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March Of The Women
Sheetmusic to print
7 sheet music found
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1
Schubert: MASS in G Major (Version for SSAA choir, SAA soli, strings and organ) set of orchestra par
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Classical
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Franz Schubert
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Roar Kvam
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Schubert: MASS in G Major
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KVAMusic Edition
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.768512 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Score and parts. 98...
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Small Ensemble - Level 3 - Digital Download SKU: A0.768512 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Score and parts. 98 pages. KVAMusic Edition #5321083. Published by KVAMusic Edition (A0.768512). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$25.00
Johnny Comes Marching (Downloadable)
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Ken Berg
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Johnny Comes Marching
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Galaxy Music Corporation - Digital
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SheetMusicPlus
3-part Male choir (TTB) and piano - Moderately Easy - Digital Download SKU: MQ.1.3547-E Composed by Ken Berg. National Songs/Patriotic. Instrument part. ...
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3-part Male choir (TTB) and piano - Moderately Easy - Digital Download SKU: MQ.1.3547-E Composed by Ken Berg. National Songs/Patriotic. Instrument part. 14 pages. Duration 2 minutes, 43 seconds. Galaxy Music Corporation - Digital #1.3547-E. Published by Galaxy Music Corporation - Digital (MQ.1.3547-E). English.This strong tune and text speaks to the respect with which any nation treats the men and women who serve in their military. Beginning softly, the effect is like a parade that starts in the distance and gradually progresses ever closer to the listener. Following a brief introduction, the first verse is in unison. Each successive verse expands not only the part writing, but the sound and effect. The strength of the harmonic structure, the depth of the textual importance, and a relentless rhythmic drive, make this piece a strong addition to any program. Duration: 2:43.
$2.85
Johnny Comes Marching (Downloadable)
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Ken Berg
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Johnny Comes Marching
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Galaxy Music Corporation - Digital
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SheetMusicPlus
3-part treble choir (SSA) and piano - Moderately Easy - Digital Download SKU: MQ.1.3546-E Composed by Ken Berg. National Songs/Patriotic. Instrument part...
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3-part treble choir (SSA) and piano - Moderately Easy - Digital Download SKU: MQ.1.3546-E Composed by Ken Berg. National Songs/Patriotic. Instrument part. 14 pages. Duration 2 minutes, 45 seconds. Galaxy Music Corporation - Digital #1.3546-E. Published by Galaxy Music Corporation - Digital (MQ.1.3546-E). English.This strong tune and text speaks to the respect with which any nation treats the men and women who serve in their military. Beginning softly, the effect is like a parade that starts in the distance and gradually progresses ever closer to the listener. Following a brief introduction, the first verse is in unison. Each successive verse expands not only the part writing, but the sound and effect. The strength of the harmonic structure, the depth of the textual importance, and a relentless rhythmic drive, make this piece a strong addition to any program. Duration: 2:45.
$2.85
Shenandoah - trombone, flute, piano
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Folkloric/Traditional
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American Folk Tune
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Todd Marchand
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Shenandoah - trombone, flute,
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Con Spirito Music
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.726111 Composed by American Folk Tune. Arranged by To...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.726111 Composed by American Folk Tune. Arranged by Todd Marchand. Folk. Score and parts. 8 pages. Con Spirito Music #6167501. Published by Con Spirito Music (A0.726111). One of America's most recognizable and beautiful folk tunes, Shenandoah had by the mid-ninteenth century achieved wide popularity on both land and sea.American folklorist Alan Lomax suggested that Shenandoah was a sea-shanty and that the composers likely were French-Canadian voyageurs traveling down the Missouri River — men who sought their fortunes as trappers and traders, loners who became friendly with and sometimes married Native American women. American sailors heading down the Mississippi River picked up the song and made it a capstan shanty — a work song — that they sang while hauling in the anchor.Various versions of the song, and various lyrics to the tune, exist. Some believe that the song refers to the Shenandoah river. Others suggest that it is of Native American origin and tells the tale of Sally, the daughter of an Algonquin Indian chief, Shenandoah, who is courted for seven years by a white Missouri river trader. Other versions of the song have linked it to riverboat men, cavalry men, mountain men, and Civil War soldiers. Some use names, including Sally Brown, Polly Brown, Paddy Doyle, and Dan O'Shea, in place of Shenandoah.This arrangement features trombone solo on verse 1, flute solo on verse 2, and trombone/flute duet on verse 3.©Copyright 2014 Todd Marchand / Con Spirito Music. All rights reserved.
$6.00
Schubert: MASS In G Major D-167 (Version for SSAA choir, SSA soli, strings and organ) - Score Only
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Classical
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Franz Schubert
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Roar Kvam
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Schubert: MASS In G Major D-16
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KVAMusic Edition
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1401951 Composed by Franz Schubert. Arranged by Roar Kvam. 19th Century,Classical,Latin,Praise and Worship,Romantic Pe...
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Level 3 - Digital Download SKU: A0.1401951 Composed by Franz Schubert. Arranged by Roar Kvam. 19th Century,Classical,Latin,Praise and Worship,Romantic Period. 123 pages. KVAMusic Edition #985149. Published by KVAMusic Edition (A0.1401951). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$20.00
Schubert: MASS In G Major D-167 (Version for SSAA choir, SSA soli, strings and organ)
#
Classical
#
Franz Schubert
#
Roar Kvam
#
Schubert: MASS In G Major D-16
#
KVAMusic Edition
#
SheetMusicPlus
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.768510 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Octavo. 123 ...
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.768510 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Octavo. 123 pages. KVAMusic Edition #5321075. Published by KVAMusic Edition (A0.768510). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$55.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages...
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Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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