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Second-Hand Rose
Sheetmusic to print
15 sheet music found
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1
Second Hand Rose
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Pop music
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Grant Clarke & James Hanley
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Blair Bielawski
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Second Hand Rose
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Hal Leonard - Digital
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SheetMusicPlus
(Full Performance) - Digital Download SKU: HX.249522 Composed by Grant Clarke & James Hanley. Arranged by Blair Bielawski. Concert,Pop. Choral. Duration ...
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(Full Performance) - Digital Download SKU: HX.249522 Composed by Grant Clarke & James Hanley. Arranged by Blair Bielawski. Concert,Pop. Choral. Duration 172. Published by Hal Leonard - Digital (HX.249522).
$1.99
Lo! How a Rose E'er Blooming (Cello & Piano)
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Piano Accompaniment - Level 4 - Digital Download SKU: A0.1500180 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Accompanim...
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Piano Accompaniment - Level 4 - Digital Download SKU: A0.1500180 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Accompaniment. Duration 170. Roger Wallace #1076257. Published by Roger Wallace (A0.1500180). Piano Accompaniment for Cello Solo. The track begins with 4 preparatory beats.This is a demonstration of the Piano Accompaniment for the printed arrangement by Roger Wallace that is available in Sheet Music Plus and Sheet Music Direct.The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano).Can also be played by Trombone/Euphonium/Tuba/Bassoon. Package includes parts for Treble Clef Trombone/Euphonium/Tenor Sax, Baritone Sax/Eb Bass and Horn in F.
$1.99
Lo! How a Rose E'er Blooming (Cello & Piano)
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Cello,Piano Accompaniment - Level 4 - Digital Download SKU: A0.1500176 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Full...
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Cello,Piano Accompaniment - Level 4 - Digital Download SKU: A0.1500176 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Full Performance. Duration 166. Roger Wallace #1076246. Published by Roger Wallace (A0.1500176). Cello Solo with Piano Accompaniment. This recording is a full demonstration of the printed arrangement by Roger Wallace that is available in Sheet Music Plus and Sheet Music Direct.The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano).YouTube Link.
$1.99
Lo! How a Rose E'er Blooming (Recorder & Piano)
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Alto Recorder,Recorder Solo - Level 4 - Digital Download SKU: A0.1502545 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. In...
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Alto Recorder,Recorder Solo - Level 4 - Digital Download SKU: A0.1502545 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Individual part. 8 pages. Roger Wallace #1078295. Published by Roger Wallace (A0.1502545). Recorder Solo with Piano Accompaniment.Can also be played by Flute/Oboe/Violin.Package includes a part for Clarinet/Soprano Sax.The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano).The audio sample (“Listen”) represents a Recorder solo.Full and Piano Accompaniment demonstrations (in MP3) of the Flute solo are available for download. See CD, Audio & More under FORMATS in Sheet Music Plus or Digital Audio under Product Type in Sheet Music Direct.The YouTube sample (“Watch”) represents a Violin solo.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$5.99
Lo! How a Rose E'er Blooming (Flute & Piano)
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Flute,Piano Accompaniment - Level 4 - Digital Download SKU: A0.1502470 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Full...
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Flute,Piano Accompaniment - Level 4 - Digital Download SKU: A0.1502470 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Full Performance. Duration 168. Roger Wallace #1078254. Published by Roger Wallace (A0.1502470). Flute Solo with Piano Accompaniment. This recording is a full demonstration of the printed arrangement by Roger Wallace that is available in Sheet Music Plus and Sheet Music Direct.The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano).
$1.99
Lo! How a Rose E'er Blooming (Flute & Piano)
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Piano Accompaniment - Level 4 - Digital Download SKU: A0.1502474 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Accompanim...
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Piano Accompaniment - Level 4 - Digital Download SKU: A0.1502474 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Accompaniment. Duration 170. Roger Wallace #1078258. Published by Roger Wallace (A0.1502474). Piano Accompaniment for Flute Solo. The track begins with 4 preparatory beats.This is a demonstration of the Piano Accompaniment for the printed arrangement by Roger Wallace that is available in Sheet Music Plus and Sheet Music Direct.The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano).Can also be played by Recorder/Oboe/Violin. Package includes parts for Bb Clarinet.
$1.99
Lo! How a Rose E'er Blooming (Trombone & Piano)
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Piano Accompaniment - Level 4 - Digital Download SKU: A0.1494432 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Accompanim...
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Piano Accompaniment - Level 4 - Digital Download SKU: A0.1494432 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Accompaniment. Duration 169. Roger Wallace #1071025. Published by Roger Wallace (A0.1494432). Piano Accompaniment for Trombone Solo. The track begins with 4 preparatory beats.This is a demonstration of the Piano Accompaniment for the printed arrangement by Roger Wallace that is available in Sheet Music Plus and Sheet Music Direct.The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano).Can also be played by Baritone/Euphonium/Bassoon/Cello. Package includes parts for Treble Clef Trombone/Tenor Sax, Horn in F and Viola.
$1.99
Lo! How a Rose E'er Blooming (Clarinet & Piano)
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Piano Accompaniment - Level 4 - Digital Download SKU: A0.1494239 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Accompanim...
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Piano Accompaniment - Level 4 - Digital Download SKU: A0.1494239 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Accompaniment. Duration 168. Roger Wallace #1070840. Published by Roger Wallace (A0.1494239). Piano Accompaniment for Clarinet Solo. The track begins with 4 preparatory beats.This is a demonstration of the Piano Accompaniment for the printed arrangement by Roger Wallace that is available in Sheet Music Plus and Sheet Music Direct.The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano).Can also be played by Trumpet/Soprano Sax. Package includes parts for Alto Sax and Flute/Recorder/Oboe/Violin that can also be played by Pitched Percussion (ex: Marimba).
$1.99
Lo! How a Rose E'er Blooming (Trombone & Piano)
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Traditional
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Roger Wallace
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Lo! How a Rose E'er Blooming
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Roger Wallace
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SheetMusicPlus
Piano Accompaniment,Trombone - Level 4 - Digital Download SKU: A0.1494430 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. F...
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Piano Accompaniment,Trombone - Level 4 - Digital Download SKU: A0.1494430 Composed by Traditional. Arranged by Roger Wallace. Baroque,Christmas,Sacred. Full Performance. Duration 166. Roger Wallace #1071023. Published by Roger Wallace (A0.1494430). Trombone Solo with Piano Accompaniment. This recording is a full demonstration of the printed arrangement by Roger Wallace that is available in Sheet Music Plus and Sheet Music Direct.The melody of this hymn (in chorale style) is introduced in the first verse. The second verse includes a counter melody woven though the accompaniment. The third verse features antiphonal lines accompanying the melody played by the left hand (piano).
$1.99
Tractors and Tambourines
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Kassidy-Rose McMahon
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Tractors and Tambourines
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Kassidy-Rose McMahon
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SheetMusicPlus
Small Ensemble Flute,Hand Percussion,Piano Accompaniment - Level 1 - Digital Download SKU: A0.992193 Composed by Kassidy-Rose McMahon. Contemporary,Instr...
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Small Ensemble Flute,Hand Percussion,Piano Accompaniment - Level 1 - Digital Download SKU: A0.992193 Composed by Kassidy-Rose McMahon. Contemporary,Instructional,Standards. Score and parts. 10 pages. Kassidy-Rose McMahon #4267071. Published by Kassidy-Rose McMahon (A0.992193). Tractors and Tambourines was composed in December 2018. This piece, in simple quadruple time and in the naïve key of C major, has an energetic, animated, and lively character. The pedagogical target of Tractors and Tambourines is coordination. The performer is required to tap a tambourine with their foot on the second and fourth beats while playing the piece.
$1.99
Sonatina for Flute and Piano
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 p...
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
Deep Purple
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Nino Tempo & April Stevens
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Debra E
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Deep Purple
#
Standard Time
#
SheetMusicPlus
B-Flat Clarinet,Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1514897 By Nino Tempo & April Stevens. By Mitchell Parish and Peter De Rose. Arr...
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B-Flat Clarinet,Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1514897 By Nino Tempo & April Stevens. By Mitchell Parish and Peter De Rose. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Pop,Standards,Traditional. Score and part. 6 pages. Standard Time #1089391. Published by Standard Time (A0.1514897). This beautiful 1930s ballad is arranged is for clarinet with piano accompaniment. The piano takes a lush turn at the melody on the second pass before handing it back to the soloist. Please note that audio features the soprano sax version of this arrangement.
$7.99
Deep Purple
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Nino Tempo & April Stevens
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Debra E
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Deep Purple
#
Standard Time
#
SheetMusicPlus
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1514900 By Nino Tempo & April Stevens. By Mitchell Parish and Peter De Rose. Arranged by Debra E...
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1514900 By Nino Tempo & April Stevens. By Mitchell Parish and Peter De Rose. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Pop,Standards,Traditional. Score and part. 6 pages. Standard Time #1089394. Published by Standard Time (A0.1514900). This beautiful 1930s ballad is arranged is for flute with piano accompaniment. The piano takes a lush turn at the melody on the second pass before handing it back to the soloist. Please note that audio features the soprano sax version of this arrangement.
$7.99
Folk Songs For Classical Guitar - Volume 29 (Songs 757-783)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1163847 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Class...
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1163847 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 46 pages. Socrates Arvanitakis #764199. Published by Socrates Arvanitakis (A0.1163847). This is the twenty-ninth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 29 (Songs 757-783)Sally BrownSally GraySamuel Hooser’s HymnSandySantianaScarborough Fair 1Scarborough Fair 2 (singing together version)Scraping Up Sand In The Bottom Of The SeaSearching for LambsSeasons of the Year (the)Second Britford CarolSee Amid the Winter’s SnowSeeds of Love (the)Servant of Rosemary Lane (the)Servingman and the Husbandman (the)Seven Virgins (the)Seventeen Come SundayShaker March No 20Shaker Solemn Song 2 (A)Shaker Solemn Song 12Shaker Turning Shuffle Tune No. 5She’s like the SwallowSheepcrook and Black DogSheep-shearing SongShepherd and his dog (the)Shepherd’s Song (the)Shepherds Arise.
$25.00
Pantheon for Horn, Violin and Piano
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Contemporary
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Elizabeth Raum
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Pantheon for Horn, Violin and
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Horn,Piano,Violin - Level 5 - Digital Download SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324....
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Small Ensemble Horn,Piano,Violin - Level 5 - Digital Download SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Gordon Cherry (A0.1503872). Rome's Pantheon, based on Greek mythical legends was first constructed over 2,000 years ago as a temple of all the gods. In the year 609, it became a Catholic church.Pantheon for Violin, Horn, and Piano by the great Canadian composer Elizabeth Raum is a seven-movement suite of chamber music depicting various of the Greek gods:1. Eos: Goddess of the Dawn2. Moirae: Gods of Fate3. Aphrodite: Goddess of Love and Beauty4. Zeus and Hera5. Artemis (Diana) Goddess of the Moon and the Hunt6. Hermes (Mercury) of the Winged Sandals7. Apollo: God of Sun and LightHere are the comments about Pantheon from composer Elizabeth Raum:Pantheon alludes to a temple, a musical temple in this case, devoted to the gods of ancient Greek mythology, several of whom are represented in this work. The first movement opens with a horn call as Eos, Goddess of the Dawn begins her rosy-fingered awakening, and rising from her couch, ascends the heavens in her horse-drawn chariot. She heralds the approach of her brother, Helius, the sun god, whose superior brightness causes her color to fade. In the second movement, The Fates (Moirae) spin their thread of life and death. The minimalist quality of the music, representing the steady turn of the spindle, becomes more and more agitated as Atropos, the Fate who holds the shears, prepares to cut the thread. The hand stopped horn and the Bartok pizzicato signify the final snip. A moment of contemplation, and they begin again. Some try to persuade Atropos to delay a moment, but she cannot be deterred. Aphrodite, the goddess of love and beauty, is the third movement. She arose from the foam of the sea and all were charmed by her grace, but she could also be coy and flirtatious as she is in this version. Zeus and Hera, the king and queen of the gods, make up the fourth movement. The opening theme suggests the regal stride of Zeus while Hera, furious at his many infidelities, quarrels with him and schemes to thwart his affairs. In the fifth movement, Artemis (Dawn Goddess of the Moon and the Hunt), holds high her silver bow that gleams in the night sky like the new moon. The clouds drift silently past while she runs with her hounds and dances with her nymphs. Hermes (Mercury) of the Winged Sandals, sixth movement, is scored for violin and horn alone. He is a very mischievous and cunning god, and his exceptional swiftness is aided by his winged sandals as he flies to carry out his divine duties. And finally in the seventh movement, Apollo the horn again summons the gods. A hymn to Apollo celebrates the god of eternal youth, beauty, and music. This is a major chamber work for Violin, Horn, and Piano of about 26 minutes in length written for Erika Raum, Phil Myers, and Peter Allen and is appropriate for very advanced artists.
$45.00
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