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You've selected:
Passacaglia and Fugue
Sheetmusic to print
7 sheet music found
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1
Passacaglia and Fugue in C Minor by J. S. Bach - BRASS QUINTET
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Classical
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Johann Sebastian Bach
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Matt Smith
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Passacaglia and Fugue in C Min
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Matt Smith
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SheetMusicPlus
Digital Download SKU: A0.1069430 Composed by Johann Sebastian Bach. Arranged by Matt Smith. Baroque. Full Performance. Duration 703. Matt Smith #6209677....
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Digital Download SKU: A0.1069430 Composed by Johann Sebastian Bach. Arranged by Matt Smith. Baroque. Full Performance. Duration 703. Matt Smith #6209677. Published by Matt Smith (A0.1069430). Passacaglia and Fugue in C minor (BWV 582) is an organ piece by Johann Sebastian Bach. Presumably composed early in Bach's career, it is one of his most important and well-known works, and an important influence on 19th and 20th century passacaglias: Robert Schumann described the variations of the passacaglia as intertwined so ingeniously that one can never cease to be amazed.This arrangement for Brass Quintet will be the highlight of any concert. It shows off the technical possibilities of brass instruments and will have your audience mesmerised.Good luck and have fun!Duration: About 11 1/2 minutesYouTube demo video: https://www.youtube.com/watch?v=gcrX7qqyyssVisit www.mattsmithmusic.co.uk for more!
$2.99
Passicaglia and Fugue in C Minor BWV 582, - Wind Quintet
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Classical
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Johann Sebastian Bach
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John W Tomkins
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Passicaglia and Fugue in C Min
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John Tomkins
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,English Horn,Flute,Oboe - Level 5 - Digital Download SKU: A0.908716 Composed by Johann Sebastian Bach. Arranged by John W...
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Small Ensemble Bassoon,Clarinet,English Horn,Flute,Oboe - Level 5 - Digital Download SKU: A0.908716 Composed by Johann Sebastian Bach. Arranged by John W Tomkins. Baroque. Score and parts. 45 pages. John Tomkins #3210225. Published by John Tomkins (A0.908716). Bach's titanic organ prelude and fugue transcribed for wind quintet! Optional English Horn sections in Oboe part. Challenging transcription takes full advantage of the range and color palette of the Woodwind Quintet to paint a vivid sound world. Score and Parts.
$12.99
O God, Our Help....Passacaglia /Fugue
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Folkloric/Traditional
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Isaac Watts
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Rich Heffler
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O God, Our Help....Passacaglia
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Alto Sax and piano - Grade 5 - Digital Download SKU: DX.W29111AX Composed by Isaac Watts. Arranged by Rich Heffler. Key of C, Ab, Bb. Traditional. Score ...
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Alto Sax and piano - Grade 5 - Digital Download SKU: DX.W29111AX Composed by Isaac Watts. Arranged by Rich Heffler. Key of C, Ab, Bb. Traditional. Score and part. 9 pages. David E. Smith - Digital Sheet Music #W29111AX. Published by David E. Smith - Digital Sheet Music (DX.W29111AX). Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano. The first variation is a gently modified tune in duple with the accompaniment in triplets. In variation two, the tune is rhythmically altered while the upper accompaniment is presented in a spritely fashion. Variation three, the tune is in a triplet moving nature while the theme is in block harmonization in the accompaniment. Variation four is expressive in an almost cadenza fashion. Finally, the Fugue is in a lively four voice manner, ending with a strong proclamation of the title, itself.
$5.50
Sonatina for Flute and Piano
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 p...
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
Quartet for Brass
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Contemporary
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Elizabeth Raum
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Quartet for Brass
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Digital Download SKU: A0.1044869 Composed by Elizabeth Raum. 20th Century. Score and parts. 47 pages. Gordon Cherry #64...
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Brass Ensemble Trombone,Trumpet - Digital Download SKU: A0.1044869 Composed by Elizabeth Raum. 20th Century. Score and parts. 47 pages. Gordon Cherry #649485. Published by Gordon Cherry (A0.1044869). Elizabeth Raum's Quartet for Brass was written in 1980 and is just now being published for the first time. The work is in four movements: 1. Prelude, 2. Scherzo and Blues, 3. Passacaglia and Fugue and 4. Rondo. It is written for two Trumpets in B-flat, Tenor Trombone and Bass Trombone for advanced performers and is about 15 minutes in length. The music is very expressive and tonal. Below is a brief description of the work by the composer, Elizabeth Raum. This piece is very much based on various musical forms. The Prelude has opened many a musical work from Baroque to the present. Then follows Scherzo and Blues, a light-hearted bonbon moving into a lazy blues. Next is pure Baroque starting with a Passacaglia followed by a Fugue based on the Passacaglia progression. And finally finishing up with the Rondo, in a major key, light-hearted, canonic in places, with a feeling of the evolution of musical form.
$35.00
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
It Is Well With My Soul
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Folkloric/Traditional
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Horatio G
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Rich Heffler
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It Is Well With My Soul
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Alto Sax and piano - Grade 5 - Digital Download SKU: DX.W29116AX Composed by Horatio G. Spafford. Arranged by Rich Heffler. Key of G. Traditional. Score ...
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Alto Sax and piano - Grade 5 - Digital Download SKU: DX.W29116AX Composed by Horatio G. Spafford. Arranged by Rich Heffler. Key of G. Traditional. Score and part. 4 pages. David E. Smith - Digital Sheet Music #W29116AX. Published by David E. Smith - Digital Sheet Music (DX.W29116AX). Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano. The first variation is a gently modified tune in duple with the accompaniment in triplets. In variation two, the tune is rhythmically altered while the upper accompaniment is presented in a spritely fashion. Variation three, the tune is in a triplet moving nature while the theme is in block harmonization in the accompaniment. Variation four is expressive in an almost cadenza fashion. Finally, the Fugue is in a lively four voice manner, ending with a strong proclamation of the title, itself.
$5.50
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