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151
Pitch Only - Bass Clef (Sight Reading Exercise Book)
#
Instructional
#
Nathan Petitpas - Dots and Bea
#
Pitch Only - Bass Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
Pitch Only - Treble Clef (Sight Reading Exercise Book)
#
Instructional
#
Nathan Petitpas - Dots and Bea
#
Pitch Only - Treble Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
#
Instructional
#
Nathan Petitpas - Dots and Bea
#
I encourage you to use both
#
Pitch and Rhythm - Treble Clef
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
#
Instructional
#
Nathan Petitpas - Dots and Bea
#
I encourage you to use both
#
Pitch and Rhythm - Bass Clef,
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: ...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
Violin Sight-Reading 1
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Violin Sight-Reading 1
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Schott Music - Digital
#
SheetMusicPlus
Violin - very easy - Digital Download SKU: S9.Q19484 A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 1...
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Violin - very easy - Digital Download SKU: S9.Q19484 A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 1. Schott Music - Digital #Q19484. Published by Schott Music - Digital (S9.Q19484). English • French • German.Violin Sight-Reading 1 aims to establish good practice and provide an early introduction to the essential skill of sight-reading. The emphasis is on providing idiomatic tunes and structures rather than sterile sight-reading exercises. Each section begins with several solo examples, beginning with open strings (pizzicato and arco) and concludes with duets and accompanied pieces, allowing the student to gain experience of sight-reading within the context of ensemble playing.
$13.99
Recorder Sight-Reading 1
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Recorder Sight-Reading 1
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Schott Music - Digital
#
SheetMusicPlus
Recorder - very easy to easy - Digital Download SKU: S9.Q19491 A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downloada...
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Recorder - very easy to easy - Digital Download SKU: S9.Q19491 A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 1. Schott Music - Digital #Q19491. Published by Schott Music - Digital (S9.Q19491). English • French • German.An approach which includes sight-reading in daily practising at an early stage. Instead of dry exercises, these editions focus on the use of idiomatic melodies. This is how sight-reading is meant to be - FUN!
$15.99
Saxophone Sight-Reading 2
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Saxophone Sight-Reading 2
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Schott Music - Digital
#
SheetMusicPlus
Saxophone - intermediate - Digital Download SKU: S9.Q19502 A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable....
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Saxophone - intermediate - Digital Download SKU: S9.Q19502 A fresh approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 2. Schott Music - Digital #Q19502. Published by Schott Music - Digital (S9.Q19502). English • French • German.This collection of original tunes presents 122 carefully graded sight-reading pieces and exercises in a range of musical styles. Taking an approach based on self-learning, the five sections of the book focus on developing different key technical skills as well as introducing the student to a plethora of musical terms. Each section of the book contains solos, as well as saxophone duets and pieces with piano accompaniment for practising ensemble sight-reading. Suitable for students of grades 3 to 6.Ce recueil de mélodies originales présente 122 pièces et exercices de différents styles, soigneusement classés par ordre de difficulté, dans le but d’encourager la lecture à vue. Les cinq chapitres de l’édition se consacrent au développement de différentes techniques-clés.
$15.99
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
#
Instructional
#
Nathan Petitpas - Dots and Bea
#
Rhythm Only - Book 1 - Eighths
#
Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Javisst A-vista - A sight reading game
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Gustaf Rosenberg
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Gustaf Rosenberg
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Javisst A-vista - A sight read
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Gustaf Rosenberg
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SheetMusicPlus
Vocal Ensemble 1 Piano,2 Pianos,4 Hands,6 Hands,8 Hands,C Instrument,Choir,Digital Keyboard,Electronic Keyboard,Flute,Mallet Percussion,Synthesizer,Vibraphone,V...
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Vocal Ensemble 1 Piano,2 Pianos,4 Hands,6 Hands,8 Hands,C Instrument,Choir,Digital Keyboard,Electronic Keyboard,Flute,Mallet Percussion,Synthesizer,Vibraphone,Violin,Voice - Level 1 - Digital Download SKU: A0.1517804 By Gustaf Rosenberg. By Gustaf Rosenberg. Arranged by Gustaf Rosenberg. Children,Classical,Instructional,Jazz. Educational Exercises. 11 pages. Gustaf Rosenberg #1091967. Published by Gustaf Rosenberg (A0.1517804). Javisst is swedish for Absolutely!/Sure! and A-vista is a different term for sight reading. In this game the players get to exercise their sight reading in a fun manner! I created this sheet because I had trouble finding exercises basic enough for my students, and when I tried this in a group setting it was a success! I hope it can bring joy to more students around the world!It's nice to have a drumloop or metronome to play along with! See the attatched rules for more info and enjoy!
$10.00
Rounds for Sight-Reading
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Traditional
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Glenda E
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Rounds for Sight-Reading
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Glenda E. Franklin Publications
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SheetMusicPlus
Choral Choir - Level 3 - Digital Download SKU: A0.1114974 Composed by Traditional. Arranged by Glenda E. Franklin. A Cappella,Contest,Festival,Instructio...
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Choral Choir - Level 3 - Digital Download SKU: A0.1114974 Composed by Traditional. Arranged by Glenda E. Franklin. A Cappella,Contest,Festival,Instructional. Octavo. 64 pages. Glenda E. Franklin Publications #716804. Published by Glenda E. Franklin Publications (A0.1114974). 30 Rounds for Sight-Reading use, JUST FOR FUN! Categories include Easy Peasy, A Little More Difficult, Backwards & Forwards, Put Them Together, and Minor, Anyone? All rounds included are either 2, 3, or 4-Part voicing. A nice change of pace to ordinary sight-reading exercises.
$25.00
Sight-Singing 2
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Sight-Singing 2
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Schott Music - Digital
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SheetMusicPlus
Voice - advanced to difficult - Digital Download SKU: S9.Q19478 A fresh approach. This edition: method. Schott Sight-Reading Series. Dieser Band b...
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Voice - advanced to difficult - Digital Download SKU: S9.Q19478 A fresh approach. This edition: method. Schott Sight-Reading Series. Dieser Band baut auf Vom-Blatt-Singen 1 auf und führt die ersten Aspekte des Vom-Blatt-Singens mittels genauen Erkennens von Rhythmus und Tonhöhe fort. Downloadable, Textbook. Op. 2. Schott Music - Digital #Q19478. Published by Schott Music - Digital (S9.Q19478). English • French • German.This book sets out to build on the initial aspects of singing at sight in reading both the rhythm and pitch accurately, as begun in Sight-Singing 1. Sight-Singing 2 is divided into two parts. Part 1 comprises 95 exercises in either single or 2-part form. These cover methods to secure the line of the pitch, sequences, singing a lower part, ties, awareness of chord structure, canons, chromatic movement, modulations and tone rows. A section of 2-part exercises is also included using treble and bass clefs. Part 2 consists of 16 solo pieces which are presented in the treble clef, and aim to develop the singer’s ability to pitch independently from their accompaniment. These short pieces are based on chords, intervals, the Dorian mode, pentatonic scales, melodic minor scales, chromatic movement and changing time signatures. The aim of this volume is to develop a secure sense of pitch, providing a comprehensive range of styles and challenges which will be of value not just to singers but to all dedicated musicians. The skill of being able to ‘vocalise’ a melody independently and accurately is a valuable asset for all musicians regardless of vocal ability or instrument played. The ability to ‘hear’ a phrase before it is sung or played is especially useful. - 95 solo/2-part exercises - 16 accompanied solos - 1 wide range of challenging styles - valuable both to singers and instrumentalists.
$12.99
Scale & Sight-Reading Exercises for Two Violins Part I
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Classical
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Dr
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Scale & Sight-Reading Exercise
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Global Music Partnership Press
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Violin - Interactive Download SKU: A0.484843 Arranged by Dr. Vladimir Dyo. This edition: Interactive Download. Classi...
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Instrumental Duet Instrumental Duet,Violin - Interactive Download SKU: A0.484843 Arranged by Dr. Vladimir Dyo. This edition: Interactive Download. Classical. Score and parts. 20 pages. Duration 1370. Published by Global Music Partnership Press (A0.484843). Part I contains 20 selected scales re-arranged for two violins from the Art of Playing on the Violin (1751) by F. Geminiani. These compact scales are designed to equip beginner/intermediate violinists with basic scale and sight-reading skills in a creative and efficient manner. It is suggested to practice both violin parts for greater technical variety.
$7.99
Sight-Singing 1
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Sight-Singing 1
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Schott Music - Digital
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SheetMusicPlus
Voice - easy to advanced - Digital Download SKU: S9.Q19477 A fresh approach. This edition: method. Schott Sight-Reading Series. The aim of this fi...
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Voice - easy to advanced - Digital Download SKU: S9.Q19477 A fresh approach. This edition: method. Schott Sight-Reading Series. The aim of this first sight-singing volume is to instill confidence in singers an to present a method of approaching all aspects of singing at sight. Downloadable, Textbook. Op. 1. Schott Music - Digital #Q19477. Published by Schott Music - Digital (S9.Q19477). English • French • German.The aim of this first sight-singing volume is to instil confidence in singers and to present a method of approaching all aspects of singing at sight. Many of the melodies follow familiar shapes and rhythms, and use sequences to aid recognition of these patterns. Singers are encouraged to observe how to obtain their starting note from the introduction and to note the help with their vocal line that can be found in the accompaniment. A teacher and pupil-friendly approach valuable to both singers and instrumentalists - styles recognisable to both student and teacher - simple piano parts with chord indications - progressive examples beginning with just 3 or 4 notes and simple time values.
$12.99
80 Choral Works for Sight-Singing
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Christopher Alexander
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80 Choral Works for Sight-Sing
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Christopher Alexander
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SheetMusicPlus
Choir,Large Ensemble - Level 2 - Digital Download SKU: A0.1358291 By Christopher Alexander. By Christopher Alexander. A Cappella,Contest,Festival,Instruc...
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Choir,Large Ensemble - Level 2 - Digital Download SKU: A0.1358291 By Christopher Alexander. By Christopher Alexander. A Cappella,Contest,Festival,Instructional. Educational Exercises. 340 pages. Christopher Alexander #942758. Published by Christopher Alexander (A0.1358291). A Collection of New Compositions for the Practice and Improvement of Choral Sight-Singing Are you looking to help your students improve their sight-singing skills but don't have the song resources to do so? Â This collection includes eighty new compositions for various choral ensembles or various voicings (SATB, SAB, SSA, and TBB) specifically written to give you students the opportunity to build their choral music reading abilities. Â They become helpful in preparation for state festivals where sight-singing evaluations are given. Â Use this helpful resource in your classroom and your students will succeed in becoming more comfortable with sight-singing and enhancing their musicianship in the process.
$40.00
Sight Singing in 6/8 Time | Solfege and Sight Reading Practice
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Contemporary
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J
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Sight Singing in 6/8 Time | So
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J. Gallagher
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SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.978032 Composed by J.C. Baker. Contemporary. Score and parts. 3 pages. J. Gallagher #5322303. Published by J. G...
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Small Ensemble - Digital Download SKU: A0.978032 Composed by J.C. Baker. Contemporary. Score and parts. 3 pages. J. Gallagher #5322303. Published by J. Gallagher (A0.978032).
$1.99
Level 8 : 13. Sight Reading Exercises
Solfège
Advanced level
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TomSolfège
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Niveau 8
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
1.99€
Level 7 : 16. Sight Reading Exercises
Solfège
Advanced level
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TomSolfège
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Niveau 7
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Tomplay
Téléchargez la partition Solfège Niveau 7: 16. Exercices de lecture à vue. Classique...
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Téléchargez la partition Solfège Niveau 7: 16. Exercices de lecture à vue. Classique
1.99€
Don't Stop Believin'
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Rock
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Journey
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Tyler the Creator of Sight Rea
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Don't Stop Believin'
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Tyler the Creator of Sight Reading
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SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.1031099 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Tyler the Creator of Sight Readi...
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Small Ensemble - Digital Download SKU: A0.1031099 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Tyler the Creator of Sight Reading. Rock. Score and parts. 8 pages. Tyler the Creator of Sight Reading #3052991. Published by Tyler the Creator of Sight Reading (A0.1031099).
$12.99
Songs of the Open Road II
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Stephen Krishnan
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Songs of the Open Road II
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Les Productions d'OZ - Digital
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SheetMusicPlus
Easy - Digital Download SKU: ZZ.DZ-4241 Intermediate Sight Reading. Composed by Stephen Krishnan. Method book. 37 pages. Les Productions d'OZ - Di...
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Easy - Digital Download SKU: ZZ.DZ-4241 Intermediate Sight Reading. Composed by Stephen Krishnan. Method book. 37 pages. Les Productions d'OZ - Digital #DZ 4241. Published by Les Productions d'OZ - Digital (ZZ.DZ-4241). J'espère que ce livre offrira une manière joyeuse de renforcer les compétences en lecture et aidera les jeunes musiciens à aimer interagir avec la musique imprimée. Le terme « lecture à vue » est utilisé ici de manière vague : les mélodies de ce livre sont destinées à être étudiées de près, de sorte qu'au fil du temps, l'élève développe les compétences nécessaires pour interpréter visuellement les hauteurs, rythmes et expressions complexes que l'on trouve couramment au niveau intermédiaire. répertoire. Le livre est composé de courtes chansons qui peuvent chacune être magnifiquement jouées en une seule séance. Il existe des titres de chansons uniques (et parfois loufoques) avec des illustrations assorties de Sasha Kolesnik qui capturent l'esprit de la musique. Vous trouverez ci-dessous un aperçu des éléments clés du livre et mes suggestions sur la manière de les aborder.My hope is that this book provides a joyful way to strengthen reading skills and helps young musicians enjoy interacting with printed music. The term sight reading is used loosely here - the melodies in this book are meant to be studied closely, so that over time the student will develop the skills to visually interpret the complex pitches, rhythms, and expressions commonly found in intermediate-level repertoire. The book is made up of short songs that can each be played beautifully in one sitting. There are unique (and sometimes goofy) song titles with matching illustrations by Sasha Kolesnik that capture the spirit of the music. Below is an outline of the book’s key components, and my suggestions for how to approach them.
$14.95
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
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Classical
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Classical
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implaca
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Nicole Elyse DiPaolo
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classi...
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
The Literate Bassist
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Fred Paterno
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The Literate Bassist
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Electric bass - Intermediate - Digital Download SKU: M0.93822EB Composed by Fred Paterno. 0. E-book. Mel Bay Publications - Digital Sheet Music #93822EB....
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Electric bass - Intermediate - Digital Download SKU: M0.93822EB Composed by Fred Paterno. 0. E-book. Mel Bay Publications - Digital Sheet Music #93822EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93822EB). ISBN 9781619118782. 8.75x11.75 inches.We have all heard bass lines that literally make the song. The purpose of this book is to integrate sight-reading ability with the facility to create such original and memorable bass lines. The author includes studies and examples in rock, blues, jazz, reggae, funk, Calypso and other styles- all while imparting new playing skills and essential music theory. This book is not a shortcut method, but rather offers a clear overall perspective of learning to play the bass in popular styles. The appendix includes information on key signatures, scale patterns, and a versatile chart of chord spellings from major triads to 13th chords. Written primarily in standard notation with a few fretboard scale diagrams, this book will give you the comprehensive fretboard knowledge and improved sight-reading ability you need to become The Literate Bassist you were meant to be!
$17.99
Stereograms - Rhythmic Etudes for Bass Clef Instruments, Volume 1
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Blues
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Jazz
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David Brubeck
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Stereograms - Rhythmic Etudes
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Gordon Cherry
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SheetMusicPlus
Bassoon,Cello,Double Bass,Trombone - Level 3 - Digital Download SKU: A0.792356 Composed by David Brubeck. Blues,Jazz. 16 pages. Gordon Cherry #4806783. P...
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Bassoon,Cello,Double Bass,Trombone - Level 3 - Digital Download SKU: A0.792356 Composed by David Brubeck. Blues,Jazz. 16 pages. Gordon Cherry #4806783. Published by Gordon Cherry (A0.792356). A visual stereogram represents a 3-D image while looking though a pair of 2-D images. There are special viewers that are used to give this effect where two images viewed through the special device can give a 3-D or stereographic effect. Brubeck's Stereograms for Bass Clef Instruments are musical versions of the graphic form. Brubeck uses familiar folk melodies to create his Stereograms and adds jazzy twists to many of them. The musical version may contain two or three individual parts within a single melodic line, thus the musical 3-D Stereogram is created. Bach’s unaccompanied works have underlying multiple parts in them and Brubeck has been inspired by the Master to create a similar texture in these works. They are suitable encore pieces or performance pieces, alone or grouped into ad hoc suites. Brubeck’s music requires rhythmic accuracy and multiple tonal colors, and are especially useful as sight reading tools to keep the performer sharp and on his/her toes. He has also added octave suggestions to allow them to be playable by the widest array of bass clef instruments Each Stereogram is dedicated to a special musical hero in Brubeck’s life. Excellent as study etudes or sight-reading pieces, Stereograms can be performed/practiced by Trombonists, Bass Trombonists, Tubists and Euphoniumists. The 13 melodies used in Volume I are: You Are My Sunshine, This Little Light of Mine, The Itsy Bitsy Spider, When the Saints Go Marching In, Just a Closer Walk With Thee, Frère Jacques, On Top of Old Smokey, If You're Happy and You Know It, London Bridge is Falling Down, Twinkle Twinkle Little Star, Jesus Loves Me, Have You Ever Seen a Lassie, Go Tell Aunt Rhody.
$25.00
Conversations (for Bb Clarinet Duet & Piano)
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Clifton Davis ASCAP
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Conversations
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Clifton Allen Davis Music, ASCAP
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.927283 Composed by Clifton Davis ASCAP. Blues,Concert,Jazz,...
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.927283 Composed by Clifton Davis ASCAP. Blues,Concert,Jazz,Standards,Wedding. Score and parts. 20 pages. Clifton Allen Davis Music, ASCAP #5828219. Published by Clifton Allen Davis Music, ASCAP (A0.927283). Enjoy this romp through some classic jazz styles including blues and swing! Accessible yet interesting writing makes this a sight read for collegiate level players or an attainable goal for high school level players. Perfect for receptions, recitals, or sight-reading in lessons. About 5 minutes long. For clarinet duet and piano accompaniment (with each part and full score included in purchase.) Also available for clarinet/flute/piano and other permutations of instruments on Sheet Music Press by Clifton Allen Davis Music.An MP3 recording of the piano accompaniment is available for purchase: http://www.sheetmusicplus.com/title/21814914
$10.99
Conversations (for Flute, Bb Clarinet & Piano) composed by Clifton Davis
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Clifton Davis ASCAP
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Conversations
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Clifton Allen Davis Music, ASCAP
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.927280 Composed by Clifton Davis ASCAP. Blues,Concert...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.927280 Composed by Clifton Davis ASCAP. Blues,Concert,Jazz,Standards,Wedding. Score and parts. 20 pages. Clifton Allen Davis Music, ASCAP #5828217. Published by Clifton Allen Davis Music, ASCAP (A0.927280). Enjoy this romp through some classic jazz styles including blues and swing! Accessible yet interesting writing makes this a sight read for collegiate level players or an attainable goal for high school level players. Perfect for receptions, recitals, or sight-reading in lessons. About 5 minutes long. For clarinet, flute, and piano accompaniment (with each part and full score included in purchase.) Also available for clarinet duet and other permutations of instruments on Sheet Music Press by Clifton Allen Davis Music.
$10.99
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