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276

I Love My Kitty Cat #Parry Gripp #I Love My Kitty Cat #Amphibia Cultural Legacy #SheetMusicPlus

Mixed Percussion,Strings Acoustic Guitar,Bass Drum,Bass Voice,Body Percussion,Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Flute,Han...(+)

$10.00

Pura Alegria for Trumpet Sextet and Keyboard #Eddie Lewis

Spice up yo #Eddie Lewis #Pura Alegria for Trumpet Sexte #Tiger Music #SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.750374 Composed by Eddie Lewis. Multicultural,World...(+)

$31.34

Sky Quest for Brass Band #Garrie Harvey #Sky Quest for Brass Band #G L Harvey #SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...(+)

$45.99

Something For Strings #Peter A Moy #Peter Moy #Something For Strings #Peter Maslen-Moy #SheetMusicPlus

String Quintet - Level 3 - Digital Download SKU: A0.1372097 Composed by Peter A Moy. Arranged by Peter Moy. Chamber,Classical,Traditional. 17 pages. Pete...(+)

$15.00

Renaissance Madrigals Arranged for Strings, set 2 #Renaissance #Many #Curtis Hanson #Renaissance Madrigals Arranged #Curtis Hanson #SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719774 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 46 pages. Curtis H...(+)

$29.99

Renaissance Madrigals Arranged for Strings, set 3 #Renaissance #Many #Curtis Hanson #Renaissance Madrigals Arranged #Curtis Hanson #SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719775 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 63 pages. Curtis H...(+)

$29.99

Something There #Rock #The Candlelight Guitarist #Brad Powell #Something There #Geofonica Artistworks #SheetMusicPlus

Guitar,Voice - Level 3 - Digital Download SKU: A0.1374704 By The Candlelight Guitarist. By Alan Menken and Howard Ashman. Arranged by Brad Powell. Broadw...(+)

$4.99

Poem For Carlita (viola part - vln, vla, cel) #Mark Oâ€™Connor

#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pa...(+)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202197. Published by Mark O'Connor Musik International (A0.861805). Poem For Carlita (viola part â€“ vln, vla, cel) MO142CViola Part (score and parts available)Music by Mark Oâ€™Connor6 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used tocalm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142CCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

Poem For Carlita (violin part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pa...(+)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6202181. Published by Mark O'Connor Musik International (A0.861803). Poem For Carlita (violin part â€“ vln, vla, cel) MO142BViolin Part (score and parts available)Music by Mark Oâ€™Connor7 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142BCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

Poem For Carlita (cello part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pa...(+)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202205. Published by Mark O'Connor Musik International (A0.861806). Poem For Carlita (cello â€“ vln, vla, cel) MO142DCello Part (score and parts available)Music by Mark Oâ€™Connor15 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142DCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

Heavy Metal for Balinese gamelan and chamber ensemble #Christine Southworth #Heavy Metal for Balinese gamel #Airplane Ears Music #SheetMusicPlus

Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 ...(+)

Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970â€™s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately â€“ rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com

$25.00
Renaissance Motets Arranged for Strings - Palestrina, set 3 #Renaissance #Giovanni Pierluigi da Palestri #Curtis Hanson #Renaissance Motets Arranged fo #Curtis Hanson #SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719750 Composed by Giovanni Pierluigi da Palestrina. Arranged by Curtis Hanson. Renaissance. Score a...(+)

String Ensemble - Level 3 - Digital Download SKU: A0.719750 Composed by Giovanni Pierluigi da Palestrina. Arranged by Curtis Hanson. Renaissance. Score and parts. 89 pages. Curtis Hanson #4839431. Published by Curtis Hanson (A0.719750). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what youâ€™re looking for.For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are all set for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (â€˜) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.

$29.99
Renaissance Motets Arranged for Strings - Palestrina, set 2 #Contemporary #Giovanni Pierluigi da Palestri #Curtis Hanson #Renaissance Motets Arranged fo #Curtis Hanson #SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719749 Composed by Giovanni Pierluigi da Palestrina. Arranged by Curtis Hanson. Contemporary. Score ...(+)

String Ensemble - Level 3 - Digital Download SKU: A0.719749 Composed by Giovanni Pierluigi da Palestrina. Arranged by Curtis Hanson. Contemporary. Score and parts. 78 pages. Curtis Hanson #4839425. Published by Curtis Hanson (A0.719749). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what youâ€™re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are all set for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (â€˜) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.

$29.99
Renaissance Motets Arranged for Strings - Palestrina, set 1 #Renaissance #Giovanni Pierluigi da Palestri #Curtis Hanson #Renaissance Motets Arranged fo #Curtis Hanson #SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719747 Composed by Giovanni Pierluigi da Palestrina. Arranged by Curtis Hanson. Renaissance. Score a...(+)

String Ensemble - Level 3 - Digital Download SKU: A0.719747 Composed by Giovanni Pierluigi da Palestrina. Arranged by Curtis Hanson. Renaissance. Score and parts. 83 pages. Curtis Hanson #4839423. Published by Curtis Hanson (A0.719747). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what youâ€™re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are all set for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (â€˜) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.

$29.99
Renaissance Motets Arranged for Strings - Victoria, Di Lasso #Renaissance #Tomas Luis de Victoria / Orlan #Curtis Hanson #Renaissance Motets Arranged fo #Curtis Hanson #SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719746 Composed by Tomas Luis de Victoria / Orlando di Lasso. Arranged by Curtis Hanson. Renaissance...(+)

String Ensemble - Level 3 - Digital Download SKU: A0.719746 Composed by Tomas Luis de Victoria / Orlando di Lasso. Arranged by Curtis Hanson. Renaissance. Score and parts. 67 pages. Curtis Hanson #4839417. Published by Curtis Hanson (A0.719746). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what youâ€™re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are all set for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (â€˜) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.

$29.99
16th Century Motets and Anthems Arranged for Strings #Renaissance #Many #Curtis Hanson # #16th Century Motets and Anthem #Curtis Hanson #SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719745 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 49 pages. Curtis H...(+)

String Ensemble - Level 3 - Digital Download SKU: A0.719745 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 49 pages. Curtis Hanson #4839405. Published by Curtis Hanson (A0.719745). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what youâ€™re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are arranged for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (â€˜) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired.    The audio example is of the first piece in the collection.

$24.99
What do they matter? (for medium-high voice and harp) #Contemporary #Nicole Elyse DiPaolo #What do they matter? #Nicole Elyse DiPaolo #SheetMusicPlus

Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pag...(+)

Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matterÂ to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of YucatÃ¡n. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.comÂ !

$5.99
Renaissance Motets Arranged for Strings - Byrd, set 1 #Renaissance #William Byrd #Curtis Hanson #Renaissance Motets Arranged fo #Curtis Hanson #SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719751 Composed by William Byrd. Arranged by Curtis Hanson. Renaissance. Score and parts. 61 pages. ...(+)

String Ensemble - Level 3 - Digital Download SKU: A0.719751 Composed by William Byrd. Arranged by Curtis Hanson. Renaissance. Score and parts. 61 pages. Curtis Hanson #4839433. Published by Curtis Hanson (A0.719751). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what youâ€™re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. The pieces in this collection are set for a variety of string ensembles, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (â€˜) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.

$29.99
Renaissance Motets Arranged for Strings - Byrd, set 3 #Renaissance #William Byrd #Curtis Hanson #Renaissance Motets Arranged fo #Curtis Hanson #SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719753 Composed by William Byrd. Arranged by Curtis Hanson. Renaissance. Score and parts. 70 pages. ...(+)

String Ensemble - Level 3 - Digital Download SKU: A0.719753 Composed by William Byrd. Arranged by Curtis Hanson. Renaissance. Score and parts. 70 pages. Curtis Hanson #4839439. Published by Curtis Hanson (A0.719753). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what youâ€™re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. The pieces in this collection are set for a variety of string ensembles, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (â€˜) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.

$29.99
Renaissance Motets Arranged for Strings - Byrd, set 2 #Renaissance #William Byrd #Curtis Hanson #Renaissance Motets Arranged fo #Curtis Hanson #SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719752 Composed by William Byrd. Arranged by Curtis Hanson. Renaissance. Score and parts. 62 pages. ...(+)

String Ensemble - Level 3 - Digital Download SKU: A0.719752 Composed by William Byrd. Arranged by Curtis Hanson. Renaissance. Score and parts. 62 pages. Curtis Hanson #4839435. Published by Curtis Hanson (A0.719752). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what youâ€™re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. The pieces in this collection are set for a variety of string ensembles, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (â€˜) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.

$29.99
Early Renaissance Motets Arranged for Strings #Renaissance #Many #Curtis Hanson #Early Renaissance Motets Arran #Curtis Hanson #SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719744 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 47 pages. Curtis H...(+)

String Ensemble - Level 3 - Digital Download SKU: A0.719744 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 47 pages. Curtis Hanson #4839401. Published by Curtis Hanson (A0.719744). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what youâ€™re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. The pieces in this collection, arranged for a variety of string ensembles, instruments most closely able to mimic the inflections of the human voice, are of the multi-part motets only. Any plainchant intonations have been omitted. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first and last piece in the collection.

$24.99
Something More #Catherine Crawley #Something More #Catherine Crawley #SheetMusicPlus

Small Ensemble Flute,Piano,Voice - Level 4 - Digital Download SKU: A0.866407 Composed by Catherine Crawley. Christian,Contemporary,Standards. Score and p...(+)

Small Ensemble Flute,Piano,Voice - Level 4 - Digital Download SKU: A0.866407 Composed by Catherine Crawley. Christian,Contemporary,Standards. Score and parts. 4 pages. Catherine Crawley #2024623. Published by Catherine Crawley (A0.866407). This is a lyrical hymn for voice, piano, and optional flute written in the key of C major. The late intermediate student should play with a flowing character.

$3.99
Something Happened On The Way To Heaven #Deborah Cox #Matt Smith #Something Happened On The Way #Matt Smith #SheetMusicPlus

Rhythm Section Voice - Level 3 - Digital Download SKU: A0.789830 By Deborah Cox. By Daryl Stuermer and Phil Collins. Arranged by Matt Smith. Contemporary...(+)

Rhythm Section Voice - Level 3 - Digital Download SKU: A0.789830 By Deborah Cox. By Daryl Stuermer and Phil Collins. Arranged by Matt Smith. Contemporary,Pop. Score and parts. 25 pages. Matt Smith #6400559. Published by Matt Smith (A0.789830). Something Happened On The Way To Heaven by Phil Collins, arranged for function band horns: Alto Sax, Tenor Sax, Trumpet and Trombone.Duration: About 4 minute 30 secondsYouTube demo video: https://www.youtube.com/watch?v=XRo9l6RGeCAVisit https://www.mattsmithmusic.co.uk/shop?Category=-Function+Band for more Function Band sheet music!

$24.99
Something (feat. Ike Willis) #Youngblood Brass Band #Nat McIntosh #Something #Layered Music #SheetMusicPlus

Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Download SKU: A0.1394474 By Youngblood Brass Band. By Nat McIntosh. ...(+)

Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Download SKU: A0.1394474 By Youngblood Brass Band. By Nat McIntosh. Arranged by Nat McIntosh. Funk,Hip-Hop,Jazz,R & B,Soul. 58 pages. Layered Music #977959. Published by Layered Music (A0.1394474). Full score and parts for the Youngblood Brass Band song 'Something (feat. Ike Willis)', by Nat McIntosh, taken from the Unlearn album recordings. This is the official, verbatim transcription from the record, i.e. 3 trumpet parts, 2 trombones, 1 tenor sax, 1 snare drum/cymbal, 1 bass drum/cymbal, and sousaphone. Transcribed and approved by the author. This is the only YBB-sanctioned sheet music in existence for this original tune.YBB members are also available for online lessons, commissions, bespoke arrangements, and custom studio work. Contact us for details and check out our entire catalog of music, merch, and arrangements (including options to purchase the actual software notation files for sheet music) at youngbloodbrassbandofficial.bandcamp.comAll links to YBB social media/music/info: linktr.ee/youngbloodbrassbandThanks for listening.

$65.00
Learning to Dance (Duet for Eb Alto Saxophone and F Horn) #Adam Lenhart #Learning to Dance #Adam Lenhart #SheetMusicPlus

Alto Saxophone,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1322562 Composed by Adam Lenhart. 21st Century,Chamber,Children,Classical,Inst...(+)

Alto Saxophone,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1322562 Composed by Adam Lenhart. 21st Century,Chamber,Children,Classical,Instructional. 8 pages. Adam Lenhart #910858. Published by Adam Lenhart (A0.1322562). Learning to Dance is a playful and beginner-friendly duet exploring a fun blend of playing in both 3 and 2. You can almost close your eyes and imagine yourself learning to waltz, every once in a while missing a step or adding an extra one, embodying all of the excitement, frustration and surprises of learning something new.Purchase includes full score and individual parts.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Associationâ€™s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Menâ€™s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.

$4.99

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