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Just Be Held
Sheetmusic to print
38 sheet music found
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1
26
You Will Be Found
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Benj Pasek and Justin Paul
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Nathan Heldman
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You Will Be Found
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Nathan Heldman
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SheetMusicPlus
Choral Choir - Level 4 - Digital Download SKU: A0.723016 Composed by Benj Pasek and Justin Paul. Arranged by Nathan Heldman. A Cappella,Broadway,Musical/...
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Choral Choir - Level 4 - Digital Download SKU: A0.723016 Composed by Benj Pasek and Justin Paul. Arranged by Nathan Heldman. A Cappella,Broadway,Musical/Show,Pop. Octavo. 19 pages. Nathan Heldman #331345. Published by Nathan Heldman (A0.723016). Dynamic choral arrangement intended for medium or larger ensembles. Starts with just one solo voice and builds to a full ensemble sound. Opportunity to show off multiple soloists and would be an uplifting closer!
$2.00
Beyond the Rainbow Bridge - backing track
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David Kai
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David Kai
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Beyond the Rainbow Bridge - ba
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David Kai
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SheetMusicPlus
String Ensemble Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105087 By David Kai. By David Kai. Arranged by Da...
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String Ensemble Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105087 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Country,Rock. Accompaniment. Duration 221. David Kai #708333. Published by David Kai (A0.1105087). A song for those grieving the loss of a pet, especially those whose pets support them through issues such as PTSD and depression. The death of a pet is certainly one the most difficult things that pet lovers experience. Pets offer us companionship, affection and healing, but their relatively short lifespan means that we will experience this loss many times in our lives. Many of us take comfort in the idea of a rainbow bridge that our pets cross when they die, and that we too will cross to be united with our pets. This song expresses the grief that we experience with the death of a pet, but also the hope that we will be reunited with them one day. This version of the song is a backing track for a soloist. BEYOND THE RAINBOW BRIDGE by David Kai ©2019 The day that I first met you, I held you in the palm of my hand And from that moment onward I knew that we would be the best of friends And though you started as a Christmas gift to set beneath the tree You know you really were a gift from God to me. We walked through fields and forests, we’d hit the trail in sun and wind and rain When I was at my lowest, you licked my hand and raised me up again But time passed much too quickly, and you know just what you did You took a piece of my broken heart beyond the rainbow bridge. I’m not sure what heaven’s like , I’m not sure how things will be But if we won’t be together, it won’t feel like heaven to me But if the Lord be willing, I’ll hear your welcome bark again, And see you running to me, through the golden fields of grain Most faithful of companions, you’d been with me in sickness and in health You always loved to see me, even when I couldn’t really love myself And when you licked my hand that one last time, then you know just what you did You took a piece of my broken heart beyond the rainbow bridge. You took a piece of my broken heart beyond the rainbow bridge.
$1.99
Sonatina for Flute and Piano
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 p...
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
Pavane Lesquercarde, Pavane No 5, Premier Livre de Danseries (Pierre Phalèse, 1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Pavane Lesquercarde, Pavane No
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1038231 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. ...
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String Ensemble - Level 2 - Digital Download SKU: A0.1038231 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #643162. Published by Colin Kirkpatrick Publications (A0.1038231). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. The Pavane was a slow and dignified processional dance popular in Europe during the 16th century. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Ungaresca & Almande Poussinghe (Recueil de Danseries, 1583)
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Renaissance
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Pierre Phalèse Jnr
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Colin Kirkpatrick
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Ungaresca & Almande Poussinghe
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and par...
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String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #645901. Published by Colin Kirkpatrick Publications (A0.1041170). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of dancesâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Ungaresca evokes the atmosphere of street music rather than that of the court and the drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. As the name implies, the dance came from Hungary though it may have simply been a dance in the Hungarian style. Even so, the melody was tremendously popular during the fifteenth century though the author is unknown. The dance calls for a lively performance, and you can use plenty of percussion to enliven it. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, the rather wild Ungaresca is paired with the stately Almande Poussinghe. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
Two Rondes from Susato's Danserye (1551)
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Renaissance
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Tielman Susato
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Colin Kirkpatrick
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Two Rondes from Susato's Danse
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1034006 Composed by Tielman Susato. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 ...
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String Ensemble - Level 2 - Digital Download SKU: A0.1034006 Composed by Tielman Susato. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #639328. Published by Colin Kirkpatrick Publications (A0.1034006). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone color. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambor or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Schiarazula Marazula & Ballo Anglese (1583)
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Renaissance
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Pierre Phalèse Jnr
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Colin Kirkpatrick
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Schiarazula Marazula & Ballo A
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1039005 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and par...
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String Ensemble - Level 2 - Digital Download SKU: A0.1039005 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #644005. Published by Colin Kirkpatrick Publications (A0.1039005). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of danceâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Schiarazula Marazula appears towards the end of the collection and is rather a curious addition because it evokes the sound of street music rather than that of the court. However, it was an immensely popular dance during the 16th century and possibly written by Giorgio Mainerio, an Italian musician and composer. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, Schiarazula Marazula is paired with Ballo Anglese which appears near the beginning of the original publication. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Two Almandes from Premier Livre de Danseries (Pierre Phalèse, 1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Two Almandes from Premier Livr
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1037867 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. ...
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String Ensemble - Level 2 - Digital Download SKU: A0.1037867 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #642781. Published by Colin Kirkpatrick Publications (A0.1037867). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The two almands in this arrangement were well known popular melodies at the time of publication. They still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Premier Bransle de la Guerre & Les Bouffons (Premier Livre de Danseries - Pierre Phalèse, 1571
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Premier Bransle de la Guerre &
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1036189 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. ...
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String Ensemble - Level 2 - Digital Download SKU: A0.1036189 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #641293. Published by Colin Kirkpatrick Publications (A0.1036189). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The two dances in this arrangement (Premier Bransle de la Guerre and the lively Les Bouffons) were well known popular melodies at the time of publication. They still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Pavane & Gaillarde des Dieux - Dances 3 and 4, Premier Livre de Danseries (1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Pavane & Gaillarde des Dieux -
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 3 - Digital Download SKU: A0.1018135 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. ...
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String Ensemble - Level 3 - Digital Download SKU: A0.1018135 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #623720. Published by Colin Kirkpatrick Publications (A0.1018135). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
Gaillarde Ferrereze - Gaillarde No 1, Premier Livre de Danseries (1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Gaillarde Ferrereze - Gaillard
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.953398 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 1...
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String Ensemble - Level 2 - Digital Download SKU: A0.953398 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #559137. Published by Colin Kirkpatrick Publications (A0.953398). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file incudes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. An additional two melody parts are provided in treble and bass clef and the chords (for optional guitar) are shown in both keyboard and bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Gaillarde Si pour t'aymer - Gaillarde No 5 (Premier Livre de Danseries, 1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Gaillarde Si pour t'aymer - Ga
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.997824 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 1...
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String Ensemble - Level 2 - Digital Download SKU: A0.997824 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #603507. Published by Colin Kirkpatrick Publications (A0.997824). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone color. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Gaillarde d'Escosse - Gaillarde No 15, Premier Livre de Danseries (1571)
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Pierre Phalèse
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Colin Kirkpatrick
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Gaillarde d'Escosse - Gaillard
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.953397 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Holiday,Renaissance. Score and ...
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String Ensemble - Level 2 - Digital Download SKU: A0.953397 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Holiday,Renaissance. Score and parts. 16 pages. Colin Kirkpatrick Publications #559136. Published by Colin Kirkpatrick Publications (A0.953397). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file incudes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. An additional melody part is provided in treble clef and the chords (for optional guitar) are shown in both keyboard and bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Gaillarde Françoise - Gaillarde No 12 (Premier Livre de Danseries, 1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Gaillarde Françoise - Gaillar
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.965633 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 1...
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String Ensemble - Level 2 - Digital Download SKU: A0.965633 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #571358. Published by Colin Kirkpatrick Publications (A0.965633). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody parts are provided in treble and bass clef and the chords (for optional guitar) are shown in both keyboard and bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Two Voltas - Dances 201 and 210 from Terpsichore (Praetorius) for Wind Instruments
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the time Michael Praetorius pu
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Various
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Two Voltas - Dances 201 and 21
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.522161 Composed by Various. Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and parts...
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Small Ensemble - Level 3 - Digital Download SKU: A0.522161 Composed by Various. Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and parts. 4 pages. Colin Kirkpatrick Publications #3928085. Published by Colin Kirkpatrick Publications (A0.522161). By the time Michael Praetorius published his extensive dance collection entitled Terpsichore (terp-SIH-cory) in 1612, he was one of the most famous musicians in Germany. These two Voltas are well-known and lively dances and sure to add some sparkle to any event. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part. The first Volta uses interesting and catchy syncopation, giving the impression that it’s in duple time time but it’s written in triple time.In this series, Renaissance Hits for Wind Instruments, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.The percussion instruments used are similar to those found in elementary school music rooms and usually include a hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Other percussion instruments may be added as desired. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99
Two Courantes - Dances 151 and 152 from Terpsichore (Praetorius) for Wind Instruments
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Unknown
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Two Courantes - Dances 151 and
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 2 - Digital Download SKU: A0.522167 Composed by Unknown. Arranged by Colin Kirkpatrick. Renaissance,Standards. Score and parts. 26...
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Small Ensemble - Level 2 - Digital Download SKU: A0.522167 Composed by Unknown. Arranged by Colin Kirkpatrick. Renaissance,Standards. Score and parts. 26 pages. Colin Kirkpatrick Publications #4325529. Published by Colin Kirkpatrick Publications (A0.522167). These two courantes are well-known dances from the famous collection entitled Terpsichore by Michael Praetorius. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part. They are attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement with alternative transpositions makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The percussion instruments used are similar to those found in elementary school music rooms and usually include a hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Other percussion instruments may be added as desired. Dance music is intended to be fun, and we hope that this arrangement brings you just that.Â
$11.99
Three Gavottes from Terpsichore (Praetorius) for Wind Instruments
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the time Michael Praetorius pu
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Pierre-Francisque Caroubel
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Three Gavottes from Terpsichor
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 2 - Digital Download SKU: A0.522158 Composed by Pierre-Francisque Caroubel (1556-1611). Arranged by Colin Kirkpatrick. Renaissance...
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Small Ensemble - Level 2 - Digital Download SKU: A0.522158 Composed by Pierre-Francisque Caroubel (1556-1611). Arranged by Colin Kirkpatrick. Renaissance,Standards. Score and parts. 25 pages. Colin Kirkpatrick Publications #3907943. Published by Colin Kirkpatrick Publications (A0.522158). By the time Michael Praetorius published his extensive dance collection entitled Terpsichore (terp-SIH-cory) in 1612, he was one of the most famous musicians in Germany. These Three Gavottes are well-known and lively dances and sure to add some sparkle to any concert event. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part.In this series, Renaissance Hits for Wind Instruments, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. There are separate parts in various transpositions. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$11.99
Two Ballets - Dances 268 and 273 from Terpsichore (Praetorius) for Wind Instruments
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the time Michael Praetorius pu
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Various
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Two Ballets - Dances 268 and 2
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 2 - Digital Download SKU: A0.522159 Composed by Various. Arranged by Colin Kirkpatrick. Instructional,Renaissance,Standards. Score...
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Small Ensemble - Level 2 - Digital Download SKU: A0.522159 Composed by Various. Arranged by Colin Kirkpatrick. Instructional,Renaissance,Standards. Score and parts. 25 pages. Colin Kirkpatrick Publications #3912497. Published by Colin Kirkpatrick Publications (A0.522159). By the time Michael Praetorius published his extensive dance collection entitled Terpsichore (terp-SIH-cory) in 1612, he was one of the most famous musicians in Germany. These Two Ballets are well-known and elegant dances and sure to add some sparkle to any concert event. They would make excellent partners for other dances in this series. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part.In this series, Renaissance Hits for Wind Instruments, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99
Les Courantes - Dances 183 and 188 from Terpsichore (Praetorius) (Wind Instruments)
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the time Michael Praetorius pu
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Anonymous
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Les Courantes - Dances 183 and
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.522160 Composed by Anonymous. Arranged by Colin Kirkpatrick. Renaissance,Standards. Score and parts. ...
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Small Ensemble - Level 3 - Digital Download SKU: A0.522160 Composed by Anonymous. Arranged by Colin Kirkpatrick. Renaissance,Standards. Score and parts. 25 pages. Colin Kirkpatrick Publications #3915573. Published by Colin Kirkpatrick Publications (A0.522160). By the time Michael Praetorius published his extensive dance collection entitled Terpsichore (terp-SIH-cory) in 1612, he was one of the most famous musicians in Germany. These two Courantes are well-known and lively dances and sure to add some sparkle to any concert event. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part.In this series, Renaissance Hits for Wind Instruments, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99
Won't You Take Care of Me
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Holiyo
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Won't You Take Care of Me
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Holyone Tombari Dodoh
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SheetMusicPlus
Rhythm Section 2-Part Chorus,Voice - Level 5 - Digital Download SKU: A0.1426660 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Film/TV,Jazz,Soul...
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Rhythm Section 2-Part Chorus,Voice - Level 5 - Digital Download SKU: A0.1426660 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Film/TV,Jazz,Soul. Vocal Jazz Ensemble. 35 pages. Holyone Tombari Dodoh #1007362. Published by Holyone Tombari Dodoh (A0.1426660). Lyrics:I see you don't care, You don't care. I see you don't care. Won't you take care of me? Won't you take care of me? Won't you take care of me? I used to be your keeper,Was always there for you all time,And if you cried,I'd hold you,Close to my heart and whisper,You are the best thing in this world,My little sweet,Cry no more.Now, won't you take care of me? Won't you take care of me? Won't you take care of me? You needed me,I was there,I could not leave you there alone.My little love,You got me.You called to me;Teach me all,I was so glad to show you all,My little dear,Know it all.And when you're scared,I held you,I said, My baby, I'm right here.I prayed to God,Keep my love!But now, won't you take care of me?Won't you take care of me?Won't you take care of me?My little sweet,My happiness,I will never forget.Now a grown-up,Now you don't care,Never remember me? I just need you here with me.I cannot do it on my own,My little best,You've so grown.I need you to understand;I will not be here for so long,My little sweet,I need you now!So now, won't you take care of me? Won't you take care of me? Won't you take care of me?
$6.90
Ensemble Music for Church and School
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Ensemble Music for Church and
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SheetMusicPlus
Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and med...
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Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON
Song List
: A Christmas Package A Mighty Fortress Adoramus Te An American's Pride Come, Thou Almighty King Holy, Holy, Holy I Sing the Mighty Power of God Ivory Palaces March Pontifical Music for Easter Now Thank We All Our God O God, Our Help In Ages Past O Mighty God Onward, Christian Soldiers Praise Ye The Lord, The Almighty Prayer Thanksgiving The Heavens Are Telling Three Spirituals Trumpet Tune Trumpet Voluntary Under His Wings When Morning Gilds the Skies
$12.95
Ensemble Music for Church and School
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Ensemble Music for Church and
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SheetMusicPlus
Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and med...
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Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON
Song List
: A Christmas Package A Mighty Fortress Adoramus Te An American's Pride Come, Thou Almighty King Holy, Holy, Holy I Sing the Mighty Power of God Ivory Palaces March Pontifical Music for Easter Now Thank We All Our God O God, Our Help In Ages Past O Mighty God Onward, Christian Soldiers Praise Ye The Lord, The Almighty Prayer Thanksgiving The Heavens Are Telling Three Spirituals Trumpet Tune Trumpet Voluntary Under His Wings When Morning Gilds the Skies
$12.95
Ensemble Music for Church and School
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Ensemble Music for Church and
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SheetMusicPlus
Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and med...
(+)
Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON
Song List
: A Christmas Package A Mighty Fortress Adoramus Te An American's Pride Come, Thou Almighty King Holy, Holy, Holy I Sing the Mighty Power of God Ivory Palaces March Pontifical Music for Easter Now Thank We All Our God O God, Our Help In Ages Past O Mighty God Onward, Christian Soldiers Praise Ye The Lord, The Almighty Prayer Thanksgiving The Heavens Are Telling Three Spirituals Trumpet Tune Trumpet Voluntary Under His Wings When Morning Gilds the Skies
$12.95
Ensemble Music for Church and School
#
Ensemble Music for Church and
#
SheetMusicPlus
Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and med...
(+)
Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON
Song List
: A Christmas Package A Mighty Fortress Adoramus Te An American's Pride Come, Thou Almighty King Holy, Holy, Holy I Sing the Mighty Power of God Ivory Palaces March Pontifical Music for Easter Now Thank We All Our God O God, Our Help In Ages Past O Mighty God Onward, Christian Soldiers Praise Ye The Lord, The Almighty Prayer Thanksgiving The Heavens Are Telling Three Spirituals Trumpet Tune Trumpet Voluntary Under His Wings When Morning Gilds the Skies
$12.95
Ensemble Music for Church and School
#
Ensemble Music for Church and
#
SheetMusicPlus
Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and med...
(+)
Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON
Song List
: A Christmas Package A Mighty Fortress Adoramus Te An American's Pride Come, Thou Almighty King Holy, Holy, Holy I Sing the Mighty Power of God Ivory Palaces March Pontifical Music for Easter Now Thank We All Our God O God, Our Help In Ages Past O Mighty God Onward, Christian Soldiers Praise Ye The Lord, The Almighty Prayer Thanksgiving The Heavens Are Telling Three Spirituals Trumpet Tune Trumpet Voluntary Under His Wings When Morning Gilds the Skies
$12.95
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