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Still into You: Flute
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Still into You: Flute
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16 sheet music found
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1
Silent Night (Bb) (Woodwind Octet - 2 Flute, 1 Oboe, 3 Clar, 1 Hrn, 1 Bassoon)
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Christmas
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.814535 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar...
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Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.814535 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 12 pages. Regis Bookshar #6636671. Published by Regis Bookshar (A0.814535). Woodwind Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Woodwind Octet, consisting of 2 Flutes, 1 Oboe, 3 Clarinets, 1 French Horn and 1 Bassoon, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Silent Night (Bb) (Woodwind Octet - 3 Flute, 1 Oboe, 2 Clar, 1 Hrn, 1 Bassoon)
#
Christmas
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.814536 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar...
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Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.814536 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 12 pages. Regis Bookshar #6636673. Published by Regis Bookshar (A0.814536). Woodwind Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Woodwind Octet, consisting of 3 Flutes, 1 Oboe, 2 Clarinets, 1 French Horn and 1 Bassoon, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Peace on Earth - Christmas Song - SATB flute or violin or cello with piano and parts
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Connie Boss
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cdboss@cvalley
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Peace on Earth - Christmas Son
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801644 Composed by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 13 pages. Conn...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801644 Composed by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 13 pages. Connie Boss #6360795. Published by Connie Boss (A0.801644). DESCRIPTIONThis is a Christmas original I was inspired to write. The shepherds couldn't quite figure out why there was such a bright star and why the baby was so special. Once they arrived in Bethlehem, they realized he was born to bring Peace on earth to all. Note: This shows going from verse 2 to bridge. You could repeat the refrain in between and/or add the refrain at the end of the piece. (You get all three instrument parts in individual parts each on one page for no page turning in this one purchase) cdboss@cvalley.netLyrics:Peace on EarthChristmas SongComposed by Connie Boss Intro and Refrain:Peace on EarthPeace on EarthPeace on EarthPeace one Earth Verse 1:And into the still of the nightThere was one star shining brightShepherds in their fields all aroundSaw it shine down on a town Refrain: Verse 2:It’s light beckoning all to comeTo see the new chosen oneSo they followed the bright starThey came from near and from farRefrain:BridgeFor some the journey took them daysArriving there they were amazedAll of this for a baby boy:Why were they all filled with joy?Christ was born on Christmas morn, to bring Peace on EarthPeace for allPeace for you and me. Refrain to end.
$5.50
Dawn in the Room for flute and strings (mp3)
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David Warin Solomons
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Dawn in the Room for flute and
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David Warin Solomons
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SheetMusicPlus
Flute - Digital Download SKU: A0.1059327 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 296. David Warin Solomon...
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Flute - Digital Download SKU: A0.1059327 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 296. David Warin Solomons #2054325. Published by David Warin Solomons (A0.1059327). Scorehttps://www.sheetmusicplus.com/title/20211486?aff_id=175705Instrumental version performed by Laszlo Demeter and the Budapest Scoring String Orchestra based on the poem by E M Solomons in which a lover thinks of his/her late beloved and, at dawn, sees him/her like a ghost confirming that love is still there. The pale gold light creeps into my silent room touching my face I know that you are here.
$2.00
Beautiful Savior (Duet for Flute and Bb-Clarinet)
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Sacred music
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Stephen DeCesare
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Stephen DeCesare
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Beautiful Savior
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1461198 By Stephen DeCesare. By Traditional. A...
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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1461198 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. 14 pages. Exultet Music #1040058. Published by Exultet Music (A0.1461198). The Christian anthem that is still sung in many churches today has been freshly arranged with a contemporary flavor and scored as a duet for Flute and Bb-Clarinet with Piano accompaniment. This anthem has new life breathed into it by this arrangement, and it should be a great addition to your church's repertoire. This arrangement is a great way to liven up your church services with a new take on a classic. An accompaniment track is also available.
$4.99
Where Are We Going?
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Alan Wagstaff
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Alan Wagstaff
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Where Are We Going?
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Alan Wagstaff
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1422251 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Country,Folk,Irish,New Age,Singer/Songwr...
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Level 3 - Digital Download SKU: A0.1422251 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Country,Folk,Irish,New Age,Singer/Songwriter. 18 pages. Alan Wagstaff #1003599. Published by Alan Wagstaff (A0.1422251). 'Where Are We Going?' is an Irish style waltz written for soprano voice, fiddle, harp, accordion, flute, and bass. Here is the lyric:'Where are we going?' you asked me today.Truth is - I have no idea.Wherever we're heading - we're heading that way;today - let's enjoy being here. I don't buy into this mad human race.Everyone's rushing to some distant place.Everyone’s hoping some day they'll arrive.I'm busy being alive. What happens next, now that we two have met,Leave in the lap of the gods.'Now' is a moment I cannot regret -right now, we have beaten the odds. I don't buy into this mad human race.Everyone's rushing to some distant place.Everyone’s hoping some day they'll arrive.I'm busy being alive. I love uncertainty - I love the road,I love the time spent with you.I love not knowing the last episode,I love what we're going through. Don’t even know what's around the next bend.Don't want to know, or to see.One thing's for certain - I'll still be your friend,Right now, that feels solid to me. I don't buy into this mad human race.Everyone's rushing to some distant place.Everyone’s hoping some day they'll arrive.I'm busy being alive.
$2.50
50 Hymns for Beginner Orchestra: Complete Collection of Traditional Arrangements
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Various
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L
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50 Hymns for Beginner Orchestr
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Müller Publishing company
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SheetMusicPlus
Large Ensemble Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0...
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Large Ensemble Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1499956 Composed by Various. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 1122 pages. Müller Publishing company #1076027. Published by Müller Publishing company (A0.1499956). 50 Hymns for Beginner Orchestra: Complete Collection of Traditional ArrangementsExplore the beauty of timeless hymns with this comprehensive collection of 50 arrangements specially crafted for beginner orchestras. Arranged by L. Müller, this book includes a wide range of beloved hymns, allowing orchestras of all levels to experience the joy of playing these sacred songs together. Each arrangement is thoughtfully designed to be accessible for young musicians while preserving the integrity and spirit of the original melodies. Whether for worship, performances, or educational purposes, this collection will serve as a valuable resource for any orchestra.Included Hymns:1. A Mighty Fortress2. Abide With Me3. All Hail The Power of Jesus' Name4. All Hail to the Power5. Belmont Hymn6. Christ Arose7. Count Your Blessings8. Fairest Lord Jesus9. Glorious Things of Thee Are Spoken10. God Be With You11. God of Our Fathers12. God Reveals His Presence13. Great Is Thy Faithfulness14. Holy, Holy, Holy15. How Great Thou Art16. I Surrender All17. Is Your All on the Altar18. It Is Well with My Soul19. Jesus Christ is Risen Today20. Jesus is Passing This Way21. Joyful, Joyful, We Adore Thee22. Lead me, Lord23. Let us praise God24. Majesty25. Master, the Tempest is Raging26. Mine Eyes Have Seen the Glory27. Moment by Moment28. Nearer my God to Thee29. Nearer, still nearer30. Now the Day Is Over31. O Love That Will Not Let Me Go32. O the Deep, Deep Love of Jesus33. Onward, Christian Soldiers34. Praise Ye the Father35. Showers of Blessing36. Standing on the Promises37. Tell Me the Old, Old Story38. The Banner of the Cross39. The Fight Is On40. The Gospel Bells41. The King's Business42. The Lord Bless You and Keep You43. The Old Rugged Cross44. To God Be The Glory45. Tollite Hostias46. True-hearted, Whole-hearted47. Trust and Obey48. We Plow the Fields49. When I Survey The Wondrous Cross50. Wonderful Grace of JesusInstrumentation:* Flute* Clarinet in Bb I & II* Soprano Saxophone* Alto Saxophone I & II* Horn in F* Trumpet in Bb I, II & III* Trombone I & II* Tuba* Violin I, II & III* Viola* Cello I & II* Contrabass* PianoThis collection provides flexibility for various ensemble sizes and skill levels, making it perfect for churches, schools, and community groups. Each hymn comes with a beginner-friendly arrangement that will inspire both musicians and audiences alike. Dive into this rich repertoire and bring these classic hymns to life in your next performance.Don't miss out on this invaluable collection that will enrich your orchestra's music library and uplift hearts through the power of hymnody.
$50.00
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phale...
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, ...
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
The Impossible Dream (the Quest)
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Man Of La Mancha
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Phyllis Avidan Louke
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The Impossible Dream
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1113567 By Man Of La Mancha. By Joe Darion and Mitch Leigh. Arranged by Phyl...
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1113567 By Man Of La Mancha. By Joe Darion and Mitch Leigh. Arranged by Phyllis Avidan Louke. Broadway,Film/TV,Musical/Show,Standards. 12 pages. Louke Publishing #715479. Published by Louke Publishing (A0.1113567). Low Flute Ensemble The Impossible Dream from Man of La Mancha Program Notes The Impossible Dream (The Quest) is the most popular song from the 1965 Broadway musical Man of La Mancha and is also featured in the 1972 film of the same name. The song was composed by Mitch Leigh, with lyrics written by Joe Darion. It was awarded the Contemporary Classics Award from the Songwriter’s Hall of Fame. I have always found the lyrics of The Impossible Dream extremely moving: To dream the impossible dream To fight the unbeatable foe To bear with unbearable sorrow And to run where the brave dare not go To right the unrightable wrong And to love pure and chaste from afar To try when your arms are too weary To reach the unreachable star This is my quest To follow that star No matter how hopeless No matter how far To fight for the right Without question or pause To be willing to march, march into Hell For that Heavenly cause And I know if I'll only be true To this glorious quest That my heart will lie peaceful and calm When I'm laid to my rest And the world will be better for this That one man, scorned and covered with scars Still strove with his last ounce of courage To reach the unreachable star This arrangement for Low Flute Ensemble can be performed with as few as 5 players or a full flute choir with multiple players on a part. It is scored for 3 alto flutes, 2 bass flutes, and optional contrabass flute. Broadway Movies Popular Ballad Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com. A list of Phyllis Louke’s SMP publications with full length recordings can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/.
$14.50
The Impossible Dream
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Film/TV
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Mitch Leigh
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Phyllis Avidan Louke
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The Impossible Dream
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.736270 Composed by Mitch Leigh. Arranged by Phyllis Avidan Louke. Film/TV,Pop. 12 pages. Lou...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.736270 Composed by Mitch Leigh. Arranged by Phyllis Avidan Louke. Film/TV,Pop. 12 pages. Louke Publishing #3489035. Published by Louke Publishing (A0.736270). 2018 Chamber Music Contest EntryThe Impossible Dream from Man of La ManchaProgram Notes Low Flute Ensemble The Impossible Dream (The Quest) is the most popular song from the 1965 Broadway musical Man of La Mancha and is also featured in the 1972 film of the same name. The song was composed by Mitch Leigh, with lyrics written by Joe Darion. It was awarded the Contemporary Classics Award from the Songwriter’s Hall of Fame. This arrangement for Low Flute Ensemble can be performed with as few as 5 players or a full flute choir with multiple players on a part. It is scored for 3 alto flutes, 2 bass flutes, and optional contrabass flute. I have always found the lyrics of The Impossible Dream extremely moving: To dream the impossible dream, To fight the unbeatable foe, To bear with unbearable sorrow, To run where the brave dare not go. To right the unrightable wrong, To love pure and chaste from afar, To try when your arms are too weary, To reach the unreachable star. This is my quest, To follow that star No matter how hopeless, No matter how far. To fight for the right Without question or pause, To be willing to march Into hell for a heavenly cause. And I know if I'll only be true To this glorious quest That my heart will be peaceful and calm When I'm laid to my rest. And the world will be better for this, That one man scorned and covered with scars Still strove with his last ounce of courage. To fight the unbeatable foe. To reach the unreachable star. BroadwayMoviesPopularBalladMusicals Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com  A list of Phyllis Louke’s SMP publications with full length recordings can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/ Â
$14.00
Chording to Consort Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to Consort Full Score
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Wold Meridian
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John ...
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Level 2 - Digital Download SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig Senfl, Michael Praetorius, Pierre Attaignanant, Pierre Bonnet, and Tielman Susato. Arranged by Alastair Lodge. Classical,Early Music,Historic,Medieval,Renaissance. 43 pages. Wold Meridian #840108. Published by Wold Meridian (A0.1245199). This is a companion to my earlier volume Chording to Consort which presented 35 Renaissance Dance band tunes and Chansons and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited the remaining 17 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. Â You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkPO9vTOgEoG_kRJlJ5nUHnxComposers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on.Working with this publicationFor those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
Through The Years
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Blaze Scheuerman
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Through The Years
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Blaze Scheuerman
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SheetMusicPlus
Small Ensemble Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Flute,Horn,Trombone - Level 3 - Digital Download SKU: A0.1047346 By Blaze Scheuerman. By Bla...
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Small Ensemble Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Flute,Horn,Trombone - Level 3 - Digital Download SKU: A0.1047346 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 43 pages. Blaze Scheuerman #651904. Published by Blaze Scheuerman (A0.1047346). Through The Years is meant to be a reflection back onto one’s childhood. Inspired by my own upbringing, it is a recollection of past events that came and mindsets experienced. It opens up with a loud and active sound to show the start of the journey. The character begins happy and energetic, going head first with no fear. The dotted quarter note theme at measure 11 then shows the young child’s state of mind. While beginning to understand concepts of anxiety and fear, he is still full of vigor and confidence. Then at measure 26, the main character begins his adolescence. Still fresh and happy, he sees the world in a simple way and that it is actively watching out for him. He is enjoying this passive time of leisure until measure 40, where he decides to actively try to seek out something. He gets carried away however, and tries to return back to his roots, seen in measure 59. Unfortunately he finds himself tainted and unable to return to his go-getting former self. He then does something peculiar in measure 77. Instead of being angered or saddened by this fact, he accepts it and takes a step back to rebuild himself, seen in the fugato section. After a long and detailed remapping, he finds himself back at his desired happy self. However at measure 127, he feels himself changing once again. So through active awareness and will, he prevents himself from changing into something he doesn’t want to be and instead stays as his desired self.
$5.99
In Seaspray, Barefoot (violin & piano)
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Contemporary
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Greg Bartholomew
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In Seaspray, Barefoot
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Burke & Bagley
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SheetMusicPlus
Small Ensemble Violin - Level 4 - Digital Download SKU: A0.787199 Composed by Greg Bartholomew. 20th Century,Contemporary. Score and parts. 14 pages. Bur...
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Small Ensemble Violin - Level 4 - Digital Download SKU: A0.787199 Composed by Greg Bartholomew. 20th Century,Contemporary. Score and parts. 14 pages. Burke & Bagley #45581. Published by Burke & Bagley (A0.787199). A fun and exciting bagatelle. In Seapray, Barefoot imagines a young person running down from sand dunes into the ocean and being chased by the waves back up into the dunes, in a playful dance. Composed in March 2012, the piece was premiered September 9, 2012, by Denise Stillwell, violin, and Yumi Suehiro, piano, on the Composer's Voice concert series at the Jan Hus Church, New York City. Originally composed for violin & piano, alternate arrangements for flute, clarinet, tuba or flugelhorn with piano, and for violin, flute or clarinet with guitar. Duration 2'45Download free piano accompaniment track: Â http://www.gregbartholomew.com/piano/
$9.00
Silent Night
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Christmas
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The United Choral Singers and
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Amphibia Cultural Legacy
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Silent Night
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Amphibia Cultural Legacy
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SheetMusicPlus
Strings Celesta,Chimes,Choir,Clarinet,Digital Keyboard,Double Bass,Electronic Keyboard,Flute,Glockenspiel,Harpsichord,Horn,Medium-High Voice,Medium-Low Voice,Ob...
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Strings Celesta,Chimes,Choir,Clarinet,Digital Keyboard,Double Bass,Electronic Keyboard,Flute,Glockenspiel,Harpsichord,Horn,Medium-High Voice,Medium-Low Voice,Oboe,Piano and Keyboard,Piccolo,Tuba - Digital Download SKU: A0.1245404 By The United Choral Singers and The United Studio Orchestra. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. Christmas,Hanukkah,Holiday,Religious,Traditional. 5 pages. Amphibia Cultural Legacy #840284. Published by Amphibia Cultural Legacy (A0.1245404). Amphibia Cultural Legacy has taken the classic Disney Christmas song, Silent Night, and given it a fresh twist by remixing it with additional instruments. Originally written by The United Studio Orchestra & Choral Singers, this timeless tune has been transformed into a modern masterpiece. Amphibia Cultural Legacy's rendition of Silent Night will surely be a hit for anyone who loves soothing and uplifting music.The addition of new instruments in this remix gives the song an entirely different feel. Amphibia Cultural Legacy has managed to maintain the essence of the original yet still make it its own. The result is a beautiful piece of music that will bring joy and comfort to listeners everywhere. From start to finish, this version of Silent Night showcases the impressive musical talent of everyone involved.This new mix includes a beautiful blend of traditional orchestral sounds and modern electronic beats. The result is a festive and upbeat track that will light up your world with energy and joy. Every note feels carefully crafted to bring out the best in this timeless tune. This remix proves that even classics can be improved with creativity and innovation.
$50.00
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