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New Rules - Viola
Sheetmusic to print
15 sheet music found
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1
New Rules
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Pop music
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Dua Lipa
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Gina Walters
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New Rules
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Gina Walters
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SheetMusicPlus
Choral 5-Part Chorus,Choir,Choral - Level 3 - Digital Download SKU: A0.1468493 By Dua Lipa. By Caroline Ailin, Emily Warren Schwartz, and Ian Kirkpatrick...
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Choral 5-Part Chorus,Choir,Choral - Level 3 - Digital Download SKU: A0.1468493 By Dua Lipa. By Caroline Ailin, Emily Warren Schwartz, and Ian Kirkpatrick. Arranged by Gina Walters. Pop. 1 pages. Gina Walters #1046729. Published by Gina Walters (A0.1468493). This 5 part upper voices arrangement of Dua Lipa's banger 'New Rules' is a fairly accessible way into a capella singing and can be grasped pretty quickly. Always good fun!
$4.99
New Rules
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Dua Lipa
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Lawrence Luo
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New Rules
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Lawrence Luo
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SheetMusicPlus
Choral Choir - Level 3 - Digital Download SKU: A0.1152267 By Dua Lipa. By Caroline Ailin, Emily Warren Schwartz, and Ian Kirkpatrick. Arranged by Lawrenc...
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Choral Choir - Level 3 - Digital Download SKU: A0.1152267 By Dua Lipa. By Caroline Ailin, Emily Warren Schwartz, and Ian Kirkpatrick. Arranged by Lawrence Luo. A Cappella,Pop. Octavo. 11 pages. Lawrence Luo #752485. Published by Lawrence Luo (A0.1152267). New Rules by Dua Lipa, arranged for a cappella ensemble with 8 vocal parts and two (optional) vocal percussion parts.
$1.99
New Rules
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Pop music
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Dua Lipa
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Tom Wallace
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New Rules
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Arrangers' Publishing Company
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SheetMusicPlus
Digital Download SKU: HX.413228 By Dua Lipa. Arranged by Tom Wallace. Pop. Marching Band. 1 pages. Duration 360. Published by Arrangers' Publishing Compa...
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Digital Download SKU: HX.413228 By Dua Lipa. Arranged by Tom Wallace. Pop. Marching Band. 1 pages. Duration 360. Published by Arrangers' Publishing Company (HX.413228).
$70.00
New Rules
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Dua Lipa
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SAMUEL DE SOUZA MALAQUIAS
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New Rules
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SAMUEL DE SOUZA MALAQUIAS
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SheetMusicPlus
Instrumental Duet - Level 3 - Interactive Download SKU: A0.1449755 By Dua Lipa. By Caroline Ailin, Emily Warren Schwartz, and Ian Kirkpatrick. Arranged b...
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Instrumental Duet - Level 3 - Interactive Download SKU: A0.1449755 By Dua Lipa. By Caroline Ailin, Emily Warren Schwartz, and Ian Kirkpatrick. Arranged by SAMUEL DE SOUZA MALAQUIAS. This edition: Interactive Download. Hip-Hop,Pop. 53 pages. Duration 208. SAMUEL DE SOUZA MALAQUIAS #6ZqSqoWpnG0TmtD3P3dH3v. Published by SAMUEL DE SOUZA MALAQUIAS (A0.1449755). Key: C major.The following arrangement is perfect for a trio of two melodic instruments with piano accompaniment. You will notice all the magic of the rhythm of this great Dua Lipa hit. This arrangement, like many others of my authorship, seeks to follow the original arrangement faithfully, as far as possible.
$8.99
New Rules - Snare
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Pop music
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Dua Lipa
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Tom Wallace
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New Rules - Snare
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Arrangers' Publishing Company
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SheetMusicPlus
Digital Download SKU: HX.413230 By Dua Lipa. Arranged by Tom Wallace. Pop. Marching Band. 1 pages. Duration 360. Published by Arrangers' Publishing Compa...
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Digital Download SKU: HX.413230 By Dua Lipa. Arranged by Tom Wallace. Pop. Marching Band. 1 pages. Duration 360. Published by Arrangers' Publishing Company (HX.413230).
$5.99
New Rules
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Pop music
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Dua Lipa
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Jose Quintana
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New Rules
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Cover Sheet Music
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.708110 By Dua Lipa. By Caroline Ailin, Emily Warren Schwartz, and Ian Kirkpatrick. Arran...
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.708110 By Dua Lipa. By Caroline Ailin, Emily Warren Schwartz, and Ian Kirkpatrick. Arranged by Jose Quintana. Pop. Score and parts. 18 pages. Cover Sheet Music #4742337. Published by Cover Sheet Music (A0.708110). Leave us your comments on our Youtube Channel and suscribe.
$19.99
New Rules by Dua Lipa (for Mixed A Cappella Group)
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Dua Lipa
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Hannah Rose Lewis
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New Rules by Dua Lipa
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Hannah Rose Lewis
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SheetMusicPlus
Small Ensemble SSATBB chorus - Level 4 - Digital Download SKU: A0.1029630 By Dua Lipa. By Caroline Ailin, Emily Warren Schwartz, and Ian Kirkpatrick. Arr...
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Small Ensemble SSATBB chorus - Level 4 - Digital Download SKU: A0.1029630 By Dua Lipa. By Caroline Ailin, Emily Warren Schwartz, and Ian Kirkpatrick. Arranged by Hannah Rose Lewis. A Cappella,Pop. Score and parts. 14 pages. Hannah Rose Lewis #5289613. Published by Hannah Rose Lewis (A0.1029630). This arrangement is designed for a mixed contemporary a cappella group, but can be performed by other choral groups as well. Advanced high school or collegiate difficulty level.
$3.99
New Rules
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Pop music
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Dua Lipa
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Diane M
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New Rules
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Diane M. McGahee
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SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.769160 By Dua Lipa. By Caroline Ailin, Emily Warren Schwartz, and Ian Kirkpatrick. Arranged by Diane M. McGahee...
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Small Ensemble - Digital Download SKU: A0.769160 By Dua Lipa. By Caroline Ailin, Emily Warren Schwartz, and Ian Kirkpatrick. Arranged by Diane M. McGahee. Pop. Score and parts. 2 pages. Diane M. McGahee #5720543. Published by Diane M. McGahee (A0.769160).
$4.99
New Rules
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Pop music
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Dua Lipa
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Diane M
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New Rules
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Diane M. McGahee
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SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.769161 By Dua Lipa. By Caroline Ailin, Emily Warren Schwartz, and Ian Kirkpatrick. Arranged by Diane M. McGahee...
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Small Ensemble - Digital Download SKU: A0.769161 By Dua Lipa. By Caroline Ailin, Emily Warren Schwartz, and Ian Kirkpatrick. Arranged by Diane M. McGahee. Pop. Score and parts. 3 pages. Diane M. McGahee #5720547. Published by Diane M. McGahee (A0.769161).
$4.99
The Counter of The Point
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directly contradicting the rul
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Jonah Koppitz
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The Counter of The Point
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Jonah Koppitz
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and par...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jonah Koppitz #5748861. Published by Jonah Koppitz (A0.943859). The first thing that you should know about this piece is that it breaks nearly every rule of counterpoint that it can. To me, this composition represents the antithesis of how classical composers thought to compose. By directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing. My only hope is that, if Johann Joseph Fux were alive today, he’d see my work as an abomination of all the rules he holds so dear.My Ruleset:1. In sixth species counterpoint (countercounterpoint/anticounterpoint), you may write as many notes as desired in your new melody for each note in the cantus firmus.2. The first note and the last note must not form either an octave, unison, or a fifth with the cantus firmus.3. The penultimate note of your melody should not be an even scale degree.4. Augmented Fourths must resolve down and Diminished Fifths must resolve up.5. You may use parallel motion very recklessly because it obscures the independence of the voices.6. The harmonic interval formed between the voices on the downbeat of every measure may not be a perfect/major consonance-unison, third, fifth, sixth or octave. Diminished, Augmented, and Minor are fine.7. The interval formed between the voices on the second beat of every measure may not be a major third or major sixth.8. The overall shape of your melody should have a single high-point, preferably as far from the middle as is reasonable.9. Except for on the first beat of a measure, Consonant intervals are only allowed if preceded by a dissonant interval on a strong beat.10. Every Chord is fair game.11. The interval between the first beat of each measure should alternate between even numbers and odd numbers.12. Leaps must prepare, leap, and resolve in the same direction and may be greater than a fifth.13. Functional Harmony is for cowards who let chords tell them what to do.
$1.99
Shawshank Prison
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Contemporary
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Thomas Montgomery Newman
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Chris Siddall Music Publishing
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Shawshank Prison
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Chris Siddall Music Publishing
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SheetMusicPlus
Small Ensemble,Strings Flute,Horn,Piano,Timpani - Level 2 - Digital Download SKU: A0.833891 Composed by Thomas Montgomery Newman. Arranged by Chris Sidda...
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Small Ensemble,Strings Flute,Horn,Piano,Timpani - Level 2 - Digital Download SKU: A0.833891 Composed by Thomas Montgomery Newman. Arranged by Chris Siddall Music Publishing. Contemporary. Score and parts. 15 pages. Chris Siddall Music Publishing #5296331. Published by Chris Siddall Music Publishing (A0.833891). Based on the stoic theme from Thomas Newman's iconic original score to the 1994 movie The Shawshank Redemption.Grade: 2-3 (high upper strings)Duration: 1m 50sPerformance subject to usual in copyright rules.
$19.99
Ping & Peal
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Contemporary
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Kyle Vanderburg
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Peal
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Ping & Peal
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NoteForge
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SheetMusicPlus
Instrumental Duet Finger Cymbals,Instrumental Duet - Level 3 - Digital Download SKU: A0.1002832 Composed by Kyle Vanderburg. Contemporary. Score and part...
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Instrumental Duet Finger Cymbals,Instrumental Duet - Level 3 - Digital Download SKU: A0.1002832 Composed by Kyle Vanderburg. Contemporary. Score and parts. 5 pages. NoteForge #5319505. Published by NoteForge (A0.1002832). Ping & Peal is a piece for finger cymbals and tape that I wrote for Creativity November--an extended version of National Novel Writing Month (NaNoWriMo) that I participate in with several friends from grad school. The rules are simple: Pick a creative project. Work starts on the first of November and must be completed by the third of December. Projects have to be started and finished within that time frame. Status updates are over doughnuts at 10 PM on Tuesday nights. Anyone who doesn't finish their project owes the rest of the participants a cake.I like to use this time to try out new tools and new techniques, and in 2018 I chose to play with some notational techniques I started using in Austerity. The tape part is notated in the sheet music much like it appears on computer--as a collection of waveforms showing volume across time. Both the live sounds and the pre-recorded sounds, with few exceptions, come from a pair of finger cymbals, which are struck together, dampened, scraped, and subjected to a number of digital manipulations. Backing track: https://kylevanderburg.com/files/document/74BD46EE-8D26-4211-87CA-A0D7968C56A5/
$6.99
Tag in a minor
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Aspen Buckingham
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Tag in a minor
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Buckingham Music Games
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.1150831 Composed by Aspen Buckingham. 20th Century,Classical,Contemporary,Folk,V...
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Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.1150831 Composed by Aspen Buckingham. 20th Century,Classical,Contemporary,Folk,Video Game. Score and parts. 1 pages. Buckingham Music Games #751011. Published by Buckingham Music Games (A0.1150831). For bored musicians looking for a new way to experience music and play with their friends! Tag is a unique sheet music game for 2-4 people playing ANY INSTRUMENT. The piece is composed so that the closer you are to catching someone the more harmonious it becomes. Learn new skills like listening to what others are playing while making decisions about what to play next. The rules are on the PDF! If you have any questions please email me at buckiasp000@gmail.com.
$4.99
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
20 Renaissance Dances for Woodwinds Ensemble
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the time the Baroque period st
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Anthony Holborne, Claude Gerva
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Javier MartÃnez Maya
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20 Renaissance Dances for Wood
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Arte Nova Music Lab
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SheetMusicPlus
Large Ensemble Alto Recorder,Baritone Recorder,Bassoon,Flute,Oboe,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download SKU: A0.742464 Composed by...
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Large Ensemble Alto Recorder,Baritone Recorder,Bassoon,Flute,Oboe,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download SKU: A0.742464 Composed by Anthony Holborne, Claude Gervaise, Etienne du Tertre, F. Giesbert, Michael Praetorius, and Pierre Caroubel. Arranged by Javier MartÃnez Maya. Concert,Instructional,Renaissance,Standards. Score and parts. 45 pages. Arte Nova Music Lab #4363001. Published by Arte Nova Music Lab (A0.742464). Renaissance music is European music written from about the year 1400 to 1600. This section of time is called the Renaissance, a word which means rebirth. The Renaissance comes between the Middle Ages and the Baroque times.Putting music into time sections does not mean that there were quick changes of type. Music changed slowly, and early Renaissance music was similar to Medieval music. Slowly music-writers started to try new ideas. A lot of medieval church music had become very hard with lots of rules about rhythms and clashes of notes to make dissonances. A lot of Renaissance composers wrote music which was smoother and more gentle. The music was still polyphonic with each voice having a share of melody. Music was starting to become less modal and more tonal. By the time the Baroque period started composers were using a system of major and minor keys like we do today.Taken from https://simple.wikipedia.org/wiki/Renaissance_music
$50.00
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