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Nice Work If You Can Get It: Drums
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You've selected:
Nice Work If You Can Get It: Drums
Sheetmusic to print
2 sheet music found
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Nice Work If You Can Get It from A DAMSEL IN DISTRESS
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Jazz
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Frank Sinatra
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Robert E
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Approx
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Nice Work If You Can Get It fr
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R. E. Proctor
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone,Trombone,Trumpet - Level 2 - Digital Download SKU: A0...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.809803 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Robert E. Proctor. Jazz. Score and parts. 39 pages. R. E. Proctor #3112033. Published by R. E. Proctor (A0.809803). An arrangement of George and Ira Gershwin's classic tune for jazz ensemble. Approx. length 4 minutes and 6 seconds. The arrangement includes an eight bar improvisation section that may be repeated as needed for soloist to preform. The sound track includes a solo played by the 1st Clarinet, this is for demonstration purposes only. The solo is played twice. Note: the rhythm guitar part may be a bit challenging for some players. Fret boards of chords and music included in the score and guitar part for the guitarist. This can also be played without the Flutes and 2nd Tenor part.
$15.99
Que Pasa
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Jazz
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Joe Henderson
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Horace Silver
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Que Pasa
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George Kaplan
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SheetMusicPlus
Double Bass,Drum Set - Level 3 - Interactive Download SKU: A0.1297026 By Joe Henderson. By Horace Silver. Arranged by Horace Silver. This edition: Intera...
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Double Bass,Drum Set - Level 3 - Interactive Download SKU: A0.1297026 By Joe Henderson. By Horace Silver. Arranged by Horace Silver. This edition: Interactive Download. Jazz. 37 pages. Duration 355. George Kaplan #C5SAErxqDpwnfFE1mI7uF. Published by George Kaplan (A0.1297026). Key: Db major.This is a note-for-note transcription of the October 31, 1963 trio recording of Horace Silver’s tune Que Pasa. It is notated for piano, bass and drums, although the bass is a three-note figure that hardly ever varies. For his improvisations, Horace employed a call-and-response pattern between his two hands, with little overlap. This means that the solo pianist can play the string bass part with her left hand while handling both piano staves with her right. Horace observed, “We never used this trio version but I really like this earlier version. I approached it differently in that I didn’t always resolve it when I was improvising. It’s different and I like it.†See bar 67 for an example of his reluctance to resolve. To create Que Pasa, Horace took the first line of Gershwin's Nice Work If You Can Get It (“Holding hands at midnightâ€) and put a samba bassline underneath. It is written in the theoretical key of Db minor, together with the non-diatonic chords G13 and F13. The tune stayed in his bandbook for the next three years and has become something of a mini-standard over the years.
$9.99
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