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Playing with Scales
Sheetmusic to print
59 sheet music found
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1
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51
Playing with Scales
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Pu...
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
Scales Through the Break- For Horn
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Instructional
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Josh Rogan
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Scales Through the Break- For
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Josh Rogan
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SheetMusicPlus
Instrumental Duet Euphonium,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.933710 Composed by Josh Rogan. Instructional. Score and parts. 33...
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Instrumental Duet Euphonium,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.933710 Composed by Josh Rogan. Instructional. Score and parts. 33 pages. Josh Rogan #3549649. Published by Josh Rogan (A0.933710). This book was originally written for trumpet players to improve their major scales, regardless of their current ability to play the instrument. However, after showing it to some horn players, we realised that it would be a great way to work on the break between high and low horn registers, playing in that awkward register until it becomes a smooth join.The book is divided into 3 parts. Part 1 focuses on typical scale patterns, incorporating articulation patterns into each exercise. Part 2 focuses on repetition to help build muscle memory and ‘iron out’ some of the more awkward patterns. Part 3 takes the exercises from Part 1 and uses them to cover multiple octaves, which will help to bridge the different registers.This book uses the same 15 exercises used in the Scales Bootcamp, but they appear in this book with only major scales, and in appropriate registers to work on the break for french horn. Scales Through the Break also includes 10 additional exercises aimed specifically to assist the horn through its greater range of use. If you like this book, then you can follow it up later with all of the modes, and other scale types in the Scales Bootcamp.
$14.99
Nineteen Skeletal Duets for Euphoniums (in treble clef)
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Contemporary
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Gregory Fritze
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Nineteen Skeletal Duets for Eu
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Musica Nova USA
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet - Level 2 - Digital Download SKU: A0.917407 Composed by Gregory Fritze. Classical,Contemporary,Instructiona...
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Instrumental Duet Euphonium,Instrumental Duet - Level 2 - Digital Download SKU: A0.917407 Composed by Gregory Fritze. Classical,Contemporary,Instructional,Jazz. Score and parts. 44 pages. Musica Nova USA #5997955. Published by Musica Nova USA (A0.917407). Nineteen Skeletal Duets for Euphoniums is a set of duets of easy to moderate difficulty specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Trombones are the same duets but in bass clef. Twenty-two Skeletal Duets for Horns uses the first 19 as in the euphonium set with three additional duets added. Some of the euphonium and horn duets are in the same key so they can be played together.1. CraniumThis duet presents the cantabile singing style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.2. StirrupThis duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo where the less skilled students work best in the slower tempos – a common choice for all of the duets.3. HumerusThis waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.4. VertebraThis is in a rock style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.5. AxisLegato scales and syncopated rhythms are the features of this duet.6. TibiaThis duet alternates in rock style and swing. Articulations and manipulation of swing rhythms are important.7. ClavicleThe key of A for this duet provides variation for the students.
$20.00
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Chopin Etude Op10 No2 "Chromatic Etude"
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Frederic Chopin
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Joseph B
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Chopin Etude Op10 No2 "Chromat
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Joseph Neeley
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.910322 Composed by Frederic Chopin. Arranged by Joseph B. Neeley. Classica...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.910322 Composed by Frederic Chopin. Arranged by Joseph B. Neeley. Classical,Instructional,Romantic Period,Standards. Score and parts. 9 pages. Joseph Neeley #5370973. Published by Joseph Neeley (A0.910322). The original technical study composed by Frederic Chopin is considered one of the most difficult classical solo piano pieces due to the insistence on the weaker fingers playing chromatic scales. This arrangement captures the entire original work in a duet format to allow less advanced players to easily perform the signature piece. The treble player's right hands are dedicated in playing the chromatic scale that gives the song its signature sounds with semiquaver notes dedicated to the left hand. The base clef player is dedicated to performing the much less advanced base chords of the original study. This arrangement is of intermediate difficulty for the treble player and beginner difficulty for the base player.
$4.99
Polka Russe-Czerny-Alto Flute Solo
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Alto Flute
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Phil Beaman
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SheetMusicPlus
Alto Flute,Instrumental Solo - Level 3 - Digital Download SKU: A0.844583 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructiona...
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Alto Flute,Instrumental Solo - Level 3 - Digital Download SKU: A0.844583 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925321. Published by Phil Beaman (A0.844583). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
$3.99
Polka Russe-Czerny-Bass Clarinet Solo
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Bass Clarin
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Phil Beaman
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SheetMusicPlus
Full Orchestra Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.844582 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instruc...
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Full Orchestra Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.844582 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925317. Published by Phil Beaman (A0.844582). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
$3.99
My Darling Asleep
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Traditional Fiddle Tunes
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Heather M Music
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My Darling Asleep
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Heather Mueller Music
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SheetMusicPlus
Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1396947 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M M...
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1396947 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 48. Heather Mueller Music #2q9ObqCOy08V0Ki2WVoOhZ. Published by Heather Mueller Music (A0.1396947). Key: D major.Discover the enchanting world of traditional fiddling with our interactive sheet music for My Darling Asleep. This delightful jig tune invites you to explore the beauty of Celtic melodies while enhancing your musical skills and creativity. Traditional Elegance: Immerse yourself in the timeless charm of Celtic music with My Darling Asleep, a jig known for its graceful melodies and lively rhythms. Customizable Learning Experience: Elevate your playing with interactive features that allow you to adjust tempo and key, making it suitable for musicians of all levels. From beginners seeking guidance to seasoned players craving new challenges, this sheet music offers a tailored learning experience for everyone. Versatile Repertoire: Expand your repertoire with My Darling Asleep, a cherished addition to any collection of Celtic fiddle tunes, folk melody compilations, or traditional string instrument anthologies. Enhance Your Skills: Hone your bowing technique, finger placement, and musical expression through engaging exercises designed to improve sight-reading, rhythm, and ear training. Whether you're practicing scales, exploring new chord progressions, or delving into music theory discussions, this sheet music provides a comprehensive toolkit for growth. Join the Tradition: Start your musical journey today with My Darling Asleep. Get your interactive sheet music now and experience the joy of traditional fiddling!
$2.99
Polka Russe-Czerny-Baritone Horn/Euphonium Solo
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Baritone Ho
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Phil Beaman
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SheetMusicPlus
Baritone Horn TC Solo - Level 3 - Digital Download SKU: A0.844587 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Indi...
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Baritone Horn TC Solo - Level 3 - Digital Download SKU: A0.844587 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 6 pages. Phil Beaman #3928109. Published by Phil Beaman (A0.844587). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.
$3.99
8 Note Modified Minor Scale For Bass Players
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Shane McDonald
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Shane McDonald
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8 Note Modified Minor Scale Fo
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Electrafuzz
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SheetMusicPlus
Bass Voice - Digital Download SKU: A0.1329201 By Shane McDonald. By Shane McDonald. Arranged by Shane McDonald. Instructional. Educational Method. 32 pag...
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Bass Voice - Digital Download SKU: A0.1329201 By Shane McDonald. By Shane McDonald. Arranged by Shane McDonald. Instructional. Educational Method. 32 pages. Electrafuzz #917135. Published by Electrafuzz (A0.1329201). THE ONE SCALE THAT COVERS IT ALL - CALLING ALL BASS PLAYERS SWIMMING IN A POOL OF SCALESWhat if I told you that there is an 8 note scale that covers most of the common chord types you will come across including Major, Minor, Dominant 7, Half Diminished and beyond - for you to incorporate into your grooves, fills and improvising. This scale idea with chromatics is designed for the bass guitar neck to fit comfortably and fluently, and to move into any position up and down the neck with ease, and without the need for crazy stretching and fingering.What I have here is an 8 note minor scale that you can incorporate into your playing. It has chromaticism and musicality and will add interest to your playing beyond just diatonic scales, pentatonics and blues scales. I started looking into this scale so as to create more interesting ideas for soloing over funk, R&B or pop tunes - but I also found I could use it in jazz too.
$9.99
Jazz Guitar Lines
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Jazz
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Vincent Bredice
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Jazz Guitar Lines
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (jazz and contemporary) - Intermediate - Digital Download SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book....
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Guitar (jazz and contemporary) - Intermediate - Digital Download SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #93721EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93721EB). ISBN 9781619119710. 8.75x11.75 inches.An interval is the distance between two notes measured in whole and half steps. When we stack intervals one on top of another, we produce chords. If we play the intervals in the chord one after another, we produce an arpeggio. But since all intervals, chords, and arpeggios are generated by scales, it follows that scales are the basis of all music from these scales we will find our JAZZ LINES, which is what this book is about. The following is a list of most of the jazz scales the student will encounter as he becomes involved in the study of improvising. When we improvise, we use as our weapons the scale, harmony and melody. The two dimensions in music are the harmony (vertical) and melody (horizontal). It is highly recommended that every student of improvising, know his scales in all positions and a variety of chords that the scales generate. All scales should be played in at least four positions especially the 1st position forces one to learn the theory. All other position pattern scales must be transposed throughout the guitar. The author has written a few pages in the beginning of the book serving as a prerequisite for the jazz lines to follow. It is essential that the student know the scales, key signatures, intervals, and chord constructions that will be used throughout the book. In order to benefit fully from this approach to jazz, the student must understand the full meaning of the words practice and analysis. Most students confuse practice with playing or reading through the exercise. To really improve and absorb the material, every phase must be practiced. This means the fingering must be committed to memory, slowly at first and then as fast as technique allows. The idea must be so ingrained in the mind that it flows from any part of the fingerboard that the performer desires. This is the way great players approach an idea – from any fret, string or position! If there is no harmonic or melodic analysis of the material being studied, then the learning skill becomes superfluous and there is no comprehension and absorption, and without this proper digestion the performer cannot use it as his taste dictates. All of the great players, have had a great technique and this is the first goal of the young student – “great chops.†As the student matures, musicianship will grow but technique is at the grasp of all who seek it. Start today to acquire it!
$22.99
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
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Classical
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Classical
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implaca
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Nicole Elyse DiPaolo
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classi...
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Melody Guitar Book 3: Beyond the 6th String
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Tom Godfrey
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Melody Guitar Book 3: Beyond t
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Tom Godfrey
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.977916 Composed by Tom Godfrey. Instructional. Educational Exercises. 98 pages. Tom Godfrey #4822767. Publish...
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Guitar - Level 3 - Digital Download SKU: A0.977916 Composed by Tom Godfrey. Instructional. Educational Exercises. 98 pages. Tom Godfrey #4822767. Published by Tom Godfrey (A0.977916). The Godfrey Guitar System series includes four Melody Guitar books that focus on melody playing and music reading and three Rhythm Guitar books that focus on chords and accompaniment patterns. After completing Melody Guitar Book 2, Melody Guitar Book 3 takes your playing even further with 200+ melodies and exercises. As you progress, you will learn to play major and minor scales, and you will learn new ways to play the minor pentatonic, blues, and chromatic scales you learned in Melody Guitar Book 2. Other topics in this book include 3/8, 6/8, 9/8, and cut time, swing 8th notes, and an introduction to basic music theory, including relative major and minor keys. Melody Guitar Book 3 also includes several duets you can play with a friend or a teacher. The Melody Guitar and Rhythm Guitar books together will help you build a solid foundation for any style of music. Visit www.godfreyguitarlessons.com for free supplementary downloads and online lesson information.
$13.00
Phrygian Swell (for alto/treble recorders)
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Greg Shapley
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Phrygian Swell
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Greg Shapley
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SheetMusicPlus
Instrumental Duet Alto Recorder,Instrumental Duet - Level 2 - Digital Download SKU: A0.966354 Composed by Greg Shapley. 20th Century,Contemporary,Standar...
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Instrumental Duet Alto Recorder,Instrumental Duet - Level 2 - Digital Download SKU: A0.966354 Composed by Greg Shapley. 20th Century,Contemporary,Standards. Score and parts. 4 pages. Greg Shapley #1984573. Published by Greg Shapley (A0.966354). Phrygian Swell is an easy to play round for recorders in three parts (it may also be played by many other instruments). It is written for near-beginners, but its designed so that the sum is greater that its parts. Included in this score are two versions. The original changes time signature every bar (eventually getting up to 23/4). It plays with a number of concepts, all designed as educational tools. Firstly, it is written entirely in the mode known as Phrygian. This mode has a distinctive mystical sound primarily due to its first interval – which is a minor second. Secondly, it has been written to get players thinking about time without being too challenging (so despite the change of time signatures, most notes are just crotchets). Another educational facet of these changing time signatures is that they ascend by primary numbers. Thirdly, being a round it gets young players used to playing different parts with other players, while initially being able to rehearse altogether. Fourthly, this piece is comprised entirely of scales, but it doesn't just sound like an exercise (I hope). The second version, barred in 4/4 is exactly the same as the first, except for the rebarring. This is done in case following the continually changing time signatures is too difficult (although it does defeat the purpose of the piece to a certain extent). This version of this piece was written for three alto/treble (transposed from the original for descant/soprano or tenor), but due to its simplicity and range, could be played by many other instruments.
$1.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Publ...
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Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Instructional
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Joshua Hauser
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#
Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Publ...
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Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Instructional
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Joshua Hauser
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#
Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Sl...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Instructional
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Joshua Hauser
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#
Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5...
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Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Catch The Rainbow
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Rainbow
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Tracy Dean McCallum
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Catch The Rainbow
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Tracy Dean McCallum
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SheetMusicPlus
Guitar Ensemble - Level 3 - Digital Download SKU: A0.1467745 By Rainbow. By Richard Blackmore and Ronnie James Dio. Arranged by Tracy Dean McCallum. 20th...
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Guitar Ensemble - Level 3 - Digital Download SKU: A0.1467745 By Rainbow. By Richard Blackmore and Ronnie James Dio. Arranged by Tracy Dean McCallum. 20th Century,Rock. Score and Parts. 6 pages. Tracy Dean McCallum #1046040. Published by Tracy Dean McCallum (A0.1467745). https://tracymccallum.com/Guitarists, elevate your game with authentic guitar tab and notation for Rainbow's iconic Catch the Rainbow!This legendary rock ballad features two distinct guitars, each playing a vital role in the song's emotional depth and driving energy. Now, you can learn both parts and capture the essence of Rainbow's signature sound.Guitar 1:Melodic Lead: Take flight with Ronnie James Dio's soaring vocals! This guitar part features expressive bends, bluesy scales, and a memorable main riff that perfectly complements the song's melancholic beauty.Clear Notation & Tab: Our easy-to-read format ensures you can grasp every nuance of the melody. Learn the techniques used to create the song's emotional core.Guitar 2:Rock-Solid Rhythm: Build the foundation of the song with the powerful rhythm section. This part features driving eighth-note strumming patterns, power chords, and accents that propel the music forward.Essential Techniques: Master techniques like palm muting and chord voicings to achieve the signature Rainbow sound.Together, these guitar parts create a captivating tapestry of sound. This sheet music provides you with the tools to:Faithfully reproduce the original recordingDevelop your lead and rhythm playing skillsImpress your friends and fellow musiciansDon't just listen to Catch the Rainbow, become a part of it!Order your sheet music today!
$7.77
Chromatic Agility Studies (Vol. 1-2)
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Matt Harper
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Chromatic Agility Studies
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Matt Harper
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SheetMusicPlus
Baritone Horn TC/Euphonium,Cornet,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1420111 Composed by Matt Harper. Classical,Contem...
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Baritone Horn TC/Euphonium,Cornet,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1420111 Composed by Matt Harper. Classical,Contemporary,Instructional. Educational Exercises. 286 pages. Matt Harper #1001542. Published by Matt Harper (A0.1420111). The book is was written with trumpet/cornet players in mind but is suitable for any brass instrument and is suitable for anybody from early high school to seasoned professionals. My goal is to get away from over emphasizing on major chords and scales that is seen in countless other method books. Ultimately, I wanted more of a challenge from the method books I was playing out of in a way that was more conducive to practicing the music I saw in British style brass bands, but can still be useful to many aspects of orchestral, wind band, and chamber music. Some of the exercises in this book includes: Slurring straight up and down all in one rhythm, Unique studies to approach major, minor, and chromatic scales. Using major, minor, augmented, and diminished arpeggios to help aid in speed and flexibility. Gradually expanding intervals from minor seconds to octaves and even major tenths. A detailed method on how to effectively and efficiently learn challenging passages.
$49.99
Chromatic Agility Studies - Vol. 1
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Matt Harper
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Chromatic Agility Studies - Vo
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Matt Harper
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SheetMusicPlus
Baritone Horn TC/Euphonium,Cornet,Flugelhorn,Tenor Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1420113 Composed by Matt Harper. Class...
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Baritone Horn TC/Euphonium,Cornet,Flugelhorn,Tenor Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1420113 Composed by Matt Harper. Classical,Contemporary,Instructional. Educational Exercises. 157 pages. Matt Harper #1001544. Published by Matt Harper (A0.1420113). The book is was written with trumpet/cornet players in mind but is suitable for any brass instrument and is suitable for anybody from early high school to seasoned professionals. My goal is to get away from over emphasizing on major chords and scales that is seen in countless other method books. Ultimately, I wanted more of a challenge from the method books I was playing out of in a way that was more conducive to practicing the music I saw in British style brass bands, but can still be useful to many aspects of orchestral, wind band, and chamber music. Some of the exercises in this book includes: Slurring straight up and down all in one rhythm, Unique studies to approach major, minor, and chromatic scales.Using major, minor, augmented, and diminished arpeggios to help aid in speed and flexibility.
$29.99
Scale & Sight-Reading Exercises for Two Violins Part I
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Classical
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Dr
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Scale & Sight-Reading Exercise
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Global Music Partnership Press
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Violin - Interactive Download SKU: A0.484843 Arranged by Dr. Vladimir Dyo. This edition: Interactive Download. Classi...
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Instrumental Duet Instrumental Duet,Violin - Interactive Download SKU: A0.484843 Arranged by Dr. Vladimir Dyo. This edition: Interactive Download. Classical. Score and parts. 20 pages. Duration 1370. Published by Global Music Partnership Press (A0.484843). Part I contains 20 selected scales re-arranged for two violins from the Art of Playing on the Violin (1751) by F. Geminiani. These compact scales are designed to equip beginner/intermediate violinists with basic scale and sight-reading skills in a creative and efficient manner. It is suggested to practice both violin parts for greater technical variety.
$7.99
Saxophone Safari
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Matt Renzi
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Saxophone Safari
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Imagine Music - Digital
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SheetMusicPlus
Two saxophones (or two oboes) - Digital Download SKU: IZ.IMF1815 Composed by Matt Renzi. Score. 20 pages. Imagine Music - Digital #IMF1815. Published by ...
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Two saxophones (or two oboes) - Digital Download SKU: IZ.IMF1815 Composed by Matt Renzi. Score. 20 pages. Imagine Music - Digital #IMF1815. Published by Imagine Music - Digital (IZ.IMF1815). 9 x 12 in inches.The duets in this volume were composed for beginning students and range from levels one to three. The pieces are made up of Major and Minor scales from the easier keys as well as Aeolian, Mixolydian, Pentatonic and Chromatic scales in order to get the student familiar with more contemporary harmonies. They can be played on two similar saxophones or two oboes. I hope you get as much joy out of playing these as I did composing them.
$12.00
Essential Jazz Lines: In the Style of Clifford Brown-E Flat
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Jazz
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Corey Christiansen
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Essential Jazz Lines: In the S
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Saxophone (alto) - Intermediate - Digital Download SKU: M0.20020BCDEB Composed by Corey Christiansen. Technique, Theory and Reference. Essential Jazz Lin...
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Saxophone (alto) - Intermediate - Digital Download SKU: M0.20020BCDEB Composed by Corey Christiansen. Technique, Theory and Reference. Essential Jazz Lines. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #20020BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.20020BCDEB). ISBN 9781610651042. 8.75x11.75 inches.Clifford Brown was one of the most influential jazz trumpeters and was a true master of jazz. His fantastic tone, time, feel and command of the jazz language have been inspiring jazz musicians on all instruments for decades. This book breaks down many of the one and two-bar phrases played by Clifford and helps students apply them to their own playing. Lines played over minor, dominant, and major chords as well as short, long and minor ii-V material can be mastered by practicing with the accompanying play-along audio. Chapters on Guide Tones, Bebop Scales, Targeting, and Playing the Upper-Structure will help students analyze and memorize the lines presented in the book. There is also a chapter with further insight in Clifford's style which discusses his phrasing as well as other musical devices he used to get his sound. A must have for aspiring students wanting the master the jazz language.
$14.99
Push & Pull by The Khromatiks, for Electric Violin & Loop Station
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The Khromatiks
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Push & Pull by The Khromatiks,
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ViolinVagabond Music
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SheetMusicPlus
Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845977 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th...
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Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845977 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,Latin. Individual part. 10 pages. ViolinVagabond Music #5375599. Published by ViolinVagabond Music (A0.845977). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2013. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boss RC-30 loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Boomerang III, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: the head melody is a basic lydian dominant motif that gets displaced forwards or backwards by a sixteenth note on each iteration. In Nashville Number System, we call this sort of syncopation a push, which inspired the title. This idea transitions into a B solo section with a latin songo groove. This is a great tune for practicing tight rhythmic syncopation, or for developing solo ideas on modal scales!With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass (plays the bottom line of loop 2 only) or guitar/keyboards (read the chord symbols as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99
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