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14 sheet music found
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1
Songs of the Open Road II
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Stephen Krishnan
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Songs of the Open Road II
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Les Productions d'OZ - Digital
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SheetMusicPlus
Easy - Digital Download SKU: ZZ.DZ-4241 Intermediate Sight Reading. Composed by Stephen Krishnan. Method book. 37 pages. Les Productions d'OZ - Di...
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Easy - Digital Download SKU: ZZ.DZ-4241 Intermediate Sight Reading. Composed by Stephen Krishnan. Method book. 37 pages. Les Productions d'OZ - Digital #DZ 4241. Published by Les Productions d'OZ - Digital (ZZ.DZ-4241). J'espère que ce livre offrira une manière joyeuse de renforcer les compétences en lecture et aidera les jeunes musiciens à aimer interagir avec la musique imprimée. Le terme « lecture à vue » est utilisé ici de manière vague : les mélodies de ce livre sont destinées à être étudiées de près, de sorte qu'au fil du temps, l'élève développe les compétences nécessaires pour interpréter visuellement les hauteurs, rythmes et expressions complexes que l'on trouve couramment au niveau intermédiaire. répertoire. Le livre est composé de courtes chansons qui peuvent chacune être magnifiquement jouées en une seule séance. Il existe des titres de chansons uniques (et parfois loufoques) avec des illustrations assorties de Sasha Kolesnik qui capturent l'esprit de la musique. Vous trouverez ci-dessous un aperçu des éléments clés du livre et mes suggestions sur la manière de les aborder.My hope is that this book provides a joyful way to strengthen reading skills and helps young musicians enjoy interacting with printed music. The term sight reading is used loosely here - the melodies in this book are meant to be studied closely, so that over time the student will develop the skills to visually interpret the complex pitches, rhythms, and expressions commonly found in intermediate-level repertoire. The book is made up of short songs that can each be played beautifully in one sitting. There are unique (and sometimes goofy) song titles with matching illustrations by Sasha Kolesnik that capture the spirit of the music. Below is an outline of the book’s key components, and my suggestions for how to approach them.
$14.95
Rêve D'été
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Folk/Rock
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Rock
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Daniel Ouimet
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Daniel Ouimet
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Rêve D'été
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Daniel Ouimet
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SheetMusicPlus
12-String Guitar - Level 1 - Digital Download SKU: A0.1388131 By Daniel Ouimet. By Daniel Ouimet. Arranged by Daniel Ouimet. Folk,Pop,Rock. Full Performa...
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12-String Guitar - Level 1 - Digital Download SKU: A0.1388131 By Daniel Ouimet. By Daniel Ouimet. Arranged by Daniel Ouimet. Folk,Pop,Rock. Full Performance. Duration 220. Daniel Ouimet #971729. Published by Daniel Ouimet (A0.1388131). Une petite chanson Folk sympathique. Très facile à apprendre à la guitare. Voir la sheet super facile. Parfaite pour jouer au coin du feu l'été.
$2.50
A Night’s Tale
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contrast, the middle section,
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Alfredo Franco
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Cristiano Porqueddu
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A Night’s Tale
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Digital Download SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ...
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Guitar - Digital Download SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4330. Published by Les Productions d'OZ - Digital (ZZ.DZ-4330). The underlying concept is that of dreaming.The first section, Dreaming, which is static and meditative in character, is further divided into several parts, which, looking at the processes of dream narrative, present, in addition to the initial theme, short melodies of lyrical/melancholic character, ready to interrupt before reaching a possible development, to leave room for further suggestions.The short themes are repeated several times, including in the final section, which is a reprise, condensed and varied from the first.By contrast, the middle section, Nightmaring, has a strongly contrasting character to the preceding one, rhythmically marked and searchingly percussive, sardonic in the variety of figurations employed in the different registers of the instrument.A technically intricate section that demands of the performer the choice of appropriate solutions, and closes with a frenetic accumulation of fragments. The most perturbing part of the dream.Le concept sous-jacent est celui du rêve.La première section, Dreaming, qui est statique et méditative par nature, est subdivisée en plusieurs parties qui, en examinant les processus narratifs du rêve, présentent, en plus du thème initial, de courtes mélodies d’un caractère lyrique/mélancolique, prêtes à s’interrompre avant d’atteindre un développement possible, pour laisser place à de nouvelles suggestions.Les courts thèmes sont répétés plusieurs fois, y compris dans la section finale, qui est une reprise, condensée et variée par rapport à la première.En revanche, la section centrale, Nightmaring, contraste fortement avec la précédente, marquée rythmiquement et percussive dans sa recherche, sarcastique dans la variété des figurations employées dans les différents registres de l’instrument.Une section techniquement complexe qui demande au musicien de choisir des solutions appropriées, et qui se termine par une accumulation frénétique de fragments. La partie la plus troublante du rêve.
$5.95
Paul Wehage - L'Aube Spirituelle
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Contemporary
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Paul Wehage
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Paul Wehage - L'Aube Spirituel
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Flute,Viola,Violin - Level 5 - Digital Download SKU: A0.532769 Composed by Paul Wehage. Contemporary. Score and parts. 75 pages. Mus...
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Small Ensemble Cello,Flute,Viola,Violin - Level 5 - Digital Download SKU: A0.532769 Composed by Paul Wehage. Contemporary. Score and parts. 75 pages. Musik Fabrik Music Publishing #6131. Published by Musik Fabrik Music Publishing (A0.532769). This quartet for flute and string trio was commissioned by and dedicated to the Hélios Ensemble of Paris. Freely inspired by the poem of the same name by Charles Baudelaire, this quartet in three movements is derived essentially from the slow motif which begins the works, which generates most of the musical material which follows. The style is more linear than harmonic. The four-part invention which opens the work is followed by the second section (played without interruption) which is a kind of long suspended melody. The third movement is a quick scherzo with a final evocation of the opening motif before a brief coda. L’AUBE SPIRITUELLE (Les Fleurs du Mal) Quand chez les débauchés l’aube blanche et vermeille Entre en société de l’Idéal rongeur, Par l’opération d’un mystère vengeur Dans la brute assoupie un Ange se réveille. Des Cieux Spirituels l’inaccessible azur, Pour l’homme terrassé qui rêve encore et souffre, S’ouvre et s’enfonce avec l’attirance du gouffre. Ainsi, chère Déesse, Être lucide et pur, Sur les débris fumeux des stupides orgies Ton souvenir plus clair, plus rose, plus charmant, À mes yeux agrandis voltige incessamment. Le soleil a noirci la flamme des bougies ; Ainsi, toujours vainqueur, ton fantôme est pareil, Âme resplendissante, à l’immortel Soleil !
$25.95
Illusions for clarinet and classical guitar (mp3)
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András Csáki
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Illusions for clarinet and cla
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506742 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Cent...
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Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506742 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 278. David Warin Solomons #1082113. Published by David Warin Solomons (A0.1506742). Arrangement for clarinet and guitar of my setting of the poem Illusions by Bluma Finkelstein for her husband.The original words are:La nuità l`heure où l`obscure tranche du tempscouvre le jourEt appelle le sommeilLa nuit je m`en vais sur les mornes chemins de ma vieA la recherche des illusionsJe voudrais t`emmener hors de la terret`emporter loin sur l`océan paisible du rêvebarque solitaire s`arrachant à la pesanteursouffle mystérieuxperçant la nappe immobile du cielje voudrais t`emmener hors des âgeste lancer dans le ciel fuyantincessant effort de dépassementje voudrais t`emmener hors de l`espacesentir ton corps nutrembler doucement contre mon corpsdeux rayons de soleildeux caresses éternelles volées à Dieuje voudrais t`emmener hors du tempset mesurer mon amour en années lumière(c) Bluma Finkelstein[my English translation:]At night,when the dark slice of timecovers the dayand calls for slumberAt night I go down the gloomy paths of my lifein search of illusionI would like to take you away from the earthcarry you far away on the peaceful ocean of dreamssolitary boat breaking free from heavinessmysterious breath of windpiercing the motionless cloth of the skyI would like to take you away from the agescast you into the fleeing heavensceaseless endeavour to outdo myselfI would like to take you away from spacefeel your naked bodytrembling gently against minetwo sun-beamstwo eternal caresses stolen from GodI would like to take you away from timeand measure my love in light-years.
$5.00
Illusions (after the poem by Bluma Finkelstein) (mp3)
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David Warin Solomons
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Illusions
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1310127 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary,Singer/Songwri...
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Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1310127 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary,Singer/Songwriter. Full Performance. Duration 295. David Warin Solomons #899265. Published by David Warin Solomons (A0.1310127). Poem by Bluma Finkelsteinmusic composed and performed by David W Solomons(alto and guitar) - recently remastered by SoundopsThe English translation in brackets below is a fairly literal one for non-French speakersLa nuit à l'heure où l'obscure tranche du temps (At night, when the dark slice of time) couvre le jourEt appelle le sommeil(covers the dayand calls for slumber)La nuit je m'en vais sur les mornes chemins de ma vie(At night I go down the gloomy paths of my life)A la recherche des illusions(in search of illusions)Je voudrais t'emmener hors de la terre(I would like to take you away from the earth)t'emporter loin sur l'océan paisible du rêve(carry you far away on the peaceful ocean of dreams)barque solitaire s'arrachant a la pesanteur(solitary boat breaking free from gravity)souffle mystérieux(mysterious breath of wind)perçant la nappe immobile du ciel(piercing the motionless cloth of the sky)je voudrais t'emmener hors des âges(I would like to take you beyond the ages)te lancer dans le ciel fuyant(cast you into the fleeing heavens)incessant effort de dépassement(ceaseless endeavour to exceed ourselves)je voudrais t'emmener hors de l'espace(I would like to take you outside space)sentir ton corps nu(feel your naked body)trembler doucement contre mon corps(trembling gently against mine)deux rayons de soleil(two sunbeams) deux caresses éternelles volées à Dieu(two eternal caresses stolen from God)je voudrais t'emmener hors du temps(I would like to take you outside time)et mesurer mon amour en années lumière(and measure my love in light-years).
$5.00
Rubank Treasures for French Horn
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Rubank Treasures for French Ho
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Rubank Publications
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SheetMusicPlus
French Horn, Horn - Grade 2-4 SKU: HL.121442 Book with Online Audio (stream or download). Edited by Himie Voxman. Rubank Book/Audio Products. Clas...
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French Horn, Horn - Grade 2-4 SKU: HL.121442 Book with Online Audio (stream or download). Edited by Himie Voxman. Rubank Book/Audio Products. Classical, Contest, Festival. Softcover Media Online. 24 pages. Published by Rubank Publications (HL.121442). ISBN 9781480352506. UPC: 884088923129. 9x12 inches.Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings, printable piano accompaniments, and PLAYBACK+ audio tools. This new collection of 15 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players), accompaniment tracks for practice, and PDF piano accompaniments for use at contest. Includes: Air Gai (Berlioz) • Alleluja from Exsultate, Jubilate, K. 165 (Mozart) • American Patrol (Meacham) • Andante Cantabile (Tartini) • Après un Rêve (Faurè) • Ballade (Shchyolokov) • Heroica (DeLamater) • In the Hall of the Mountain King from Peer Gynt (Grieg) • Pavane pour une Infante Défunte (Ravel) • Prelude and Fanfaronade (Koepke) • Serenade (Gounod) • Starling (VanderCook) • Serenade, Op. 22 No. 1 (Böhme) • Toreador's Song from Carmen (Bizet) • Where'er You Walk (Handel).
Song List
: Alleluja Andante Cantabile Where'er You Walk In The Hall Of The Mountain King Ballade Starling American Patrol Toreador's Song Pavane pour une Infante Defunte Air Gai Apres un Reve (After A Dream) Heroica Prelude And Fanfaronade Serenade Op. 22, No. 1 Serenade (Sing, Smile, Slumber)
$17.99
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
5 Easy Studies, Opus 50
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5 Easy Studies, Opus 50
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SheetMusicPlus
Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer...
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Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer, her potential as a composer was recognized quite early on. Women were not permitted to enroll in conventional composition classes at the Conservatoire de Paris at the time, but, she did receive private lessons from Anton Reicha, the professor of composition there. Years later she would receive a permanent appointment as Professor of Piano at the same institution, a position she held for thirty years. She was the only woman during the 19th century to bear that title. Her piano etudes possess pedagogical value as well as great beauty and character. These works lend themselves quite well to the guitar duo setting. While I have rendered all of Farrenc’s melodies quite faithfully, I have taken liberties with the accompaniments in order to make them more idiomatic to the guitar. Likewise, many of the effects of which the guitar is capable have been brought to bear in ways that deviate from the original intent of the etude. Alternatively, the challenges that some of these etudes were meant to address for the piano student are amplified by this adaptation. For example, etude 5 is intended to enable the piano student to improve the coordination between their left and right hands. It certainly presents a challenge in that regard to the guitar duo!These selections are entirely suitable for guitarists with limited experience, though they could, of course, be beautifully realized by players with a great deal more experience as well.Louise Farrenc était une compositrice, interprète, professeur et auteure française profondément influente. Même si elle deviendra finalement une interprète très recherchée, son potentiel en tant que compositrice est reconnu très tôt. Les femmes n'étaient pas autorisées à s'inscrire aux cours de composition conventionnels au Conservatoire de Paris à l'époque, mais elle recevait des cours particuliers d'Anton Reicha, le professeur de composition du Conservatoire de Paris. Des années plus tard, elle recevra un poste permanent de professeur de piano dans la même institution, poste qu'elle occupera pendant trente ans. Elle était la seule femme au XIXe siècle à porter ce titre.Ses études pour piano possèdent une valeur pédagogique ainsi qu'une grande beauté et un grand caractère. Ces œuvres se prêtent assez bien au montage en duo de guitares. Même si j’ai rendu assez fidèlement toutes les mélodies de Farrenc, j’ai pris des libertés avec les accompagnements afin de les rendre plus idiomatiques à la guitare. De même, de nombreux effets dont la guitare est capable ont été mis en œuvre d’une manière qui s’écarte de l’intention originale de l’étude. Alternativement, les défis que certaines de ces études étaient censées relever pour l'étudiant en piano sont amplifiés par cette adaptation. Par exemple, l'étude 5 est destinée à permettre à l'élève de piano d'améliorer la coordination entre ses mains gauche et droite. Cela représente certainement un défi à cet égard pour le duo de guitares !Ces sélections conviennent parfaitement aux guitaristes ayant une expérience limitée, même si elles pourraient bien sûr également être magnifiquement réalisées par des musiciens beaucoup plus expérimentés
Song List
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1. Andantino grazioso
2. Andantino
3. Allegretto
4. Poco allegro
5. Allegro moderato
$7.95
Ta Maman for alto, cello and guitar
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Contemporary
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David Warin Solomons
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Ta Maman for alto, cello and g
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and part...
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Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #51133. Published by David Warin Solomons (A0.576653). Very sad poem by Paul Maertens about a child he came to know from his medical practice. The mother was unmarried and ashamed and tried to ignore the child as if it were a reproach to her, the child became autistic and unable to react to others. This setting for alto voice, cello and guitar reflect the mood of the poem in all its sadness. The sound sample is a performance by the composer, with Chris Benson on cello. (The guitar's 6th string is tuned to D - much use is made of 12th and 19th (or 7th if preferred) fret harmonics) The pdf file contains score and parts. An instrumental version of the the music, entitled Promenade d'hiver (viola, cello and guitar), is also available on this site. It is sung in French, but for convenience I am providing an English translation below (not for performance purposes). Ta Maman, p'tit gars, ne te désirait pas.Maintenant tu ouvres les robinets, et vois l'eau couler sans vouloir la saisir.Ta Maman a nié son attente. Ton Papa n'est pas tien, et ta Maman, de honte, t'a caché dans ses seins. Tu naissais sans qu'on te donne la vie. Tu étais dorloté, car il ne fallait pas qu'on t'entende, mon gars. Ta Maman ne te regardait pas dans les yeux; tes sourires n'ont pas eu de réponse. On ne t'a pas aimé.On t'a interdit la vie. Ta Maman ne pouvait soutenir ce reproche que tes yeux lui lançait; et pour mieux te fuir elle fit de toi cet objet cet oubli, un chien propre et fidèle qu'on lave, qu'on nourrit. Maintenant tu te promènes une auto à la main, sans jouer sans sourire sans parler. Ta Maman est partie, et tu n'as pas pleuré; tu as laissé ton auto quelque part, et tu ranges les cubes étalés devant toi: toujours dans le même ordre, simplement, sans angoisse, sans bonheur. Tu ne vis pas, p'tit. Réveille-toi, mon gars! Your mummy, little chap, did not want you. Now you turn on the taps and watch the water flow, but you don't want to grab it. Your mummy didn't admit she was expecting. Your daddy isn't yours and your mummy, out of shame, hid you in her breasts. You were born but you weren't given a life. You were rocked to sleep because you weren't supposed to be heard. Your mummy didn't look into your eyes, your smiles got no response. You weren't loved. You were forbidden to live. Your mummy could not bear the reproach your eyes shot at her, and in order to flee you all the more she made you into this object, this forgotten thing, a clean and faithful dog that you wash and feed. Now you roll your toy car around, without playing or smiling or speaking. Your mummy has gone and you didn't cry. You've left your car somewhere and you arrange the cubes in front of you, always in the same order, simply, without anguish, without happiness. You are not living , little one. Wake up little chap!
$10.00
Living For The City
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Stevie Wonder
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Lucas Rei Ramos
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Living For The City
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Lucas Rei Ramos
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SheetMusicPlus
Choral Choir (5-Part) - Level 3 - Digital Download SKU: A0.1247126 By Stevie Wonder. By Stevie Wonder. Arranged by Lucas Rei Ramos. A Cappella,Jazz,Pop,S...
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Choral Choir (5-Part) - Level 3 - Digital Download SKU: A0.1247126 By Stevie Wonder. By Stevie Wonder. Arranged by Lucas Rei Ramos. A Cappella,Jazz,Pop,Singer/Songwriter,Soul. Octavo. 13 pages. Lucas Rei Ramos #841681. Published by Lucas Rei Ramos (A0.1247126). Arrangement for SSATB and soloist of this Stevie Wonder classic, aimed to choirs that include jazz, rock or gospel in their repertoire.The arrangement is very energetic and would fit any choral programme involving jazz, pop, rock soul and gospel arrangements. It has a very strong rhythmic feel that will likely make the choir and the audience to clap and dance! It has occasional (but optional) divisi in tenors in certain places. If features a contrapunctal interlude that leads to the last verses after a modulation, and a big finale after a final crescendo where the music explodes.This arrangement was a commission from Coro da Rá, a choir specialized in jazz and Brazilian music. I’ve received it before I even knew about the tune, but I’ve poured my soul into it and I’ve enjoyed singing it while it lasted in the regular repertoire. I’d love to have it sung in other choirs around the world and hope you enjoy it as well.
$1.99
You Light Up My Life
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Debby Boone
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Uwe Roessler / Rössler / Ra
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You Light Up My Life
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Uwe Roessler
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - Digital Download SKU: A0.1085212 By Debby Boone. By Joseph Brooks. Arranged by Uwe ...
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - Digital Download SKU: A0.1085212 By Debby Boone. By Joseph Brooks. Arranged by Uwe Roessler / Rössler / Rassler. 20th Century,Film/TV,Pop,Praise & Worship,Wedding. Score and parts. 10 pages. Uwe Roessler #689346. Published by Uwe Roessler (A0.1085212). “You Light Up My Life†- a romantic ballad from the 70s, and another all time great in a neo-classical arrangement for piano trio, quartet or quintet. This arrangement follows the form of the original soundtrack (hence the youtube link). Original key (like in the versions of Debby Boone, and also Whitney Houston). The form is: Verse 1 (G major), Refrain 1 (D major), Verse 2 (G major), Refrains 2 and 3 (D major). Verse 1 / Refrain 1 have the theme in the violin, Verse 2 has the theme in the cello, Refrain 2 has the theme in violin and cello, in Refrain 3 the theme is played by tutti. Duration: approx 3.30 min. For Piano Trio / Quartet / Quintet. Minimal instrumentation: violin1, cello, piano. Optional voices for violin2, and bass included. Comes with full score, and complete individual parts. Level: intermediate/advanced, pianist should be ambitious ;-) I´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!
$20.00
Pachelbel Canon in Eb Mixed Strings Winds and Leadsheets
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Classical
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Rainer's Rainbow
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R G Roth
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Pachelbel Canon in Eb Mixed St
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Rainer's Rainbow
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SheetMusicPlus
Small Ensemble Alto Flute,Alto Saxophone,B-Flat Bass Clarinet,Baritone Saxophone,Bassoon,Cello,E-Flat Clarinet,Oboe/English Horn,Soprano Saxophone,Tenor Saxopho...
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Small Ensemble Alto Flute,Alto Saxophone,B-Flat Bass Clarinet,Baritone Saxophone,Bassoon,Cello,E-Flat Clarinet,Oboe/English Horn,Soprano Saxophone,Tenor Saxophone,Viola,Violin - Level 2 - Digital Download SKU: A0.1048659 By Rainer's Rainbow. By Johann Pachelbel 1653-1706. Arranged by R G Roth. Baroque,Classical,Romantic Period,Traditional,Wedding. Score and parts. 54 pages. Rainer's Rainbow #653069. Published by Rainer's Rainbow (A0.1048659). Pachelbel wrote this most famous Canon in 1680 in the key of D. It is presented here in the key of Eb. There are 4 distinct parts that can be mixed and matched together as needed for that wedding gig. Like Bari Sax Viola Alto Flute and Oboe. Or whatever you've got!!!
$24.99
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