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Lay Down, Stay Down
Not classified
163
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3
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+ 7 instrumentations
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Retract
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1
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2 Tubas (duet)
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+ 30 instrumentations
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Retract
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57
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39
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35
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7
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1
String Trio: 3 violins
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Retract
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Lay Down, Stay Down
Sheetmusic to print
163 sheet music found
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151
Let's Stay Together
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Soul/R&B
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Al Green
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Zulhilmy Zulkifli
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Let's Stay Together
#
ZZ Music Solutions
#
SheetMusicPlus
Instrumental Duet Bass Guitar,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.917912 By Al Green. By Al Green, Al Jackson, Jr., and Wi...
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Instrumental Duet Bass Guitar,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.917912 By Al Green. By Al Green, Al Jackson, Jr., and Willie Mitchell. Arranged by Zulhilmy Zulkifli. Soul. Score and parts. 13 pages. ZZ Music Solutions #5769383. Published by ZZ Music Solutions (A0.917912). Let’s Stay Together is a song by American singer, Al Green. It was released as a single in 1971 and later, as the first track of Al Green's 1972 album with the same title. Leroy Hodges recorded the bass, and it features similarities to James Jamerson style of playing. This transcription is based on the album version and arranged to be played on a 4-string bass with standard tuning.This song is in the key of F major and is about 3’19 long. The tempo is at 102 bpm and suitable for an early-intermediate player. Do take note, at bar 16, 20, 32, 36, 54 and 58, you are required to let the F# note to ring (sustain) while playing the D note, resulting in an interval of major thirds apart, but an octave higher, which is a voicing in major tenth to be more precise. The song ends in a fade-out manner, so, I have transcribed similarly to let you to play along with the album version. If you are playing with a band, do listen to the live version for some idea on the ending. This transcription includes 3 parts ; 1)both notation and TAB (4 pages) 2)notation-only (3 pages) 3)TAB-only (3 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well. Have fun and good luck. Do visit me at www.zulhilmyzulkifli.com>www.zulhilmyzulkifli.com for any inquiries. Thank you for your purchase, and I hope you enjoy the music.
$4.99
Stay With Me
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Sam Smith
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Steven Pope
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Stay With Me
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Steven Pope
#
SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.1449349 By Sam Smith. By James Napier, Jeff Lynne, Sam Smith, Tom Petty, and William Edward Phillips. Arrange...
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Guitar - Level 1 - Digital Download SKU: A0.1449349 By Sam Smith. By James Napier, Jeff Lynne, Sam Smith, Tom Petty, and William Edward Phillips. Arranged by Steven Pope. 21st Century,Contemporary,Pop. Guitar Tab. 2 pages. Steven Pope #1029121. Published by Steven Pope (A0.1449349). Easy fingerstyle guitar arrangement of Stay With Me by Sam Smith.The melodies in this ballad from Sam Smith sound wonderful played solo on guitar. The harmony of the arrangement expands in the chorus, providing a bit more challenge as you play some chords to accompany the melody.This arrangement will help you to practise: open chords, semiquavers, tied notes, accompanying a melody, moving up and down the fretboard, right hand picking technique.
$4.99
Ya'll Stay Up (feat. Talib Kweli)
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Youngblood Brass Band
#
Nat McIntosh
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Ya'll Stay Up
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Layered Music
#
SheetMusicPlus
Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Download SKU: A0.1394559 By Youngblood Brass Band. By Nat McIntosh a...
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Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Download SKU: A0.1394559 By Youngblood Brass Band. By Nat McIntosh and Talib Kweli. Arranged by Nat McIntosh. Funk,Hip-Hop,Jazz,R & B,Soul. 32 pages. Layered Music #978043. Published by Layered Music (A0.1394559). Full score and parts for the Youngblood Brass Band song 'Ya'll Stay Up', by Nat McIntosh, taken from the Unlearn album recordings. This is the official, verbatim transcription from the record, i.e. 2 trumpet parts, 2 trombones, 1 tenor sax, 1 snare drum/cymbal, 1 bass drum/cymbal, and sousaphone. Transcribed and approved by the author. This is the only YBB-sanctioned sheet music in existence for this original tune.YBB members are also available for online lessons, commissions, bespoke arrangements, and custom studio work. Contact us for details and check out our entire catalog of music, merch, and arrangements (including options to purchase the actual software notation files for sheet music) at youngbloodbrassbandofficial.bandcamp.comAll links to YBB social media/music/info: linktr.ee/youngbloodbrassbandThanks for listening.
$65.00
Playing with Scales
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Pu...
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
Should I Stay Or Should I Go
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The Clash
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Bob Good
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Should I Stay Or Should I Go
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Surrey Dance Music
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Drums,Guitar,Piano Accompaniment,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.951245 By The Clash. By Joe S...
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Small Ensemble Alto Saxophone,Drums,Guitar,Piano Accompaniment,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.951245 By The Clash. By Joe Strummer and Mick Jones. Arranged by Bob Good. Punk,Rock. Score and parts. 17 pages. Surrey Dance Music #6574125. Published by Surrey Dance Music (A0.951245). A parody of The Clash’s Should I Stay Or Should I Go, shortened, and with the lyrics changed to Should I Slay Or Let Them Go.
$12.99
Let's Stay Together
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Al Green
#
Jesse Baker
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Let's Stay Together
#
Jesse Baker
#
SheetMusicPlus
Rhythm Section Voice - Level 2 - Digital Download SKU: A0.1486343 By Al Green. By Al Green, Al Jackson, Jr., and Willie Mitchell. Arranged by Jesse Baker...
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Rhythm Section Voice - Level 2 - Digital Download SKU: A0.1486343 By Al Green. By Al Green, Al Jackson, Jr., and Willie Mitchell. Arranged by Jesse Baker. Soul. 5 pages. Jesse Baker #1063405. Published by Jesse Baker (A0.1486343). Written in the key of D minor Perfect for horn players needing the music to play along with a live band This song was specifically arranged for the horn players of the band “Mixtape”. For custom arrangements, please contact Jesse Baker at trumpetjb@gmail.com Thank you for purchasing my horn chart. Enjoy!
$25.00
Stay With Me
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George David Weiss and Jerry R
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Daryl McKenzie
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Stay With Me
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Daryl McKenzie
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Drums,Guitar,Organ,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 4 - Digital Download SKU: A0.734220 Composed by Geo...
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Large Ensemble Alto Saxophone,Drums,Guitar,Organ,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 4 - Digital Download SKU: A0.734220 Composed by George David Weiss and Jerry Ragovoy. Arranged by Daryl McKenzie. Contemporary,Hip-Hop,R & B. Score and parts. 25 pages. Daryl McKenzie #6789439. Published by Daryl McKenzie (A0.734220). Arranged for a television performance by Ruby Turner for Vocal with Small Band (Alto Sax, Tenor Sax, Trumpet, Trombone, Piano, Synth (Strings), Guitar, Bass, Drums) Key of BbMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$59.99
Love Is Here To Stay
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George Gershwin and Ira Gershw
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Kenneth Abeling
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Love Is Here To Stay
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LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.1469676 Composed by George Gershwin and Ira Gershwin. Arranged by Kenneth Abeling...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.1469676 Composed by George Gershwin and Ira Gershwin. Arranged by Kenneth Abeling. Broadway,Film/TV,Musical/Show,Pop. 14 pages. LINCOLN MUSIC PUBLICATIONS #1047650. Published by LINCOLN MUSIC PUBLICATIONS (A0.1469676). Love is Here to Stay or Our Love is Here to Stay, by Ira and George Gershwin arranged for Woodwind Quartet. Originally performed in the Goldwyn Follies it was first popularized by Gene Kelly in in the film, An American in Paris. It has since been used in numerous films and recorded by dozens of prominent vocalists. This is an advanced intermediate level to easier advanced arrangement of the popular jazz standard/show tune. The playing time is approximately 3:30. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit https://lincolnmusicpublications.com.
$14.99
New Orleans Jambalaya (Clarinet, Trumpet 1 and 2, Trombone, Tuba, Drums)
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Jazz
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Clark Cothern
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New Orleans Jambalaya
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Clark Cothern
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SheetMusicPlus
Small Ensemble Clarinet,Drums,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.823085 Composed by Clark Cothern. Jazz. Score and parts. 21 page...
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Small Ensemble Clarinet,Drums,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.823085 Composed by Clark Cothern. Jazz. Score and parts. 21 pages. Clark Cothern #2966827. Published by Clark Cothern (A0.823085). New Orleans Jambalaya provides the flavor of Dixieland that brings the heat and stays with you for awhile. It's a rousing Dixieland tune for Clarinet, 2 Trumpets, Trombone, Tuba and Drums that will surely serve as a sizzling show stopper.
$20.00
Stay The Night
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Rock
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Chicago
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Joe Sandusky
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Stay The Night
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Joe Sandusky
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SheetMusicPlus
Instrumental Duet Acoustic Guitar,Electric Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.948643 By Chicago. By David Babyface Foster and ...
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Instrumental Duet Acoustic Guitar,Electric Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.948643 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Joe Sandusky. Pop,Rock. Score and parts. 21 pages. Joe Sandusky #3884475. Published by Joe Sandusky (A0.948643). Guitar Ensemble for Acoustic and Electric Guitar. Intermediate level. Perfect for High School Ensemble. Score and Parts Included. Though Get Away is usually played after Hard to Say I'm Sorry, It work well after this song too.
$15.00
Should I Stay Or Should I Go
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The Clash
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Jeff Tincher
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Should I Stay Or Should I Go
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Jeff Tincher
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.582348 By The Clash. By Joe Strummer and Mick Jones. Arranged by Je...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.582348 By The Clash. By Joe Strummer and Mick Jones. Arranged by Jeff Tincher. Punk,Rock. Score and parts. 6 pages. Jeff Tincher #3030291. Published by Jeff Tincher (A0.582348). This is a guitar tab/vocal arrangement of The Clash's big hit. This is a transcription in the original key from the Combat Rock CD. Great for live performance or playing along with the recording. Duration=3:09. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftinktincher
$4.99
Stayin' Alive
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Contemporary
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N-Trance
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Ben Trigg
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Stayin' Alive
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OlivePress Music
#
SheetMusicPlus
Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1002428 By N-Trance. By Barry Gibb, Maurice Gibb, and Robin Gibb. Ar...
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Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1002428 By N-Trance. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Ben Trigg. Contemporary. 12 pages. OlivePress Music #6881785. Published by OlivePress Music (A0.1002428). Chord chart with horn cues for the band leader, and parts for Alto and Tenor Sax, Trumpet in Bb and Trombone (not all parts need to be covered to make an effective horn section). These charts are intended for use in function bands where the band leader can call the arrangements on the fly, therefore exact structures are not always fully represented, but often indicated through general verbal instructions. Used in real life with my function band, the staff size is great for low-light situations on paper or for displaying on a tablet smaller than A4.Find the complete 'For Pop Covers' catalogue from OlivePress Music at https://olivepressmusic.com/for-pop-covers/
$12.99
Stay
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Pop music
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The Kid Laroi
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Robert Moody
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Stay
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Robert Moody
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SheetMusicPlus
Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.900932 By The Kid Laroi. By Blake Slatkin, Charlie Puth, Charlton Ho...
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Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.900932 By The Kid Laroi. By Blake Slatkin, Charlie Puth, Charlton Howard, Issac De Boni, Issac Deboni, Justin Bieber, Magnus Holberg, Michael Mule, Michael Mute, Omar Fedi, Omer Fedi, and Subhaan Rahman. Arranged by Robert Moody. Pop. Score and parts. 2 pages. Robert Moody #6519695. Published by Robert Moody (A0.900932). Can't get any hotter than this. True to the original key you can play right along with Justin and Kid Laroi or any karaoke track online.
$4.99
Stayin' Alive
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Contemporary
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N-Trance
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Reed Hanna
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Stayin' Alive
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Reed Hanna
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SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.923907 By N-Trance. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arrange...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.923907 By N-Trance. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Reed Hanna. Contemporary. 21 pages. Reed Hanna #6439169. Published by Reed Hanna (A0.923907). Stayin' Alive from Saturday Night Fever arr. for Double Reed Ensemble (2 oboes, 1 E.H., 2 bsn. 1 contra). Includes transcription of E.H. part for oboe (if no E.H. is available). Contrabassoon part can be played as a 3rd bassoon part (if no contra) or can be doubled by 3rd bassoon.
$12.99
Stayin' Alive from the Motion Picture SATURDAY NIGHT FEVER
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N-Trance
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K Davies
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Stayin' Alive from the Motion
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Bandmusic.co.uk
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SheetMusicPlus
Small Ensemble Drum Set - Level 3 - Digital Download SKU: A0.867426 By N-Trance. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by K Davies. Dance...
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Small Ensemble Drum Set - Level 3 - Digital Download SKU: A0.867426 By N-Trance. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by K Davies. Dance,Disco. Score and parts. 33 pages. Bandmusic.co.uk #2930343. Published by Bandmusic.co.uk (A0.867426). A great arrangement for Brass Band of this 1970s dance number featuring cornet and trombone solos with an exciting soprano cornet part towards the end. Careful scoring means that despite the fast tempo the arrangement is very playable as well as being an excellent addition to the concert and bandstand repertoires.
$45.00
Stayin' Alive - Score Only
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N-Trance
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Barbara Anderson-Jones
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Stayin' Alive - Score Only
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Barbara Anderson-Jones
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.1145328 By N-Trance. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Barbar...
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Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.1145328 By N-Trance. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Barbara Anderson-Jones. Disco. 8 pages. Barbara Anderson-Jones #745564. Published by Barbara Anderson-Jones (A0.1145328). This is an abridged version of this song and is arranged as a woodwind trio. This is for intermediate to advanced players. If you like this score check out my other arrangements at http://www.sheetmusicplus.com/publishers/barbara-anderson-jones/4070.
$12.99
Mysterious Moment for oboe and string trio
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Contemporary
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and...
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
42
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Coldplay
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SAMUEL DE SOUZA MALAQUIAS
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42
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SAMUEL DE SOUZA MALAQUIAS
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SheetMusicPlus
Instrumental Solo - Level 3 - Interactive Download SKU: A0.1400022 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged ...
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Instrumental Solo - Level 3 - Interactive Download SKU: A0.1400022 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by SAMUEL DE SOUZA MALAQUIAS. This edition: Interactive Download. Blues,Folk,Pop,Rock. Individual part. 21 pages. Duration 233. SAMUEL DE SOUZA MALAQUIAS #6Z9XTt2KOgVdzHjaP1Ug1E. Published by SAMUEL DE SOUZA MALAQUIAS (A0.1400022). Key: F minor.This beautiful arrangement of Coldplay's 42 for solo violin with piano accompaniment is perfect for intermediate level players. It stays true to the original melody while adding a new level of depth and emotion. Features: Solo violin part with piano accompaniment Intermediate level difficulty Faithful to the original melody Beautiful and emotional arrangement Benefits: Improve your violin skills Learn a new and challenging piece of music Enjoy playing a beautiful and emotional arrangement of a popular song Get it now and start playing today!
$6.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Publ...
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Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Instructional
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Joshua Hauser
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#
Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Publ...
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Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Instructional
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Sl...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Instructional
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Joshua Hauser
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#
Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5...
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Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
Ballad Of Casey Jones
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Eddie Newton and Jill Gallina
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Derek Hasted
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Ballad Of Casey Jones
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797763 Composed by Eddie Newton and Jill Gallina. Arranged by Derek Hasted. Contemporary,Film...
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797763 Composed by Eddie Newton and Jill Gallina. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 14 pages. Derek Hasted #5206431. Published by Derek Hasted (A0.797763). CASEY JONES - 6 GUITARS or LARGE ENSEMBLEThe Ballad of Casey Jones - most famously used as the Theme Music to the TV series Casey Jones.Derek Hasted writes This is a great piece for six or more guitars, especially for those with limited experience of playing in ensemble.Schoolteachers - this is ideal for a school ensemble of mixed ability players, as there are parts from 'very much a novice' up to intermediate (which the teacher can help support).My arrangement sets out to make classical guitars sound like a steam locomotive - I hope you find that it works better than you imagined!The slow introduction and the gathering speed doesn’t require a collective accelerando, it’s all done in the writing - the metronome mark stays the same.Be sure to accent the beats where shown, and keep that pulsing accent rippling through the entire piece.Guitar 6 requires the bottom string tuned down to D - as this is the line suited to those with the least experience, you might want to mark up the fret numbers for the bass notes below the open A - they are all two frets higher than they normally are.This piece has featured in concerts played by The Hampshire Guitar Orchestra, and it’s always gone down well.I hope you enjoy playing this piece!
$4.99
Last Of The Summer Wine Theme
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Ronald Hazlehurst and Ronnie H
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Derek Hasted
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Last Of The Summer Wine Theme
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797799 Composed by Ronald Hazlehurst and Ronnie Hazlehurst. Arranged by Derek Hasted. Contemp...
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797799 Composed by Ronald Hazlehurst and Ronnie Hazlehurst. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 12 pages. Derek Hasted #6109013. Published by Derek Hasted (A0.797799). LAST OF THE SUMMER WINE - GUITAR TRIO or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This charming piece has become incredibly well-known in the UK as the theme tune to the TV series of the same name - one of the UK’s longest running comedies.The music elegantly captures the calm of country life and the simplicity of times gone by, and makes for a refreshing and accessible concert item whether you know the original music or not.In my arrangement, Guitar 1 and Guitar 2 take turns to play the tune - each part is clearly labelled - and the weaving motifs of the haunting melody are underpinned by an accompaniment that mirrors the rhythm and harmony of the original.Fingering for the upper parts is left to the players - some may want to stay up the neck throughout for a rich and mellow tone, others may feel more confident coming lower down the neck for the lower notes to keep the majority of them off the wire-wound strings.I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
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