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Nocturne in G minor
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You've selected:
Nocturne in G minor
Sheetmusic to print
7 sheet music found
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1
Glinka (Mikhail) - Nocturne in F minor ("La Separation") - simplified arrangement for G-clef piano/h
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Mikhail Glinka
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Andrei Lucian Dragoi
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Glinka
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Andrei-Lucian Dragoi
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SheetMusicPlus
Flute,Guitar,Harpsichord,Piano,Violin - Level 3 - Digital Download SKU: A0.913063 Composed by Mikhail Glinka. Arranged by Andrei Lucian Dragoi. 20th Cent...
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Flute,Guitar,Harpsichord,Piano,Violin - Level 3 - Digital Download SKU: A0.913063 Composed by Mikhail Glinka. Arranged by Andrei Lucian Dragoi. 20th Century,Standards. 5 pages. Andrei-Lucian Dragoi #5892535. Published by Andrei-Lucian Dragoi (A0.913063). Music: Mikhail Glinka (1804 - 1857) Simplified arr. for G-clef piano/harp (GCP/GCH) and lead sheet (with modifications) by: dr. Andrei-Lucian Drăgoi (5.07.2020) (dragoii.com/gcp, dragoii.com/gci, dragoii.com)
$2.00
Chopin - Nocturne in C Minor (Op. 48, No. 1) - Arr. for G-clef piano/harp (GCP/GCH) including lead s
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Chopin F
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Andrei-Lucian Dragoi
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Chopin - Nocturne in C Minor
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Andrei-Lucian Dragoi
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SheetMusicPlus
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.913052 Composed by Chopin F. Arranged by Andrei-Lucian D...
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.913052 Composed by Chopin F. Arranged by Andrei-Lucian Dragoi. 20th Century,Standards. 10 pages. Andrei-Lucian Dragoi #5723303. Published by Andrei-Lucian Dragoi (A0.913052). Arr. for G-clef piano/harp (GCP/GCH): Dr. Andrei Lucian Drăgoi (dragoii.com/gcp, dragoii.com/gci, dragoii.com)
$1.99
Summer Dreamscape (Trio for Horn in F, Cello and Piano)
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John A
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John A
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Summer Dreamscape
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John A. Dempsey
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SheetMusicPlus
Cello,Horn,Piano - Level 3 - Digital Download SKU: A0.1382947 By John A. Dempsey. By John A. Dempsey. Arranged by John A. Dempsey. Classical,Contemporary...
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Cello,Horn,Piano - Level 3 - Digital Download SKU: A0.1382947 By John A. Dempsey. By John A. Dempsey. Arranged by John A. Dempsey. Classical,Contemporary,New Age,Pop,Wedding. 16 pages. John A. Dempsey #967375. Published by John A. Dempsey (A0.1382947). Half-forgotten memories of past summers come floating back on a sea of serenity beneath a nighttime sky of hazy pastel colors in this tranquil nocturne, a trio for French horn, cello and piano. Â Recommended for weddings and other multiple venues as a prelude and more. 12 pages of music (that includes a separate two-page part for horn in F). Concert Key: G minor.
$11.99
Concert and Contest Collection for Bb Clarinet
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Concert and Contest Collection
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Rubank Publications
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SheetMusicPlus
Book with Online Media Bb Clarinet; Clarinet - Grade 3-4 SKU: HL.4002511 Solo Book with Online Media. Edited by H. Voxman. Concert Band Method. Ru...
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Book with Online Media Bb Clarinet; Clarinet - Grade 3-4 SKU: HL.4002511 Solo Book with Online Media. Edited by H. Voxman. Concert Band Method. Rubank Book/Audio Products. Classical, Contest, Solos. Softcover Media Online. 32 pages. Published by Rubank Publications (HL.4002511). ISBN 9781423477181. UPC: 884088111069. 9.0x12.0x0.114 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. In addition to the solo book, this item includes online access to: • Full-performance and accompaniment-only audio tracks • PDF piano accompaniment - download and print only what you need • PLAYBACK+ A multi-function audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops - available exclusively from Hal Leonard. Online audio/media is accessed at halleonard.com/mylibrary Contents: Adagio from Clarinet Concerto, K. 622 (Mozart) • Allegretto Fantasia (Miskow) • Allegretto Grazioso (from Sonata in F Minor - Brahms) • Aria and Scherzo (Gabucci) • Ballade (Gade) • Canzonetta, Op. 19 (Pierné) • Chanson, Op. 35 No. 3 (Gliere) • Fantasy-Piece, Op. 73 No. 1 (Schumann) • Menuet from Divertimento in D, K. 334 (Mozart) • Nocturne (Bassi) • Nocturne (Verhey) • Promenade (Delmos) • Romance (Becker) • Scene and Air (Bergson) • Scherzo in C Minor (Koepke) Also available: • Solo Book only (HL04471630) • Piano Accompaniment Book (HL04471640).
Song List
: Allegretto Fantasia (Miskow) Allegretto Grazioso (Brahms) Ballade,Op.43,No.3 (Gade) Canzonetta,Op.19 (Pierne) Chanson,Op.35,No.3 (Gliere) Menuet(Div.In D K334) Mozart Nocturne (Bassi) Nocturne(Con. In G Min)-Verhey Promenade (Delmas) Romance, Op.3 (Becker) Scene & Air(Luisa Di M.)bergson Aria & Scherzo Fantasy-Piece, Op. 73, No. 1
$17.99
Music for Three Treble Instruments Collection No. 6 Wedding & Classical Favorites 58006
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Various
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Daniel Kelley
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Music for Three Treble Instrum
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Last Resort Music Publishing
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SheetMusicPlus
B-Flat Clarinet,English Horn,Flute,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.1255509 Composed by Various. Arranged by Daniel Kelley. 19th Ce...
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B-Flat Clarinet,English Horn,Flute,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.1255509 Composed by Various. Arranged by Daniel Kelley. 19th Century,Baroque,Classical,Instructional,Wedding. 51 pages. Last Resort Music Publishing #849015. Published by Last Resort Music Publishing (A0.1255509). Music for Three Treble Instruments Collection No. 6  Wedding & Classical Favorites #580069 Arrangements for Trio including works by Bach, Handel, Mendelssohn, Mozart and more. The following 6 parts are included in this set:Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or ViolinPart 2 Clarinet in BbPart 3 Violin in CPart 3 ViolaPart 3 Clarinet in BbExtra Parts available separately:Part 1 Clarinet in Bb (Makes a clarinet trio)Part 3 Alto Flute in G (Makes a flute trio)Part 3 English Horn or French Horn in F (Makes a mixed trio or Double Reed trio)Score (Parts 1 - 3 in C)TABLE OF CONTENTSArioso from Cantata #156 (Bach)Ave Verum Corpus from K. 618 (Mozart)Andante from the Water Music (Handel)Badinerie from Suite #2 in b minor (Bach)Bist Du Bei Mir (Bach)Der Vogelfanger Bin Ich Ja (Mozart)Nocturne from A Midsummer Night's Dream (Mendelssohn)Pomp and Circumstance March #1 (Elgar)Wedding March from A Midsummer Night's Dream (Mendelssohn) Published by Last Resort MusicÂ
$22.00
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Conce...
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Con...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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