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Surf Time
Sheetmusic to print
18 sheet music found
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1
Surface Pressure
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Film/TV
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Jessica Darrow
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Alex Wilson
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Surface Pressure
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Alexander Wilson
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SheetMusicPlus
Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.1169725 By Jessica Darrow. By Lin-Manuel Miranda. Arranged by Alex Wilson. Film/TV. Score and...
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Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.1169725 By Jessica Darrow. By Lin-Manuel Miranda. Arranged by Alex Wilson. Film/TV. Score and parts. 25 pages. Alexander Wilson #770090. Published by Alexander Wilson (A0.1169725). Lin-Manuel Miranda's song Surface Pressure from Disney's Encanto is one of the most popular Disney songs in recent memory. Â As performed by Jessica Darrow, the reggaeton hit reached #8 on the US Billboard Hot 100, and in this arranger's opinion, the driving rhythm and memorable melody also make for an excellent trumpet ensemble arrangement.This arrangement is for 8 Bb trumpets, and is suitable for a group of trumpeters at different skill levels. Â The first 4 parts are fairly challenging (mainly with regard to rhythm), and the 1st part requires a number of high C's and Bb's. Â These parts carry most of the melodic lines and are intended to be approachable by a talented high school trumpeter. Â Parts 5-8 are easier and mainly accompaniment, but still include plenty of variety. Â They are intended to be approachable by an average high school trumpeter or a particularly gifted middle school trumpeter.Performance time is around 3 minutes.
$12.99
Surface Pressure
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Walt Disney
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Jessica Darrow
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Susie Winkworth winkmusic
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Surface Pressure
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winkmusic.co.uk
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.847355 By Jessica Darrow. By Lin-Manuel Miranda. Arranged by Susie Winkworth winkmusic.c...
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.847355 By Jessica Darrow. By Lin-Manuel Miranda. Arranged by Susie Winkworth winkmusic.co.uk. Contemporary. Score and parts. 19 pages. Winkmusic.co.uk #6712745. Published by winkmusic.co.uk (A0.847355). Lin-Manuel's hit song Surface Pressure, from Disney's Encanto, in the ultimate arrangement for string trio (violin 1, violin 2/viola, cello). With plenty of interest for each player and channelling all the rhythmic energy of the original, this is perfect for wedding parties, events and performances.Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.
$15.00
Livin' La Vida Loca
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Ricky Martin
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David Beal
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Livin' La Vida Loca
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Larch Music Ltd.
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1367901 By Ricky Martin. By Desmond Child and Robi Rosa. Arranged by David Beal. 20th Century,Pop,Rock. Brass Band. 59 pages. Larch Music Ltd. #952279. Published by Larch Music Ltd. (A0.1367901). Livin' la Vida Loca (transl. Livin' the Crazy Life) is a song recorded by Puerto Rican singer Ricky Martin for his fifth studio album and English-language debut, Ricky Martin (1999). The song was written by Draco Rosa and Desmond Child, while the production was handled by the latter. It was released to radio stations by Columbia Records as the lead single from the album on March 27, 1999. A Latin pop and dance song with elements of salsa, surf, and ska, it is about an irresistible, particularly sinister, wild woman who lives on the edge, seducing others into her crazy world. The song received acclaim from music critics, who complimented its lyrics and danceable rhythm. It was ranked as the best 1990s pop song by Elle, and was listed among the Best Latin Songs of All Time by Billboard.Now Available for Brass Band.
$24.99
Probe
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Dan Cook
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Probe
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Pecan Valley Music
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SheetMusicPlus
Percussion Octet - Level 5 - Digital Download SKU: A0.1185106 Composed by Dan Cook. Chamber,Classical,Contemporary,Contest,Festival,Instructional. 86 pag...
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Percussion Octet - Level 5 - Digital Download SKU: A0.1185106 Composed by Dan Cook. Chamber,Classical,Contemporary,Contest,Festival,Instructional. 86 pages. Pecan Valley Music #784785. Published by Pecan Valley Music (A0.1185106). For percussion octetduration; 11:05crotales / handbells / vibraphone / marimba(4) timpani / roto-toms / sand blocks / (3) flower potsrainstick / claves / (2) bongosboomwhackers (C maj. diatonic set, chromatics set, treble extension set)Dragonfly, Perseverance, and Alvin: three probes exploring very different environments to learn more about our place in the universe.Dragonfly is a rotorcraft expected to perform vertical take-offs and landings on the surface of Saturn's moon Titan in 2034. Titan is a world like our own with oceans, rivers, and lakes. On Titan though, our water cycle is replaced with hydrocarbons, it rains liquid methane, and the surface temperature averages -179 degrees Celsius. The first section of Probe features contrapuntal melodies with a set of roto-toms representing the probe, flower pots representing the possibility of something growing in such a frigid place, and a rainstick representing the potential food source for a hypothetical methanogen. Perseverance will roam the dry, dusty surface of Mars beginning in 2021 drilling and preparing samples that will, for the first time, be returned to Earth. Perseverance will also carry with it a small rotorcraft to prove the ability of flight within Mars’ thin atmosphere. In the second section, tonal harmony is replaced with sandpaper blocks, claves, and bongos with the roto-toms now playing the role of both the secondary rotorcraft and the Martian wind. Alvin has been ferrying explorers to the deepest parts of Earth's oceans and providing insights into the origins of life since the 1970s. The discovery of large tubeworms living in an environment without sunlight, thriving on the energy provided to them by hydrothermal vents on the ocean floor, changed our understanding of how life might thrive in many environments across the universe. The conclusion of Probe features Boomwhackers appearing as tubeworms.
$14.00
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: ...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
Wunderkammer(konzert)
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Kenneth Hesketh
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Wunderkammer(konzert)
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Schott Music - Digital
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SheetMusicPlus
Ensemble - difficult - Digital Download SKU: S9.Q23834 For thirteen players. Composed by Kenneth Hesketh. This edition: study score. Music Of Our ...
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Ensemble - difficult - Digital Download SKU: S9.Q23834 For thirteen players. Composed by Kenneth Hesketh. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q23834. Published by Schott Music - Digital (S9.Q23834). This three-movement work reflects the character of the wunderkammer, or Cabinet of Curiosities, which flourished between the 16th to 18th centuries: ’in this labyrinthine landscape, I found a natural context to construct my own private collection of musical objects, ciphers, and quotations. The volatile and virtuosic textures of the work are created by demanding soloistic agility from each performer. Whilst being required to fit seamlessly together to form complex musical surfaces the musicians are also set belligerently strident and dramatic roles. The concerto form (kammerkonzert) proved a natural arena for such contradictory tensions that seek resolution through metamorphosis.’ (Kenneth Hesketh)1 with B foot(pic).1(ca).0.Acl(bcl).0-0.1.1(tri).0-3perc(crot, vib, mar, tub bells, tri, h.h, 4sus cym, Chinese cym, splash cym, mark tree, 3gong, 2tom-t, b.d, kick b.d, pic timp, 5timp, 2jam blocks, 4granite blocks, egg shaker, desk bell)-pno(cel)-str(1.0.1.1.1).
$47.99
The Winter's Tale
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Ryan Wigglesworth
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The Winter's Tale
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Schott Music - Digital
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SheetMusicPlus
4(3.pic, 4.pic, afl).2.ca.3(2.Ebcl, 3.bcl).2.cbsn-4.4.3.1-timp.3perc(2sm s.d., 2 sys cym (sm, med, lg), anvil, 2tub bells, crots, b.d., siz cym, calves, maracas...
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4(3.pic, 4.pic, afl).2.ca.3(2.Ebcl, 3.bcl).2.cbsn-4.4.3.1-timp.3perc(2sm s.d., 2 sys cym (sm, med, lg), anvil, 2tub bells, crots, b.d., siz cym, calves, maracas, tam-tam, crash cym, tri, 4 templblk(med-high)-hp-str(12.10.8.6.5) - Digital Download SKU: S9.Q46173 Opera in three acts based on the play by William Shakespeare. Composed by Ryan Wigglesworth. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q46173. Published by Schott Music - Digital (S9.Q46173). English.King Leontes’ jealous rage results in the death of his loyal wife Hermione days after she has given birth. Leontes orders for the baby to be killed, but many years later, truth surfaces as a crocus at the first sign of thaw. Ryan Wigglesworth’s first opera is a luminous, persuasive retelling of William Shakespeare’s The Winter’s Tale. His natural sense for dramatic narrative brings clarity to this tragedy-turned-romance, its brooding opening act unfolding gradually into a light-hearted scherzo. Written as the culmination of Wigglesworth’s tenure as Artist in Residence with English National Opera, The Winter’s Tale is not to be missed.
$83.99
Beacons for Euphonium Quartet
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Contemporary
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Matthew Nunes
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Beacons for Euphonium Quartet
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Matthew Nunes Music
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SheetMusicPlus
Euphonium - Level 5 - Digital Download SKU: A0.489190 Composed by Matthew Nunes. Classical,Contemporary. 86 pages. Matthew Nunes Music #105703. Published...
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Euphonium - Level 5 - Digital Download SKU: A0.489190 Composed by Matthew Nunes. Classical,Contemporary. 86 pages. Matthew Nunes Music #105703. Published by Matthew Nunes Music (A0.489190). Listen to this piece hereBeacons is a four movement work for euphonium quartet begun during the final year of my undergraduate degree and completed during my first semester of graduate school. In this work are a multitude of emotions I was living or struggling with during a period where life never went as expected. The first movement, Glimmer, represents an individual seeing a faint light in the darkness unsure of what it truly is or how long the path to it will take. Regardless, they move towards it while reflecting on the possibilities of what awaits them. In the second movement, Beacon Bacchanal, the surety of reaching this goal has seduced this person into a doomed revelry of overconfidence. The celebration spirals out of control into Aura Awry where time churns on and inner demons surface. In the final movement, Shine, this individual finds themselves standing at the edge of the light. They do not know where it comes from or what lies ahead once they cross this threshold. Regardless, they step forth….
$25.99
The Seven Deadly Sins (Downloadable)
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Robert Schuneman
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The Seven Deadly Sins
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice solo, SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8446-E Composed by Robert Schuneman. Secular, 21st century. 10 pages. Du...
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Soprano voice solo, SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8446-E Composed by Robert Schuneman. Secular, 21st century. 10 pages. Duration 1 minute, 48 seconds. E. C. Schirmer Music Company - Digital #8446-E. Published by E. C. Schirmer Music Company - Digital (MQ.8446-E). UPC: 600313484469. English.As the composer suggests in his program notes, the poem to which this music is set may appear on surface as being rather flippant but, underneath, is deadly serious. The same may be said of the mostly homophonic musical setting. It is at once tongue-in-cheek, and yet somehow sincere and earnest at the same time, delivering the text in a very direct, declamatory fashion. Duration: 1:48.
$2.65
Chant de Mars
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Francois Du Bois
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Chant de Mars
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D-Project Co., Ltd.
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SheetMusicPlus
Flute,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.1337052 By Francois Du Bois. By Francois Du Bois. 21st Century,Chamber,Contemporary,...
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Flute,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.1337052 By Francois Du Bois. By Francois Du Bois. 21st Century,Chamber,Contemporary,Multicultural,Spiritual,World. 7 pages. D-Project Co., Ltd. #922858. Published by D-Project Co., Ltd. (A0.1337052). Chant de Mars draws its inspiration from the vast, unexplored terrain of the planet Mars. Envision a scenario where someone belts out a tune on the Martian surface—ever pondered what their vocals would resonate against?The intricate time signatures, weaving between 6/8, 3/8, 4/8, and various others, contribute to the melody's enigmatic quality. It's as if the musical composition hesitates on a definitive starting point, maintaining an air of mystery throughout.
$14.00
Dépassé
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Ryan Clark
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Dépassé
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Imagine Music - Digital
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SheetMusicPlus
Two Oboes, Two Bassoons - Digital Download SKU: IZ.CMW224 Composed by Ryan Clark. Score and Parts. 11 pages. Imagine Music - Digital #CMW224. Published b...
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Two Oboes, Two Bassoons - Digital Download SKU: IZ.CMW224 Composed by Ryan Clark. Score and Parts. 11 pages. Imagine Music - Digital #CMW224. Published by Imagine Music - Digital (IZ.CMW224). 9 x 12 inches.Dépassé in the French language translates to the English word “overwhelmed. Written during a very trying time in my life emotionally, I wrote this piece almost as a means of coping with the negative feelings that always tended to surface.
$16.00
Filigree No. 1, for Flute (Alto Recorder) and Vibraphone, Score and Parts
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Contemporary
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Paul Burnell
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Filigree No. 1, for Flute
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Paul Burnell
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Vibraphone - Level 4 - Digital Download SKU: A0.1047543 By Paul Burnell. By Paul Burnell. Classical,Contemporar...
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Instrumental Duet Flute,Instrumental Duet,Vibraphone - Level 4 - Digital Download SKU: A0.1047543 By Paul Burnell. By Paul Burnell. Classical,Contemporary. Score and parts. 14 pages. Paul Burnell #652092. Published by Paul Burnell (A0.1047543). Filigree No. 1 by Paul Burnell, composed 2015 for Flute (or Alto Recorder) and Vibraphone. Download comprises both score and parts. Duration 2:25 Written for Sara Minelli, flute, and Chris Brannick, vibraphone, and first performed by them on 1st February 2016 at King's College Chapel, London. Programme note: Filigree is a delicate kind of ornamental jewellery, typically in gold and silver, assembled from small beads or twisted threads, soldered together or attached to the surface of an object of the same metal and arranged in artistic patterns. Filigree is an ancient form of metalwork but was fashionable also in Italy and France between the 17th and 19th centuries. It sometimes resembles the appearance of lace fabric and remains popular in India and other Asian countries.
$1.99
Filigree No. 2, for Alto Flute (Bass Recorder) and Vibraphone, Score and Parts
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Contemporary
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Paul Burnell
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Filigree No. 2, for Alto Flute
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Paul Burnell
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SheetMusicPlus
Instrumental Duet Alto Flute,Instrumental Duet,Vibraphone - Level 4 - Digital Download SKU: A0.1047613 By Paul Burnell. By Paul Burnell. Classical,Contem...
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Instrumental Duet Alto Flute,Instrumental Duet,Vibraphone - Level 4 - Digital Download SKU: A0.1047613 By Paul Burnell. By Paul Burnell. Classical,Contemporary. Score and parts. 8 pages. Paul Burnell #652099. Published by Paul Burnell (A0.1047613). Filigree No. 2, by Paul Burnell, composed 2015 for Alto Flute (or Bass Recorder) and Vibraphone Download comprises both score and parts. Duration 3:20 Score shows Alto Flute at transposed pitch. A separate Bass Recorder part is available. Programme note: Written for Sara Minelli, flute, and Chris Brannick, vibraphone, and first performed by them on 1st February 2016 at King's College Chapel, London. Filigree is a delicate kind of ornamental jewellery, typically in gold and silver, assembled from small beads or twisted threads, soldered together or attached to the surface of an object of the same metal and arranged in artistic patterns. Filigree is an ancient form of metalwork but was fashionable also in Italy and France between the 17th and 19th centuries. It sometimes resembles the appearance of lace fabric and remains popular in India and other Asian countries.
$1.99
Filigree No. 3, for Alto Flute (Alto Recorder) and Vibraphone, Score and Parts
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Contemporary
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Paul Burnell
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Filigree No. 3, for Alto Flute
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Paul Burnell
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SheetMusicPlus
Instrumental Duet Alto Flute,Instrumental Duet,Vibraphone - Level 4 - Digital Download SKU: A0.1047619 Composed by Paul Burnell. Classical,Contemporary. ...
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Instrumental Duet Alto Flute,Instrumental Duet,Vibraphone - Level 4 - Digital Download SKU: A0.1047619 Composed by Paul Burnell. Classical,Contemporary. Score and parts. 13 pages. Paul Burnell #652106. Published by Paul Burnell (A0.1047619). Filigree No. 2, by Paul Burnell, composed 2015 for Alto Flute (or Bass Recorder) and Vibraphone. Download comprises both score and parts. Duration 3:20 Score shows Alto Flute at transposed pitch. A separate Bass Recorder part is available. Programme note: Written for Sara Minelli, flute, and Chris Brannick, vibraphone, and first performed by them on 1st February 2016 at King's College Chapel, London. Filigree is a delicate kind of ornamental jewellery, typically in gold and silver, assembled from small beads or twisted threads, soldered together or attached to the surface of an object of the same metal and arranged in artistic patterns. Filigree is an ancient form of metalwork but was fashionable also in Italy and France between the 17th and 19th centuries. It sometimes resembles the appearance of lace fabric and remains popular in India and other Asian countries.
$1.99
Filigree No. 4, for Flute (Soprano Recorder) and Vibraphone, Score and Parts
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Contemporary
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Paul Burnell
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Filigree No. 4, for Flute
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Paul Burnell
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Vibraphone - Level 4 - Digital Download SKU: A0.1047623 Composed by Paul Burnell. Classical,Contemporary. Score...
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Instrumental Duet Flute,Instrumental Duet,Vibraphone - Level 4 - Digital Download SKU: A0.1047623 Composed by Paul Burnell. Classical,Contemporary. Score and parts. 16 pages. Paul Burnell #652110. Published by Paul Burnell (A0.1047623). Filigree No. 4, by Paul Burnell, composed 2015 for Flute (or Soprano Recorder) and Vibraphone. Download comprises both score and parts. Duration 1:45 A separate Soprano Recorder part is available. Written for Sara Minelli, flute, and Chris Brannick, vibraphone, and first performed by them on 1st February 2016 at King's College Chapel, London. Programme note: Filigree is a delicate kind of ornamental jewellery, typically in gold and silver, assembled from small beads or twisted threads, soldered together or attached to the surface of an object of the same metal and arranged in artistic patterns. Filigree is an ancient form of metalwork but was fashionable also in Italy and France between the 17th and 19th centuries. It sometimes resembles the appearance of lace fabric and remains popular in India and other Asian countries.
$1.99
Lament
Clarinet and Marimba
Intermediate/advanced level
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Terry Vosbein
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Lament
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Max Frank Music
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SheetMusicPlus
B-Flat Bass Clarinet,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.1404871 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 16...
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B-Flat Bass Clarinet,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.1404871 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 16 pages. Max Frank Music #987900. Published by Max Frank Music (A0.1404871). The is ethereal 7-minute duet for bass clarient is a perfect showacse for these less-used instruments.PROGRAM NOTESDeep grief. Profound sadness. Feelings so immense that words do them no justice. It is at such junctures that artists often turn to abstract creative endeavors to facilitate process- ing the pain. There is frequently no option. As with the navigation of grief, this music has hopeful and even joyous moments. But despair is never far from the surface.Throughout the Lament the bass clarinet takes on the role of the mourner. The melodic lines are at times sad, confused, hopeful, prayerful, or even playful. There is a continuous sense of searching, for answers, for reasons, for a resolution that can never be. The marimba offers solace, empathy, compassion, and distraction to the dolorous melody.A tone of sorrow is established by the marimba with its evocative minor key introduction. The aria begins as the bass clarinet presents a plaintive expression of the main melody. Soon, a rhythmic mood settles in, the bass clarinet yearning and searching for answers, as the marimba offers support with jazz inspired harmonies. There are hints of melancholia, of nostalgia, even a very brief waltz, as the feelings spin freely.The tale ends as it begins, with a return to the opening sound world. A return to plainly stated sorrow, unadorned, pure, simple. After a final tender plea, bringing the bass clarinet quietly to its highest range, it descends to the depths, where it hoovers, pondering.PERFORMANCE NOTESTempi and phrasing are subject to the performersâ?? musical conception. Interpret this as one would Brahms: molto espressivo, and highly romantic.
$9.99
A Moon, A Minute
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Matthew Nunes
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A Moon, A Minute
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Matthew Nunes Music
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SheetMusicPlus
Choral Choir - Level 5 - Digital Download SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew...
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Choral Choir - Level 5 - Digital Download SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew Nunes Music #855564. Published by Matthew Nunes Music (A0.1262540). Listen to this piece here     During the spring of 2014 four of Jupiter’s moons captured my imagination with their distinctive features as well as the powerful myths associated with each name. For Europa, Ganymede, Callisto, and Io the musical ideas I would use for each became clearer the more I researched. I chose a mixed choir to convey these ideas as the human voice can convey the awe and unknown of space more convincingly than most instruments. Each movement is intended as a vignette evoking what impacted me the most about each moon: I. Europa     Able to drive Jupiter wild with her beauty, Europa was stolen away by the god and proved bountiful to her captor. The moon may have the potential to support life and is now a primary target of our scientific efforts. This movement celebrates this vitality with driving rhythms supporting a soothing melodic line. II. Ganymede      This movement is a lament for the youth and beauty that once had male and female lovers pining for Ganymede. The moon that shares his name, however, has lost its youth and has been declared geologically dead. Written for the males of the chorus this movement features stacking triads and evokes our past where the highest and most beautiful male voices were adored.  III. Callisto      Nearly killed by her own son after Hera (Jupiter’s wife) spitefully transformed her into a bear, Callisto was a beautiful nymph who Jupiter set amongst the stars as Ursa Major. The moon itself has had its share of harm: in the heavy bombardment period it was impacted multiple times by large objects, the many craters of which are visible. I wrote this movement as if it were a reassuring lullaby and is to be performed by the female voices. A solo oboe* carries the melody over thick chords and is later intertwined with the choir.         - *While oboe is the original intent for this movement a flute or violin would make for an acceptable substitution. IV. Io     Io is a woman who suffered greatly under Jupiter’s lust and the bitterness of Hera’s jealousy. This moon represents the frustrations of suffering with its hundreds of active volcanoes and undying rumblings beneath the surface. Because of this it is one of the most tumultuous objects in our galaxy.  The choir churns forth with motives based off of diminished chords until the pressure built up can no longer be contained – eruption is imminent.- Matthew NunesWindsor, August 2014.
$2.50
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