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Jesus Is The Same
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You've selected:
Jesus Is The Same
Sheetmusic to print
107 sheet music found
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101
Bethlehem Angel and The First Noel
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Christmas
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Ginny Saltzman
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Bethlehem Angel and The First
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Ginny's House of Music
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditiona...
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Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Score and parts. 9 pages. Ginny's House of Music #4362443. Published by Ginny's House of Music (A0.889815). *Bethlehem Angel and The First Noel This is a very beautifully flowing presentation which includes both an original work by this composer entitled Bethlehem Angel and an arrangement of The First Noel. It includes scriptures and lyrics. It was written for flute, guitar, voice, and piano accompaniment on Intermediate Level.  It is based on the scriptures Luke 2: 8-11 --- And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord and Matthew 2:1-10 ---- Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem, Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him. When Herod the king had heard these things, he was troubled, and all Jerusalem with him. And when he had gathered all the chief priests and scribes of the people together, he demanded of them where Christ should be born. And they said unto him, In Bethlehem of Judaea: for thus it is written by the prophet, And thou Bethlehem, in the land of Judea, art not the least among the princes of Judea: for out of thee shall come a Governor, that shall rule my people Israel. Then Herod, when he had privily called the wise men, enquired of them diligently what time the star appeared. And he sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also. When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was. When they saw the star, they rejoiced with exceeding great joy.Â
$4.99
Jesus Shall Reign - Flex Orchestra
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Sacred music
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having one or more instruments
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John Hatton
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Kristin Campbell
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Jesus Shall Reign - Flex Orche
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Horsehair Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Download SKU: A0.596379 Composed by John Hatton. Arranged by Kristi...
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Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Download SKU: A0.596379 Composed by John Hatton. Arranged by Kristin Campbell. Sacred. Score and parts. 22 pages. Horsehair Music #4274745. Published by Horsehair Music (A0.596379). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination. Jesus Shall Reign is a hymn text by Isaac Watts and was set to music by John Hatton. This triumphant hymn may not be known to young string players so the words to the hymn are written into the melody part of each instrument. While this is unusual to find hymn text in instrumental arrangements, the printed lyric allows us to play with understanding. The melody part can be played all in first position. Set in the keys of D and G, a modulation allows the players play the tune using different finger patterns, and adds variety to the arrangement while staying in position.
$9.99
The Best Hymns of All Time (Violin, Cello and Piano) Book 1
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Sacred music
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 2 - Digital Download SKU: A0.522286 Composed by Various. Arranged by Colin Kirkpatrick....
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 2 - Digital Download SKU: A0.522286 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 50 pages. Colin Kirkpatrick Publications #6596257. Published by Colin Kirkpatrick Publications (A0.522286). We’re really excited to present our collection of sixty of the best-loved hymns ever composed, presented in three books. Arranged for violin, cello and piano they are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. To make the music accessible to less experienced string players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position, though more experienced players would probably want to avoid open strings. The cello part does not follow the bass but instead plays an independent tenor line using to the mid to upper range of the instrument. The top note in the cello part is the F sharp above the bass clef. The piano part has been kept as straightforward as possible with the left hand playing the bass part. To extend the possible uses of this collection, there’s also a melody part printed in the bass clef, an octave lower than the violin part. This could of course be used for cello solo or indeed for any other bass clef instrument. Included in the 50-page PDF file is an optional bass part which follows the piano left hand and could be used for string bass or bass guitar. With such a small ensemble, a conductor is hardly necessary and to save on costs the pianist reads from the score. For this reason, the piano part in the score has been slightly enlarged. Book 1 contains the following twenty popular hymns: Abide with Me (Eventide); All Glory, Laud and Honor (St. Theodulph); All Hail the Power of Jesus' Name (Coronation); All Through the Night (Ar Hyd y Nos); City of God, How Broad and Far (Richmond - Haweis); Fairest Lord Jesus (Crusader’s Hymn); Fight the Good Fight (Duke Street); Forth in Thy Name (Angel's Song, Song 34); Guide Me, O Thou Great Redeemer (Cwm Rhondda); He who Would Valiant Be (Monk’s Gate); Holy, Holy, Holy! (Nicea); I Heard the Voice of Jesus Say (Kingsfold); Jesu, Lover of my Soul (Aberystwyth); Nearer my God to Thee (Bethany); Now Thank We All Our God (Nun Danket); O Worship the King (Hanover); Rejoice, the Lord is King (Darwall’s 148th); Soldiers of Christ, Arise (Diademata); The Lord’s my Shepherd (Crimmond); What a Friend we Have in Jesus (Converse). The music has been set in string-friendly keys so they are not compatible with the brass or wind publications of the same name. The audio samples include Abide with Me; All Through the Night; I Heard the Voice of Jesus Say; Nearer my God to Thee and What a Friend we Have in Jesus.
$15.99
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
He Leadeth Me with I Have Decided to Follow Jesus
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Sacred music
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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He Leadeth Me with I Have Deci
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Stephen R Dalrymple
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SheetMusicPlus
Large Ensemble Flute Solo - Level 4 - Digital Download SKU: A0.818331 By Stephen R Dalrymple. By William Bradbury & Joseph Gilmore. Arranged by Stephen R...
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Large Ensemble Flute Solo - Level 4 - Digital Download SKU: A0.818331 By Stephen R Dalrymple. By William Bradbury & Joseph Gilmore. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Individual part. 60 pages. Stephen R Dalrymple #6087257. Published by Stephen R Dalrymple (A0.818331). He Leadeth Me – arrangement for Flute & Piano by Stephen R Dalrymple ♫ He Leadeth Me by Joseph H. Gilmore (lyrics 1862) & William B. Bradbury (music 1864) ♫ I Have Decided to Follow Jesus – lyrics by an unknown author, music ASSAM – folk melody from India ♫ arranged for Flute solo by Stephen R Dalrymple ♫ transcribed for clarinet, trumpet, French Horn, euphonium, violin, and cello by the arranger ♫ sequenced by the arranger ♫ music © 2011, 2021 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ Joseph Gilmore told the story of the writing of these lyrics, “As a young man who recently had been graduated from Brown University and Newton Theological Institution, I was supplying for a couple of Sundays the pulpit of the First Baptist Church in Philadelphia. At the midweek service, on the 26th of March,1862, I set out to give the people an exposition of the 23rd Psalm… I did not get further than the words ‘He Leadeth Me.’ Those words took hold of me as they had never done before, and I saw them in a significance and wondrous beauty of which I had never dreamed. It was the darkest hour of the Civil War. … led me to realize that God’s leadership is the one significant fact in human experience, that it makes no difference how we are led, or whither we are led, so long as we are sure God is leading us. ♫ This .pdf file includes 14 score choices • Full Score for Flute and piano letter size • Letter size parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello, • Full Score small page format for performing from a 10 inch tablet for flute and piano and • the same solo parts for 10 inch tablet. tablet ♫ Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.
$4.50
Praise the Lord! - Unedited Version
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Sacred music
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Gospel/Spiritual
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Matthew Yarnell
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Praise the Lord! - Unedited Ve
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Flome the Gnome
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SheetMusicPlus
Small Ensemble Organ,Piano,Voice - Level 2 - Digital Download SKU: A0.993321 Composed by Matthew Yarnell. Christian,Gospel,Praise & Worship,Sacred,Spirit...
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Small Ensemble Organ,Piano,Voice - Level 2 - Digital Download SKU: A0.993321 Composed by Matthew Yarnell. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 2 pages. Flome the Gnome #3684399. Published by Flome the Gnome (A0.993321). Praise the Lord is a more upbeat song that helps you recall what Jesus has done while at the same time allowing you to sing mightily - Praise the Lord. This is the unedited version in that it has five verses whereas the shorter version has four verses. Both versions include the Praise the Lord chorus. If you're looking for a new song that will encourage your congregation to stand up and praise the Lord, then please consider adding this song to your collection.I pray that this song nourishes your soul, your family, and/or your congregation. Please let others know about my songs; say a prayer for me, my family, and ministry; and consider supporting my ministry financially so that I might have more time to write additional songs and/or serve the Lord.This song would be good for all churches but is probably best suited for those that enjoy more traditional hymns.I can be found online at my website: www.flomethegnome.com and on facebook. You can email me at flomethegnome@gmail.com You can snail mail me at Matthew Yarnell, 2098 Marble Valley Basin Road, Addy, WA. 99101. Or, you can call me at 509-675-3420.
$3.99
They Saw a Star SSAA Cantata
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Connie Boss
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Connie Boss
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They Saw a Star SSAA Cantata
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Connie Boss
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.1515104 Composed by Connie Boss. Arranged by Connie Boss. Christian,Christmas. 106 pages. Connie Boss...
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Small Ensemble - Level 3 - Digital Download SKU: A0.1515104 Composed by Connie Boss. Arranged by Connie Boss. Christian,Christmas. 106 pages. Connie Boss #1089606. Published by Connie Boss (A0.1515104). Everyone knows how special the star was for the birth of Jesus. The star guided many along the way to find the manger that Mary, Joseph and the newborn baby, Jesus were at. This cantata reflects the importance of the star during that time. Most of the songs have lyrics about the star. The cantata starts off with Mary finding out from the angel that God chose her to bear his son - Ave Maria was redone for this advent moment. It keeps to the melody and Ave Maria words are still part of the lyrics. Some of the lyrics have the English translation in the song, while other lyrics are new for this Christmas song. The next song O Little Town of Bethlehem is where Mary and Joseph have to travel to pay their taxes and where Jesus is born. This is where the star shines down for all to see. This is the traditional song, but I have added extra lyrics at the end of each original verse. Next, the shepherds seeing the star decide to travel to Bethlehem. Pachelbel Canon is so iconic, but I have added lyrics from While Shepherds watched their flocks by night, Away in a Manger, What Child is This and The First Noel. The choir parts bring rich harmonies to the piece. The Angels said leave your sheep and leave your lambs. Rise up Shepherd and Follow. Now we are at the manger. I composed the song - A Little Baby. He was born to save us all. . Still, Still, Still “Tis the Night of Our Savior’s Birth has added lyrics to each verse that ties in with the original lyrics. The title of this cantata is They Saw A Star - this is from the song I composed with the same title. It not only brings in the shepherds, but also the Three Wisemen. To close out this cantata, I have used the lyrics from We Three Kings and the melody of Scarborough Fair. This arrangement has an SA duet with SSAA choir parts with ahhs that sound very mysterious. It also does include parts for strings if you are lucky enough to have violins and a cello. The strings parts are the same as the choir parts, so it is perfectly fine to do this with just a choir. I hope you enjoy singing and listening to this cantata—Connie BossI didn't have a minimum copy, so you can make copies of this. This is why I have it priced at this price.For questions or requests, email Cdboss@cvalley.net.
$15.00
They Saw a Star Christmas Cantata for SATB optional instruments and piano
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Christmas
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Connie Boss
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Connie Boss
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They Saw a Star Christmas Cant
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Cello,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - Digital Download SKU: A0.1318802 Composed by Connie Boss. Ar...
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Alto Voice,Bass Voice,Cello,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - Digital Download SKU: A0.1318802 Composed by Connie Boss. Arranged by Connie Boss. Christmas,Holiday. 122 pages. Connie Boss #907356. Published by Connie Boss (A0.1318802). Everyone knows how special the star was for the birth of Jesus. The star guided many along the way to find the manger that Mary, Joseph and the newborn baby, Jesus were at. This cantata reflects the importance of the star during that time. Most of the songs have lyrics about the star.  The cantata starts off with Mary finding out from the angel that God chose her to bear his son - Ave Maria was redone for this advent moment. It keeps to the melody and Ave Maria words are still part of the lyrics. Some of the lyrics have the English translation in the song, while other lyrics are new for this Christmas song. The next song O Little Town of Bethlehem is where Mary and Joseph have to travel to pay their taxes and where   Jesus is born. This is where the star shines down for all to see.  This is the traditional song, but I have added extra lyrics at the end of each original verse. Next, the shepherds seeing the star decide to travel to Bethlehem. Pachelbel Canon is so iconic, but I have added lyrics from While Shepherds watched their flocks by night, Away in a Manger, What Child is This and The First Noel. The choir parts bring rich harmonies to the piece. The Angels said leave your sheep and leave your lambs. Rise up Shepherd and Follow. Now we are at the manger. I composed the song - A Little Baby. He was born to save us all. . Still, Still, Still “Tis the Night of Our Savior’s Birth has added lyrics to each verse that ties in with the original lyrics. The title of this cantata is They Saw A Star - this is from the song I composed with the same title. It not only brings in the shepherds, but also the Three Wisemen. To close out this cantata, I have used the lyrics from We Three Kings and the melody of Scarborough Fair. This arrangement has an ST duet with SATB choir parts with ahhs that sound very mysterious. It also does include parts for strings if you are lucky enough to have violins and a cello. The strings parts are the same as the choir parts, so it is perfectly fine to do this with just a choir.  I hope you enjoy singing and listening to this cantata—Connie Boss.
$10.00
Jesus Christ Was Raised On High - vocal duet and piano
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Unknown
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Connie Boss
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Jesus Christ Was Raised On Hig
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Connie Boss
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SheetMusicPlus
Small Ensemble Alto Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.801316 Composed by Unknown. Arranged by Connie Boss. Easter. Score and...
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Small Ensemble Alto Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.801316 Composed by Unknown. Arranged by Connie Boss. Easter. Score and parts. 4 pages. Connie Boss #5200767. Published by Connie Boss (A0.801316). The melody is from the song Michael Row the Boat Ashore. I changed it into an Easter hymn and added an intro and ending. This song is for a vocal duet and has piano accompaniment. YouTube video has a flute part, but the rest is the same. See the Lyrics below: Connie Boss
$5.99
What a Friend We Have in Jesus for Viola & Cello (or Bassoon) Duet - Music for Two
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Sacred music
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Gospel/Spiritual
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Charles Crozat Converse
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Daniel Kelley
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Cello Duet, Viola &
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What a Friend We Have in Jesus
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble,Strings Bassoon,Cello,Viola - Level 4 - Digital Download SKU: A0.530594 Composed by Charles Crozat Converse. Arranged by Daniel Kelley. Ch...
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Small Ensemble,Strings Bassoon,Cello,Viola - Level 4 - Digital Download SKU: A0.530594 Composed by Charles Crozat Converse. Arranged by Daniel Kelley. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 4 pages. Last Resort Music Publishing #4361217. Published by Last Resort Music Publishing (A0.530594). What a Friend We Have in Jesus is a beloved Christian hymn originally written by Joseph Scriven as a poem in 1855 to comfort his mother who was living in Ireland while he was in Canada. The tune to the hymn was composed by Charles Crozat Converse in 1868 and has since become one of the most popular church hymns worldwide. Playable by Viola & Cello Duet, Viola & Bassoon DuetEach duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$5.95
What a Friend We Have in Jesus for Clarinet & Cello or Bassoon Duet - Music for Two
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Sacred music
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Gospel/Spiritual
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Charles Crozat Converse
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Daniel Kelley
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Cello Duet, Clarinet &
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What a Friend We Have in Jesus
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Last Resort Music Publishing
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SheetMusicPlus
Instrumental Duet Bassoon,Cello,Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.530595 Composed by Charles Crozat Converse. Arranged by D...
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Instrumental Duet Bassoon,Cello,Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.530595 Composed by Charles Crozat Converse. Arranged by Daniel Kelley. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. Last Resort Music Publishing #4361219. Published by Last Resort Music Publishing (A0.530595). What a Friend We Have in Jesus is a beloved Christian hymn originally written by Joseph Scriven as a poem in 1855 to comfort his mother who was living in Ireland while he was in Canada. The tune to the hymn was composed by Charles Crozat Converse in 1868 and has since become one of the most popular church hymns worldwide. Playable by Clarinet & Cello Duet, Clarinet & Bassoon DuetEach duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$5.95
What a Friend We Have in Jesus for Flute or Oboe or Violin & Cello or Bassoon Duet - Music for Two
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Sacred music
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Charles Crozat Converse
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Daniel Kelley
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Cello, Flute &
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What a Friend We Have in Jesus
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble,Strings Bassoon,Cello,Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.530591 Composed by Charles Crozat Converse. Arranged by Danie...
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Small Ensemble,Strings Bassoon,Cello,Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.530591 Composed by Charles Crozat Converse. Arranged by Daniel Kelley. Gospel,Praise & Worship,Sacred. Score and parts. 4 pages. Last Resort Music Publishing #4361211. Published by Last Resort Music Publishing (A0.530591). What a Friend We Have in Jesus is a beloved Christian hymn originally written by Joseph Scriven as a poem in 1855 to comfort his mother who was living in Ireland while he was in Canada. The tune to the hymn was composed by Charles Crozat Converse in 1868 and has since become one of the most popular church hymns worldwide. Playable by Violin & Cello, Flute & Cello, Oboe & Cello Violin & Bassoon, Flute & Bassoon, Oboe & BassoonEach duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.com
$5.95
What a Friend We Have in Jesus for Flute or Oboe or Violin & Flute or Oboe or Violin Duet - Music fo
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Sacred music
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Gospel/Spiritual
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Charles Crozat Converse
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Daniel Kelley
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Flute, Violin &
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What a Friend We Have in Jesus
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble,Strings Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.530596 Composed by Charles Crozat Converse. Arranged by Daniel Kelley. Chri...
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Small Ensemble,Strings Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.530596 Composed by Charles Crozat Converse. Arranged by Daniel Kelley. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. Last Resort Music Publishing #4361221. Published by Last Resort Music Publishing (A0.530596). What a Friend We Have in Jesus is a beloved Christian hymn originally written by Joseph Scriven as a poem in 1855 to comfort his mother who was living in Ireland while he was in Canada. The tune to the hymn was composed by Charles Crozat Converse in 1868 and has since become one of the most popular church hymns worldwide. Playable by Two Violins, Two Flutes, Two Oboes, Violin & Flute, Violin & Oboe, Flute & Oboe, Violin Duet, Oboe Duet, Flute DuetEach duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$5.95
What a Friend We Have in Jesus for Flute or Oboe or Violin & Clarinet Duet - Music for Two
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Sacred music
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Gospel/Spiritual
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Charles Crozat Converse
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Daniel Kelley
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Clarinet Duet, Oboe &
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What a Friend We Have in Jesus
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.530593 Composed by Charles Crozat Converse. Arranged by Daniel Kelley. Chr...
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Small Ensemble Clarinet,Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.530593 Composed by Charles Crozat Converse. Arranged by Daniel Kelley. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 4 pages. Last Resort Music Publishing #4361215. Published by Last Resort Music Publishing (A0.530593). What a Friend We Have in Jesus is a beloved Christian hymn originally written by Joseph Scriven as a poem in 1855 to comfort his mother who was living in Ireland while he was in Canada. The tune to the hymn was composed by Charles Crozat Converse in 1868 and has since become one of the most popular church hymns worldwide. Playable by Flute & Clarinet Duet, Oboe & Clarinet Duet, Violin & Clarinet DuetEach duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$5.95
What a Friend We Have in Jesus for Flute or Oboe or Violin & Viola Duet - Music for Two
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Sacred music
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Gospel/Spiritual
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Charles Crozat Converse
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Daniel Kelley
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Viola, Flute &
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What a Friend We Have in Jesus
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble,Strings Flute,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.530592 Composed by Charles Crozat Converse. Arranged by Daniel Kelley...
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Small Ensemble,Strings Flute,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.530592 Composed by Charles Crozat Converse. Arranged by Daniel Kelley. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 4 pages. Last Resort Music Publishing #4361213. Published by Last Resort Music Publishing (A0.530592). What a Friend We Have in Jesus is a beloved Christian hymn originally written by Joseph Scriven as a poem in 1855 to comfort his mother who was living in Ireland while he was in Canada. The tune to the hymn was composed by Charles Crozat Converse in 1868 and has since become one of the most popular church hymns worldwide. Playable by Violin & Viola, Flute & Viola, Oboe & ViolaEach duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$5.95
What A Friend We Have In Jesus, Solo Tin Whistle
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Sacred music
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Charles C
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Cindy Blevins
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What A Friend We Have In Jesus
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Cindy Blevins
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SheetMusicPlus
Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1174175 Composed by Charles C. Converse. Arranged by Cindy Blevins. Christian,Praise &...
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Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1174175 Composed by Charles C. Converse. Arranged by Cindy Blevins. Christian,Praise & Worship,Religious. Individual part. 8 pages. Cindy Blevins #774340. Published by Cindy Blevins (A0.1174175). Note: You can see an excerpt of both the solo without fingerings and the solo with fingerings. The blank pages you may see in the samples are there on purpose to avoid showing more than the music sample. This arrangement is for solo (unaccompanied) Tin Whistle. You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams and a comprehensive fingering chart for your tin whistle. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you! Tin whistle isn't just for Irish music, it is extremely versatile and fun to play! Please note, my Tin Whistle is a high D. I write for D whistle because it is a very common key that many people have. The fingering chart I put together shows the D scale, with chromatic fingerings you may need some day! But if you're playing a different key of whistle, you can also play this piece. It is unaccompanied, and all keys of tin whistle are fingered the same. So follow the part with diagrams if you need to.
$3.99
Jesus Loves Me, Solo Tin Whistle
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Sacred music
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William B
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Cindy Blevins
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Jesus Loves Me, Solo Tin Whist
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Cindy Blevins
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SheetMusicPlus
Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1174081 Composed by William B. Bradbury. Arranged by Cindy Blevins. Children,Christian...
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Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1174081 Composed by William B. Bradbury. Arranged by Cindy Blevins. Children,Christian,Praise & Worship,Religious. Individual part. 8 pages. Cindy Blevins #774247. Published by Cindy Blevins (A0.1174081). Note: You can see an excerpt of both the solo without fingerings and the solo with fingerings. The blank pages you may see in the samples are there on purpose to avoid showing more than the music sample. This arrangement is for solo (unaccompanied) Tin Whistle. You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams and a comprehensive fingering chart for your tin whistle. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you! Tin whistle isn't just for Irish music, it is extremely versatile and fun to play! Please note, my Tin Whistle is a high D. I write for D whistle because it is a very common key that many people have. The fingering chart I put together shows the D scale, with chromatic fingerings you may need some day! But if you're playing a different key of whistle, you can also play this piece. It is unaccompanied, and all keys of tin whistle are fingered the same. So follow the part with diagrams if you need to.
$3.99
Hymns from Childhood - Set 4 (solo)
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Sacred music
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Various
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Curtis Hanson
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Hymns from Childhood - Set 4
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719764 Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069369. Pub...
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719764 Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069369. Published by Curtis Hanson (A0.719764). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include I Need Thee Every Hour, O Jesus, I Have Promised, and The Church's One Foundation. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
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