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Seven Pieces for Wedding
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You've selected:
Seven Pieces for Wedding
Sheetmusic to print
11 sheet music found
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1
Handel: Seven Pieces from Water Music for Piano Quintet
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George Friderick Handel
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James M
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Handel: Seven Pieces from Wate
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jmsgu3
#
SheetMusicPlus
Piano Quintet,String Ensemble Piano - Level 3 - Digital Download SKU: A0.552018 Composed by George Friderick Handel (1685-1756). Arranged by James M. Gut...
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Piano Quintet,String Ensemble Piano - Level 3 - Digital Download SKU: A0.552018 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 43 pages. Jmsgu3 #6053173. Published by jmsgu3 (A0.552018). Seven popular pieces from Handel's Water Music - most often requested for weddings. Score: 16 pages, Duration 12:15. Players may read from the score, or from the included instrumental parts.Contents: 1. Air2. Minuet3. Bourrée4. Hornpipe5. Rigaudon6. Minuet7. AndanteHandel's Water Music is one of his most famous compositions. It was written for King George I's pleasure barge trip along the River Thames in 1717. The Water Music is divided into three suites, each containing a variety of movements. The music features a mix of dance rhythms such as minuets, bourrees, and hornpipes, along with lively fanfares and slower, more stately airs. Its combination of light and playful music with grandeur and pomp has made it one of the most beloved pieces of classical music. Water Music has been performed by many orchestras and is a popular choice for special occasions, such as coronations and weddings. Its enduring popularity has helped to make it one of Handel's most famous and beloved compositions.Weddings during the time of Handel were usually quite extravagant affairs. The ceremony was typically held in a church and was accompanied by a full orchestra. Handel's own compositions were frequently used to provide the music for the ceremony. This was especially true in London, where Handel was based and where his music was extremely popular. Handel wrote a number of pieces specifically for use at weddings, including the popular Wedding Anthem and the Wedding Anthem in D Major. Handel's music provided a sense of grandeur and elegance to the proceedings and was often used to give the wedding an extra special touch.The festivities following the ceremony were also often quite lavish, with a large feast and plenty of dancing. Handel's music was often used to provide the background music for the dancing, and he wrote many dance suites that were specifically designed for this purpose. The bride and groom would often have a special dance to the music of Handel's Water Music, a particularly popular piece for the occasion. Guests at the wedding would be treated to a variety of Handel's works, ranging from his operas to his oratorios, which often had a spiritual or religious theme. Handel's music provided a sense of joy and celebration to the wedding and helped make it an occasion to remember.
$38.95
Delibes: Duo des Fleurs for Baritone Horn Duo & Piano
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Leo Delibes
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James M
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Delibes: Duo des Fleurs for Ba
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Baritone Horn TC,Instrumental Duet - Level 3 - Digital Download SKU: A0.552415 Composed by Leo Delibes (1836-1891). Arranged by James M...
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Instrumental Duet Baritone Horn TC,Instrumental Duet - Level 3 - Digital Download SKU: A0.552415 Composed by Leo Delibes (1836-1891). Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and parts. 7 pages. Jmsgu3 #6342771. Published by jmsgu3 (A0.552415). Duo of the flowers from Lakme, Act I. A popular wedding selection.Leo Delibes (1836-1891) was a French composer of the Romantic period best known for his ballets and operas. He was a child prodigy and began composing music at the age of seven. He studied at the Paris Conservatoire, where he developed a mastery of the symphonic form and wrote several pieces for the orchestra. His works for the stage are among the most popular and beloved of the Romantic era, including the ballets Coppélia and Sylvia, and the opera Lakmé.Delibes was a pioneer in the use of orchestral color and instrumental effects to enhance the dramatic narrative of his works. His works are often praised for their lyricism, graceful melodies, and colorful orchestrations. His music is considered to be a bridge between the grandiose and romantic works of the French composers before him, such as Gounod and Berlioz, and the more intimate and melodic style of composers like Debussy and Ravel.Delibes’ influence can be heard in the works of later composers such as Stravinsky and Prokofiev, and his music continues to be performed and enjoyed today. His contributions to music history are significant, and his works remain beloved masterpieces of the Romantic era.Léo Delibes' opera Lakmé is an opera in three acts. It was first performed in 1883 at the Théâtre Lyrique in Paris. The libretto was written by Edmond Gondinet and Philippe Gille. The story is set in British-occupied India and tells the story of a young Indian girl, Lakmé, who is in love with a British officer, Gerald. The story follows the couple's romantic journey, as well as the obstacles they face from Lakmé's father and the British military. The opera is best known for its beautiful score, which includes the famous aria The Flower Duet as well as the duet Lakmé! The Bell Song. The opera has been performed in opera houses all over the world and is considered one of Delibes' most popular works.The Duo des Fleurs, composed by French composer Léo Delibes, is a ballet pas de deux from the ballet Lakme, Act I. It is a beloved masterpiece of the Romantic period and is often performed as a standalone piece in many ballet performances. The piece is typically danced by two female ballet dancers and is known for its playful and lighthearted nature. The music consists of a melody that alternates between the two dancers and is often accompanied by a lighthearted waltz. The music has a strong sense of unity and connection between the two dancers, which is enhanced by the use of the same melody. The piece also features a beautiful soaring coda that gives it a sense of grandeur and beauty. The Duo des Fleurs is an exquisite piece of music and an enduring classic of the ballet repertoire.
$26.95
Schubert: Moment Musicaux for Baritone Horn & Piano
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Classical
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Rom...
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Seven Renaissance Pieces arr. for classical guitar quartet with soprano, alto and tenor recorders
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Tielmann Susato and John Dowla
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John Pinno
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#
Seven Renaissance Pieces arr.
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John Pinno
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SheetMusicPlus
Small Ensemble Alto Recorder,Guitar,Hand Percussion,Soprano Recorder,Tenor Recorder - Level 4 - Digital Download SKU: A0.775446 Composed by Tielmann Susa...
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Small Ensemble Alto Recorder,Guitar,Hand Percussion,Soprano Recorder,Tenor Recorder - Level 4 - Digital Download SKU: A0.775446 Composed by Tielmann Susato and John Dowland. Arranged by John Pinno. Concert,Renaissance,Wedding. Score and parts. 21 pages. John Pinno #3235415. Published by John Pinno (A0.775446). An arrangement of seven pieces from the Renaissance era by Tielmann Susato and John Dowland, for classical guitar quartet along with soprano, alto and tenor recorders. I have played these pieces in public performances, with three classical guitarists and myself playing either classical guitar or one of the recorders. Optionally the whole group could be played with four guitarists and a fifth member playing the different recorders. Additionally, my group has also included my wife playing some light ad-lib parts on bodhran (Irish-style hand drum), tambourine, and finger cymbals. Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745 The way I've performed these pieces, including myself and three guitarists: The Allemande gtr 1 part is played with tenor recorder playing the gtr 1 line down an octave, as shown in the tenor rec part, and on repeats, while the tenor rec. is not playing, the gtr 3 player plays the gtr 1 part, leaving the third gtr part unplayed, or the tenor recorder could play it. The Ronde in D minor is for gtr qt only On the Ronde in F major, I played the top part on an alto recorder. The Ronde and the Hupfauf are basically the same tune, but with different time signatures. On the Hupfauf I played the the gtr 1 part and there was no recorder part. For the Hoboeckentanz I played the gtr 1 part from the provided alto recorder part, which is a plain and then ornamented version. On the Ronde in C major I played the gtr 1 line on soprano recorder. The last piece in the group, Now O Now I Needs Must Part, either the soprano recorder plays the gtr 1 part through the whole tune, or alternates with one of the guitarists, as shown in the part for soprano and gtr 1.For any questions, concerns, etc. email John Pinno at jpinno093@hotmail.com
$15.00
Mendelssohn: Wedding March for Viola & Piano
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romanti...
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Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. 23 pages. Jmsgu3 #3602675. Published by jmsgu3 (A0.549885). Score: 12 pages, piano part: 6 pages, viola part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz.
$32.95
Mendelssohn: Wedding March for Oboe d'Amore & Piano
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, A...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891). Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.
$24.95
BACH: Fifteen Sinfonias BWV 787-801 for Brass Trio
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Classical
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Johann Sebastian Bach
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James M
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BACH: Fifteen Sinfonias BWV 78
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jmsgu3
#
SheetMusicPlus
Level 4 - Digital Download SKU: A0.552703 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. 112 pages. ...
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Level 4 - Digital Download SKU: A0.552703 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. 112 pages. Jmsgu3 #6533319. Published by jmsgu3 (A0.552703). Fifteen Symphonien (3-part inventions) for Brass Trio: 2 Cornets or Trumpets & Bass Trombone The 15 Sinfonias, also known as the Three-Part Inventions, are a collection of short compositions by Johann Sebastian Bach. They were initially written as musical exercises for his students, intended to help keyboard players develop their technique and strength in playing with both hands equally. The Sinfonias are significant as they represent a form of three-part counterpoint, providing explicit instruction for students to learn to deal correctly and well with three obbligato parts and achieve a cantabile playing style. The collection consists of 15 sinfonias, each arranged in ascending order of key, covering eight major and seven minor keys. Bach's 15 Sinfonias are valuable for their educational purpose and contribution to the keyboard technique's development. The main difference between Bach's Inventions and Sinfonias is their musical structure. The Inventions are two-part contrapuntal pieces, while the Sinfonias are three-part contrapuntal pieces.
$36.95
BACH: Fifteen Sinfonias BWV 787-801 for Sax Trio
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Classical
#
Johann Sebastian Bach
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James M
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BACH: Fifteen Sinfonias BWV 78
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.552702 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,...
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.552702 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. 104 pages. Jmsgu3 #6533269. Published by jmsgu3 (A0.552702). Fifteen Sinfonias (3-part inventions) for Sax Trio: Soprano. Alto & Baritone. The 15 Sinfonias, also known as the Three-Part Inventions, are a collection of short compositions by Johann Sebastian Bach. They were initially written as musical exercises for his students, intended to help keyboard players develop their technique and strength in playing with both hands equally. The Sinfonias are significant as they represent a form of three-part counterpoint. They provide explicit instruction for students to learn to deal correctly and well with three obbligato parts and achieve a cantabile playing style. The collection consists of 15 sinfonias, each arranged in ascending order of key, covering eight major and seven minor keys. Bach's 15 Sinfonias are valuable for their educational purpose and contribution to the keyboard technique's development. The main difference between Bach's Inventions and Sinfonias is their musical structure. The Inventions are two-part contrapuntal pieces, while the Sinfonias are three-part contrapuntal pieces.
$36.95
Pavane & Gaillarde Des Dieux, First Book of Dances (Pierre Phalèse, 1571) for Wind Instruments
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Pierre Phalèse
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Pavane & Gaillarde Des Dieux,
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.522175 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,We...
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Small Ensemble - Level 3 - Digital Download SKU: A0.522175 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 26 pages. Colin Kirkpatrick Publications #6088861. Published by Colin Kirkpatrick Publications (A0.522175). Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. During the sixteenth and seventeenth centuries, the pavane and gaillarde were both popular dances and frequently paired. These are the third and fourth paired dances in the original publication. This arrangement is scored for virtually any combination of conventional wind instruments and percussion, with optional keyboard part. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The optional keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The percussion instruments used are similar to those found in elementary school music rooms and two players are usually required. Other percussion instruments may be added as desired. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$11.99
The Sandy Path That Leads Me Down (Piano Quartet)
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David Perkins
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The Sandy Path That Leads Me D
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David Perkins
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.905620 Composed by David Perkins. Concert,Contemporary,Wedding. Score and parts. 31 pa...
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.905620 Composed by David Perkins. Concert,Contemporary,Wedding. Score and parts. 31 pages. David Perkins #4631781. Published by David Perkins (A0.905620). The Sandy Path That Leads Me Down is an arrangement for Piano Quartet - Piano, Violin, Viola and Cello. Originally a setting of a poem by John Betjemen, this piece re-arranged for Piano Quartet, has become a wordless song in its own right. The somewhat cryptic title is a line taken from the original poem.This and seven other pieces (yet to be arranged) will eventually form a suite of pieces entitled As Wordless as the Windy Sky. Together they will create a broadly biographical sequence from the boundless imagination of childhood, through holidays, religion, love, the pleasures of the middle years to the inevitability of old age.
$7.99
Hells Bells
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Rock
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AC/DC
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Phyllis Avidan Louke
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Hells Bells
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.736284 By AC/DC. By Angus Mckinnon Young, Angus Young, Brian Johnson, Malcolm Mitchell Young...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.736284 By AC/DC. By Angus Mckinnon Young, Angus Young, Brian Johnson, Malcolm Mitchell Young, and Malcolm Young. Arranged by Phyllis Avidan Louke. Pop,Rock. 12 pages. Louke Publishing #3861839. Published by Louke Publishing (A0.736284). For Flute Quartet or Flute Choir Hells BellsProgram Notes Hells Bells, written by Angus Young, Brian Johnson, and Malcolm Young, is the first track of Back in Black,the seventh studio album by Australian hard rockband AC/DC and their comeback album after the death of lead singer Bon Scott. Hells Bells is the second single from Back in Black, released on 31 October 1980. The song begins with a bell slowly tolling four times, after which Angus Young starts playing the song’s main riff. Malcolm Young then joins in, followed by Phil Rudd on drums and Cliff Williams on bass. The bell tolls a total of 13 times during the song’s introduction. On a more personal note, I was asked to arrange this song by my daughter and son-in-law to use as the processional for their wedding. Really… I couldn’t make this up. It is scored for Flute Quartet: 2 flutes, alto flute (c-part included), and bass flute. It should work for 4 flutes, as well, although I’d suggest taking some of the bass flute part down an octave when possible. Rock Hard Rock AC/DC Bells  Phyllis Avidan Louke is an award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com
$12.99
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