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On The Edge
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194
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+ 13 instrumentations
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20
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18
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194 sheet music found
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176
Rather Be
#
Clean Bandit Feat
#
Timothy Jaques
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Rather Be
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Timothy Jaques
#
SheetMusicPlus
String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1390492 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jac...
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String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1390492 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Timothy Jaques. Contemporary,Pop,Rock. 41 pages. Timothy Jaques #974019. Published by Timothy Jaques (A0.1390492). This arrangement is a great way to involve a soloist or unison choir with a string orchestra playing pop music. It is a good choice for helpijg to break the stereotypes around string groups. It is also an effective showcase piece, and if you're brave enough to add some choreography, it is bound to leave your audience on the edge of their seats!The arrangement is realatively easy and quick to learn, as it is built around a few core rhythmic patterns. There may be a little more effort for beginners, but it is well within their capabilities, and the key of A Minor has been chosen deliberately to be as accessible as possible to both singers and string players.
$25.00
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
…if I should fall… (standing on the edge)
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Contemporary
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Christina Misso
#
Clark College in March 2012
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…if I should fall…
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Christina Misso
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.896262 Composed by Christina Misso. Contemporary. Score and parts. 21 page...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.896262 Composed by Christina Misso. Contemporary. Score and parts. 21 pages. Christina Misso #3367991. Published by Christina Misso (A0.896262). This duet for two pianos is meant to imitate the sensation of drifting into a dream of falling. Imagine climbing to the top of the highest mountain and standing on the edge. Looking out, you wonder, What would happen if I fell? Now look down...feel your heart clench in your chest and your blood flow. Then take a step back, realise your feet are firmly planted, but the adrenaline is coursing through you… The recording is by Kylie Cassidy and Dani Fenske at Lewis & Clark College in March 2012.
$10.95
Grade 1 Music Theory Untangled Course Taster Pack
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Jane Stavrinoudis
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Jane Stavrinoudis
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Grade 1 Music Theory Untangled
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Jane Stavrinoudis
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SheetMusicPlus
Digital Download SKU: A0.1507028 Composed by Jane Stavrinoudis. Arranged by Jane Stavrinoudis. 20th Century,21st Century,Children,Classical,Instructional...
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Digital Download SKU: A0.1507028 Composed by Jane Stavrinoudis. Arranged by Jane Stavrinoudis. 20th Century,21st Century,Children,Classical,Instructional. Educational Method. 15 pages. Jane Stavrinoudis #1082413. Published by Jane Stavrinoudis (A0.1507028). Untangle the world of music theory with this engaging and accessible resource designed to make learning music theory an enjoyable and rewarding experience for students of all ages. This taster pack allows you try lesson 1 and then mark your work. The complete resource is available as a digital download. It offers a clear, step-by-step approach to understanding music theory concepts, making it ideal for both young learners and adult students learning any instrument.Whether you're just starting out or preparing for formal theory exams this resource is your key to mastering music theory with confidence and creativity. With its easy-to-follow lessons, engaging exercises, practical answers, and video explanations, strengthen your theoretical knowledge.How to use:1) For each lesson, click on the link and watch the short explanation video (or go to the Grade 1/2/3/4 or 5 Music Theory Untangled Playlist on YouTube at Jane Stavrinoudis Piano.2) Complete the exercises in each worksheet, referring to the concepts sheets as you go.3) Mark your work using the answers and remember that there will sometimes be more than one correct answer.
$4.99
Sitting On The Edge Of The Ocean
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Bonnie Tyler
#
Felipe Gonçalves
#
Sitting On The Edge Of The Oce
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Felipe Gonçalves
#
SheetMusicPlus
Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460292 By Bonnie Tyler. By Ronnie Scot...
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Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460292 By Bonnie Tyler. By Ronnie Scott and Victor William Batty. Arranged by Felipe Gonçalves. Blues,Country,Folk,Pop,Rock. Individual part. 3 pages. Felipe Gonçalves #1039222. Published by Felipe Gonçalves (A0.1460292). Bass simplified arrangement music Sitting On The Edge Of The Ocean by Bonnie Tyler in G major, E minor.
$4.99
Sitting On The Edge Of The Ocean
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Bonnie Tyler
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Felipe Gonçalves
#
Sitting On The Edge Of The Oce
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Felipe Gonçalves
#
SheetMusicPlus
Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460289 By Bonnie Tyler. By Ronnie Scot...
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Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460289 By Bonnie Tyler. By Ronnie Scott and Victor William Batty. Arranged by Felipe Gonçalves. Blues,Country,Folk,Pop,Rock. Individual part. 3 pages. Felipe Gonçalves #1039219. Published by Felipe Gonçalves (A0.1460289). Bass simplified arrangement music Sitting On The Edge Of The Ocean by Bonnie Tyler in F major, D minor.
$4.99
Sitting On The Edge Of The Ocean
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Bonnie Tyler
#
Felipe Gonçalves
#
Sitting On The Edge Of The Oce
#
Felipe Gonçalves
#
SheetMusicPlus
Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460294 By Bonnie Tyler. By Ronnie Scot...
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Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460294 By Bonnie Tyler. By Ronnie Scott and Victor William Batty. Arranged by Felipe Gonçalves. Blues,Country,Folk,Pop,Rock. Individual part. 3 pages. Felipe Gonçalves #1039224. Published by Felipe Gonçalves (A0.1460294). Bass simplified arrangement music Sitting On The Edge Of The Ocean by Bonnie Tyler in A major, F# minor.
$4.99
Sitting On The Edge Of The Ocean
#
Bonnie Tyler
#
Felipe Gonçalves
#
Sitting On The Edge Of The Oce
#
Felipe Gonçalves
#
SheetMusicPlus
Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460285 By Bonnie Tyler. By Ronnie Scot...
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Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460285 By Bonnie Tyler. By Ronnie Scott and Victor William Batty. Arranged by Felipe Gonçalves. Blues,Country,Folk,Pop,Rock. Individual part. 3 pages. Felipe Gonçalves #1039214. Published by Felipe Gonçalves (A0.1460285). Bass simplified arrangement music Sitting On The Edge Of The Ocean by Bonnie Tyler in D major, B minor.
$4.99
Sitting On The Edge Of The Ocean
#
Bonnie Tyler
#
Felipe Gonçalves
#
Sitting On The Edge Of The Oce
#
Felipe Gonçalves
#
SheetMusicPlus
Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460291 By Bonnie Tyler. By Ronnie Scot...
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Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460291 By Bonnie Tyler. By Ronnie Scott and Victor William Batty. Arranged by Felipe Gonçalves. Blues,Country,Folk,Pop,Rock. Individual part. 3 pages. Felipe Gonçalves #1039221. Published by Felipe Gonçalves (A0.1460291). Bass simplified arrangement music Sitting On The Edge Of The Ocean by Bonnie Tyler in F# major, D# minor.
$4.99
Sitting On The Edge Of The Ocean
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Bonnie Tyler
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Felipe Gonçalves
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Sitting On The Edge Of The Oce
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Felipe Gonçalves
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SheetMusicPlus
Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460296 By Bonnie Tyler. By Ronnie Scot...
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Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460296 By Bonnie Tyler. By Ronnie Scott and Victor William Batty. Arranged by Felipe Gonçalves. Blues,Country,Folk,Pop,Rock. Individual part. 3 pages. Felipe Gonçalves #1039226. Published by Felipe Gonçalves (A0.1460296). Bass simplified arrangement music Sitting On The Edge Of The Ocean by Bonnie Tyler in B major, G# minor.
$4.99
Sitting On The Edge Of The Ocean
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Bonnie Tyler
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Felipe Gonçalves
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Sitting On The Edge Of The Oce
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Felipe Gonçalves
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SheetMusicPlus
Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460281 By Bonnie Tyler. By Ronnie Scot...
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Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460281 By Bonnie Tyler. By Ronnie Scott and Victor William Batty. Arranged by Felipe Gonçalves. Blues,Country,Folk,Pop,Rock. Individual part. 3 pages. Felipe Gonçalves #1039209. Published by Felipe Gonçalves (A0.1460281). Bass simplified arrangement music Sitting On The Edge Of The Ocean by Bonnie Tyler in C# major, A# minor.
$4.99
Sitting On The Edge Of The Ocean
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Bonnie Tyler
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Felipe Gonçalves
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Sitting On The Edge Of The Oce
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Felipe Gonçalves
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SheetMusicPlus
Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460293 By Bonnie Tyler. By Ronnie Scot...
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Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460293 By Bonnie Tyler. By Ronnie Scott and Victor William Batty. Arranged by Felipe Gonçalves. Blues,Country,Folk,Pop,Rock. Individual part. 3 pages. Felipe Gonçalves #1039223. Published by Felipe Gonçalves (A0.1460293). Bass simplified arrangement music Sitting On The Edge Of The Ocean by Bonnie Tyler in G# major, F minor.
$4.99
Sitting On The Edge Of The Ocean
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Bonnie Tyler
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Felipe Gonçalves
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Sitting On The Edge Of The Oce
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Felipe Gonçalves
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SheetMusicPlus
Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460286 By Bonnie Tyler. By Ronnie Scot...
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Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460286 By Bonnie Tyler. By Ronnie Scott and Victor William Batty. Arranged by Felipe Gonçalves. Blues,Country,Folk,Pop,Rock. Individual part. 3 pages. Felipe Gonçalves #1039215. Published by Felipe Gonçalves (A0.1460286). Bass simplified arrangement music Sitting On The Edge Of The Ocean by Bonnie Tyler in D# major, C minor.
$4.99
Sitting On The Edge Of The Ocean
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Bonnie Tyler
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Felipe Gonçalves
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Sitting On The Edge Of The Oce
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Felipe Gonçalves
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SheetMusicPlus
Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460295 By Bonnie Tyler. By Ronnie Scot...
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Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460295 By Bonnie Tyler. By Ronnie Scott and Victor William Batty. Arranged by Felipe Gonçalves. Blues,Country,Folk,Pop,Rock. Individual part. 3 pages. Felipe Gonçalves #1039225. Published by Felipe Gonçalves (A0.1460295). Bass simplified arrangement music Sitting On The Edge Of The Ocean by Bonnie Tyler in A# major, G minor.
$4.99
Sitting On The Edge Of The Ocean
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Bonnie Tyler
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Felipe Gonçalves
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Sitting On The Edge Of The Oce
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Felipe Gonçalves
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SheetMusicPlus
Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460287 By Bonnie Tyler. By Ronnie Scot...
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Bass Drum,Double Bass,Electric Bass Guitar,Electric Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1460287 By Bonnie Tyler. By Ronnie Scott and Victor William Batty. Arranged by Felipe Gonçalves. Blues,Country,Folk,Pop,Rock. Individual part. 3 pages. Felipe Gonçalves #1039217. Published by Felipe Gonçalves (A0.1460287). Bass simplified arrangement music Sitting On The Edge Of The Ocean by Bonnie Tyler in E major, C# minor.
$4.99
Look at the Light-Digital Version
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Gospel/Spiritual
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Sacred music
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Look at the Light-Digital Vers
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Hope Publishing - Digital
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SheetMusicPlus
Digital Download SKU: H1.9159DP Collection. 123 pages. Hope Publishing - Digital #9159DP. Published by Hope Publishing - Digital (H1.9159DP). Daniel C...
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Digital Download SKU: H1.9159DP Collection. 123 pages. Hope Publishing - Digital #9159DP. Published by Hope Publishing - Digital (H1.9159DP). Daniel Charles Damon.Hymns and Songs for Worship I continue to explore the edges of our spoken and sung faith. Some of the theological edges I have been working on in my hymnwriting are anti-racism, gender identity, and radical hospitality. In addition to new hymn texts and tunes, this collection includes short songs, arrangements, and hymn revisions. My work with Paul Vasille, Donald Schell, and Music that Makes Community has strengthened my interest in short songs that are designed for repetition and may be taught without printed music. Traditional tunes from various cultures continue to inspire my creativity. I have arranged a number of African-American spirituals using jazz harmonies. These may be used as written or serve as springboards for your own ideas. You may also use them as alternate stanzas to give variety to the familiar songs. Because my craft is improving, I also included a few updates to hymns previously published. Hymns often grow and change with use.
$11.95
The Midsummer Marriage
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Sir Michael Tippett
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The Midsummer Marriage
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Schott Music - Digital
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SheetMusicPlus
2 (2pic).2.2.2-4.2.3.0-timp.2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str - Digital Download SKU: S9.Q40439 Opera in 3 acts. Composed ...
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2 (2pic).2.2.2-4.2.3.0-timp.2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str - Digital Download SKU: S9.Q40439 Opera in 3 acts. Composed by Sir Michael Tippett. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 150 minutes. Schott Music - Digital #Q40439. Published by Schott Music - Digital (S9.Q40439). English.Like few other theatre works—The Magic Flute, A Midsummer Night’s Dream—Tippett’s first opera creates a wholly other place, one where human actions can be seen as in a tilted mirror. Since this is indeed an opera, the place, or dreamspace, is conjured by music: by luminescent music that, in its flowing abundance, radiant harmonies and evocative wind colourings, represents the natural world within which the characters have to integrate themselves. The central couple, those whose marriage is at first subverted and then gloriously celebrated, are Mark and Jenifer: he a young man of the earth and the senses, she a young woman of lofty spirituality. Each is only half a person, and before they can be united they have to be made whole, have to find within themselves an understanding of the other. Overseeing their mythic initiation and psychic healing are two Ancients, votaries of a temple on a wooded hilltop.As in the Mozart precedent, which the composer certainly had in mind, there is also a more workaday couple, Jack and Bella. The other principals are Jenifer’s businessman father King Fisher, who wants to stop the wedding for reasons of his own, and an Erda-like seer. There is also a dancer, Strephon, leading the exuberant ballet in which the orchestra completes the story of enlightenment and passion. It is ultimately a victory of love and, before love, self-knowledge.(Paul Griffiths).
$75.99
Flight of the Star Owls Harp Arrangement- Full score (F minor) - Score Only
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Laura Olson
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Laura Olson
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Flight of the Star Owls Harp A
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Blue Steer Studios
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1212329 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Irish,Multicultural,New Age,World. 1...
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Level 4 - Digital Download SKU: A0.1212329 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Irish,Multicultural,New Age,World. 11 pages. Blue Steer Studios #809832. Published by Blue Steer Studios (A0.1212329). Dark and mysterious with 6/8 double jig Celtic energy, the mythical owls guide you to the edge of the forest.  Enjoy this first track from the orchestral album A Grimm-ly Lit Forest in a setting for 4 or more harps.  Great cinematic writing gives all harps interesting and challenging parts and builds a sense of drama, tension, and excitement.  You can listen to the original song that this arrangment is from at www.BlueSteerStudios.comMelodies are chord based with fast moving obligato parts in the background showcasing a breathtaking display of technique, energy, and artistry.  Wide dynamic range, highly rhythmic and engaging, this piece is destined to be a show stopper with opportunities for all players to shine!Available in the original key of F minor it is also available in E minor, a key more suitable for lever harps. Note range for E minor version is D1 through B6 and has a D# lever change.   Note range for F minor version is E1 through C6.  If necessary your ensemble may choose to alter the parts as needed to accommodate different harp size ranges without affecting the overall effect of the piece.Audio tracks are available for each part as well as the full arrangment so that you can hear how your part sounds.  Also available are music minus one tracks for each part so that you can play your part with the full ensemble for added fun and excitment or extra practice opportunities.*************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$3.99
The High Priestess (for flute, violin, horn in F, & piano)
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Contemporary
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JohnWillard Utuk
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The High Priestess
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JohnWillard Utuk
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SheetMusicPlus
Flute,Horn,Piano,Violin - Level 3 - Digital Download SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pa...
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Flute,Horn,Piano,Violin - Level 3 - Digital Download SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pages. JohnWillard Utuk #851201. Published by JohnWillard Utuk (A0.1257964). The High Priestess is a chamber work for mixed instrumentation, including an F Horn with piano, violin, and flute. This piece is inspired by the artwork of the traditional Rider-Waite-Smith tarot deck, specifically the less credited illustrator of the world famous deck, Pamela Colman Smith. The music represents the symbolism and feeling behind the High Priestess card, with keywords of strength, adaptability, seriousness, intuition, loving understanding, knowledge, introspection, and self-trust. Each instrument is featured throughout, as the main melody and distinct rhythms are traded and dovetailed around the ensemble. The piece begins with a feeling of watery calm (e.g. Venetian Boat songs), ascends to a hopeful journey, moves through tense trials, then returning back to the distant flute melody, followed by a piano “solo†that ultimately inspired this chamber work in the first place. This work is great for high school, collegiate, amateur, or professional ensembles, as well as very advanced young chamber players looking for something new and fresh. Rhythms are simple, while expression and musicality can be explored. In performance, be mindful of balance issues, so seating arrangement can be adjusted. I recommend the horn player be seated on the outside, so as not to cover up the flute. Average performance time: ca. 4:30Other instrumentations are in progress, so please check back for updated editions. The original instrumentation involved the oboe and cello. There is also another version with trombone substituting the F horn.Please leave a review here below and reach out via my website listed in the score for any feedback or questions. You can also connect with me on Instagram @jwupiano or my YouTube Channel, JwuPiano.
$40.00
Angels We Have Heard on High - Trombone Feature
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John van Gulik
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John van Gulik
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Angels We Have Heard on High -
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John van Gulik
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1308916 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christmas,Contest,Festival,Holiday,Religious. Brass Band. 40 pages. John van Gulik #898173. Published by John van Gulik (A0.1308916). A lively unique Christmas arrangement of the tune Angels We Have Heard on High for 4 trombones with brass band, this is perfect for a Christmas concert setting. Ideally, there should be 3 tenor trombones with a bass to make this work.Instrumentation :1st, 2nd, 3rd, Bass trombonesSoprano, Solo, 1st, and 2nd CornetsFlugel HornSolo, 1st and 2nd Horns1st and 2nd BaritoneEuphonium,Eb and Bb BassPercussion (Timpani and Percussion) Comes with full score in letter/landscape format for double sided printing and binding on short edge.  All parts included in letter/portrait format.See https://jvgmusiconline.com for additional parts and other scores for brass band and other ensembles.
$20.00
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
The Edge Of Glory
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Lady Gaga
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Mike Maneechote
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The Edge Of Glory
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Blue Box Publishing
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SheetMusicPlus
Rhythm Section Voice - Level 2 - Digital Download SKU: A0.1303154 By Lady Gaga. By Fernando Garibay, Paul Blair, and Stefani Germanotta. Arranged by Mike...
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Rhythm Section Voice - Level 2 - Digital Download SKU: A0.1303154 By Lady Gaga. By Fernando Garibay, Paul Blair, and Stefani Germanotta. Arranged by Mike Maneechote. Contemporary,New Age,Pop,Wedding. 15 pages. Blue Box Publishing #892747. Published by Blue Box Publishing (A0.1303154). 6 Piece Band Arrangement of The Edge of Glory by Lady GagaIdeal for wedding bands, showbands, small groups and corporate gigs.Composed by: By Fernando Garibay, Stefani Germanotta, Paul BlairArranged by: Mike ManeechoteInstrumentation:Â VocalsTenor SaxSynthGuitarBassDrum SetAny individual arrangement and substitute parts are available on request.Contact me by email: mmaneechote@gmail.com.
$29.99
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