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11 sheet music found
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1
Voice of the Broken Plains - Viola & Piano
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James Michael Stevens
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James Michael Stevens
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Voice of the Broken Plains - V
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James M Stevens Music ASCAP
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SheetMusicPlus
Small Ensemble Piano,Viola - Level 3 - Digital Download SKU: A0.572811 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century...
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Small Ensemble Piano,Viola - Level 3 - Digital Download SKU: A0.572811 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Multicultural,New Age,World. Score and part. 10 pages. James M Stevens Music ASCAP #4303553. Published by James M Stevens Music ASCAP (A0.572811). This is an original composition for viola and piano in a darkly reflective style with a lyrical melody above a bed of broken and open chords in the key of G major. There is a separate viola part in the score and the track as heard is available under Voice of the Broken Plains Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=xY8cY49yt2g
$6.99
Khayaal, a lil fantasy
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Suraj Synthesist
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Khayaal, a lil fantasy
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Suraj Synthesist
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SheetMusicPlus
Double Bass,Drum Set,Piano - Level 3 - Interactive Download SKU: A0.1470882 By Suraj Synthesist. By Music by .Suraj Dinakar Shetty. This edition: Interac...
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Double Bass,Drum Set,Piano - Level 3 - Interactive Download SKU: A0.1470882 By Suraj Synthesist. By Music by .Suraj Dinakar Shetty. This edition: Interactive Download. Blues,Jazz,Rock,World. 32 pages. Duration 222. Suraj Synthesist #6CfkCDFWkiGuZ3cxOxFJYw. Published by Suraj Synthesist (A0.1470882). Key: F major.The instrumental song Khayaal, a lil Fantasy merges Khayaal, a style of Hindustani Classical Music, with synonymity of the word to Fantasy , a Western classical music style. It has a solo Electric Piano version & a band/trio combining Electric piano, Drums, and Contrabass. Though the fusion is not limited to Hindustani or Western Classical, as Carnatic Raagas for filler & BluesJazz/ Rock-n-Roll Bassline is also heard in the piece. This Book is the sheet music for same. Apart from spelled out notes of what is been played, It explains the musical decisions & directions that have gone in the Solo/ Band( Trio) version. The piece explains things like the use of the C half-diminished (2nd Octatonic diminished) scale, allowing exotic movements and exploring various genres. The piece draws inspiration from Indian ragas like Nasikabhushani Ramapriya and others. You will find notes of Crossrhythms, Polyrhythms, the change of time-Sginature, as well as Instrument specific techniques like the Glissando , or Holding a centre note of chord in an arpeggio and a Half-open HiHat, cross stick Snare drumming. You will find an explanation on some of the complex Drum fills used here , what was the crossrhythm, how to count them & how they were made to sound in the specific way.
$20.00
O Come, O Come, Emmanuel
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Christmas
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Traditional Plainsong
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Thomas N Beach
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Performance time 2 min 7 sec
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O Come, O Come, Emmanuel
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Thomas N Beach
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SheetMusicPlus
Small Ensemble Flute,Handbell,Oboe,Organ,Violin - Level 3 - Digital Download SKU: A0.921980 Composed by Traditional Plainsong. Arranged by Thomas N Beach...
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Small Ensemble Flute,Handbell,Oboe,Organ,Violin - Level 3 - Digital Download SKU: A0.921980 Composed by Traditional Plainsong. Arranged by Thomas N Beach. Christian,Christmas,Classical. Score and parts. 6 pages. Thomas N Beach #3675479. Published by Thomas N Beach (A0.921980). An instrumental setting of this traditional Advent hymn, evoking the mystery of medieval plainsong. Performance time 2 min 7 sec. Basic to intermediate level organ, soprano recorder, hand bells. Consider for opening an evening Advent or Christmas Eve service, especially with the sanctuary or auditorium darkened.
$2.99
Anastasia: An Opera in One Act
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James Wagner
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Anastasia: An Opera in One Act
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Small Ensemble High Voice,Low Voice,Medium Voice,Multi-Percussion,Piano - Digital Download SKU: A0.733079 Composed by James Wagner. 20th Century,Opera. S...
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Small Ensemble High Voice,Low Voice,Medium Voice,Multi-Percussion,Piano - Digital Download SKU: A0.733079 Composed by James Wagner. 20th Century,Opera. Score and parts. 104 pages. Ayotte Custom Musical Engravings #3017785. Published by Ayotte Custom Musical Engravings (A0.733079). For more than a year after abdicating the throne of Russia, Nicholas and his family have been under house arrest. The opera opens with the former Czar lamenting his fall from power and precarious circumstances. His wife, Anexandra, consoles him and they sing of their undying love in the duet, One Love Forever.One by one, the children awake and join them on stage. Anastasia dramatically portrays a dream she has just had. Then, in an upbrat song of hope she explains her optimistic outlook in My Name Is Anastasia. The ensemble joins her at the end, assuring one another they will all soon be rising up to life again. To while away the time, the family pretends they are at the French Ambassador's New Year's Ball.At the height of the ensuing waltz, Comrade Sladislav, Captain of the Red Guard, and a band of revolutionary guards burst it. Sladislav harangues Nicholas and the family. Then, in the vindictive Song of the Revolution, he extols the greatness of la Révolution as the family watches in fear. Nicholas and Alexandra remind each other of their one love forever and the children look for dawn in darkest night. The Captain then marches the family down to the cellar (off-stage), ostensibly to await transport. Thus trapped, they are easy prey for the revolvers of Sladislav and his men. The self-satisfies revolutionary reemerges and makes his closing statements before exiting.Scored for piano and percussion. Dramatis Personæ:Anastasia (soprano) Comrade Sladislav (baritone) Nicholas (baritone) Alexandra (contralto) Olga (soprano) Maria (mezzo-soprano) Alexis (mezzo-soprano) Guards (2 tenors and a baritone)
$29.99
1. Une dernière fois (One last time)
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Ralph Coleman
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1. Une dernière fois
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Ralph Coleman
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SheetMusicPlus
B-Flat Clarinet,B-Flat Trumpet,Bass Drum,Bassoon,Cabasa,Cello,Double Bass,Drum Set,Flute,Horn,Oboe,Trombone,Viola,Violin - Level 3 - Digital Download SKU: A0...
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B-Flat Clarinet,B-Flat Trumpet,Bass Drum,Bassoon,Cabasa,Cello,Double Bass,Drum Set,Flute,Horn,Oboe,Trombone,Viola,Violin - Level 3 - Digital Download SKU: A0.1169115 Composed by Ralph Coleman. Broadway,Christian,Classical,Musical/Show,Religious. 46 pages. Ralph Coleman #769465. Published by Ralph Coleman (A0.1169115). This musical Ruth tells the story according to the Jewish tradition. This story is also one of the books in the Bible, in the Old Testament. While artistic and historical licence has been taken, I believe that this musical is true to the essence, values and integrity of a story that is part of the religious tradition of millions of people worldwide.The musical has been written for a small orchestra with a difficulty grade of 3, making it perfectly accessible to collegiate symphonic ensembles. Lyrics in English and French are available.The opening piece (first of 16) named Une dernière fois (One last time) has a duration of 06:40. It starts with an instrumental introduction foreseen to be played before the rise of the curtain. The opening scene is the burial of Ruth's husband, which explains the Larghetto doloroso mood of the piece, and the mournful lyrics sung by Naomi. It ends with the hope of a new start in Bethlehem.
$50.00
Come, O Spirit, Dwell Among Us
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Hal H
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Come, O Spirit, Dwell Among Us
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Hope Publishing - Digital
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SheetMusicPlus
Brass, Choral, Handbells - Digital Download SKU: H1.C5076BDP Composed by Hal H. Hopson. Organ, Congregation and Handbells, with Optional Brass & Timpani....
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Brass, Choral, Handbells - Digital Download SKU: H1.C5076BDP Composed by Hal H. Hopson. Organ, Congregation and Handbells, with Optional Brass & Timpani. Pentecost, General Worship, Mission. Brass Parts. 5 pages. Hope Publishing - Digital #C5076BDP. Published by Hope Publishing - Digital (H1.C5076BDP). Words by Janie Alford.Hymn Concertato with words by Janie Alford This stirring hymn concertato opens with a brief statement of the plainsong Veni Creator Spiritus, chanted by the choir and accompanied by a few handbells, then moving immediately to a dynamic setting of the hymn with brass, organ, choir, and congregation.
$34.95
Come, O Spirit, Dwell Among Us
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Hal H
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Come, O Spirit, Dwell Among Us
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Hope Publishing - Digital
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SheetMusicPlus
Brass, Choral, Handbells - Digital Download SKU: H1.C5076HBDP Composed by Hal H. Hopson. Organ, Congregation and Handbells, with Optional Brass & Timpani...
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Brass, Choral, Handbells - Digital Download SKU: H1.C5076HBDP Composed by Hal H. Hopson. Organ, Congregation and Handbells, with Optional Brass & Timpani. Pentecost, General Worship, Mission. Handbell Part. 2 pages. Hope Publishing - Digital #C5076HBDP. Published by Hope Publishing - Digital (H1.C5076HBDP). Words by Janie Alford.Hymn Concertato with words by Janie Alford This stirring hymn concertato opens with a brief statement of the plainsong Veni Creator Spiritus, chanted by the choir and accompanied by a few handbells, then moving immediately to a dynamic setting of the hymn with brass, organ, choir, and congregation.
$5.25
Come, O Spirit, Dwell Among Us
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Hal H
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Come, O Spirit, Dwell Among Us
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Hope Publishing - Digital
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SheetMusicPlus
Choral Brass, Choral, Handbells - Digital Download SKU: H1.C5076DP Composed by Hal H. Hopson. Organ, Congregation and Handbells, with Optional Brass & Ti...
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Choral Brass, Choral, Handbells - Digital Download SKU: H1.C5076DP Composed by Hal H. Hopson. Organ, Congregation and Handbells, with Optional Brass & Timpani. Concertato, Latin Text, Pentecost, General Worship, Mission. Octavo. 12 pages. Hope Publishing - Digital #C5076DP. Published by Hope Publishing - Digital (H1.C5076DP). Words by Janie Alford.Hymn Concertato with words by Janie Alford This stirring hymn concertato opens with a brief statement of the plainsong Veni Creator Spiritus, chanted by the choir and accompanied by a few handbells, then moving immediately to a dynamic setting of the hymn with brass, organ, choir, and congregation.
$2.95
Jazz Hodie (On this Day Earth Shall Ring)
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Piae Cantones, 1583
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Ken Litton
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Accompaniment track
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Jazz Hodie
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Artist of Note, Inc.
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SheetMusicPlus
Bass Guitar,Double Bass,Mallet Percussion,Piano,Triangle - Digital Download SKU: A0.1496826 Composed by Piae Cantones, 1583. Arranged by Ken Litton. 20th...
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Bass Guitar,Double Bass,Mallet Percussion,Piano,Triangle - Digital Download SKU: A0.1496826 Composed by Piae Cantones, 1583. Arranged by Ken Litton. 20th Century,Advent,Christian,Christmas,Sacred. Accompaniment. Duration 173. Artist of Note, Inc. #1073310. Published by Artist of Note, Inc. (A0.1496826). Jazz Hodie (On this Day)PERSONENT HODIE arr. Ken Litton (ASCAP)Demo & Accompaniment track .mp3 Those who have the good fortunate to hear Gustav Holst’s arrangement of PERSONENT HODIE as a choral processional with its engaging melody, measured gait and echoed text have never forgotten the magical moment—and were never really ready for it to end. Hailing from the The Oxford Book of Carols this German plainsong melody—from the Piae Cantones, 1583—has made its way into strong choral and worship traditions at Advent/Christmas.Of all the current texts and arrangements available, this version honors Holst’s unison accompanied setting in an unexpected subtle jazz styling, with the hope of bringing additional range to its established place in advent literature (both in terms of style and in appeal to a variety of age groups). And, On This Day Earth Shall Ring, translated by Jane M. Joseph (text in the public domain) gives it just the traditional touch needed for Jazz Hodie (On this Day).This SATB setting of the tune offers accompaniment designed for piano or organ, optional acoustic/string bass and an optional part for a single player involving three of the percussionist section best friends in the : the suspended cymbal, mallets (vibraphone, marimba or bells or bell lyre), and a small triangle. It should be noted that an electronic piano/synthesizer voice could substitute well for the mallets and the use of handbells is also viable. Perfect for Lessons & Carols presentations!The unison singing and bell-tone echoes of the first stanza/refrain soon give way to smooth, contrasting jazz harmony. The choral ranges are very much within the reach of the average choir and the voicings vary from unison to three and four parts, followed by a return to the character of the opening. The piece builds toward a close with a choral ascent in the final bars and a bass line reminiscent of the first verse, but with an extra jazz twist. But, it can easily be restarted for processional use by simply dropping back into the C minor introduction’s bass line. The String Bass/Electric Bass part is included in both the pdf score download and on the Demo & Accompaniment mp3 download.Also available in a hymn sheet version that includes everything needed for UNISON Choir and the worshiping congregation.All this from the places you go for the best in downloadable resources: Sheet Music Direct Sheet Music Plus As well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$4.99
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1475437 Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437). A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required. A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.
$59.99
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required.
$59.99
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