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Suite E minor
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Suite E minor
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28 sheet music found
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1
26
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Bach-Bourree from Lute Suite No. 1 in e minor
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Classical
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Johann Sebastian Bach
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William Giannone
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Bach-Bourree from Lute Suite N
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Rosebud Music Publishing Co.
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SheetMusicPlus
Cello,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1370015 Composed by Johann Sebastian Bach. Arranged by William Giannone. Baroque,Chamber,W...
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Cello,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1370015 Composed by Johann Sebastian Bach. Arranged by William Giannone. Baroque,Chamber,Wedding. Accompaniment. Duration 119. Rosebud Music Publishing Co. #954390. Published by Rosebud Music Publishing Co. (A0.1370015). Bach's Bourree from Lute Suite No. 1 in e minor (BWV996) has been arranged for flute with piano and cell accompaniment.This mp3 is the piano/cello accompaniment audio.
$3.95
Suite in E Minor
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Sylvius Weiss
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Suite in E Minor
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Chanterelle
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SheetMusicPlus
Guitar SKU: PR.ECH0119 Composed by Sylvius Weiss. With Standard notation. Chanterelle #ECH0119. Published by Chanterelle (PR.ECH0119). Silvius ...
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Guitar SKU: PR.ECH0119 Composed by Sylvius Weiss. With Standard notation. Chanterelle #ECH0119. Published by Chanterelle (PR.ECH0119). Silvius Leopold Weiss (1686-1750) is considered to be the most important lutenist of the Baroque. His works captivate the lute through their elegance and sublimity. The present work was originally in F minor. It is one of the few works of Weiss which, when played on the guitar, retains its ease of playing and sound characteristics without having to resort to scordatura. Musically appealing and technically not too demanding, this work makes a most valuable addition to the guitar repertoire.
$13.95
"Pavane" from Mother Goose Suite
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Maurice Ravel
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Justin M
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"Pavane" from Mother Goose Sui
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Justin M. Ryan
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.886893 Composed by Maurice Ravel. Arranged by Justin M. Ryan. 20th Century...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.886893 Composed by Maurice Ravel. Arranged by Justin M. Ryan. 20th Century,Children,Contemporary. Score and parts. 3 pages. Justin M. Ryan #3015409. Published by Justin M. Ryan (A0.886893). Ma mère l'Oye (Mother Goose; Oye is correctly capitalized, being a proper name) is a musical work by French composer Maurice Ravel. The work has five movements: I. Pavane de la Belle au bois dormant Pavane of Sleeping BeautyLent II. Petit Poucet Little Tom Thumb / Hop o' My ThumbTrès modéré III. Laideronnette, impératrice des pagodes Little Ugly Girl, Empress of the PagodasMouvt de marche IV. Les entretiens de la belle et de la bête Conversation of Beauty and the BeastMouvt de valse très modéré V. Le jardin féerique The Fairy GardenLent et grave Now in the 21st century, this piece comes alive once again with new harmonies and an array of Tonal Colors. Arranged for 2 pianos, each piano is playing the same piece in 2 different keys simultaneously(A Minor and E Minor).
$2.99
TELEMANN: TRIO IN E MINOR TWV 43:e2 for flute, clarinet & bassoon or cello
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1733 the use of the continuo p
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Georg Philipp Telemann
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Pat Spence
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TELEMANN: TRIO IN E MINOR TWV
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Flute - Level 4 - Digital Download SKU: A0.811819 Composed by Georg Philipp Telemann (1681 - 1767). Arranged by Pat...
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Small Ensemble Bassoon,Cello,Clarinet,Flute - Level 4 - Digital Download SKU: A0.811819 Composed by Georg Philipp Telemann (1681 - 1767). Arranged by Pat Spence. Baroque,Concert,Graduation,Holiday,Wedding. Score and parts. 36 pages. Piper Publications #6536333. Published by Piper Publications (A0.811819). This Trio Sonata was published in Hamburg by Telemann in 1733 in the third volume of his Tafelmusik. The original was scored for flute, violin, cello and continuo. By 1733 the use of the continuo playing from a figured bass supported by a cello was falling out of use. In this piece, the use of the cello as a solo instrument effectively made the inclusion of the continuo redundant. In making this arrangement for flute, clarinet & bassoon or cello I have not included the continuo. Without the continuo, the Trio - still firmly entrenched in the Baroque style - closely resembles the three part Inventions of Telemann’s contemporary, J. S. Bach or the three part flute sonatas in Eb and G minor originally attributed to him but now considered to be the work of his son C.P.E. Bach. A set of 6 Quatuors ou Trios by Telemann clearly makes the continuo part optional. The arrangement is edited so that the style is true to the original. All edited phrasings (generally more suited to wind instruments) are shown using dashed lines. Telemann did not indicate any dynamics and none have been added. It is notable that Telemann developed his musical material throughout each movement and there are no repeated sections in this piece. There are four movements, Adagio, Allegro, Dolce and Allegro. The three parts are intended for players of equal accomplishment to delight their audiences.
$15.00
Sonata A minor
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Joseph Bodin de Boismortier
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Sonata A minor
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Schott Music - Digital
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SheetMusicPlus
3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; harpsichord (piano), cello (viola da gamba, bassoon) ad libitum - interme...
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3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; harpsichord (piano), cello (viola da gamba, bassoon) ad libitum - intermediate - Digital Download SKU: S9.Q24137 Composed by Joseph Bodin de Boismortier. This edition: set of parts soloistically. Concertino. Downloadable, Set of parts. Op. 34/6. Duration 6 minutes. Schott Music - Digital #Q24137. Published by Schott Music - Digital (S9.Q24137). Key: A minor.Boismortier is considered to be one of the most popular and most hard-working composers of his time. The original title of this sonata in A Minor indicates flutes, violins and other instruments as well suited for performance. The composer arranged the first melody part in such a way that it can be played by an alto recorder without any changes. Scored for string chorus, the sonata achieves a very good tonal effect. With soloistic scoring, three equal instruments (e.g. three violins) or three completely different instruments (e.g. flute, violin, oboe) are best suited for the performance of the upper parts.
$12.99
Sonata A minor
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Joseph Bodin de Boismortier
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Sonata A minor
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Schott Music - Digital
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SheetMusicPlus
3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; harpsichord (piano), cello (viola da gamba, bassoon) ad libitum - interme...
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3 melodic instruments (flutes, violins, oboes) or string orchestra and basso continuo; harpsichord (piano), cello (viola da gamba, bassoon) ad libitum - intermediate - Digital Download SKU: S9.Q1104 Composed by Joseph Bodin de Boismortier. This edition: score. Concertino. Downloadable, Score. Op. 34/6. Duration 6 minutes. Schott Music - Digital #Q1104. Published by Schott Music - Digital (S9.Q1104). Key: A minor.Boismortier is considered to be one of the most popular and most hard-working composers of his time. The original title of this sonata in A Minor indicates flutes, violins and other instruments as well suited for performance. The composer arranged the first melody part in such a way that it can be played by an alto recorder without any changes. Scored for string chorus, the sonata achieves a very good tonal effect. With soloistic scoring, three equal instruments (e.g. three violins) or three completely different instruments (e.g. flute, violin, oboe) are best suited for the performance of the upper parts.
$16.99
J A de Logy-Partita in A minor for Classical Guitar
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Classical
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Jan Antonin
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Socrates Arvanitakis
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J A de Logy-Partita in A minor
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1177767 Composed by Jan Antonin (comte de) Logy. Arranged by Socrates Arvanitakis....
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1177767 Composed by Jan Antonin (comte de) Logy. Arranged by Socrates Arvanitakis. Baroque. Individual part. 11 pages. Socrates Arvanitakis #777729. Published by Socrates Arvanitakis (A0.1177767). Jan Antonin de Logy, count of Rosinthal (1650-1721) was an aristocrat of Bohemia and official ofthe Austrian empire. As a musician he was a lute player of professional level and seems to havebeen a refined and prolific composer of single pieces and suites in the French style for hisinstrument. His compositions are becoming known to us today through important academicresearch but a lot more work has to be made in this field. The present partita, (transcribed in A minor for guitar), was discovered early in this research and it is well known and loved amongstguitarist and lute players of today because of its ease in performance, but at the same timemaintaining a high compositional standard in terms of well-constructed movements incontrapuntal two-part writing.In these editions I prefer not to add any fingerings because I consider that they obscure the opticalresult rather than clarifying any particular way of playing the music. Instrumentalists have tomake their own fingering and choice of position decisions and in most cases they prefer it. My general suggestion for this partita is that open strings should be preferred whenever it is possible, as for example in the second half of the last movement where notes B and E are always sustainedas open strings in the upper part (indicated by the ties) and the required technique and sound result is that of an arpeggio rather than a scalic passage.Although here we have only a five movement partita and it is very easy to navigate from page to page, my usual procedure, followed for larger collections, is to give a thematic index in the beginning of the volume, with the first few bars of every piece given as photographs. If an electronic pad rather than printed music is used to play the music from these PDF archives, these photographs are clickable active links leading strait to the piece concerned, and the header of the page of any piece is another active link leading back to the index. External links to internet sources for further information on the pieces, live performances, etc may be added if considered of particular interest.
$6.00
Moonlight Sonata by Beethoven for E-flat and B-flat Clarinet Duet
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Classical
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
B-Flat Clarinet,E-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.1151931 Composed by Ludwig van Beethoven. Arranged by Ander. Chris...
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B-Flat Clarinet,E-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.1151931 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 8 pages. Woods Only, Arrangements #752136. Published by Woods Only, Arrangements (A0.1151931). This arrangement adapted for Bb and Eb clarinet duo was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$3.99
Lute Suite in E Minor, BWV 996 "Bourrée in E Minor" (Arr. for Two Electric Guitars by Kevin M Buck)
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Contemporary
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Eternal Eye Publishing
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Lute Suite in E Minor, BWV 996
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Eternal Eye Publishing
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SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.1005477 Arranged by Eternal Eye Publishing. Contemporary. Score and parts. 2 pages. Eternal Eye Publishing #635...
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Small Ensemble - Digital Download SKU: A0.1005477 Arranged by Eternal Eye Publishing. Contemporary. Score and parts. 2 pages. Eternal Eye Publishing #6358233. Published by Eternal Eye Publishing (A0.1005477).
$4.95
Classical Studies for Clarinet
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Himie Voxman
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Classical Studies for Clarinet
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Rubank Publications
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SheetMusicPlus
Book Only Clarinet SKU: HL.4470840 Clarinet Method. Composed by Himie Voxman. Woodwind Method. Studies. Clarinet studies book (softcover). With st...
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Book Only Clarinet SKU: HL.4470840 Clarinet Method. Composed by Himie Voxman. Woodwind Method. Studies. Clarinet studies book (softcover). With standard notation. 72 pages. Rubank Publications #RUBL139. Published by Rubank Publications (HL.4470840). ISBN 9781458417961. UPC: 073999373189. 9x12 inches. Edited by H. Voxman.This wonderful set of studies presents the solo sonatas, partitas and suites of J.S. Bach and G.F. Handel for unaccompanied violin and cello, arranged by master teacher H. Voxman. They provide the serious student a wealth of fine music well-suited to the study of phrasing and articulation, and unlimited possibilities in the development of musicianship.
Song List
: Allegro Allegro Maestoso Sarabande Allegro from Violin Sonata II Allegro Assai from Violin Sonata III Presto from Violin Sonata I Partita I in B Minor Partita II in D Minor Partita III in E Cello Suite I Cello Suite II Cello Suite III Cello Suite IV Cello Suite VI Moderato Allegro from Flute Sonata in E Gigue
$10.99
Ravel: Le Tombeau de Couperin No.II Forlane - symphonic wind
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Contemporary
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Maurice Ravel
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Ray Thompson
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Ravel: Le Tombeau de Couperin
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1496456 Composed by Maurice Ravel. Arranged by...
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Large Ensemble A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1496456 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Century. 38 pages. RayThompsonMusic #1072981. Published by RayThompsonMusic (A0.1496456). Le Tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I.The six movements are:Prélude. Vif (E minor)Fugue. Allegro moderato (E minor)Forlane. Allegretto (E minor)Rigaudon. Assez vif (C major)Menuet. Allegro moderato (G major)Toccata. Vif (E minor) Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements.The movements used were Nos.1, 3, 5 and 4 in that order.The word tombeau in the title is a musical term popular from the 17th century, meaning a piece written as a memorial. The specific Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be François Couperin the Great (1668–1733).Ravel stated that his intention was to pay homage more generally to the sensibilities of the Baroque French keyboard suite, not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflected in the piece's structure, which imitates a Baroque dance suite.Arranged double wind quintet/bass:Oboe 2 is mostly cor anglais, some bars of oboe.Clarinet parts are for Clarinet in A.
$14.95
Bourree, Bwv 996
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Classical
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Johann Sebastian Bach
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David Alan Chidsey
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Bourree, Bwv 996
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David Alan Chidsey
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SheetMusicPlus
Guitar,Instrumental Solo - Level 3 - Interactive Download SKU: A0.1099333 Composed by Johann Sebastian Bach. Arranged by David Alan Chidsey. This edition...
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Guitar,Instrumental Solo - Level 3 - Interactive Download SKU: A0.1099333 Composed by Johann Sebastian Bach. Arranged by David Alan Chidsey. This edition: Interactive Download. Classical. Individual part. 1 pages. Duration 89. David Alan Chidsey #3SGsp0Ar2ICR8GaVbjd5sy. Published by David Alan Chidsey (A0.1099333). Key: G major.From Lute Suite BWV 996 in e-minor.
$2.99
RONDEAU from Abdelazer by H. Purcell
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Henry Purcell
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Alessandro Macrì
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RONDEAU from Abdelazer by H. P
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn - Level 1 - Digital Download SKU: A0.931280 Composed by Henry Purcell. Arranged by Alessandro Macrì. Baroque,Concert,Film/TV,Gradu...
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Brass Ensemble Horn - Level 1 - Digital Download SKU: A0.931280 Composed by Henry Purcell. Arranged by Alessandro Macrì. Baroque,Concert,Film/TV,Graduation. Score and parts. 10 pages. Music Macri Editions #6359937. Published by Music Macri Editions (A0.931280). Nell’Inghilterra del XVII secolo la musica ha un ruolo importante nel teatro; canzoni e brevi pezzi per orchestra tengono desta l’attenzione del pubblico all’inizio e alla fine delle rappresentazioni e durante il cambio delle scene.Scritte nel 1695, l’anno della sua prematura scomparsa, le musiche di scena per Abdelazer, o La Vendetta del Moro sono l’ultima composizione di Henry Purcell in questo genere. La fosca tragedia di Aphra Behn, portata sulle scene nel 1676 senza musica, viene riproposta nel 1695 alla riapertura del Drury Lane Theatre. La vicenda di Abdelazer, principe moresco che per vendicare l’assassinio del padre cerca subdolamente di usurpare il trono di Spagna attraverso l’affetto della regina spagnola, viene introdotta da una solenne Ouverture in tonalità minore che ne evidenzia la drammaticità . La tragedia suscita pochi entusiasmi tra il pubblico che, peraltro, apprezza moltissimo le musiche di Purcell e soprattutto la canzone finale Lucinda is bewitching fair, affidata al cantante tredicenne Jemmy Bowen, che viene pubblicata immediatamente come Aria a sé stante; le musiche poi verranno pubblicate postume nel 1697 come suite per archi e basso continuo nella quale l’ordine dei movimenti è differente da quella adottata per l’esecuzione teatrale.La suite è formata da Ouverture, Rondeau, Air I & II, Minuetto, Air, Giga, Hornpipe, Air. Il Minuetto è un pezzo di particolare eleganza, ma è il Rondeau che ha assicurato alla suite fama duratura; questo movimento è alla base della celebre composizione di Benjamin Britten Guida all’orchestra per i giovani, Variazioni e fuga su un tema di Henry Purcell. Il Rondeau, poi, è stato utilizzato come tema per la serie TV della BBC del 1969 The First Churchills e come sottofondo musicale per gioco Intellivision Thunder Castle del 1986; lo troviamo anche nel film di Joe Wright Orgoglio e pregiudizio, eseguito durante il ballo a Netherfield.
$7.00
Music for Three, Volume 8 - Keyboard or Guitar 50840
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Various
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Daniel Kelley
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Music for Three, Volume 8 - Ke
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Organ,Piano Accompaniment - Level 5 - Digital Download SKU: A0.961865 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Ro...
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Small Ensemble Organ,Piano Accompaniment - Level 5 - Digital Download SKU: A0.961865 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Traditional. Score and parts. 94 pages. Last Resort Music Publishing #567576. Published by Last Resort Music Publishing (A0.961865). Music for Three, Volume 8 - More Baroque, Classical & Romantic Favorites Keyboard or Guitar Including works by Bizet, Faure, Borodin, Gottschalk, and Rossini and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. The parts available for this volume are listed here! 50811 Part 1 Flute or Oboe or Violin 50813 Part 1 Clarinet in Bb 50821 Part 2 Flute or Oboe or Violin 50822 Part 2 Viola 50823 Part 2 Clarinet in Bb 50831 Part 3 Cello or Bassoon 50840 Keyboard or Guitar 50899 Score Table of Contents Badinerie from Suite #2 in b minor (Bach) Bist Du Bei Mir (Bach) Allegro Moderato & Allegro from Brandenburg Concerto #3 in G Major (Bach) Fur Elise (Beethoven) Galop & Petit Mari, Petite Femme from Jeux d'Enfants, Op. 22 (Bizet) Farandole & Menuet from L'Arlesienne Suite #2 (Bizet) Minuet from Quintet in E Major, Op. 13 #5 (Boccherini) Theme from Polovetzian Dances from Prince Igor (Borodin) Fantasie-Impromptu from Fantasie-Impromptu in C# minor, Op. 66 (Chopin) Adagio from Violin Sonata in G minor, Op. 5 #5 (Corelli) Flower Duet from Lakme (Delibes) Slavonic Dance #1 from Slavonic Dances, Op. 46 #1 (Dvorak) Slavonic Dance #2 from Slavonic Dances, Op. 46 #2 (Dvorak) Bereceuse from Dolly Suite, Op. 56 (Faure) Bananier, Le (Gottschalk) Dying Poet, The (Gottschalk) Tournament Galop (Gottschalk) Funeral March for a Marionette (Gounod) Juliet's Waltz Song Je veux vivre from Romeo and Juliet (Gounod) I Love Thee Ich Liebe Dich from The Heart's Melodies, Op. 5 (Grieg) Arrival of the Queen of Sheba from the Oratorio Solomon (Handel) Allegro & Hornpipe from The Water Music (Handel) Theme from Jupiter from The Planets (Holst) Capriccio #24 from 24 Capricci, Op. 1 (Paganini) Galop from La Boutique Fantastique (Rossini) Mon Coeur S'ouvre A Ta Voix from the opera Samson and Delilah (Saint-Saens) Rosamunde Ballet Music from incidental music to Rosamunde (Schubert) The Trout from the Trout Quintet, Op. 114 (Schubert) The Laughing Song from Die Fledermaus (Strauss) Danses des petits cygnes from the ballet Swan Lake (Tschaikovsky) None But the Lonely Heart from Six Songs, Op. 6 #6 (Tschaikovsky).
$26.00
Corant - trio- violin/clarinet/trombone
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- violin/clarinet
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Phil Beaman
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SheetMusicPlus
Bass Trombone,Clarinet,Violin - Level 4 - Digital Download SKU: A0.1394166 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructi...
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Bass Trombone,Clarinet,Violin - Level 4 - Digital Download SKU: A0.1394166 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977651. Published by Phil Beaman (A0.1394166). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - Â bottom space F# to high E above staffClarinet - bottom line E# to high B above staffTrombone - low C below staff to high E above staffrecording is of Violin/Trumpet/Trombone, clarinet would substitute for the trumpet part.
$7.99
Corant - trio- violin/trumpet/trombone
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- violin/trumpet/
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Phil Beaman
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SheetMusicPlus
Bass Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.1394185 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructio...
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Bass Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.1394185 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977658. Published by Phil Beaman (A0.1394185). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - Â bottom space F# to high E above staffTrumpet - bottom line E# to high B above staffTrombone - low C below staff to high E above staff.
$7.99
Corant - trio- violin/oboe/cello
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- violin/oboe/cel
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Phil Beaman
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SheetMusicPlus
Cello,Oboe,Violin - Level 4 - Digital Download SKU: A0.1393758 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standar...
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Cello,Oboe,Violin - Level 4 - Digital Download SKU: A0.1393758 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977229. Published by Phil Beaman (A0.1393758). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - bottom space F# to high E above staffOboe - middle C to high A above staffCello - low C below staff to high E above staff.
$7.99
Corant - trio- xylophone/acoustic guitar/electric bass guitar
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- xylophone/acous
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Phil Beaman
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SheetMusicPlus
Acoustic Guitar,Electric Bass Guitar,Xylophone - Level 5 - Digital Download SKU: A0.1394296 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. ...
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Acoustic Guitar,Electric Bass Guitar,Xylophone - Level 5 - Digital Download SKU: A0.1394296 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977773. Published by Phil Beaman (A0.1394296). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.  Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!  And who would expect a 17th century style piece on Xylophone, Acoustic Guitar, and Electric Bass Guitar!6 pages score, 2 pages @ partRanges -Xylophone -  bottom space F# to E above staffAcoustic Guitar - middle C to A above staffElecBass  Guitar - low B below staff to high E above staff.
$7.99
Corant - trio- flute/clarinet/bass clarinet
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- flute/clarinet/
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - Digital Download SKU: A0.1394226 Composed by Jean-Baptiste Loeillet. Arranged by Phil Bea...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - Digital Download SKU: A0.1394226 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977700. Published by Phil Beaman (A0.1394226). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute - Â second space A to high A above staffClarinet - second line G# to high D above staffBass Clarinet - low E below staff to high E above staff.
$7.99
Corant - trio- flute/clarinet/cello
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- flute/clarinet/
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Phil Beaman
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SheetMusicPlus
Cello,Clarinet,Flute - Digital Download SKU: A0.1393780 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 ...
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Cello,Clarinet,Flute - Digital Download SKU: A0.1393780 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977252. Published by Phil Beaman (A0.1393780). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute - second space Ab to high F above staffClarinet - bottom space F# to high C above staffCello - low C below staff to high E above staffrecording is of Flute-Oboe-Cello version, with Clarinet subbing for the Oboe part.
$7.99
Praeludium - Reger- Alto Clarinet duet
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Max Reger
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Phil Beaman
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Praeludium - Reger- Alto Clari
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Phil Beaman
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SheetMusicPlus
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.1076594 Composed by Max Reger. Arranged by Phil Beaman. 20th Cen...
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.1076594 Composed by Max Reger. Arranged by Phil Beaman. 20th Century,Standards. Score and parts. 11 pages. Phil Beaman #680729. Published by Phil Beaman (A0.1076594). The Praeludium from Suite No 3 in A minor is originally for unaccompanied Cello solo by Max Reger (1873-1916, written 1914). For this unaccompanied duet arrangement the melody was creatively deconstructed into two parts that continuously interact as if each instrument is finishing the other's thoughts. The harmonies are inspired by the original double stops. The arrangement remains stylistically faithful to Reger's use of constantly shifting dynamics and ever-present expression marks. This 4 1/2 minute work is a worthy challenge for a serious concert or recital. A new approach to this Masterwork of the repertoire. A live performance will be considerably freer and more expressive than the temporary MIDI recording attached. Range - same note range for both parts which is a wide 2 1/2 octaves. 5 page score, 3 pages each part.
$6.99
50 new Menuets
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Georg Philipp Telemann
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by Melante (i
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50 new Menuets
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Schott Music - Digital
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SheetMusicPlus
Basso continuo - intermediate - Digital Download SKU: S9.Q15611 A Second Set of Seven times Seven plus One Minuet. Composed by Georg Philipp Telem...
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Basso continuo - intermediate - Digital Download SKU: S9.Q15611 A Second Set of Seven times Seven plus One Minuet. Composed by Georg Philipp Telemann. This edition: separate part. Original Music for Recorder. Downloadable, Individual part. Schott Music - Digital #Q15611. Published by Schott Music - Digital (S9.Q15611). Georg Philipp Telemann gave more consideration to amateur musicians than any of the other great composers of this day. One of the many works he wrote specifically for amateurs is the collection presented here ‘A Second Set of Seven times Seven plus One Minuet’ by Melante (i.e. Telemann). These are extremely attractive, technically not too demanding pieces for domestic music making. They are also ideal for teaching with their short, clearly structured movements which introduce a comparatively wide range of key signatures (including E flat major, F minor, A major and B minor). The pieces are ideally suited to introduce young players to the musical language of the High Baroque and the technical demands (arppegiated triads, wide leaps, trills) typical for this period. The bass line may be reinforced by a cello or gamba, bassoon or bass recorder (the basso part is only available separately).
$11.99
50 new Menuets
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Georg Philipp Telemann
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50 new Menuets
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Schott Music - Digital
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SheetMusicPlus
Treble recorder (flute, violin) and basso continuo - intermediate - Digital Download SKU: S9.Q16390 A Second Set of Seven times Seven plus One Minuet
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Treble recorder (flute, violin) and basso continuo - intermediate - Digital Download SKU: S9.Q16390 A Second Set of Seven times Seven plus One Minuet. Composed by Georg Philipp Telemann. This edition: Sheet music. Original Music for Recorder. Downloadable. Schott Music - Digital #Q16390. Published by Schott Music - Digital (S9.Q16390). Georg Philipp Telemann gave more consideration to amateur musicians than any of the other great composers of this day. One of the many works he wrote specifically for amateurs is the collection presented here 'A Second Set of Seven times Seven plus One Minuet' by Melante (i.e. Telemann). These are extremely attractive, technically not too demanding pieces for domestic music making. They are also ideal for teaching with their short, clearly structured movements which introduce a comparatively wide range of key signatures (including Eb major, F minor, A major and B minor). The pieces are ideally suited to introduce young players to the musical language of the High Baroque and the technical demands (arppegiated triads, wide leaps, trills) typical for this period. The bass line may be reinforced by a cello or gamba, bassoon or bass recorder (the basso part is only available separately).
$21.99
The Flying Dutchman
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Classical
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der ...
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
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