Home page
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Minor Change in D for Piano
Not classified
19
Piano & keyboards
Piano solo
38
Easy Piano
7
1 Piano, 4 hands
1
Piano, Voice
1
Guitars
Guitar
2
Guitar notes and tablatures
1
Voice
Choral SATB
2
Voice solo
1
Choral 2-part
1
Choral 3-part
1
Woodwind
Flute and Piano
3
Flute, Clarinet, Piano (trio)
3
Soprano Saxophone and Piano
3
2 Flutes (duet)
2
Tenor Saxophone and Piano
2
Flute, Oboe, Piano (trio)
1
Clarinet Quintet: 5 clarinets
1
Oboe, Clarinet, Bassoon (trio)
1
Clarinet
1
Oboe, Piano (duet)
1
Saxophone Quartet: 4 saxophones
1
Clarinet and Piano
1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1
+ 8 instrumentations
-
Retract
Woodbrass
Trumpet, Piano
1
French Horn and Piano
1
Trumpet, Euphonium (duet)
1
Strings
Viola, Piano
4
Cello, Piano
3
String Quartet: 2 violins, viola, cello
2
2 Violins (duet)
1
Cello
1
String Trio: 3 cellos
1
String Trio: violin, viola, cello
1
Violin and Piano
1
Harp
1
+ 4 instrumentations
-
Retract
Orchestra & Percussion
String Orchestra
2
Concert band
2
Jazz Ensemble
2
Orchestra
1
Others
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
Digital Sheet Music
19
Sheet Music Books
86
Music Equipment
11
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Active criteria:
Minor Change in D for Piano
Sheetmusic to print
19 sheet music found
<
1
Concert and Contest Collection for Bb Clarinet
#
Concert and Contest Collection
#
Rubank Publications
#
SheetMusicPlus
Book with Online Media Bb Clarinet; Clarinet - Grade 3-4 SKU: HL.4002511 Solo Book with Online Media. Edited by H. Voxman. Concert Band Method. Ru...
(+)
Book with Online Media Bb Clarinet; Clarinet - Grade 3-4 SKU: HL.4002511 Solo Book with Online Media. Edited by H. Voxman. Concert Band Method. Rubank Book/Audio Products. Classical, Contest, Solos. Softcover Media Online. 32 pages. Published by Rubank Publications (HL.4002511). ISBN 9781423477181. UPC: 884088111069. 9.0x12.0x0.114 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. In addition to the solo book, this item includes online access to: • Full-performance and accompaniment-only audio tracks • PDF piano accompaniment - download and print only what you need • PLAYBACK+ A multi-function audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops - available exclusively from Hal Leonard. Online audio/media is accessed at halleonard.com/mylibrary Contents: Adagio from Clarinet Concerto, K. 622 (Mozart) • Allegretto Fantasia (Miskow) • Allegretto Grazioso (from Sonata in F Minor - Brahms) • Aria and Scherzo (Gabucci) • Ballade (Gade) • Canzonetta, Op. 19 (Pierné) • Chanson, Op. 35 No. 3 (Gliere) • Fantasy-Piece, Op. 73 No. 1 (Schumann) • Menuet from Divertimento in D, K. 334 (Mozart) • Nocturne (Bassi) • Nocturne (Verhey) • Promenade (Delmos) • Romance (Becker) • Scene and Air (Bergson) • Scherzo in C Minor (Koepke) Also available: • Solo Book only (HL04471630) • Piano Accompaniment Book (HL04471640).
Song List
: Allegretto Fantasia (Miskow) Allegretto Grazioso (Brahms) Ballade,Op.43,No.3 (Gade) Canzonetta,Op.19 (Pierne) Chanson,Op.35,No.3 (Gliere) Menuet(Div.In D K334) Mozart Nocturne (Bassi) Nocturne(Con. In G Min)-Verhey Promenade (Delmas) Romance, Op.3 (Becker) Scene & Air(Luisa Di M.)bergson Aria & Scherzo Fantasy-Piece, Op. 73, No. 1
$17.99
Sonata for Piano Quintet
#
James Albert Yeager
#
Sonata for Piano Quintet
#
James A. Yeager
#
SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber...
(+)
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
#
Thomas Oboe Lee
#
Focus on Grace ... A concerto
#
Thomas Oboe Lee
#
SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and p...
(+)
Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Moonlight Sonata mvt1 - D minor- cello trio
#
Classical
#
Ludwig van Beethoven
#
Phyllis Hopper
#
Moonlight Sonata mvt1 - D mino
#
HopSez Productions
#
SheetMusicPlus
Small Ensemble Cello - Digital Download SKU: A0.1183324 Composed by Ludwig van Beethoven. Arranged by Phyllis Hopper. Romantic Period,Sacred,Wedding. Sco...
(+)
Small Ensemble Cello - Digital Download SKU: A0.1183324 Composed by Ludwig van Beethoven. Arranged by Phyllis Hopper. Romantic Period,Sacred,Wedding. Score and parts. 10 pages. HopSez Productions #782985. Published by HopSez Productions (A0.1183324). Title Moonlight Sonata mvt1 - cello trio  Artists  Composer Ludwig van Beethoven  Arranger Phyllis Hopper  Description  Beethoven's romantic piano masterpiece is now available as a cello trio. The highly recognizable theme of this lovely first movement is passed among all parts, as are the bass line and the arpeggiated harmony. This performance piece will exercise your ability to blend your voices in true ensemble playing.Note: the arrangement key has been changed to D minor, for greater playability.Note: an arrangement is also available in the key of C minor, with much higher voicingTime: 5:20I'd love to hear from you! For feedback or requests: phroglis@tutanota.com.
$7.99
C. Debussy - Violin Sonata in G minor, L. 140 - clarinet and piano (solo part only)
#
Claude Debussy
#
Nicholas D'Silva
#
C. Debussy - Violin Sonata in
#
Nicholas D'Silva
#
SheetMusicPlus
B-Flat Clarinet Solo - Level 5 - Digital Download SKU: A0.1514244 Composed by Claude Debussy. Arranged by Nicholas D'Silva. 20th Century,Chamber,Classica...
(+)
B-Flat Clarinet Solo - Level 5 - Digital Download SKU: A0.1514244 Composed by Claude Debussy. Arranged by Nicholas D'Silva. 20th Century,Chamber,Classical. Individual part. 10 pages. Nicholas D'Silva #1088717. Published by Nicholas D'Silva (A0.1514244). This is an arrangement of Claude Debussy’s Violin Sonata in G minor, L. 140 (1917) for clarinet and piano. As the piano part remains unchanged the original version, this item includes the solo part only. Ossia passages are notated as a second voice on the stave, or with octava brackets.
$19.99
Uriel - for harp or piano
#
Jeffrey Hoover
#
Uriel - for harp or piano
#
Musicart Publications
#
SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.971641 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritua...
(+)
Instrumental Duet Harp,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.971641 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 14 pages. Musicart Publications #4270425. Published by Musicart Publications (A0.971641). Duration: 5 min. 45 sec. Appropriate for recitals, concert performances, and worship services. In biblical literature, Archangel Uriel is a divine messenger from God, bringing knowledge to the people while serving as a protector of truth. Uriel's providence is set in light, truth, and wisdom. Uriel is a patron of poetry, associated with repentance, and is one of the archangels who stand in the presence of God. In some traditions, Uriel stands at the entrance to the Garden of Eden, with a fiery sword, preventing Man's return to that paradise on Earth. Uriel is the angel who came to Earth and warned Noah of the Great Flood to come. Uriel also spoke to the biblical prophet Ezra on behalf of God, teaching and answering a series of questions Ezra posed to God. Uriel is associated with several literary and artistic works, notably depicted in Leonardo da Vinci's famous painting The Virgin on the Rocks. In this painting, Uriel is shown along with Mary (the mother of Jesus), with Jesus and John the Baptist presented as young toddlers. The composition Uriel makes use of two modal scales to create melodic and harmonic tension and resolution: an altered E Phrygian scale (with a lowered 6th step of the scale) and an altered C Lydian (with a lowered 6th and 7th scale step). The Phrygian scale brings a dark minor quality to the sound, in contrast to the Lydian scale's major yet veiled quality. Set in an unfolding three-part form, the music invokes a blurred and sometimes mystical atmosphere for the listener. Jeffrey Hoover's compositions- music for soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$19.00
Christmas Medley (What Child is This / Away in a Manger): Trio for Flute, Trumpet and Piano
#
Christmas
#
James R
#
John A
#
Christmas Medley
#
John A. Dempsey
#
SheetMusicPlus
Small Ensemble B-Flat Trumpet,Flute,Piano - Level 3 - Digital Download SKU: A0.523388 Composed by James R. Murray. Arranged by John A. Dempsey. Christian...
(+)
Small Ensemble B-Flat Trumpet,Flute,Piano - Level 3 - Digital Download SKU: A0.523388 Composed by James R. Murray. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 22 pages. John A. Dempsey #3454051. Published by John A. Dempsey (A0.523388). This triumphant, stirring trio for flute, Bb trumpet and piano - a medley of two Christmas carols - is shaded with quiet, prayerful moments and brightened by joyful bursts of praise. Â Embellishments occur, together with mood and tempo changes that add to the dramatic impact of the arrangement. Â It's a sweeping musical journey that celebrates the beauty and wonder of Jesus' birth. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music. Â 18 pages of music (that includes separate two-page parts for flute and trumpet). Â Concert Key (Piano): D minor. Â Flute Key: D minor. Â Trumpet Key: E minor. Â Flute and Trumpet Level: Intermediate. Â Piano Level: Late Intermediate.
$11.99
Kleyne Freylokh (Euphonium/trombone solo, piano acc.)
#
Leonie Capararo
#
Kleyne Freylokh
#
Notewell Music
#
SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Digital Download SKU: A0.892909 Composed by Leonie Capararo. Concert,Jewish,Wedding....
(+)
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Digital Download SKU: A0.892909 Composed by Leonie Capararo. Concert,Jewish,Wedding. Score and parts. 5 pages. Notewell Music #5318911. Published by Notewell Music (A0.892909). A buoyant little solo in the Klezmer Freilach style for lower brass Suitable for trombone, euphonium or baritone horn. This piece is in a brisk 2/4 time in D minor built on 2 main themes with small ornaments and rhythmic changes in the repetition. The pitch ranges from A, 1st space to F, 2 leger lines above the Bass Staff. This is an excellent performance piece as it is quite showy without being unduly difficult.
$5.00
Bourree in D minor for Piano Duet
#
Sibylle Kuder
#
Bourree in D minor for Piano D
#
Sibylle Kuder
#
SheetMusicPlus
Instrumental Duet Instrumental Duet - Digital Download SKU: A0.924218 Composed by Sibylle Kuder. 20th Century,Standards. Score and parts. 3 pages. Sibyll...
(+)
Instrumental Duet Instrumental Duet - Digital Download SKU: A0.924218 Composed by Sibylle Kuder. 20th Century,Standards. Score and parts. 3 pages. Sibylle Kuder #6645257. Published by Sibylle Kuder (A0.924218). (Early) Intermediate Piano Duet. Level 5-6 ~ I frequently make changes to my compositions. If you would like to make sure that you have the latest edition, please send an email to sibyllekuder@gmail.com ~ If there is a newer edition I will gladly send you the updated PDF file! ~.
$1.99
A Night In Tunisia
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and...
(+)
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Sco...
(+)
Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
#
Jazz
#
Dizzy Gillespie
#
Keith Terrett
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keit...
(+)
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
The Flying Dutchman
#
Classical
#
Richard Wagner
#
The Flying Dutchman
#
Schott Music - Digital
#
SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der ...
(+)
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
Christmas Medley (What Child is This / Away in a Manger): Trio for Clarinet, Tenor Sax and Piano
#
Christmas
#
James R
#
John A
#
Christmas Medley
#
John A. Dempsey
#
SheetMusicPlus
Small Ensemble Clarinet,Piano Accompaniment,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522791 Composed by James R. Murray. Arranged by John A. ...
(+)
Small Ensemble Clarinet,Piano Accompaniment,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522791 Composed by James R. Murray. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 22 pages. John A. Dempsey #2916863. Published by John A. Dempsey (A0.522791). This triumphant, stirring trio for Bb clarinet, tenor sax and piano - a medley of two Christmas carols - is shaded with quiet, prayerful moments and brightened by joyful bursts of praise. Â Embellishments occur, together with mood and tempo changes that add to the dramatic impact of the arrangement. Â It's a sweeping musical journey that celebrates the beauty and wonder of Jesus' birth. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music. Â Concert Key (Piano): D minor. Â Clarinet Key: E minor. Â Tenor Sax Key: E minor. Â 18 pages of music (that includes separate two-page parts for clarinet and tenor sax). Â Clarinet and Tenor Sax Level: Intermediate. Â Piano Level: Late Intermediate.
$11.99
It Had Better Be Tonight (meglio Stasera)
#
Henry Mancini & His Orchestra
#
Uwe Roessler / Rössler / Ra
#
It Had Better Be Tonight
#
Uwe Roessler
#
SheetMusicPlus
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - Digital Download SKU: A0.546373 By Henry Mancini & His Orchestra. By Francesco Migl...
(+)
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - Digital Download SKU: A0.546373 By Henry Mancini & His Orchestra. By Francesco Migliacci, Henry Mancini, and John H Mercer. Arranged by Uwe Roessler / Rössler / Rassler. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Pop. Score and parts. 12 pages. Uwe Roessler #156429. Published by Uwe Roessler (A0.546373). From the movie „The Pink Panther“. Recently recorded by Michael Bublé. Very effective arrangement for piano trio (violin, cello, piano) with optional violin2, and bass. The arrangement follows Mancini´s original arrangement in length, form, and harmonics (key change) – hence the video link for reference. Cello has a solo in the second part (d minor). Comes with full score, as well as individual parts for all five instruments. Minimal instrumentation: Violin1, Cello, piano. On the mp3 you hear our trio version. Have fun with my arrangements! And browse through my arrangements with other cover versions for piano trio, quartet, and quintet.
$14.00
It Is Not Death to Die - Orchestration
#
Robert Myers
#
#
It Is Not Death to Die - Orche
#
WheatMyer Music
#
SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #479463...
(+)
Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00
Summer Of 42
#
the 7th bar, the descending ba
#
Michel Jean Legrand
#
David Ritsema
#
Summer Of 42
#
David Ritsema
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1407241 Composed by Michel Jean Legrand. Arranged by David Ritsema. Contemporary,Film/TV,Pop. 18 pages. David...
(+)
Guitar - Level 3 - Digital Download SKU: A0.1407241 Composed by Michel Jean Legrand. Arranged by David Ritsema. Contemporary,Film/TV,Pop. 18 pages. David Ritsema #989932. Published by David Ritsema (A0.1407241). This is a 4-part guitar adaptation of George N. Terry's piano arrangement of Michel Legrand's film music for Summer Of '42. Terry’s piano arrangement opens in Fminor. I set it in Eminor – a more guitar-friendly key. By the 7th bar, the descending bass line required that Guitar 4 would need to be in Drop D tuning.  I occasionally positioned the melody line at different octaves for better effect.Chord voicing needed to be adapted to suit familiar chord shapes on the fretboard. Some of the key changes would be awkward reading for most guitarists, so the use of accidentals actually smoothed it over. Where helpful, I voiced chord shapes in enharmonic equivalents – rather than be true to the key signature. Finally, although not included in the conductor’s score, I thought it helpful to include an additional tab version for Guitar 2 to clarify chord shapes.Just one performance note: At bar 3, Guitar 2 plays a downward strum, using the right index fingernail (no plectrum) for a crisp sound. Played as a slow strum it gives a more dramatic effect, and the player is encouraged to use the technique throughout.
$24.99
Silent Night
#
Christmas
#
Gruber
#
Silent Night
#
Melissa Blanton
#
SheetMusicPlus
Piano and Keyboard,Vocal,Voice - Level 3 - Interactive Download SKU: A0.480533 Composed by Gruber. This edition: Interactive Download. Christmas. Score. ...
(+)
Piano and Keyboard,Vocal,Voice - Level 3 - Interactive Download SKU: A0.480533 Composed by Gruber. This edition: Interactive Download. Christmas. Score. 8 pages. Duration 164. Melissa Blanton #5BqXtvTxY6rty5mZZ00Zfg. Published by Melissa Blanton (A0.480533). Key: D minor.Silent night in a beautiful, reflective arrangement for alto or unison choir. (Soprano also available.) Tempo and key change for a climactic 3rd verse.
$3.49
Fever
#
Peggy Lee
#
Daryl McKenzie
#
Fever
#
Daryl McKenzie
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Double Bass,Drums,Guitar,Percussion,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 4 - Digital Download
(+)
Large Ensemble Alto Saxophone,Baritone Saxophone,Double Bass,Drums,Guitar,Percussion,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 4 - Digital Download SKU: A0.733970 By Peggy Lee. By Eddie Cooley and John Davenport. Arranged by Daryl McKenzie. Film/TV,Jazz,Standards. Score and parts. 42 pages. Daryl McKenzie #3883031. Published by Daryl McKenzie (A0.733970). This is not the Peggy Lee version - rather an original concept arrangement. The chart starts in the traditional style but then moves to a cha cha feel for the instrumental and final verses. Begins in C minor then changes key through C#minor, D minor, Eb minor then E minor. Voice, Alto Sax (opt.), Tenor Sax, Baritone Sax (opt.), 2 Trumpets, Trombone, Â Piano, Guitar, Bass, Drums, Percussion. Â Note that the Alto Sax and 2nd Trumpet parts are identical. The arrangement will work with either Tenor Sax, 2 Trumpets & Trombone or Alto Sax, Tenor Sax, 1 Trumpet and Trombone. Baritone Sax is an optional addition.Same arrangement for full Big Band also available: Search here More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$49.99
<
1
