabeth Grant and Rick Nowels. Arranged by Ivan H. Kurcz. This edition: Interactive Download. Pop. Score and parts. Duration 226. Ivan Howard #2oXR4XVQBnM1EmkZ2LHjmT. Published by Ivan Howard (A0.484894). Key: D major.My arrangment of The Theorists Piano Cover.
$4.99
The One Who Saves
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Sacred music
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Ben Fielding
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Ivan H
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The One Who Saves
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Ivan Howard
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SheetMusicPlus
Small Ensemble Cello,Viola,Violin - Level 5 - Interactive Download SKU: A0.484896 Composed by Ben Fielding. Arranged by Ivan H. Kurcz. This edition: Inte...
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Small Ensemble Cello,Viola,Violin - Level 5 - Interactive Download SKU: A0.484896 Composed by Ben Fielding. Arranged by Ivan H. Kurcz. This edition: Interactive Download. Praise & Worship. Score and parts. Duration 345. Ivan Howard #3tIWzgfVS2Itbo0bpCqGbo. Published by Ivan Howard (A0.484896). Key: C major.
$4.99
Concert Piece for String Orchestra and Percussion
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Classical
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Ivan H
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Concert Piece for String Orche
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Ivan Howard
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Drum Set,Percussion,Viola - Level 5 - Interactive Download SKU: A0.484898 Composed by Ivan H. Kurcz. This edition: Inter...
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Large Ensemble Cello,Double Bass,Drum Set,Percussion,Viola - Level 5 - Interactive Download SKU: A0.484898 Composed by Ivan H. Kurcz. This edition: Interactive Download. Classical. Score and parts. Duration 210. Ivan Howard #6a81xPENwbs5YndgEXuaW0. Published by Ivan Howard (A0.484898). Key: C major.All is in the name. With added percussion this is sure to be a festive Concert Piece for your students. While providing various sectional solis, various higher positions in the strings, playful pizzicato sections, jaunting melodies. Concert Piece for String Orchestra and Percussion is sure to be a new favorite among your students and audience members alike. Performance Notes: mm 3 & 4.- the pizzicato for the violas should not be too loud, even it's marked with an accent. Should blend in with the orchestra. Percussion should blend in. Be careful not to overpower orchestra. mm 7.- Even though this is a full 4 beat measure rest. This measure is to be counted as 1 beat. A slight Grand Pause (G.P.) mm 8-12.- Cello and Bass are soli here. Be careful no to overbear the violins and violas. mm. 33- Cellos have the counter melody and should slightly be heard over the orchestra. mm 56. - 1st & 2nd Violins- should play in the middle part of the bow. mm 57.- lower cellos and bass should play jauntily. With a strong slight broadened accent. mm 61-64.- Timpani 1 & 2, Toms and Bass Drum are to play wildly. Just not overpowering. mm 78-81.- Violas, Cellos and Bass are soli, here. 2nd Violins have the counter melody and should be heard behind the lower strings. 1st Violins are to play from frog to tip of the bow. mm 91.- All strings are to play from the frog to the tip of the bow. Alot of subito dynamics. This piece is meant to have fun. Hope you and your orchestra enjoy this as much as I did making it!
$5.99
Thinking Händel for Baroque Horn Quartet
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Alessandro Macrì
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Thinking Händel for Baroque H
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931276 Composed by Alessandro Macrì. Baroque,Classical,Concert,Instructional,Standards. Score...
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Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931276 Composed by Alessandro Macrì. Baroque,Classical,Concert,Instructional,Standards. Score and parts. 10 pages. Music Macri Editions #6082045. Published by Music Macri Editions (A0.931276). Thinking Händel è un tributo al grande compositore Georg Friedrich Händel, coetaneo di Johann Sebastian Bach, che fu tra i più illustri rappresentanti del barocco musicale. Scrisse opere, oratori e musica strumentale, assimilando gli stili del Settecento che fuse in una sintesi personale e unitaria.I primi successiHändel nacque nel 1685 a Halle, in Germania, da una famiglia senza tradizioni musicali. Iniziò da bambino lo studio della musica, dimostrando subito un grande talento come compositore e organista. All'università di Halle intraprese anche studi giuridici. Nel 1703 si stabilì ad Amburgo, dove lavorò come violinista e dove ebbero luogo le prime esecuzioni di sue musiche, tra cui l'opera Almira, regina di Castiglia (1705).Negli anni successivi compì diversi viaggi in Italia, in Germania e a Londra, dove nel 1711 fu rappresentata con grande successo la sua opera Rinaldo. Nonostante sia oggi conosciuto soprattutto per gli oratori e la musica strumentale, ai suoi tempi Händel fu molto apprezzato per le opere teatrali, prevalentemente composte secondo il modello dell'opera seria italiana (forme musicali). Ambientata in epoca classica, di argomento letterario o di ambientazione mitologica, l'opera seria alterna, in lingua italiana, recitativi e arie. I recitativi, con un'intonazione vicina alla lingua parlata, servivano a far procedere l'azione ed erano accompagnati dal cembalo e a volte dall'orchestra. Le arie, con intonazione melodica, avevano la funzione di esprimere gli stati d'animo o 'affetti' dei personaggi e in esse i cantanti mostravano la propria virtuosistica bravura.Al tempo del soggiorno londinese risalgono anche due significative composizioni orchestrali: le tre suite Musica sull'acqua (1715-36), nate per accompagnare le feste sul Tamigi di re Giorgio I, e i Sei concerti grossi op. 3 (1730-34), ispirati al modello del musicista italiano Arcangelo Corelli.La cittadinanza ingleseNel 1719 Händel promosse la fondazione di una società musicale privata, la Royal academy of music, e ne diventò direttore. Nel 1727 ottenne la cittadinanza inglese e per molti anni dominò la scena musicale britannica. Oltre alle circa quaranta opere teatrali, tra cui Giulio Cesare in Egitto (1723), Rodelinda regina de' Longobardi (1725), Ariodante (1734), Alcina (1735), Serse (1737-38), in questi anni scrisse più di venti oratori ‒ composizioni di argomento religioso, per soli, coro e orchestra ‒ in forma drammatica e in lingua inglese (con narrazione, personaggi e dialogo ma senza scena teatrale), per lo più con testi tratti dall'Antico Testamento (tra cui Esther, 1718, Saul e Israele in Egitto, del 1738 entrambi).L'adesione di Händel alla cultura inglese non fu occasionale, ma profondamente sentita: lo dimostrano alcuni lavori vocali e strumentali, come Acis e Galatea (1718, con una seconda versione nel 1732) e l'Ode per il giorno di s. Cecilia (1739), composti su testi di poeti inglesi di grande rilievo come John Dryden e Alexander Pope.Tra la musica strumentale, Händel dedicò in particolare all'organo, di cui era valente esecutore, ben venti concerti con orchestra.Il Messia e le ultime composizioniL'oratorio Messia è uno dei lavori più conosciuti di Händel: eseguito a Dublino nel 1742, fu scritto per una istituzione benefica in soli ventiquattro giorni. Il libretto di Charles Jennens, in inglese, illustra in tre parti i momenti più rilevanti della vita di Cristo con brani delle Sacre Scritture (è l'unico oratorio tratto dal Nuovo Testamento). La prima parte tratta dell'Avvento e del Natale; la seconda della Passione e della Resurrezione, culminante nel celebre Halleluja; la.
$3.00
Sullivan-I'm called little buttercup,from H.M.S. Pinafore,in E Major
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Contemporary
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Open Cloud
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Sullivan-I'm called little but
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Open Cloud
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SheetMusicPlus
Digital Download SKU: A0.676451 Arranged by Open Cloud. Contemporary. 7 pages. Open Cloud #6709505. Published by Open Cloud (A0.676451). ...
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Digital Download SKU: A0.676451 Arranged by Open Cloud. Contemporary. 7 pages. Open Cloud #6709505. Published by Open Cloud (A0.676451).
$5.99
Sir Arthur Seymour Sullivan: We Sail the Ocean Blue, from ‘H.M.S. Pinafore’ - piano & voice
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Classical
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Sir Arthur Seymour Sullivan
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Virtualsheetmusic
Instantly printable sheet music by Sir Arthur Seymour Sullivan for piano & voice of EASY skill level. Contents: Best of Gilbert and Sullivan, 20 Sad, Happy and Humorous Songs from the World of the Victorian Operetta / classical,children...
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Instantly printable sheet music by Sir Arthur Seymour Sullivan for piano & voice of EASY skill level. Contents: Best of Gilbert and Sullivan, 20 Sad, Happy and Humorous Songs from the World of the Victorian Operetta / classical,children
$4.99
Sir Arthur Seymour Sullivan: Little Buttercup, from ‘H.M.S. Pinafore’ - piano & voice
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Classical
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Sir Arthur Seymour Sullivan
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Virtualsheetmusic
Instantly printable sheet music by Sir Arthur Seymour Sullivan for piano & voice of EASY skill level. Contents: Best of Gilbert and Sullivan, 20 Sad, Happy and Humorous Songs from the World of the Victorian Operetta / classical,children...
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Instantly printable sheet music by Sir Arthur Seymour Sullivan for piano & voice of EASY skill level. Contents: Best of Gilbert and Sullivan, 20 Sad, Happy and Humorous Songs from the World of the Victorian Operetta / classical,children
$4.99
A MALVA ROSE
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Lars Ek
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Lars Ek
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A MALVA ROSE
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068891 By Lars Ek. By Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Perfor...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068891 By Lars Ek. By Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performance. Duration 220. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921483. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068891). Något häpnadsväckande har hänt i den svenska dragspelsvärlden de senaste åren, vi har fått en ny idol. Det är häpnadsväckande på två olika sätt: för oss som kan dragspelsvärlden är det ett faktum att Lars Ek har varit med som professionell dragspelare i snart 20 år, sedan han slutade skolan, för det andra: han har blivit en idol som spelar musik och i en stil som har sina rötter 50 år tillbaka i dragspelsmusikens historia. Man kan säga att Lars Ek, idag 35 år, borde ha varit 85 år, verksam på 30-talet. Själv erkänner han att han känner en slags hemlig längtan tillbaka till en tid då dragspelare var ekvilibrister, då dragspelare spelade på ett briljant sätt, den guldålder det var för all dragspelsmusik över hela världen, en tid som vi aldrig kommer att möta igen. Det är en typ av musik som är historisk men som inte hör hemma på museerna, inte död, det är en typisk musik fylld av liv. Mycket tack vare Lars Ek. Det är en ganska anmärkningsvärd situation. Lars Ek har spelat dragspel länge, han har spelat all typ av musik som kan spelas på dragspel. För bara några år sedan kom han i kontakt med Nils Lind och Ragge Sundquist (två legendariska svenska artister från 30- och 40-talen, båda döda sedan länge – de grundade båda en skola och en stil) och naturligtvis också Frosini. Och då, äntligen, kände Lars Ek att det var just här, i den här stilen, som han hörde hemma. Lars Ek kom äntligen hem. En del slarviga lyssnare säger att Lars Ek kopierar Nils Linds musik. Det är lyssnare som inte lyssnar. Andra säger att Lars är en galning - han spelar på ett dragspel av märket Raggie Sundquist från 1937 och sedan ett par år äger och spelar han också på ett dragspel som en gång ägdes av Pietro Frosini, tillverkat 1927. Det är inte mani. Stilen efterfrågar sådana instrument. Det är mest korrekt på det sättet. Lars Ek har blivit otroligt populär. Det finns många anledningar. Han har massor av personlighet, han är en scenpersonlighet, han visar entusiasm och glädje när han uppträder, han vet hur man lockar en publik (och tjejerna säger att han är väldigt snygg). En annan anledning är att musiken som Lars framför får mycket respons från publiken. Och snälla, tro inte att det bara är de gamla som var med på 30-talet som älskar musiken - det gör även de unga! Lars Ek x 2 heter skivan. Förklaringen är enkel. Lars kunde inte hitta någon andra dragspelare som kunde hjälpa honom. Så tack vare tekniken är han själv sin egen andra dragspelare i fem av de låtar som framförs. Det finns ytterligare en förklaring. Lars framför melodier kopplade till namn som Nils Lind, Ragge Sundquist och Frosini, men han spelar också fem egna kompositioner. Bara för att visa hur han vill att dragspelsmusik ska vara komponerad. Lars Ek behöver ingen rekommendation, hans skivor säljer ändå. Men du kommer att få några sista ord. Den här skivan är, stilmässigt, väldigt sällsynt att vara inspelad 1982, det gäller att blicka bakåt och att göra det med stor skicklighet, en tillbakablick på dragspelets guldålder. Det är också en väldigt personlig skiva. Inspirationskällan kan mycket väl vara Nils Lind, Ragge Sundquist och Pietro Frosini. Men det är Lars Ek som spelar. På sitt personliga sätt. Vilket gör att detta är en skiva som spelas på ett väldigt personligt sätt.
$1.99
O SILENCIO
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Pietro Frosini
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Lars Ek
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O SILENCIO
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068895 Composed by Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performan...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068895 Composed by Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performance. Duration 220. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921531. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068895). Ska vi leka med det? Lars Ek pratar inte. Han spelar. En gång, när några dragspelare var osams om olika dragspel, modeller, märken och annat, så att bara dragspelare kan diskutera sådana saker, bröt Lasse med ett Ska vi leka om det. Det är Lars Ek i ett nötskal. Repliken är nu en klassiker. Det är musiken på den här skivan också. Musikmässigt var det som för länge sedan präglades av tre av de mest färgstarka dragspelsprofiler som någonsin funnits: Nisse Lind, Pietro Frosini och Ragge Sundquist. Lars Ek har många representanter. Om vi subtraherar den kvinnliga publikens entusiastiska kommentarer om utseendet och håller oss till musiken blir det bland annat.: en utmärkt teknik, rytmisk balans och gripande, en stor portion bra idé. Och det som gjorde djupast intryck på signed: en otrolig känsla för stil! Att spela Lind, Frosini och Sundquist är enormt svårt. Det är tekniskt svårt, var och en förstår, det är bara att lyssna. Men att fånga stilen är det svåraste av allt: att hela tiden vara Lars Ek in i minsta detalj för att samtidigt återge de tre andra mästarnas stil och manér utan att bara apa efter, det är fruktansvärt svårt. Att spela Lind, Frosini och Sundqvist så att de tre männen som förnöjt nickar i hans himmel medan vi lever idag får möta en levande dragspelare som väcker de gamla gudarna till liv och samtidigt är precis vad han är, nämligen Lars Ek, det är det som är märkvärdigt, finstämt och roligt har hänt under mången lång dag i dragspelslandet Sverige. Jag vet, för jag har hört alla andra dragspelsskivor också och kan jämföra. Tro mig! Ove Hahn Ordförande, Svenska Dragspelsförbundet, SDR.
$1.99
Music for Two, Volume 3 for Flute or Oboe or Violin & Viola Duet 46103
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Various
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Daniel Kelley
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Music for Two, Volume 3 for Fl
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Last Resort Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.592062 Composed by Various. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Mul...
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Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.592062 Composed by Various. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Multicultural,Musical/Show,Wedding,World. Score and parts. 48 pages. Last Resort Music Publishing #201334. Published by Last Resort Music Publishing (A0.592062). Volume 3 - Gilbert & Sullivan, Irish Music & Rags This versatile series is designed to be played by two different instruments! Each duet book is published in score form (both parts on the same page) so that the players can play from the same part. All duets are arranged specifically for the listed instrumentation. 46103 Volume 3 Table of Contents H.M.S. Pinafore (Gilbert and Sullivan) I'm Called Little Buttercup (Gilbert and Sullivan) Never Mind The Why and Wherefore (Gilbert and Sullivan) The Mikado (Gilbert and Sullivan) As Some Day It May Happen (Gilbert and Sullivan) Willow, Tit-Willow ( Gilbert and Sullivan) Patience (Gilbert and Sullivan) A Magnet Hung In a Hardware Shop (Gilbert and Sullivan) The Pirates of Penzance (Gilbert and Sullivan) I Am The Very Model of Modern Major-General (Gilbert and Sullivan) Poor Wandering One (Gilbert and Sullivan) Si Bheag, Si Mhor (Irish Air) The Wearing of the Green (Irish Air) Coleraine (Irish Jig) Garry Owen (Irish Jig) The Irish Washerwoman (Irish Jig) Kesh Jig (Irish Jig) Swallowtail Jig (Irish Jig) The Easy Winners (Joplin) The Entertainer (Joplin) Maple Leaf Rag (Joplin) Pine Apple Rag (Joplin) The Strenuous Life (Joplin) The Kerry Dance (James Lyman Molloy).
$22.00
LUX EOI — festival hymn accompaniment for organ, brass quintet
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Sacred music
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Sir Arthur Seymour Sullivan
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Todd Marchand
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LUX EOI — festival hymn acco
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Con Spirito Music
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SheetMusicPlus
Horn,Organ,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1248898 Composed by Sir Arthur Seymour Sullivan. Arranged by Todd Marchand. Christi...
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Horn,Organ,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1248898 Composed by Sir Arthur Seymour Sullivan. Arranged by Todd Marchand. Christian,Easter,Holiday,Sacred. 21 pages. Con Spirito Music #843370. Published by Con Spirito Music (A0.1248898). Perhaps most often associated with Christopher Wordsworth’s Easter hymn text, “Alleluia, Alleluia! Hearts to Heaven and Voices Raise,†and his All Saints Day text, “Hark! The Sound of Holy Voices,†Arthur S. Sullivan's tune LUX EOI may be used with any hymn in 8.7.8.7 D meter.Best known for his Victorian-era collaborations with dramatist and librettist W.S. Gilbert on comic operas including H.M.S. Pinafore, The Pirates of Penzance, and The Mikado, Sullivan (1842-1900) displayed prodigious musical talent early in life, writing his ï¬rst anthem at age eight, joining the Chapel Royal as a chorister at age 12, and earning a scholarship to the Royal Academy of Music at age 14. He later studied at the Leipzig Conservatory, and while still in his teens began building a reputation as a promising young composer. Among Sullivan’s works are 24 operas, 11 full orchestral works, 10 choral works and oratorios, and more than 70 hymns and anthems, including the hymn tunes ST. GERTRUDE (“Onward, Christian Soldiersâ€), FORTUNATUS (“Welcome, Happy Morningâ€), ST. KEVIN (“Come, Ye Faithful, Raise the Strainâ€), and the tune that is the basis for this arrangement.Following an opening fanfare by brass which is answered by organ, the verses proceed as follows: organ accompaniment verse (may be repeated as needed), brass accompaniment verse, penultimate verse (organ accompaniment with countermelody by trumpets), interlude, and ï¬nal verse (organ with brass punctuations and conclusion).©Copyright 2023 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
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David Warin Solomons
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Fragments des Fragments du Nar
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter...
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Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performance. Duration 300. David Warin Solomons #985853. Published by David Warin Solomons (A0.1402629). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$5.50
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