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34 sheet music found
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1
26
Maria, Quid Ploras ad Monumentum
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Claudio Monteverdi
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Angelo Manzo
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Maria, Quid Ploras ad Monument
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Tuba-Euphonium Press
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SheetMusicPlus
Tuba ensemble (2 euphoniums and 3 tubas) SKU: TE.TEP10613 Composed by Claudio Monteverdi. Arranged by Angelo Manzo. Large ensemble music. Score and parts...
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Tuba ensemble (2 euphoniums and 3 tubas) SKU: TE.TEP10613 Composed by Claudio Monteverdi. Arranged by Angelo Manzo. Large ensemble music. Score and parts. Published by Tuba-Euphonium Press (TE.TEP10613).
$18.00
Die Seligpreisungen - in memoriam Leipzig 1989
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Enjott Schneider
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Die Seligpreisungen - in memor
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Schott Music - Digital
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SheetMusicPlus
Mixed choir, string trio, bassoon and organ - advanced - Digital Download SKU: S9.Q7096 Text aus dem Matthäus-Evangelium, 5, 3-12 in der Überset...
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Mixed choir, string trio, bassoon and organ - advanced - Digital Download SKU: S9.Q7096 Text aus dem Matthäus-Evangelium, 5, 3-12 in der Übersetzung von Martin Luther. Composed by Enjott Schneider. This edition: choral score. Downloadable, Choral score. Duration 13 minutes. Schott Music - Digital #Q7096. Published by Schott Music - Digital (S9.Q7096). German.St. Nicolas Church in Leipzig: the 9th of October 1989 saw the last great peace prayer with the Beatitudes, followed by the momentous non-violent peace demonstration. The famous film composer Enjott Schneider created a touching monument to the events of Leipzig by setting the Beatitudes from the Sermon on the Mount to music. In his motet for mixed choir, string trio, bassoon and organ, he captures the extraordinary mood of that day musically in three movements (I In Not - In time of need, II Barmherzigkeit - Mercy, III Hoffnung - Hope). The demanding, yet impressive choral work is perfect for church services.
$9.99
Die Seligpreisungen - in memoriam Leipzig 1989
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Enjott Schneider
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Die Seligpreisungen - in memor
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Schott Music - Digital
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SheetMusicPlus
Mixed choir, string trio, bassoon and organ - advanced - Digital Download SKU: S9.Q7259 Text aus dem Matthäus-Evangelium, 5, 3-12 in der Überset...
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Mixed choir, string trio, bassoon and organ - advanced - Digital Download SKU: S9.Q7259 Text aus dem Matthäus-Evangelium, 5, 3-12 in der Übersetzung von Martin Luther. Composed by Enjott Schneider. This edition: set of parts. Downloadable, Set of parts. Duration 13 minutes. Schott Music - Digital #Q7259. Published by Schott Music - Digital (S9.Q7259). German.St. Nicolas Church in Leipzig: The 9th of October 1989 saw the last great peace prayer with the Beatitudes, followed by the momentous non-violent peace demonstration. The famous film composer Enjott Schneider created a touching monument to the events of Leipzig by setting the Beatitudes from the Sermon on the Mount to music. In his motet for mixed choir, string trio, bassoon and organ, he captures the extraordinary mood of that day musically in three movements (I In Not - In time of need, II Barmherzigkeit - Mercy, III Hoffnung - Hope). The demanding, yet impressive choral work is perfect for church services.
$23.99
Die Seligpreisungen - in memoriam Leipzig 1989
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Enjott Schneider
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Die Seligpreisungen - in memor
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Schott Music - Digital
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SheetMusicPlus
Mixed choir, string trio, bassoon and organ - advanced - Digital Download SKU: S9.Q7074 Text aus dem Matthäus-Evangelium, 5, 3-12 in der Überset...
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Mixed choir, string trio, bassoon and organ - advanced - Digital Download SKU: S9.Q7074 Text aus dem Matthäus-Evangelium, 5, 3-12 in der Übersetzung von Martin Luther. Composed by Enjott Schneider. This edition: score. Downloadable, Score. Duration 13 minutes. Schott Music - Digital #Q7074. Published by Schott Music - Digital (S9.Q7074). German.St. Nicolas Church in Leipzig: the 9th of October 1989 saw the last great peace prayer with the Beatitudes, followed by the momentous non-violent peace demonstration. The famous film composer Enjott Schneider created a touching monument to the events of Leipzig by setting the Beatitudes from the Sermon on the Mount to music. In his motet for mixed choir, string trio, bassoon and organ, he captures the extraordinary mood of that day musically in three movements (I In Not - In time of need, II Barmherzigkeit - Mercy, III Hoffnung - Hope). The demanding, yet impressive choral work is perfect for church services.
$33.99
A Whitman Triptych: III. Facing West (Downloadable)
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David Conte
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A Whitman Triptych: III. Facin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/C...
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
Intrecci
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Giacomo Susani
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Intrecci
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Digital Download SKU: ZY.DO-1545 Composed by Giacomo Susani. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1545. Published by Les Ed...
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Guitar - Digital Download SKU: ZY.DO-1545 Composed by Giacomo Susani. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1545. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1545). Intrecci (Omaggio a Paganini) was commissioned by the Paganini International Guitar Festival in 2024, during Giacomo Susani’s residency as a composer. It was premiered by Marco Ramelli on May 27th 2024 at the Cappella degli Artisti of the Cimitero Monumentale della Villetta in Parma, Italy. The music is inspired by specific gestures and techniques that are idiomatic of the violin, here reinvented for the guitar.Intrecci (Omaggio a Paganini) a été commandée par le Paganini International Guitar Festival en 2024, lors de la résidence de compositeur de Giacomo Susani. Elle a été créée par Marco Ramelli le 27 mai 2024 à la Cappella degli Artisti du Cimitero Monumentale della Villetta à Parme, en Italie.La musique s'inspire de gestes et de techniques spécifiques propres au violon, ici réinventés pour la guitare.
$5.95
Obelisk: A Tribute to Ukraine
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Eugene Astapov
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Obelisk: A Tribute to Ukraine
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EAMUSIC
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SheetMusicPlus
B-Flat Clarinet,Cello,Flute,Percussion,Piano,Violin - Level 5 - Digital Download SKU: A0.1283414 Composed by Eugene Astapov. 21st Century,Chamber,Contemp...
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B-Flat Clarinet,Cello,Flute,Percussion,Piano,Violin - Level 5 - Digital Download SKU: A0.1283414 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 49 pages. EAMUSIC #874599. Published by EAMUSIC (A0.1283414). Obelisk is a work that was built as a response to the atrocious events happening in the war between Russia and Ukraine. As a composer who was born in Ukraine, I felt very deeply for the hardships of the people of my country and this work is a direct emotional response to the images I see and stories I hear. The central part of the work features pre-recorded interviews with some of the Ukrainian civilians telling their harrowing stories of loss, struggles, and fight for survival.  When I was a child, my parents made the difficult decision to leave the country due to the beginning of another war Russia’s Putin started in Chechnya and my parents knew - one day he would be coming for Ukraine. As someone who immigrated to Canada at a young age, I experienced all the difficulties associated with finding new life in a new country. I saw the struggles of my parents and now I see the struggles being experienced by people fleeing Ukraine.  Throughout the work you will hear the sonic accompaniment to the pain and suffering that Ukrainians undergo on daily basis, you will hear their voices and see images of the brutality committed against the people of Ukraine. This is a heavy work to experience, but as an artist I feel it is only appropriate to raise awareness around the issue and show the people the horrors going on in the world.    The title of the work was inspired by the famous monument erected in 2001 to mark the occasion of the 10thanniversary of Ukraine’s Independence from the Soviet Union. At that point it appropriately replaced the monument of Vladimir Lenin. Towering on top of Kyiv’s Independence Square (famously known as Maidan) at 200 feet, this obelisk celebrates the nature of the Ukrainian independent spirit and directly reflects my ideas through this musical composition with the hope that the powerful Ukrainian nation will prevail over its enemy once again.  This PDF includes Score and Parts.
$50.00
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. ...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3465004. Published by jmsgu3 (A0.549212). A musical monument: the first composition to employ dynamics. Instrumentation: 3 oboes, 3 English horns, 2 bassoons, 1 contrabassoon. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
String Ensemble Cello - Level 2 - Digital Download SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renai...
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String Ensemble Cello - Level 2 - Digital Download SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Standards. 45 pages. Jmsgu3 #3479835. Published by jmsgu3 (A0.549267). A musical monument: the first composition to employ dynamics. Minimum instrumentation: 11 cellos.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3465026. Published by jmsgu3 (A0.549214). A musical monument: the first known composition in history to employ dynamics. Minimum Instrumentation: 2 sopranos, 5 altos, 3 tenors, and 1 baritone sax. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Brass Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Brass Band Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.549208 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP...
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Brass Band Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.549208 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3464513. Published by jmsgu3 (A0.549208). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 trumpets, 3 French Horns, 2 tenor trombones, 1 bass trombone, 1 tuba. Arranged in two antiphonal choirs. Suggested instrumentation: 8 trumpets, 9 Horns, 6 Tenor Trombones, 2 Bass Trombone, 4 Tubas. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Classic Mallet Trios---Beethoven: Score
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Classical
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Ludwig van Beethoven
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Brian Slawson
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Classic Mallet Trios---Beethov
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Mallet Instrument - Digital Download SKU: AX.00-PR-0004800 Score. Composed by Ludwig van Beethoven. Arranged by Brian Slawson. Classical. Score. 2...
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Mallet Instrument - Digital Download SKU: AX.00-PR-0004800 Score. Composed by Ludwig van Beethoven. Arranged by Brian Slawson. Classical. Score. 20 pages. Alfred Music - Digital Sheet Music #00-PR-0004800. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004800). ISBN 9781470615499. UPC: 038081484273.Features four classics arranged for orchestra bells, vibraphone, and marimba. These selections work splendidly as individual pieces or in a four-movement capacity, reflecting popular forms commonly used in symphonic works of the 18th and 19th centuries. In addition to providing inside access to valuable repertoire from one of the great master composers, this mini-symphony reveals the importance of key relationships, tempo relationships, and contrasting dynamics. Allegro con brio (from the Fifth Symphony), Adagio (from the Emperor Concerto), and FA 1/4 r Elise and Ode to Joy (from the monumental Ninth Symphony) comprise this exciting collection, wonderfully suited for solo & ensemble applications and bound to thrill audiences in concert settings.
$8.00
Dreaming
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Robert Schumann
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Wolfgang Birtel
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Dreaming
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Schott Music - Digital
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SheetMusicPlus
Saxophone in Eb and piano - easy to intermediate - Digital Download SKU: S9.Q11853 From 'Scenes of Childhood'. Composed by Robert Schumann. Arrang...
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Saxophone in Eb and piano - easy to intermediate - Digital Download SKU: S9.Q11853 From 'Scenes of Childhood'. Composed by Robert Schumann. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 15/7. Schott Music - Digital #Q11853. Published by Schott Music - Digital (S9.Q11853). The 19th century was not only the era of great forms, monumental symphonies and melodious sonatas, no, the Romantic composers proved to be versatile and highly imaginative on the field of little music pieces as well. Robert Schumann was a master of the character piece for his instrument, the piano. From thirty of such poetic miniatures, he selected thirteen in 1838 for his 'Scenes of Childhood', opus 15, the seventh, i.e. the one right in the middle, being 'Dreaming', the most famous among Schumann's compositions. It is a romantic gem the catchy melody of which will not get out of one's head. The beautiful setting contained in the present edition can be played even by non-pianists.
$4.99
Der Minuten-Tristan
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Enjott Schneider
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Der Minuten-Tristan
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Schott Music - Digital
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SheetMusicPlus
2 pianos (4 hands) - Digital Download SKU: S9.Q18573 For two pianos. Composed by Enjott Schneider. This edition: performance score. Downloadable, ...
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2 pianos (4 hands) - Digital Download SKU: S9.Q18573 For two pianos. Composed by Enjott Schneider. This edition: performance score. Downloadable, Performance score. Duration 6 minutes. Schott Music - Digital #Q18573. Published by Schott Music - Digital (S9.Q18573). In time for the 200th birthday of Richard Wagner, Enjott Schneider has presented his 'Minuten-Tristan' in a version for two pianos. Originally composed for a dozen pianos, 'Minuten-Tristan' presents the highlights of Wagner's monumental work in a daring tour de force of no more than five minutes, bringing amazing things to light: The Tristan chord shows its true harmonic calling in the tango, while the opening bars lead to a lively ragtime and the tragic Liebestod occurs in bright three-four time. This piece is a witty parodistic tribute, full of humour and affectionate mockery, to the famous composer.This paraphrase on Wagner’s Tristan und Isolde was composed and spectacularly performed for the re-opening of the Prinzregententheater in Munich on 8 November 1996. In a mere 6 minutes, the Wagnerian epic is presented in a colourful bouquet of tango, ragtime and waltz in a humorous but provocative form. Enjott Schneider.
$23.99
Blå elegi (Blue elegy)
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Andreas Heier Røe
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Blå elegi
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Andreas Heier Røe
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1270276 Composed by Andreas Heier Røe. 20th Century,Classical. Brass Band. 32 pages. Andreas Heier Røe #862710. Published by Andreas Heier Røe (A0.1270276). BlaÌŠ elegi (Blue elegy) is written for Hetlevik Musikklag Ìs concert in the Siddis Brass festival in Stavanger 2022.Wikipedia defines an elegy like this:An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to The Oxford Handbook of the Elegy, for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a sign of a lament for the dead»Elegy may denote a type of musical work, usually of a sad or somber nature.For any questions regarding this work - feel free to contact me on ahroe ( A ) iCloud.comAndreas Heier Røe.
$40.00
Gabrieli: Sonata Pian e Forte Ch. 175 for String Choir
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.549211 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 88 pages. J...
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String Ensemble - Level 2 - Digital Download SKU: A0.549211 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 88 pages. Jmsgu3 #3464715. Published by jmsgu3 (A0.549211). A musical monument: the first composition to employ dynamics. Instrumentation: 2 violins, 1 viola, 5 cellos 1 double bass. Arranged in two antiphonal choirs: I - string quartet, II - cello choir w/bass. The double bass part assumes low c extension; however, a non-extension bass part is included.Giovanni Gabrieli's Sonata Pian e Forte is essential as it represents the shift from the Renaissance to the Baroque period. It is part of his 1597 Sacrae symphoniae, which contains sixty-three choral and instrumental works, many in multi-choir formations. It is the first known composition in history to employ dynamics, with Gabrieli using specific notation to indicate instrumentation and experimenting with assembling massive instrumental forces into isolated groups separated by space. This innovation contributed heavily to the Baroque Concertato style and the development of the sonata, a musical form that came into general use toward the end of the sixteenth century. The structure of the piece is defined by the dialogue between two instrumental choirs, making it a key example of Gabrieli's influential contributions to the transition in musical style during his time.
$47.95
Si T'es Pas Là
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Cédric Hermand
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Cédric Hermand
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Si T'es Pas Là
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ArtIA
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SheetMusicPlus
Digital Download SKU: A0.1415966 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Multicultural,Romantic Period,Traditional,Wor...
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Digital Download SKU: A0.1415966 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Multicultural,Romantic Period,Traditional,World. Full Performance. Duration 269. ArtIA #997661. Published by ArtIA (A0.1415966). Dans le clip poignant de Si t'es pas là , l'artiste nous plonge dans un univers visuel et émotionnel profondément touchant, où la mélodie et les paroles se tissent ensemble pour raconter une histoire d'amour, de perte et de nostalgie. Dès les premiers accords, la chanson captive par sa douceur mélancolique, portée par une instrumentation délicate qui souligne la vulnérabilité et l'intensité du message. Si t'es pas là est plus qu'un simple clip musical ; c'est une expérience émotionnelle immersive qui invite les spectateurs à réfléchir sur leurs propres expériences de l'amour et de la perte. Avec sa réalisation artistique impeccable et sa narration visuelle captivante, ce clip se dresse comme un monument à la beauté mélancolique de l'amour éternel, et à la quête humaine universelle pour la connexion et le sens dans un monde en perpétuel changement.
$1.99
Brindisi
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Giuseppe Verdi
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Colin G Dance
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Brindisi
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Dance is With Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1113176 Composed by Giuseppe Verdi. Arranged by Colin G Dance. Broadway,Musical/Show,Opera. Brass Band. 30 pages. Dance is With Music #715135. Published by Dance is With Music (A0.1113176). Here’s an arrangement of Verdi’s ‘Brindisi’ from his opera La Traviata. It’s a great addition to any concert programme – and not too difficult either. Brindisi is a port city on the Adriatic Sea, in southern Italy’s Apulia region. The red-stone Aragonese Castle stands on a small island at the harbor’s entrance. The tall Monumento al Marinaio d’Italia, a rudder-shaped limestone memorial to sailors, has sea and city views. Across the harbour, the Swabian Castle of Brindisi dates from the 13th century.
$50.00
The Nation in Tears. A Dirge, In Memory of the Nation's Chief
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Konrad Treuer
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The Nation in Tears. A Dirge,
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano or organ and voice (SATB chorus; but may be sung as a solo, trio, duet or full chorus) - Digital Download SKU: LV.12237 Composed by Konrad Treuer. ...
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Piano or organ and voice (SATB chorus; but may be sung as a solo, trio, duet or full chorus) - Digital Download SKU: LV.12237 Composed by Konrad Treuer. Portraits--Abraham Lincoln, Memorial works, Tombs & sepulchral monuments. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12237). The Nation in Tears. A Dirge, In Memory of the Nation's Chief. Words by R.C.; Music by Konrad Treuer. Published 1865 by Wm. Jennings Demorest, No. 39 Beekman St. in New York. Composition of through-composed with piano or organ and voice (SATB chorus; but may be sung as a solo, trio, duett or full chorus ) instrumentation. Subject headings for this piece include Portraits--Abraham Lincoln, Memorial works, Tombs & sepulchral monuments. First line reads Toll! toll! toll! on every hand, on every hand.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Beside the Grave of Jennie. Song, Duet and Chorus
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W
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Beside the Grave of Jennie. So
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo, duet, and SATB chorus) - Digital Download SKU: LV.3650 Composed by W. C. Baker. Tombs & sepulchral monuments, Flowers, Grief, Love...
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Piano and voice (solo, duet, and SATB chorus) - Digital Download SKU: LV.3650 Composed by W. C. Baker. Tombs & sepulchral monuments, Flowers, Grief, Love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3650). Beside the Grave of Jennie. Song, Duet and Chorus. Poetry and Music by W.C. Baker. Published 1868 by C.H. Ditson & Co., 711 Broadway in New York. Composition of strophic with chorus with piano and voice (solo, duet, and satb chorus) instrumentation. Subject headings for this piece include Tombs & sepulchral monuments, Flowers, Grief, Love. First line reads Beside the grave of Jennie dear, I sit tonight and weep.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Nation in Tears. A Dirge, In Memory of the Nation's Chief
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Konrad Treuer
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The Nation in Tears. A Dirge,
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano or organ and voice (SATB chorus; but may be sung as a solo, trio, duet or full chorus) - Digital Download SKU: LV.13281 Composed by Konrad Treuer. ...
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Piano or organ and voice (SATB chorus; but may be sung as a solo, trio, duet or full chorus) - Digital Download SKU: LV.13281 Composed by Konrad Treuer. Portraits--Abraham Lincoln, Memorial works, Tombs & sepulchral monuments, Funeral rites & ceremonies, Parades & processions. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13281). The Nation in Tears. A Dirge, In Memory of the Nation's Chief. Words by R.C.; Music by Konrad Treuer. Published 1865 by Wm. Jennings Demorest, No. 39 Beekman St. in New York. Composition of through-composed with piano or organ and voice (SATB chorus; but may be sung as a solo, trio, duett or full chorus ) instrumentation. Subject headings for this piece include Portraits--Abraham Lincoln, Memorial works, Tombs & sepulchral monuments, Funeral rites & ceremonies, Parades & processions. First line reads Toll! toll! toll! on every hand, on every hand.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Let the Dead and the Beautiful Rest. Song, Duett, & Chorus
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S
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Let the Dead and the Beautiful
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo, duet, and SATB chorus) - Digital Download SKU: LV.3722 Composed by S. Wesley Martin. Ruins, Architectural elements--columns, Bodie...
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Piano and voice (solo, duet, and SATB chorus) - Digital Download SKU: LV.3722 Composed by S. Wesley Martin. Ruins, Architectural elements--columns, Bodies of water, Graves, Tombs & sepulchral monuments. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3722). Let the Dead and the Beautiful Rest. Song, Duett, & Chorus. Words by C.C. Butler. Music by S. Wesley Martin. Published 1867 by J.L. Peters in New York. Composition of strophic with chorus with piano and voice (solo, duet, and satb chorus) instrumentation. Subject headings for this piece include Ruins, Architectural elements--columns, Bodies of water, Graves, Tombs & sepulchral monuments. First line reads let the dead and the beautiful rest, make her grave 'neath the willow by the stream.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Sword and the Staff. A National Anthem
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Patriotic
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William Vincent Wallace
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The Sword and the Staff. A Nat
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and TTBB chorus) - Digital Download SKU: LV.14026 Composed by William Vincent Wallace. Monuments and memorials, Symbols--peace--vic...
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Piano and voice (solo and TTBB chorus) - Digital Download SKU: LV.14026 Composed by William Vincent Wallace. Monuments and memorials, Symbols--peace--victory, National Emblems, Eagles. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14026). The Sword and the Staff. A National Anthem. The Words by George P. Morris. The Music Composed by W. Vincent Wallace. Published 1843 by J.L. Hewitt & Co., 239 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and chorus ttbb) instrumentation. Subject headings for this piece include Monuments and memorials, Symbols--peace--victory, National Emblems, Eagles. First line reads The sword of the hero! The staff of the sage, Whose valor and wisdom Are stamp'd on the age.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Under the Willow She's Sleeping. Song
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Stephen Foster
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Under the Willow She's Sleepin
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and 3-voice chorus) - Digital Download SKU: LV.20099 Composed by Stephen Foster. Tombs & sepulchral monuments, Weeping, Bodies of w...
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Piano and voice (solo and 3-voice chorus) - Digital Download SKU: LV.20099 Composed by Stephen Foster. Tombs & sepulchral monuments, Weeping, Bodies of water, Hills, Distress, Death, Mothers & children, Religion. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20099). Under the Willow She's Sleeping. Song. Written and Composed by Stephen C. Foster. Published 1863 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and three-voice chorus) instrumentation. Subject headings for this piece include Tombs & sepulchral monuments, Weeping, Bodies of water, Hills, Distress, Death, Mothers & children, Religion. First line reads Under the willow she's laid with care.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Rockatude (Woodwind Ensemble)
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Paul Barker Music
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Rockatude
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Paul Barker Music
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - Digital Download SKU: A0.1365741 By Paul Barker Music. By Paul Barker. 21st Century,Contem...
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Woodwind Ensemble Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - Digital Download SKU: A0.1365741 By Paul Barker Music. By Paul Barker. 21st Century,Contemporary,Contest,Festival,Pop. 25 pages. Paul Barker Music #950085. Published by Paul Barker Music (A0.1365741). Experience heightened rock and attitude with the latest special edition of the musical spectacle, Rockatude for Woodwind Ensemble. Infused with an extra dose of energy, this special edition is designed to elevate your concert to new heights with its bold themes and driving rhythms. Perfect for schools, colleges, and professional ensembles alike, Rockatude promises a monumental finale!Also available for String Orchestra, Full Orchestra and Full Orchestra featuring Lead Guitar. Duration: 2:30Level: Intermediate (UK Grade 4+ & USA 2+)Occasion: Large Concerts - Festivals - Celebrations - FinaleInstrumentation: Woodwind EnsembleÂ
$9.95
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